Critical Reading and Writing is a fully introductory, interactive textbook that explores the power relations at work in and behind the texts we encounter in our everyday lives.
Using examples from numerous genres - such as popular fiction, advertisements and newspapers - this textbook examines the language choices a writer must make in structuring texts, representing the world and positioning the reader. Assuming no prior knowledge of linguistics, Critical Reading and Writing offers guidance on how to read texts critically and how to develop effective writing skills.
Features include:
* activities in analysis, writing and rewriting
* an appendix of comments on activities
* further reading sections at the end of each unit
* a glossary of linguistics terms
* suggestions for five extended writing projects.
Written by an experienced teacher, Critical Reading and Writing has multidisciplinary appeal but will be particularly relevant for use on introductory English and Communications courses.

A hundred years ago, a small settlement sprang up in theNorthern Cape. A rich diversity of people moved in, as the children were born, Vatmaar became a village. A. H. M. Scholtz tells of Oom Chai, who in turn tells of a Vuurmaak, who in turn introduces someone else. Thus a chain of stories is created interlinking the fates of unforgettable characters like Lance-Corporal George Lewis and his Tswana wife, Rush, Sis Bet, Old Chetty, Hendruk, January, Tant Vonnie and her daughters as they recount tales of the Anglo-Boer War, the diamond diggings, court cases and stokvels: the tricksters and the tricked, marriages and funerals, love and betrayal. A Place Called Vatmaar is a panoramic novel: compelling, wise and humane.

This edition of the Pocket Oxford Latin Dictionary offers essential coverage of Latin words and grammar, as well as extra information on Roman history and culture. It takes account of the latest research into Latin, and is designed specifically to fit the needs of today's student. It covers over 45,000 words and phrases, including additions from the writings of Plautus and Terence, and from the study of Silver Latin. Common irregular verb parts are given as headwords for greater clarity, and boxed notes provide help with language usage, and with difficult words and constructions. There are appendices on historical, mythological, and geographical names; money, dates, times, weights and measures; plus poetic metre and medieval Latin. With a timeline of important dates, and biographies on Roman writers, this edition is packed with interesting and essential information on Roman history and culture. Also with pronunciation help and a guide to Latin grammar, this compact and affordable dictionary is a necessity for all students and adult learners of Latin.

This is a reissue of this Methuen classic to tie in with a major new production. The republic of Andorra is invaded by totalitarian forces. The populace capitulates to the anti-Semitism of the aggressor and betrays Andri, the foundling son of the local schoolmaster. But Andri it seems, is not a Jew at all. Andorra explores the mechanism of racism with the story of a non-Jew brought up as a Jew, who falls victim to anti-Semitic hostility.

This remarkable and symbolic novel centers around Wariinga's tragedy and uses it to tell a story of contemporary Kenya faced with the "satan of capitalism." Ngugi has directed his writing even more firmly towards the commitment that he shows in Writers in Politics and Detained: A Writer's Prison Diary. The novel was written secretly in prison on the only available material -- lavatory paper. It was discovered when almost complete but unexpectedly returned to him on his release. Such was the demand for the original Gikuyu edition that it reprinted on publication.

This 'little history' takes on a very big subject: the glorious span of literature from Greek myth to graphic novels, from The Epic of Gilgamesh to Harry Potter. John Sutherland is perfectly suited to the task. He has researched, taught, and written on virtually every area of literature, and his infectious passion for books and reading has defined his own life. Now he guides young readers and the grown-ups in their lives on an entertaining journey 'through the wardrobe' to a greater awareness of how literature from across the world can transport us and help us to make sense of what it means to be human. Sutherland introduces great classics in his own irresistible way, enlivening his offerings with humor as well as learning: Beowulf, Shakespeare, Don Quixote, the Romantics, Dickens, Moby Dick, The Waste Land, Woolf, 1984, and dozens of others. He adds to these a less-expected, personal selection of authors and works, including literature usually considered well below 'serious attention' - from the rude jests of Anglo-Saxon runes to The Da Vinci Code. With masterful digressions into various themes - censorship, narrative tricks, self-publishing, taste, creativity, and madness - Sutherland demonstrates the full depth and intrigue of reading. For younger readers, he offers a proper introduction to literature, promising to interest as much as instruct. For more experienced readers, he promises just the same.

