From the bestselling "Bridget Jones's Diary "that started the trend to the television sensation "Sex and the City "that captured it on screen, "chick lit" has become a major pop culture phenomenon. Banking on female audiences' identification with single, urban characters who struggle with the same life challenges, publishers have earned millions and even created separate imprints dedicated to the genre. Not surprisingly, some highbrow critics have dismissed chick lit as trashy fiction, but fans have argued that it is as empowering as it is entertaining.
This is the first volume of its kind to examine the chick lit phenomenon from a variety of angles, accounting for both its popularity and the intense reactions-positive and negative-it has provoked. The contributors explore the characteristics that cause readers to attach the moniker "chick" to a particular book and what, if anything, distinguishes the category of chick lit from the works of Jane Austen on one end and Harlequin romance novels on the other. They critique the genre from a range of critical perspectives, considering its conflicted relationship with feminism and postfeminism, heterosexual romance, body image, and consumerism. The fourteen original essays gathered here also explore such trends and subgenres as "Sistah Lit," "Mommy Lit," and "Chick Lit Jr.," as well as regional variations.
As the first book to consider the genre seriously," Chick Lit" offers real insight into a new generation of women's fiction.

This book examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into three parts: history, theory, and praxis. Arguing against the simplistic division in literary criticism between nihilism and the sublime, the book demonstrates that both are clearly implicated with the Enlightenment. Postmodernism, as a product of the Enlightenment, is therefore implicitly related to "both "nihilism "and "the sublime, despite the fact that it is often characterised as "either "nihilistic "or "sublime. Whereas prior forms of nihilism are 'modernist' because they seek to codify reality, postmodernism creates a new formulation of nihilism - 'postmodern nihilism' - that is itself sublime. This is explored in relation to a broad survey of postmodern literature in two chapters, the first on aesthetics and the second on ethics. It offers a coherent thesis for reappraising the relationship between nihilism and the sublime, and grounds this argument with frequent references to postmodern literature, making it a book suitable for both researchers and those more generally interested in postmodern literature.

This book examines the arrangement and interpretation of the papyrus fragments named the "new Simonides." Specifically, it considers what evidence these fragments offer for Simonides' elegiac compositions on the Persian Wars. The current orthodoxy is that they represent three separate elegies on individual battles, one on Artemisium, one on Salamis, and one on Plataea. Kowerski evaluates what evidence these fragments provide for these compositions, and in doing so, questions the validity of the current interpretation of the "new Simonides."

• Covers all the essentials students need when starting out on a literary studies degree – ideal for first year, introductory courses • A comprehensive glossary (with terms in bold) and clear text mean it is accessible to beginners as well as non-native English readers • Sections on researching and writing papers and citation information mean students will refer to the book throughout their studies – it has a long life • New edition is in a larger format and contains 20 new illustrations, making the book more user-friendly for students and helping to enhance their understanding through images

Because she devoted much of her life to exploring the relationships that exist between people and their built environment, Edith Wharton developed a set of philosophies that she expressed in many arenas, including interior design, architecture, and landscaping. Her theories of space were practiced and materially executed, in addition to being expressed in her writing.
This book explores Wharton's theories of space in Newport, Rhode Island during the Gilded Age, when the town was transformed from a rustic seaport to a playground for the fabulously wealthy. The built environment played a pivotal role as social, economic and personal conflicts were enacted among private and public spaces. Through revisiting some of Wharton's lesser-know texts, such as The Decoration of Houses, as well as canonical novels like The House of Mirth, and close readings of Wharton's homes -- Pencraig Cottage, Land's End, and The Mount -- the book shows Wharton in a new light; as a cultural worker standing squarely in the middleof these conflicts and directly participating in them.

One of the most innovative tendencies in contemporary literary and cultural studies is the investigation of space and geography, a trend which is proving particularly important for modernist studies. This volume explores the interface between modernism and geography in a range of writers, texts and artists across the twentieth century.
Cross-disciplinary essays test and extend a variety of methodological approaches and reveal the reach of this topic into every corner of modernist scholarship. From Imagist poetry and the orient to teashops and modernism in London, or from mapping and belonging in James Joyce or Joseph Conrad to the space of new media artists, this remarkable volume offers fresh, invigorating research that ranges across the field of modernism, but also serves to signal the many exciting new directions that future studies may take.
With ground-breaking essays from an international team of highly-regarded scholars, "Geographies of Modernism" is an important step forward in literary and cultural studies.

