Bastien Piano Basics is suitable for children aged 7 upwards.

The course uses a gradual multi-key approach, with reading beginning in the C five-finger position.

This method with an ideal pacing ensures success for young beginners.

For more than a century the piano occupied a dominant place in music and society. Professor Ehrlich follows its fascinating history from the fortepiano of Mozart's time, through the Victorians' `household orchestra and god', to the most sophisticated modern products of the Japanese manufacturers. His protagonists include barnstorming virtuosi, fashionable ladies and aspiring clerks, the great makers and the back-street `garrett-masters', distinguished musicians, and hire-purchase touts. Originally published in 1976 by Dent, this book has now been updated and revised by the author in the light of developments of recent years.

Five superb albums of graded pieces provide a wealth of jazz repertoire for you to play. Throughout, there is a huge range of styles, from bebop blues to calypsos, boogie-woogie to ballads, jazz waltzes to free jazz. There are classic tunes by the jazz greats, including Duke Ellington, Miles Davis and Thelonious Monk. And there are brand-new pieces specially commissioned from professional British jazz musicians and educators. Each album presents 15 pieces in three lists: blues, standards and contemporary jazz. The head of each piece is set out with all the characteristic voicings, phrasing and rhythmic patterns you need for a stylish performance. The improvised section gives guideline pitches and left-hand voicings as a practical starting-point. Accessible, student-centred and of the highest musical standards, these pieces will get you playing jazz confidently and creatively.

This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it.

(E-Z Play Today). 19 of ABBA's biggest hits, including: Dancing Queen * Fernando * Knowing Me, Knowing You * Mamma Mia * Money, Money, Money * The Name of the Game * S.O.S. * Take a Chance on Me * Waterloo * and more.

for Tenor Tuba (Euphonium) and piano Vaughan Williams's Concerto for Bass Tuba and Orchestra was the first major concerto to be written for the instrument. It was composed in 1953-4 to mark the 50th anniversary of the LSO, and was premiered by the orchestra's principal tuba player, Philip Catelinet. The original plan to transpose it for Euphonium was not realised during the composer's lifetime, and only now, in this transcription by David Childs, has that goal been attained, with Vaughan Williams's orchestration deftly transposed and rearranged by Rodney Newton to allow this characteristic work to enter the repertoire of many more players.

(Faber Piano Adventures ). Enhancements to the 2nd Edition Level 2B Technique & Artistry Book include emphasis on pattern recognition, new teacher duets for several Artistry Magic pieces, and a new exercise to prepare students for playing chord changes. The four effective technique secrets are used as warm-ups throughout the book.

Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d'ephemeride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.

This superb volume comprises a selection of 20 pieces by Charles Villiers Stanford, the hugely influential composer, conductor, and teacher from the late-Victorian and Edwardian age. It provides the repertoire-hungry organist with preludes, postludes, and shorter descriptive works, suitable for either liturgical or recital use. Alongside new editions of original organ repertoire, there are newly commissioned arrangements of selected choral and piano works, exploring a wide variety of textures and atmospheres. The music reflects Stanford's lyricism and dramatic flair, as well as his considerable compositional range.

Ever wondered how to create better accompaniments for the melodies in your favorite fake books?

This "teach yourself" book introduces you to chord building, various rhythmic styles, and much more, so that you play the songs you like just the way you want them. Keyboard players with a basic understanding of notation and sight-reading will be on their way to more fun with fake books.

The relaxed tone of the text and selection of fun songs keep How to Play from a Fake Book entertaining throughout - perfect for amateur musicians, or as a supplement for keyboard teachers and their students.

Representative works of one hundred thirty-nine major composers selected from the keyboard literature of nearly four centuries, about one thousand pages of music and informative text make up the contents of this four-volume Anthology. Beginning with Giovanni Gabrieli's short prelude, "Intonazione: , written in 1593; continuing in approximately chronological sequence with outstanding works of all periods; concluding with several contemporary compositions written as recently as the 1960's, a fascinating panorama of piano music unfolds on these pages.

Improvising Fugue: A Method for Keyboard Artists is a guide for those who aspire to the highest levels of fluency as inventors of spontaneous music at the piano, fortepiano, harpsichord, organ, or digital keyboard. Written for professional performers, conservatory students, and devoted amateurs, this book leads the reader along the arduous journey from score dependency to improvisational freedom. Improvising Fugue begins with a comprehensive course in 18th century Italian partimento, the system of musicianship training that simultaneously strengthens improvisation, counterpoint, harmony, keyboard skills, and audiation. The reader then encounters fugue improvisation in a gradual, methodical, and rigorous manner. Every concept is accompanied by extensive and clear explanation, examples from music literature, and practical exercises. The book covers every aspect of fugue improvisation in depth, including subjects, countersubjects, tonal and real answers, episodes, presentations, pedal points, and stretti. Author John J. Mortensen draws on experience as a concert improviser on the international stage; the book's pragmatic, real-world instruction comes from a seasoned performer who knows firsthand exactly what is required to improvise fugues in the presence of a live audience.