This "Companion" provides a comprehensive introduction to key topics in the study of ancient history.
Examines the forms of evidence, problems, approaches, and major themes in the study of ancient history
Comprises more than 40 essays, written by leading international scholars
Moves beyond the primary focus on Greece and Rome with coverage of the various cultures within the ancient Mediterranean
Draws on the latest research in the field
Provides an essential resource for any student of ancient history

A superb novel by an award-winning author.

The background is the Eastern Cape, where in the 1850s, a 16-year-old prophetess, Nongqawuse, instructed the Xhosa nation to kill all their cattle and destroy their crops. She foretold that on an appointed day, the dead would arise, the kraals would be full of cattle, the silos full of fresh grain, and the white colonists and others who did not believe in her would be swept into the sea.

Mda weaves a captivating story about a family caught up in the events of the 1850s, and their descendants' continuing feud in the 1990s.

Dit is 'n jaar na die Anglo-Boereoorlog, en in die middel van 'n sirkus-arena in die Amerikaanse hartland staan 'n man in wat later jare as die tipiese drag van Boerekrygers herken sou word: breerandhoed, onderbaadjie, bandelier, kamaste. Hy het 'n druipsnor en bokbaardjie, wakker oe en 'n lang, reguit neusbrug. Hy kondig die vertoning met 'n paradegrondstem aan: "Ladies and gentleman, the Battle of Paardeberg!" Agter die skerms gee die sirkusbaas die teken en die donderslae van kanonvuur laat die gehoor na hul ore gryp, die arena word gevul met rook, gille en die tap-tap van geweervuur. Die man in die middel van die arena is Ben Viljoen, generaal Ben Viljoen. 'n Jaar tevore was hy nog een van die Boeremagte se knapste bevelvoerders. Die sirkusbaas agter die skerms is ene Frank Fillis, 'n impresario van wereldformaat. Sonja Loots se roman is die verhaal van oud-Boerestryders se deelname aan Fillis se sirkus – enersyds die verhaal van mense wat van hul ergste trauma 'n sirkus gemaak het; andersyds die verhaal van iemand wat weet hoe om die mens se aptyt vir skouspelagtige geweld uit te buit.

Flip Lochner is a weary and disillusioned newspaper crime reporter. Curious to find out more about the origins of a casual acquaintance, he descends into Devil's Valley where, like Dante's Virgil, he encounters a bewildering array of mysterious characters and events that lead him to reevaluate the world in which he lives and which he thought he knew. Fusing invention and reality, magic realism and earthy humour, Lochner's adventures in the valley centre around the journey he undertakes to discover the truth about the elusive and erotic figure of Emma, one of Brink's most remarkable creations.

The four plays in this edition of Athol Fugard's best work are set among the people and in the place he knows most intimately - Port Elizabeth, South Africa, where he grew up. Each explores a close and tense family situation or relationship against the background of wider suffering and tensions, engaging our sympathies for South Africans of all races in their struggle to retain dignity and hope.

When thinking about a name for this anthology, it was hard to find a single phrase that would come close to assembling all that the writers collected here are - and what they represent as most of them go beyond definition. We Are is simple, precise and will prompt you to ask who, exactly are we? Apart from their role as writers, the artists collected here tell their stories in various ways and represent diverse societal courses: as gender and social activists, journalists, filmmakers, actors, playwrights and musicians, among others. Therefore, we are all that we can be, without limits. As poets, we are reflections of the words we write, therefore moulding memories and tomorrows that never fail to turn up. We Are is an attempt to let you into issues prominent in the environment and minds of some of South Africa's most talented and experienced artists. They are young, but experienced, because of their urge for poetic expression. So they publish their work, perform locally and internationally, createworkshops around literature, engage with the community, and record their performances with background music, among other exciting efforts.

In the heart of rural Botswana, the poverty stricken village of Golema Mmidi is a haven to exiles from far and wide. A South African political refugee and an Englishman join forces to revolutionise the villagers' traditional farming methods, but their task is fraught with hazards as the pressures of tradition, opposition from the local chief and the unrelenting climate threaten to divide and devastate the fragile community.

Topics in Morphology in the African language context presents a detailed description of a sub-discipline of linguistics, which has fascinated researchers in African languages ever since the analyses of these languages were first carried out. This is not at all surprising when one considers that these languages are agglutinating in nature, a characteristic which allows for countless observations to be made about the status and interrelationship of morphemes in words. The title presents an interesting survey of the most salient issues in morphology, with specific reference to the African language context, and from a research point of view, fills a need that has long been overdue. Although complex issues are sometimes associated with morphological phenomena, the author has adopted a user-friendly style which would be most appealing to students, and at the same time the approach used in the analysis would also provide valuable information to subject specialists. This is a title, and the author has satisfactory demonstrated her insightful knowledge and expertise in the handling of morphological data.

