This expansive edited collection explores in depth the georgic genre and its connections to the natural world. Together, its chapters demonstrate that georgic-a genre based primarily on two classical poems about farming, Virgil's Georgics and Hesiod's Works and Days-has been reworked by writers throughout modern and early modern English-language literary history as a way of thinking about humans' relationships with the environment. The book is divided into three sections: Defining Georgic, Managing Nature and Eco-Georgic for the Anthropocene. It centres the georgic genre in the ecocritical conversation, giving it equal prominence with pastoral, elegy and lyric as an example of 'nature writing' that can speak to urgent environmental questions throughout literary history and up to the present day. It provides an overview of the myriad ways georgic has been reworked in order to address human relationships with the environment, through focused case studies on individual texts and authors, including James Grainger, William Wordsworth, Henry David Thoreau, George Eliot, Thomas Hardy, Seamus Heaney, Judith Wright and Rachel Blau DuPlessis. This is a much-needed volume for literary critics, academics and students engaged in ecocritical studies, environmental humanities and literature, addressing a significantly overlooked environmental literary genre.

A practical, accessible textbook for undergraduate students with no background in linguistics. Incorporates a range of pedagogical features such as real texts, end of chapter exercises, web links, annotated bibliography and glossary which makes it the ideal textbook for students coming to this topic for the first time. Now supported by IOS and Android app that features grammar exercises; translations; and readings of texts that will support and engage student in their understanding of this topic. Only textbook available that combines the study of Old, Middle and Early Modern English which sets this book apart from the competition.

This is a reissue of a critical introduction to the novels of Virginia Woolf, first published in 1977. It makes close, illuminating readings of her nine novels, placing Woolf in her literary context and providing an accessible, clear and valuable guide for students starting out on a study of Woolf as a novelist, and for general readers seeking a fresh, helpful entry-point to the challenge of reading Woolf. Twenty years later, Hermione Lee wrote a prize-winning and acclaimed biography of Virginia Woolf: this critical study represented an early stage in this biographer-critic 's life-long interest and involvement with Woolf 's life and work.

* A practical guide for students in writing classes of all kinds: creative writing, professional writing and academic writing; * Covers writing for online publication including social media as well as the most common documents in university and writing-reliant workplaces; * Provides extensive practical examples, exercises, activities and quizzes, as well as online resources including video interviews with the top grammarians in the world

First Published in 1992, this encyclopedia is designed to survey the social, cultural and intellectual climate of English Romanticism from approximately the 1780s and the French Revolution to the 1830s and the Reform Bill. Focussing on a ~the spirit of the agea (TM), the book deals with the aesthetic, scientific, socioeconomic a " indeed the human a " environment in which the Romantics flourished. The books considers poets, playwrights and novelists; critics, editors and booksellers; painters, patrons and architects; as well as ideas, trends, fads, and conventions, the familiar and the newly discovered. The book will be of use for everyone from undergraduate English students, through to thesis-driven graduate students to teaching faculty and scholars.

This is the first English translation of Le Roman social en Angleterre by Louis Cazamian, which is widely recognized as the classic survey of Victorian social fiction.

Starting from the eighteenth century, Cazamian traces the ways in which rationalism and romanticism intertwined and competed, particularly in relation to radical political philosophy. He shows how industrialization polarized England, setting the industrial bourgeoisie in the van of progress in the first decades of the nineteenth century, until their political and economic triumph stirred up a passionate reaction against them. This reaction propelled novelists such as Charles Dickens who lies at the centre of his discussion.

For this translation Martin Fido has provided a substantial foreword, and has revised and completed the bibliographical references and corrected the footnotes to assist the present-day reader.

This book describes Charles Dickens as an ordinary man who by being perfectly tuned to the public taste developed into a master of his art. The clue to this paradox lies, in the author 's opinion, in Dickens obsession with such topics as money, crowds and prisons which touch the life of everyone. From the deep fears of his childhood they became the main food for his imagination. As his creative mind worried over them, so his art developed. This process provided the driving force behind his work, and is at the root of his greatness as an artist.

