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Books > Language & Literature > Language teaching & learning (other than ELT) > Language teaching theory & methods
Revised and updated throughout, this 10th-anniversary edition of
Can Creative Writing Really Be Taught? is a significantly expanded
guide to key issues and practices in creative writing teaching
today. Challenging the myths of creative writing teaching,
experienced and up-and-coming teachers explore what works in the
classroom and workshop and what does not. Now brought up-to-date
with new issues that have emerged with the explosion of creative
writing courses in higher education, the new edition includes: *
Guides to and case studies of workshop practice * Discussions on
grading and the myth of "the easy A" * Explorations of the
relationship between reading and writing * A new chapter on
creative writing research * A new chapter on games, fan-fiction and
genre writing * New chapters on identity and activism
This new edition of Teaching Languages Online supports the
professional development of language educators as they teach all or
part of their courses online. Containing extensive additions, this
revised edition includes new models, illustrations and heuristics
to further support research-based conceptualization, creativity and
practice. In non-technical prose with emphasis on excellence in
pedagogical practice, the text takes both the new and experienced
language instructor through the nuts and bolts of online teaching
practices, using a wide range of examples to illustrate these
practices. As well as providing new resources and models, this new
edition also considers the impact of broader technological and
pedagogical changes, including mobility (learning on the move) and
learning in 3D environments.
Despite their removal from England's National Curriculum in 1988,
and claims of elitism, Latin and Greek are increasingly re-entering
the 'mainstream' educational arena. Since 2012, there have been
more students in state-maintained schools in England studying
classical subjects than in independent schools, and the number of
schools offering Classics continues to rise in the state-maintained
sector. The teaching and learning of Latin and Greek is not,
however, confined to the classroom: community-based learning for
adults and children is facilitated in newly established regional
Classics hubs in evenings and at weekends, in universities as part
of outreach, and even in parks and in prisons. This book
investigates the motivations of teachers and learners behind the
rise of Classics in the classroom and in communities, and explores
ways in which knowledge of classical languages is considered
valuable for diverse learners in the 21st century. The role of
classical languages within the English educational policy landscape
is examined, as new possibilities exist for introducing Latin and
Greek into school curricula. The state of Classics education
internationally is also investigated, with case studies presenting
the status quo in policy and practice from Australasia, North
America, the rest of Europe and worldwide. The priorities for the
future of Classics education in these diverse locations are
compared and contrasted by the editors, who conjecture what
strategies are conducive to success.
This book covers key aspects of English phonology to help readers
go on to teach pronunciation, diagnose problem areas and prioritize
important skills. This book aims to provide a clear description of
key aspects of English phonology in order to help teachers diagnose
and prioritize problem areas in pronunciation. It also aims to
develop an awareness of current issues and relevant research in the
field to inform teachers decisions, not only about what to teach,
but how to teach pronunciation, particularly in EIL contexts.
Specifically, it aims to enable readers to: understand key terms
and concepts in phonology and phonetics; become aware of current
issues and debates in research and apply these to pronunciation
teaching, particularly in EIL contexts; conduct phonological
analysis of learner language, including phonemic transcription;
diagnose and assess learner's pronunciation difficulties and needs;
and, plan a structured pronunciation syllabus. The book assumes no
prior knowledge and is a key resource for both newcomers and
experienced practitioners in the fields of English Language
Teaching as well as students of applied linguistics.
Scholar Adam J. Banks offers a mixtape of African American digital
rhetoric in his innovative study Digital Griots: African American
Rhetoric in a Multimedia Age. Presenting the DJ as a quintessential
example of the digital griot-high-tech storyteller-this book shows
how African American storytelling traditions and their digital
manifestations can help scholars and teachers shape composition
studies, thoroughly linking oral, print, and digital production in
ways that centralize African American discursive practices as part
of a multicultural set of ideas and pedagogical commitments.
DJs are models of rhetorical excellence; canon makers; time binders
who link past, present, and future in the groove and mix; and
intellectuals continuously interpreting the history and current
realities of their communities in real time. Banks uses the DJ's
practices of the mix, remix, and mixtape as tropes for reimagining
writing instruction and the study of rhetoric. He combines many of
the debates and tensions that mark black rhetorical traditions and
points to ways for scholars and students to embrace those tensions
rather than minimize them. This commitment to both honoring
traditions and embracing futuristic visions makes this text unique,
as do the sites of study included in the examination: mixtape
culture, black theology as an activist movement, everyday
narratives, and discussions of community engagement. Banks makes
explicit these connections, rarely found in African American
rhetoric scholarship, to illustrate how competing ideologies,
vernacular and academic writing, sacred and secular texts, and
oral, print, and digital literacies all must be brought together in
the study of African American rhetoric and in the teaching of
culturally relevant writing.
A remarkable addition to the study of African American rhetorical
theory and composition studies, Digital Griots: African American
Rhetoric in a Multimedia Age will compel scholars and students
alike to think about what they know of African American rhetoric in
fresh and useful ways.
A discussion of Information and Communications Technologies (ICT)
and language learning, aimed at researchers and practitioners in
the field. It deals with developments in Europe, with the majority
of the chapters focusing on the results of collaborative
international projects.
Asking students to write journals that reflect on their learning
has become a widespread pedagogical practice in recent years.
However, the scholarly literature does not address certain key
questions about how journal writing aids learning:
* Is there something inherent in journal writing that encourages
students to write reflectively?
* What psycholinguistic or cognitive factors help to explain the
power of journal writing?
* Why do some students use journals to write prolifically and
creatively while others limit their responses to summarizing the
assigned course reading?
* Why do teachers find some journal entries so much more engaging
than others?
* How do teachers' ways of responding to journals affect their
students' development as writers and thinkers?
This book addresses such questions through a careful analysis of
the journal writing of the students in the author's ESL classes at
a large urban college. It contains detailed case studies of five
culturally- and linguistically-diverse students with widely
differing responses to journal writing.
To teachers of composition for both first- and second-language
students and to teachers of graduate courses in education and
qualitative research, this book offers a contextualized description
of journal writings as a complex social activity. By emphasizing
the need for educators to reexamine their pedagogy and to learn
from their students, "Conversations of the Mind" is an
indispensable contribution to the emerging literature of teacher
research and reflective practice.
Traditionally, there has been a disconnect between theoretical
linguistics and pedagogical teacher training. This book seeks to
bridge that gap. Using engaging examples from a wide variety of
languages, it provides an innovative overview of linguistic theory
and language acquisition research for readers with a background in
education and teacher training, and without specialist knowledge of
the field. The authors draw on a range of research to ground ideas
about grammar pedagogy, presenting the notion of Virtual Grammar as
an accessible label for unifying the complexity of linguistics.
Organised thematically, the book includes helpful 'Case in point'
examples throughout the text, to illustrate specific grammar
points, and step-by-step training in linguistic methods, such as
how to analyse examples, which educators can apply to their own
teaching contexts. Through enriching language teachers'
understanding of linguistic features, the book fosters a different
perspective on grammar for educators.
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