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Books > Music > Musical instruments & instrumental ensembles > Keyboard instruments
The best-selling Improve your sight-reading! Series, by renowned educationalist Paul Harris, has now been extended to offer a series of editions supporting the Trinity College London sight-reading criteria. Improve your sight-reading! Trinity Edition Piano Grade 5 has been specifically written to reflect Trinity's parameters for Grade 5 and contains new material throughout. Improve your sight-reading! Series is designed to help you overcome all your sight-reading problems. These books follow the same progressive format as previous editions, where technical aspects are introduced step-by-step firstly through rhythmic and melodic exercises, then by studying prepared pieces with associated questions, and finally by 'going solo' with a series of meticulously graded sight-reading pieces.
(Piano Solo Selections). Solo arrangements of ten tunes from this beloved Broadway smash: As Long as You're Mine * Dancing Through Life * Defying Gravity * For Good * I'm Not That Girl * No One Mourns the Wicked * Popular * What Is This Feeling? * The Wizard and I * Wonderful.
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
Though incomplete at the time of his death in 1849, Chopin's Projet de methode was nonetheless revolutionary in many respects. But with his Fundamental Pattern, Chopin announced the recognition, if not discovery, of the keyboard's extraordinary topographical symmetry and postulated a core formulation for a new "pianistic" pedagogy. More than a hundred years later the now-legendary Heinrich Neuhaus would passionately plead for this pedagogy and a pianism rooted in it. Natural Fingering explores this remarkable symmetry, significantly as it sheds light on fingering matters for the now vast catalogue of repertoire. It also examines the revolutionary impact of equal temperament on compositional key choice as well as the liberating influence of Charles Eschmann-Dumur's unique discoveries regarding symmetrical inversion. Author Jon Verbalis develops principles for a topographically-based fingering strategy that reflect a surprising compatibility of this fixed symmetrical organization with the most efficient biokinetic capabilities of the pianist's playing mechanism. He addresses previously neglected or overlooked technical aspects of pianism as they relate to movement in keyboard space generally as well as fingering specifically. Symmetrical fingerings for all the fundamental forms are presented in innovative, instructive format. The reader will also find an unusually extensive, in-depth discussion of double note challenges. Answering Neuhaus's call for the reappraisal of a certain pedagogical status quo, several chapters are devoted to the relevant implications of Chopin's Fundamental Pattern. The author also advances guidelines for a progressive implementation of natural fingering principles from the very start, as well as "retooling" for teachers and students alike. Of special note are the cross-hand major and minor scales for the earliest stages, in which the necessity of thumb under/hand over pivoting actions is eliminated. Natural Fingering is the first comprehensive discussion of fingering solutions for pianists since Hummel's monumental treatise of 1828. The book is complemented by a companion website, which serves as a supplement to the printed edition. The website features copious excerpts from the extant repertoire, extended discussions on relevant topics, and a comprehensive manual of the fundamental forms with symmetrically adjusted fingerings.
New synths with unique features and layers of complexity are released frequently, with hundreds of different synths currently available in the marketplace. How do you know which ones to use and how do you get the most out of the ones you already own? The Musical Art of Synthesis presents synthesizer programming with a specific focus on synthesis as a musical tool. Through its innovative design, this title offers an applied approach by providing a breakdown of synthesis methods by type, the inclusion of step-by-step patch recipes, and extensive web-based media content including tutorials, demonstrations, and additional background information. Sam McGuire and Nathan van der Rest guide you to master synthesis and transcend the technical aspects as a musician and artist.
(Piano Solo Personality). Recorded in a remote monastery in Verona, Ludovico Einaudi's In a Time Lapse explores the concept of capturing emotions and experiences in a single moment in time. This exclusive matching piano folio presents all 14 tracks from the album plus five bonus pieces.
The name of Ruckers is as important to early keyboard instruments as Stradivarius is to strings. This book describes in close detail the art and technique of the Ruckers family, who produced harpsichords and virginals throughout a period of over 100 years. Dr O'Brien provides detailed information about the construction and decoration of Ruckers harpsichords and virginals, as well as the numbering, pitch, stringing, and the determination of the original state of their instruments. Like Stradivarius violins, Ruckers instruments were later altered, and the nature and musical significance of these alterations are discussed, as is the influence of the Ruckers style on later building practice. The instruments in their original and altered states are considered in relation to the music of the time and to contemporary performance practice. The text is richly illustrated with diagrams and pictures of original instruments, and with plan-view photographs reproduced at a scale of 1: 10. The book also contains a partially illustrated catalogue of authentic and fake instruments, followed by extensive appendices.
(Willis). Part 1 of a comprehensive step-by-step course specifically designed to suit the needs of all students beginning the piano. Includes: characters and illustrations * writing exercises * sight reading drills * review work * accompaniments * accompaniments for teacher or parent. Beloved worldwide since 1955 and now with audio tracks accessible online!