The main concern of this volume is Dickens? role as "entertainer." It examines the results of this role: Dickens? important contribution to the techniques of comedy and irony in prose. The social commentary and criticism which arise from a primarily comic art is emphasized and exemplified. Other extracts are used to demonstrate more formal points of structure and prose technique.

In the introduction the Martin Fido discusses the changing levels of Dickens? literary and social reputation from the nineteenth century to the present day.

The essays in this volume examine questions such as Dickens symbolism, his political attitudes, his psychological tensions and his artistry. They are also concerned with aspects of Dickens which have been neglected in recent years, such as his handling of plot, his heroes and heroines, his journalism, his religious view and his philistinism.

This is the standard reference guide to the works of Charles Dickens. The material is arranged alphabetically, in dictionary style, and provides a quick means of reference to the plots of the novels and to all the characters and places mentioned in the novels. There are also useful explanatory notes on allusions and phrases.

What did Dickens mean to Dostoevsky, and what did the Russian writer owe to England's greatest entertainer? Many of Dickens? readers, including George Gissing and Edmund Wilson, have recognized that his achievement needs to be compared with Dostoevsky?s, and they have suspected, or assumed an influence. N M Lary's book shows what the literary influence really or probably was.

Although enjoyed my many as a masterpiece of Dickens comic writing, Martin Chuzzlewit has long been underrated by professional critics. This volume redresses the balance by devoting its attention to a full critical discussion of the novel and by including a full survey of the critical positions held in the past.

As well as discussing the themes of selfishness and hypocrisy, the history of the text is also explored, as is the complex relationship between Dickens and the United States which played a great part in the development of the novel and exerted considerable influence on it early reception.

At a time when the humanities are under fire this book offers not just a defence but a clear need for engagement with literature and narrative Authors are very well established in their fields with huge amounts of experience and credentials that mean the book will appeal to people in a variety of fields Interjects into real and ongoing debates around public policy, "truth" and democracy

As an independent publisher, Jeremy Robson always punched above his weight with a roster of authors that have been the envy of many large publishers. As a poet, he has been at the centre of the poetry scene since the 1960s, with a number of highly praised volumes to his credit and the friendship of many leading poets and musicians. In this engrossing memoir, Robson looks back at both his publishing career and life as a poet. Stories abound; whether it be driving Muhammad Ali around Britain, coping with Michael Winner or working in the desert with David Ben-Gurion. Time spent joyously laughing with Maureen Lipman and Alan Coren while undertaking an exciting poetry reading tour with Ted Hughes, and packing the Royal Festival Hall for a historic poetry and jazz concert. Jeremy recounts treasured and life-long friendships with the poets and writers; Dannie Abse, Alan Sillitoe, Vernon Scannell, Laurie Lee, Yevgeny Yevtushenko, Elie Wiesel and Frederic Raphael. Well known and celebrated as both publisher and poet, Jeremy Robson has produced a delicious memoir that will delight the reader.

We all have stories to tell -- of a rapturous first kiss, a life-altering moment of choice, or the shocking revelation of a long-guarded secret. And these stories are often as distinctive, fascinating, exciting and entertaining as those found in the memoirs and autobiographies that currently top the nation's bestseller lists. We just need to know how to tell them best.

Veteran, writing teacher, lecturer, and author of So You Want to Write a Novel, Lou Willet Stanek can help you translate your joys and ordeals, thoughts and triumphs into superbly crafted nonfiction -- taking you step-by-step through the writing process with care, encouragement, and expert advice. She shows you how to unlock your memories, create settings and scenes, protray major characters and dramatic events. And she offers the key to finding your own unique voice, and to presenting your greatest charcter -- yourself -- without boring your reader or sounding egotistical.