Volphone's reverential prayer to his heaps of gold launches the sharpest, funniest play about money and morals in the 17th century - a play still wickedly relevant on the same topics four centuries later. Ben Jonson's comedy depicts selfishness thinly veiled by sanctimonious speeches, lust and possessiveness poorly disguised as love and marriage, and cynical legalism passing itself off as pure justice, alongside snobbery, class warfare and greed. The wily protagonists keep a dozen conventional plots spinning in the minds of their dupes, and when their amazing juggling act finally unravels, there are yet more twists - and an even deeper cynicisim - to the story. The play is partly a beast-fable: the wily fox, Volpone, plays dead to lure flesh-eating birds that he can then consume. But the beasts are the human race, and polite society the biggest, greediest scam of them all.

This student edition contains a lengthy Introduction with background on the author, date and sources, critical interpretation and stage history.

Robert N. Watson is Distinguished Professor of English at UCLA. His publications include "Critical Essays on Ben Jonson "(as editor) and Ben Jonson's "Parodic Strategy." He also edited the New Mermaids edition of "Every Man in His Humour."

Triomf, originally written and published in Afrikaans, immediately captured the public imagination and proved to be a runaway success. It was awarded the CNA Literary Award and the M-Net Prize, in 1995, and the Mona Award for African Literature.
This is the story of the four inhabitants of 127 Martha Street in the white suburb of Triomf, built over the ruins of old Sophiatown, once the vibrant and notorious centre of black city life in Johannesburg.
Through their eyes the novel probes Afrikaner history and the politics of the old South Africa, in order to reveal the bizarre and tragic effects of apartheid on the white lower classes who should have been its main beneficiaries.

'… deeply disturbing … tender … hilarious. It would be difficult to exaggerate the astonishing power of this book.'
- Jane Rosenthal, Mail & Guardian

Kroniek uit die doofpot is die verhaal van 'n swart polisieman se soeke na geregtigheid en dis gebaseer op die werklikheid. Ten spyte van sy armoedige kinderlewe op 'n plaas in die Vrystaat, verwesenlik Tumelo John Moleko sy droom om by die polisie aan te sluit. En uiteindelik kan hy 'n huis en motor vir sy gesin bekostig en in sy eie tuin werk: Dus, die lewe van 'n gewone, eerbare man. Op 'n dag word Tumelo egter onregverdig beskuldig en 'n hou teen sy oor is die begin van doofheid en eindelose mediese probleme. Wanneer hy 'n klag le teen sy senior kollega, kolonel Van Niekerk, loop hy hom teen 'n muur van korrupsie en rassisme vas. In die nag van 30 November 1987 is polisieman Tumelo in sy huis met sy vrou Busi deur 'n paar oud-kollegas vermoor. Die roman is sober aangebied, maar die leser weet waarop dit onvermydelik afstuur – daarin le die spanning en tragiek.

German-language approaches to translation have been revolutionized by the theory of action (Handlungstheorie) and the related theory of translation's goal or purpose (Skopstheorie). Both these approaches are functionalist: they seek to liberate translators from servitude to the source text, seeing translation as a new communicative act that must be purposeful with respect to the translator's client and readership. As one of the leading figures in this field, Christiane Nord gives the first full survey of functionalist approaches in English. She explains the complexities of the theories and their terms, using simple language with numerous examples. The book includes an overview of how the theories developed, illustrations of the main ideas, and specific applications to translator training, literary translation, interpreting and ethics. The survey concludes with a concise review of the criticisms that have been made of the theories, together with perspectives for the future development of functionalist approaches.

Mme ke e nngwe ya dipale tsa Maake tse qholotsang tjantjello. E ngotswe ke mongodi wa dipale le ditshwantshiso ya hapileng dikgau tse ngata. Moporofesara D.P. Kunene o re ka yena: "Ke lentswe le hahlang ka moya o motjha dingolweng tsa dipuo tsa seAforika," ha Moporofesara C.F. Swanepoel yena a re: "O lelekela (mohlomong le hona ho itlhoma pele) moloko wa bohlano wa bangodi ba Sesotho ha esale ka 1833 ha Basotho ba qala ho ngola." Bophelo ba Dikeledi, ya tsejwang ka la Mmateboho, bo momahane le ba mosadi ya bitswang ka ho re ke Mme. Pale e re kgutlisetsa morao qalong ya bophelo ba bona. Poloto e phethahala metseng ya Sebokeng le Sharpeville, mme e re utollela tsa bophelo, botjha, kahlamelo ke bomphato, ho tujwa, ho hola le tsa lenyalo. Poloto e thatolohang ka methinya e tla o siya o eme le wa Mateneng. Maake o se a ile a hapa dikgau tse mmalwana ka dingolwa tsa hae.