Two books bound together, by one of greatest pianists of all time and his famed teacher: The Shortest Way to Pianistic Perfection, and Rhythmics, Dynamics, Pedal and Other Problems of Piano Playing.
(E.B. Marks). 51 songs, including music from Casino Paradise, Dynamite Tonite, Greatshot, The Wind in the Willows, Ancient Cabaret, Minicabs, Songs to Dance, and songs not from a show, set, or cycle ("Lime Jello Marshmallow Cottage Cheese Surprise" and more). With notes on the songs, manuscript facsimiles, and composer comments. Includes several first editions and first-time transpositions. There are different songlists for the High Voice and Medium/Low Voice editions.
(Music Sales America). Restart Piano guides returning players through 12 specially selected tracks to bring them successfully back up to speed with the piano at their own enjoyable pace. With additional exercises, tips and theory reminders, latent pianists will find the learning curve engaging and rewarding yet flexible, with special focus paid to common issues such as posture, playing dexterity and sight reading. The Restart series of books are written by specialist practicing teachers for people rediscovering the joy of playing music again. Each title comes complete with an accompanying CD of popular and classical backing tracks and online support materials. Songs include: Clocks * The Entertainer * I Dreamed a Dream * Let It Be * Minuet in G * Theme from "Schindler's List" * and more.
Many people wish they could sit down at the piano and simply play,
their hands flying over the keys as melodies pour out. With this
simple, achievable program that's possible..."in just six weeks."
Using Dan Delaney's innovative chord playing techniques, as opposed
to more classical methods, musical newcomers and lapsed musicians
can quickly and easily gain skills. Each of the six weeks' worth of
lessons contains several exercises. The classes build on each
other, becoming progressively more difficult as the player's
ability improves, and every lesson includes sheet music, practice
advice, and an evaluation at the end. Plus, MP3 audios of the
lessons will be available for free on Delaney's website.
(Piano Play-Along). Play 8 of your favorite songs with sound-alike CD tracks. Each volume in this series comes with a CD of orchestrated arrangements. The music in this book matches these recorded orchestrations. There are two tracks for each a full performance for listening, plus a separate backing track which lets you be the soloist The music even includes a separate vocal staff, plus guitar frames, so you or your friends can also sing or strum along This volume features 8 songs: Empire State of Mind * Fallin' * If I Ain't Got You * Like You'll Never See Me Again * No One * Try Sleeping with a Broken Heart * A Woman's Worth * You Don't Know My Name.
The Faber Music Easy Piano Anthology is a must-have collection of some of the most popular pieces of music, covering timeless classics, film favourites and chart hits, all expertly arranged for elementary pianists and upwards. Beautifully presented in progressive order, contents include music by John Lennon, Bach, Adele and Chopin.
Mozart's piano sonatas form a richly diverse and significant part of his instrumental output, and span much of his mature composing career, thereby representing a microcosm of the composer's changing style. Part I examines the contexts in which the sonatas were composed and performed, and reviews likely sources of influence. Part II concentrates on the genesis of the sonatas and the surviving autographs, which reveal important information about Mozart's compositional process. In Part III the music is studied from the standpoint of rhetoric - a discipline featured in numerous contemporary aesthetic and theoretical textbooks on music - and proceeds through an investigation of the nature of the musical ideas, followed by a discussion of formal design and finally a consideration of the style. The resulting picture affords a cross-section of Mozart's compositional strategies.
A great collection of 20 hymns arranged at an easy level, including: Abide with Me * Amazing Grace * Blessed Assurance * For the Beauty of the Earth * Holy, Holy, Holy * A Mighty Fortress Is Our God * Savior, Like a Shepherd Lead Us * To God Be the Glory * What a Friend We Have in Jesus * and more.
(Musicians Institute Press). Now available with a play-along CD This one-on-one lesson with Musicians Institute instructor Peter Deneff features 50 exercises for the beginning to professional jazz pianist, covering: angular lines, large intervals, pentatonic patterns, blues scales, irregular chromatic melodies, double-note patterns, suggested fingerings, suggestions for practice, and more.
This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.
A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.
(Schirmer Performance Editions). Schirmer Performance Editions are designed for piano students and their teachers as well as for professional pianists. Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by renowned artists/teachers, these publications provide an accurate, well-informed score resource for pianists. Johann Sebastian Bach (1685-1750) married his second wife in 1721. By that time, he was already an established organist, court and chamber musician, and Kapellmeister at the Cothen court. After their marriage, the couple started right away on a Keyboard Notebook ( Clavier Buchlein ) for Anna Magdalena's practice. Eventually they collected two separate books (begun in 1722 and 1725), which are known today as the Notebook for Anna Magdalena Bach. Editor & recording artist: Christos Tsitsaros |
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