Complete with invaluable exercises, nuts-and-bolts techniques, and motivational tools, Writing Your Life is indispensible for every aspiring writer who wishes to mine the rich lode of his or her past for all the gems hidden there.

This volume explores Shakespeare's interest in pity, an emotion that serves as an important catalyst for action within the plays, even as it generates one of the audience's most common responses to tragic drama in the theater. For Shakespeare, the word "pity" contained a broader range of meaning than it does in modern English, and was often associated with ideas such as mercy, compassion, charity, pardon, and clemency. This cluster of ideas provides Shakespeare's characters with a rich range of possibilities for engaging some of humanity's deepest emotional commitments, in which pity can be seen as a powerful stimulus for fostering social harmony, love, and forgiveness. However, Shakespeare also dramatizes pity's potential for deception, when the appeal to pity is not genuine, and conceals contrary motives of vengeance and cruelty. As Shakespeare's works remain relevant for modern audiences and readers, so too does his dramatization of the powerful ways in which emotions such as pity remain essential to our understanding of our shared humanity and of our awareness of compassion's role in our own private and civic lives.

Using a framework based on J. L. Austin's understanding of performative speech and Angela Esterhammer's work on how things are done with words in Milton's and Blake's poetry, this study provides an extended close reading of the speech acts of characters in Blake's epic poem Milton. With the exception of what we learn about in the part of the poem known as the Bard's Song, Blake's Milton is dedicated to providing an incredibly detailed account of the numerous facets of the instant of time immediately prior to apocalypse, an instant in which Milton is the protagonist, and Blake himself a participant. This study explores how in the poem sacred history proceeds towards and through the instant by means of the speech act. This extended commentary is intended for not just Blake scholars but also the common reader who wishes to approach Blake's brief epic for the first time. For scholars, this monograph offers a full account of a crucial but previously unexplored theme in the scholarship about Milton. For the common reader, it offers a comprehensive introduction to what Northrop Frye called 'one of the most gigantic imaginative achievements in English poetry'.

The stereotype of Africa as a predominantly 'natural' space ignores the existence of vibrant and cosmopolitan urban environments on the continent. Far from merely embodying backwardness and lack, African cities are sites of complex and diverse cultural productions which participate in modernity and its dynamics of global flows and exchanges. This volume merges the concerns of urban, literary and cultural studies by focusing on the flows and exchanges of texts and textual elements. By analysing how texts such as popular and canonical fiction, popular music, self-help pamphlets, graffiti, films, journalistic writing, rumours and urban legends engage with the problems of citizenship, self-organisation and survival, the collection shows that despite all the problems of Africa, its cities continue to engender forward-looking creativity and hope. The texts collected here belong to several different genres themselves, and they are authored by both distinguished and younger scholars, based in and outside of Africa. The volume explores the textualities emerging from the cities of Senegal, Nigeria, Ghana, Uganda, Kenya, Zambia, Zimbabwe and South Africa. Above all, it calls for an end to disabling hierarchical categorisations of both texts and cities.

This book was published as a special issue of the Journal of Postcolonial Writing.

Included here are: a preface, a critical essay and explanatory annotations by Margo Culley; essays by acclaimed Kate Chopin biographers; selections from the conduct books of the period; contemporary perspectives on womanhood, motherhood and marriage; and reviews and interpretative essays.

American Literary Criticism Since the 1930s fully updates Vincent B. Leitch's classic book, American Literary Criticism from the 30s to the 80s following the development of the American academy right up to the present day.

Updated throughout and with a brand new chapter, this second edition:

• provides a critical history of American literary theory and practice, discussing the impact of major schools and movements
• examines the social and cultural background to literary research, considering the role of key theories and practices
• provides profiles of major figures and influential texts, outlining the connections among theorists
• presents a new chapter on developments since the 1980s, including discussions of feminist, queer, postcolonial and ethnic criticism.

Comprehensive and engaging, this book offers a crucial overview of the development of literary studies in American universities, and a springboard to further research for all those interested in the development and study of Literature.