In one of the first collections of scholarship at the intersection of LGBTQ studies and Appalachian studies, voices from the region;s valleys, hollers, mountains, and campuses blend personal stories with scholarly and creative examinations of living and surviving as queers in Appalachia. The essayists collected are academics, social workers, riot grrrl activists, teachers, students, practitioners, scholars of divinity, and boundary-crossers, all imagining how to make legible the unspeakable other of Appalachian queerness. Focusing especially on disciplinary approaches from rhetoric and composition, the volume explores sexual identities in rural places, community and individual meaning-making among the Appalachian diaspora, the storytelling infrastructure of queer Appalachia, and the role of the metronormative in discourses of difference. Storytelling in Queer Appalachia affirms queer people, fights for visibility over erasure, seeks intersectional understanding, and imagines radically embodied queer selves through social media.

First published in 1963. The Secret History (so called merely because it was meant for the Mongols and not for the Chinese,) has been chiefly studied from a learned point of view and its quality as literature and hence its value to the lay reader have been greatly overlooked. The Chinese version has been used, but with constant reference to the Mongol text. The parts selected (founded on story-tellers' tales) date from the middle of the thirteenth century.

First published in 1949. This book gives the biographical background to the many poems of Po Chu-I (A.D 772-846) and traces the connection between his literary career and the disturbed political life of the time. The volume also provides new translations in whole or in part of about a hundred poems by Po Chu-i.

A tragic tale of cruel fates, touching on rape, illegitimate birth and murder, "Tess of the d'Urbervilles" (1891) shocked its early audiences, but has proved to be one of the most enduring and influential works of English literature. This sourcebook offers an introduction to Thomas Hardy's crucial novel, offering:
*A contextual overview, a chronology and reprinted contemporary documents, including a selection of Hardy's poems
*An overview of the book's early reception and recent critical fortunes, as well as a wide range of reprinted extracts from critical works
Key passages from the novel, reprinted with editorial comment and cross-referenced within the volume to bring contextual and critical issues to bear on the reader's own interpretation of the text
*Suggestions for further reading and a list of relevant web resources.
For students on a wide range of courses, this sourcebook offers the essential stepping-stone from a basic reading knowledge to an advanced understanding of Hardy's best-known novel.

First published in 1956. Arthur Waley here presents an engrossing account of the works and life of Yuan Mei (1716-1797), the best-known poet of his time. Gaiety is the keynote of his works and the poet was a friend of the Manchu official with whom Commodore Anson had dramatic dealings at Canton in 1743. Yuan Mei gives an account (not previously translated) of Anson's interview with the Manchu authorities. The book contains many translations of Yuan Mei's verse and prose.

Communism in twentieth-century Europe is predominantly narrated as a totalitarian movement and/or regime. This book aims to go beyond this narrative and provide an alternative framework to describe the communist past. This reframing is possible thanks to the concepts of generation and gender, which are used in the book as analytical categories in an intersectional overlap. The publication covers twentieth-century Poland, Czechoslovakia/Czech Republic, the Soviet Union/Russia, former Yugoslavia, Turkish communities in West Germany, Italy, and Cuba (as a comparative point of reference). It provides a theoretical frame and overview chapters on several important gender and generation narratives about communism, anticommunism, and postcommunism. Its starting point is the belief that although methodological reflection on communism, as well as on generations and gender, is conducted extensively in contemporary research, the overlapping of these three terms is still rare. The main focus in the first part is on methodological issues. The second part features studies which depict the possibility of generational-gender interpretations of history. The third part is informed by biographical perspectives. The last part shows how the problem of generations and gender is staged via the medium of literature and how it can be narrated.

WINNER OF THE 2007 CHLA BOOK AWARD! Children's literature has transcended linguistic and cultural borders since books and magazines for young readers were first produced, with popular books translated throughout the world. Emer O'Sullivan traces the history of comparative children's literature studies, from the enthusiastic internationalism of the post-war period - which set out from the idea of a supra-national world republic of childhood - to modern comparative criticism. Drawing on the scholarship and children's literature of many cultures and languages, she outlines the constituent areas that structure the field, including contact and transfer studies, intertextuality studies, intermediality studies and image studies. In doing so, she provides the first comprehensive overview of this exciting new research area. Comparative Children's Literature also links the fields of narratology and translation studies, to develop an original and highly valuable communicative model of translation. Taking in issues of children's 'classics', the canon and world literature for children, Comparative Children's Literature reveals that this branch of literature is not as genuinely international as it is often fondly assumed to be and is essential reading for those interested in the consequences of globalization on children's literature and culture.