Ho baithuti ba bangata thothokiso ke masirela a bipileng dikatilweng tse sa utlwisiseheng. Sengolwa sena Makatolle se katolla bothata bona hore thothokiso e utlwisisehe mme e natefele bohle. Felehetsang baithuti ba dithothokiso tseleng ena ke hona. Most learners find poetry to be abstract and difficult. Makatolle helps to simplify poetry in the most understandable manner. Ho baithuti ba bangata thothokiso ke masirela a bipileng dikatilweng tse sa utlwisiseheng. Sengolwa sena Makatolle se katolla bothata bona hore thothokiso e utlwisisehe mme e natefele bohle. Felehetsang baithuti ba dithothokiso tseleng ena ke hona. Most learners find poetry to be abstract and difficult. Makatolle helps to simplify poetry in the most understandable manner.

God sou nooit so 'n spesie bedink nie," se Seamus Butler van sy kantelbokke, die genetiese frats wat sy vader toevallig geteel het op die Setlaar-familieplaas. Die bokke het 'n aangebore defek wat goud werd is: hulle slaan flou neer as hulle skrik. 'n Enkele kantelbok wei saam met 'n trop kleinvee en as 'n ongedierte toeslaan, word die bok prooi en die kudde ontkom. Hulle, die weemoedige bokke met die spottende geel oe, gee die Butlers rykdom en invloed in die Oos-Kaap – en dis belangrik in die tyd van die groot politieke ommekeer. Want die oopbars van 'n oliebron reg in die middel van die hawestad Port Cecil dryf die swart civic-organisasie se aandrang op 'n verenigde stadsraad op die spits. Aan die voorpunt van die swart aspirasies staan MaNdlovu Thandani, onvernietigbaar en groter as lewensgroot. Teenoor haar: Seamus Butler met sy donker; depressiewe buie wat in hom sleur soos die rivier wat in sewe deltabene deur die stad in die see uitmond. En rondom hulle, in twee werelde wat deur die geskiedenis op mekaar afgestuur word, is elkeen se familiekring wat dreig om mee te gee onder die druk van die tyd. Dis hier waar die verhaal van Die stoetmeester meesleurend deurloop, deur die lewens van mense, elkeen betrokke by, elkeen uitgelewer aan die boeiende oerwereld van die Oos-Kaap in 'n tyd waarin skoonheid en wreedheid, gewelddadigheid en hoop verstrengel raak. Die stoetmeester is, na die satiriese roman Casspirs en Campari's, veel meer verwant aan die sfeer van Toorberg, Etienne van Heerden se hoogs suksesvolle tweede roman. 'n Storie soos min, wat opstaan uit die weeige maar grootse landskap van die Kei.

Introducing Translation Studies remains the definitive guide to the theories and concepts that make up the field of translation studies. Providing an accessible and up-to-date overview, it has long been the essential textbook on courses worldwide. This fourth edition has been fully revised and continues to provide a balanced and detailed guide to the theoretical landscape. Each theory is applied to a wide range of languages, including Bengali, Chinese, English, French, German, Italian, Punjabi, Portuguese and Spanish. A broad spectrum of texts is analysed, including the Bible, Buddhist sutras, Beowulf, the fiction of Garcia Marquez and Proust, European Union and UNESCO documents, a range of contemporary films, a travel brochure, a children's cookery book and the translations of Harry Potter. Each chapter comprises an introduction outlining the translation theory or theories, illustrative texts with translations, case studies, a chapter summary and discussion points and exercises. NEW FEATURES IN THIS FOURTH EDITION INCLUDE: new material to keep up with developments in research and practice, including the sociology of translation, multilingual cities, translation in the digital age and specialized, audiovisual and machine translation revised discussion points and updated figures and tables new, in-chapter activities with links to online materials and articles to encourage independent research an extensive updated companion website with video introductions and journal articles to accompany each chapter, online exercises, an interactive timeline, weblinks, and powerpoint slides for teacher support This is a practical, user-friendly textbook ideal for students and researchers on courses in Translation and Translation Studies.