Following the editors' introduction to the collection, the essays in Scholarly Milton examine the nature of Milton's own formidable scholarship and its implications for his prose and poetry-"scholarly Milton" the writer-as well as subsequent scholars' historical and theoretical framing of Milton studies as an object of scholarly attention-"scholarly Milton" as at first an emergent and later an established academic discipline. The essays are particularly concerned with the topics of the ethical ends of learning, of Milton's attention to the trivium within the Renaissance humanist educational system, and the development of scholarly commentary on Milton's writings. Originally selected from the best essays presented at the 2015 Conference on John Milton in Murfreesboro, Tennessee, the essays have been considerably revised and expanded for publication.

This volume is a translation and commentary on the works of three geographers from Greco-Roman antiquity: Hanno of Carthage, from around 500 BC; the author of the Periodos Dedicated to King Nikomedes, from the last half of the second century BC; and Avienus, from the fourth century AD. The modern translations of texts in this book represent 1,000 years of Greco-Roman geographical scholarship, and thus provide an overview of the discipline from its beginnings to late antiquity. Readers will learn about the development of Greek geography, and the earliest adventures outside the Mediterranean into the Atlantic, as far south as the tropics and north toward the Arctic. These explorations make for fascinating stories about early human endeavors into an unknown world. Three Ancient Geographical Treatises in Translation offers specialists new information about Greek exploration and a modern translation of significant ancient texts, while non-specialist scholars and undergraduate students with an interest in Greco-Roman literature and ancient geography will also find the volume useful and accessible.

Postcolonial Life-Writing is the first attempt to offer a sustained critique of this increasingly visible and influential field of cultural production.

Bart Moore-Gilbert considers the relationship between postcolonial life-writing and its western analogues, identifying the key characteristics that differentiate the genre in the postcolonial context. Focusing particularly on writing styles and narrative conceptions of the Self, this book uncovers a distinctive parallel tradition of auto/biographical writing and analyses its cultural and political significance.

Original and provocative, this book brings together the two distinct fields of Postcolonial Studies and Auto/biography Studies in a fruitful and much needed dialogue.

Afropean Female Selves: Migration and Language in the Life Writing of Fatou Diome and Igiaba Scego examines the corpus of writing of two contemporary female authors. Both writers are of African descent, live in Europe and write about lives across Europe and Africa in different languages (French and Italian). Their work involves episodes from their lived experience and complicates Western understandings of life writing and autobiography. As Hogarth shows in this study, the works of Diome and Scego encapsulate the new and complex identities of contemporary "Afropeans." As an identity coined and used frequently by prominent authors and critics across Europe, Africa and North America, the notion of "Afropean" is at the cutting edge of cultural analyses today. Yet each writer occupies unique and different positions within this debated category. While Scego is a "post-migratory subject" in postcolonial Europe, Diome is an African writer who has migrated to Europe in her adult life. This book examines the different trajectories and packaging of these two specific postcolonial writers in the Francophone and Italophone contexts, pointing out how and where each author practices life writing strategies and scrutinizing the trend that emphasizes the life writing, autofictional, or autoethnographic strategies of African diasporic writers. Afropean Female Selves offers a comparative study across two languages of a notion that has so far been explored mainly in English. It explores the contours of this new discursive category and positions it in regard to other notions of Afrodiasporic identity, such as Afropolitan and Afro-European.

Asian American War Stories examines contemporary Asian American literature that considers both the short-term and the long-term effects of war, trauma, and displacement on civilians, as well as the ways that individuals seek healing in the face of suffering. Through the works of contemporary writers like Chang-rae Lee, Ocean Vuong, Nora Okja Keller, Julie Otsuka, Lan Cao, and Lawson Inada, this book explores the ways that recent Asian American literature reflects the enduring consequences of America's wars in Asia at the individual and collective levels. The book also considers the journeys that individuals take as they pursue healing of their traumatic wounds.