Contains two versions of the vocal parts - for SATB and piano or orchestra, or SS or SA and piano or orchestra.

Ever think to yourself, "I wish I hadn't stopped playing the piano!"? If so, then this is the perfect book to help you dive back into the fun world of creating music! It allows you to play the songs you know and love, from pop tunes to folk songs to familiar classical music. 44 songs include: Amazing Grace * Eine Kleine Nachtmusik * Forrest Gump - Main Title (Feather Theme) * I Walk the Line * Jesu, Joy of Man's Desiring * Let It Be * The Music of the Night * Stand by Me * Sweet Home Alabama * Twinkle, Twinkle Little Star * and many more!

for organ manuals
This collection of 29 titles includes preludes, postludes, and other music for services and concerts. All pieces can be played effectively on a one-manual organ with appropriate stops. This is the third book in a progressive series.

Gripping narrative nonfiction that tells the dramatic story of a remarkable young Texan pianist, Van Cliburn, who played his way through the wall of fear built by the Cold War, won the hearts of the American and Russian people, and eased tensions between two superpowers on the brink of nuclear war. In 1958, an unheralded twenty-three-year-old piano prodigy from Texas named Van Cliburn traveled to Moscow to compete in the First International Tchaikovsky Competition. The Soviets had no intention of bestowing their coveted prize on an unknown American; a Russian pianist had already been chosen to win. Yet when the gangly Texan with the shy grin took the stage and began to play, he instantly captivated an entire nation. The Soviet people were charmed by Van Cliburn's extraordinary talent, passion, and fresh-faced innocence, but it was his palpable love for the music that earned their devotion; for many, he played more like a Russian than their own musicians. As enraptured crowds mobbed Cliburn's performances, pressure mounted to award him the competition prize. "Is he the best?" Soviet Premier Nikita Khrushchev demanded of the judges. "In that case ...give him the prize!" Adored by millions in the USSR, Cliburn returned to a thunderous hero's welcome in the USA and became, for a time, an ambassador of hope for two dangerously hostile superpowers. In this thrilling, impeccably researched account, Nigel Cliff recreates the drama and tension of the Cold War era, and brings into focus the gifted musician and deeply compelling figure whose music would temporarily bridge the divide between two dangerously hostile powers.

(Faber Piano Adventures ). The thorough reinvention of the 2B Theory Book offers eight superb new pages for in-depth study of chords, harmonization, and rhythm. New improvisation activities offer creative exploration of scales in C major, G major and F major.

This volume brings together two early collections by Grieg to form an attractive first book of characterful piano pieces. The 'Lyric Pieces', published when the composer was 24, are amongst the easiest pieces Grieg wrote for the piano, and represent a conscious attempt to provide accessible and tuneful music for beginners.

The 21 pieces in this collection represent some of the best miniature masterworks in piano literature. These pieces were carefully selected not only for their overall quality and musicality, but because they advance very logically from the five-finger position pieces that preceded them in Pathways to Artistry: Masterworks, Book 1. For maximum benefit, students should work through the skills that are comprehensively presented in Pathways to Artistry: Technique, Book 2. Titles: Alpine Dance (Heinrich Wohlfahrt) * BourA(c)e (Felix Le Couppey) * The Cuckoo (Eduard HorAk) * English Gigue (Samuel Arnold) * Etude in A Minor (Ludvig Schytte) * Hopak (Alexander Goedicke) * The Kingas Fanfare (William Duncombe) * Little Scherzo (Ludvig Schytte) * A Lovely Day (Daniel Gottlob TA1/4rk) * Melodic Etude, Op. 108, No. 12 (Ludvig Schytte) * Minuet in F Major, K. 2 (Wolfgang Amadeus Mozart) * Playful Dances (Jacob Schmitt) * A Pleasant Morning (Jean Louis Streabbog) * Quadrille (Franz Joseph Haydn) * Rain (Nicolai Lyubarski) * Royal Trumpet March (Jeremiah Clarke) * The Shepherdas Song (Nicolai Lyubarski) * Sonatina in C Major (William Duncombe) * Song from For Children (BA(c)la BartA3k) * Song without Words (Louis KAhler) * Trio (Anton Diabelli).

Improve your sight-reading! Piano Grade 3 (Elementary) is part of the best-selling series by Paul Harris, guaranteed to improve your sight-reading! This workbook helps the player overcome problems by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally by 'going solo' with a series of meticulously graded sight-reading pieces. This edition now includes supporting audio available online for students to check their performances against. The Improve your sight-reading! series will help you improve your reading ability, and with numerous practice tests included, will ensure sight-reading success in graded exams.

Discussing the solo piano music of Joseph Haydn, the leading composer of the Classical period, this complete survey includes a graded list of all of these works as well as detailed and constructive suggestions for study and performance. A lengthy introduction discusses the life, times, and the essential style of his piano writing. A reference book for pianists of any level, this volume is illustrated with numerous musical examples.