Available as both a portable paperback volume and an enhanced digital edition, this complete collection of The Norton Chaucer: Canterbury Tales is meticulously glossed and annotated. With access to the ground-breaking Reading Chaucer Tutorial included in every new copy, this volume delivers unmatched support and value.

The Council of Constantinople of 869-70 was highly dramatic, with its trial and condemnation of Patriarch Photius, a towering figure in the Byzantium of his day, and the tussle of wills at the council between the papal legates, the imperial representatives and the bishops. It was church politics and personalities rather than issues of doctrine, such as icon veneration, that dominated the debates. Out of all the acts of the great early councils, the acts of this council, of which this edition is the first modern translation, are the nearest to an accurate and complete record. Its protest against secular interference in ecclesiastical elections was taken up later in the West and led to this council's being accorded full ecumenical status, although it had been repudiated in Byzantium soon after it was held. No early council expresses so vividly the tension between Rome's claim to supreme authority and the Byzantine reduction of this to a primacy of honour.

This book provides a wide-ranging discussion of realism, postmodernism, literary theory and popular fiction before focusing on the careers of four prominent novelists. Despite wildly contrasting ambitions and agendas, all four grow progressively more sympathetic to the expectations of a mainstream literary audience, noting the increasingly neglected yet archetypal need for strong explanatory narrative even while remaining wary of its limitations, presumptions, and potential abuses. Exploring novels that manage to bridge the gap between accessible storytelling and literary theory, this book shows how contemporary authors reconcile values of posmodern literary experimentation and traditional realism.

Inspired by a landmark exhibition mounted by the British Museum in 1963 to celebrate five eventful centuries of the printed word, Nicholas A. Basbanes offers a lively consideration of writings that have "made things happen" in the world, works that have both nudged the course of history and fired the imagination of countless influential people. In his fifth work to examine a specific aspect of book culture, Basbanes also asks what we can know about such figures as John Milton, Isaac Newton, Samuel Taylor Coleridge, John Adams, Frederick Douglass, Helen Keller, even the notorious Marquis de Sade and Adolf Hitler, by knowing what they have read. He shows how books that many of these people have consulted, in some cases annotated with their marginal notes, can offer tantalizing clues to the evolution of their character and the development of their thought. Taking the concept one step further, Basbanes profiles some of the most articulate readers of our time, David McCullough, Harold Bloom, Helen Vendler, Elaine Pagels, Daniel Aaron and Perri Klass, among them, who discuss such relevant concepts as literary canons, classic works in translation, the timelessness of poetry, the formation of sacred texts, and the power of literature to train physicians, nurture children, and rehabilitate criminal offenders.

First published in 1928. This book collects together over one hundred sources by Elizabethan authors which show English life in English literature. Most of them have been selected as much to catch the atmosphere as the moods of the period, and come from the great Elizabethan writers who can transmit the essence of the time. A 'gallery of Elizabethan pictures' rather than a complete survey of life in Shakespeare's day, the spelling and punctuation have been modernized throughout. To enable those who wish to read the extracts in their context, references are given to the most accessible editions.

Hugh MacDiarmid (born Christopher Murray Grieve) is a huge, and still controversial, figure in modern Scottish literature. Called variously "the most important figure in Scottish life in the twentieth century" and "a symbol of all that's perfectly hideous in Scotland", his poetry is of historic, and national, significance. Alan Riach's SCOTNOTE study guide outlines MacDiarmid's life and work, providing an overview of the poet's beliefs, opinions and influences, for senior school pupils and students at all levels.

Focusing on issues of interpretation, this book collects and translates a number of medieval mi'raj accounts. The narratives of Muhammad's heavenly journey offer a prism through which to view the medieval elite's communal, political and theological motives. These accounts reveal the historiographic process in which a single event becomes a focal point for those struggling to define the past and establish a communal, confessional and political identity by reporting the apparant facts about a particular moment in time. In other words, these tales have real stakes for both their authors and their audiences, and shed light on Muslim communal concerns from the late eighth through to the fourteenth century. Brooke Olson Vuckovic's groundbreaking study provides readers access to the documentation and translation of these lesser-known Arabic texts, and uncovers their role in building a meaningful, cohesive and coherent Muslim community in medieval times.

This volume surveys transnational encounters and entanglements between Germany and East Asia since 1945, a period that has witnessed unprecedented global connections between the two regions. It examines their sociopolitical and cultural connections through a variety of media. Since 1945, cultural flow between Germany and East Asia has increasingly become bidirectional, spurred by East Asian economies' unprecedented growth. In exploring their dynamic and evolving relations, this volume emphasizes how they have negotiated their differences and have frequently cooperated toward common goals in meeting the challenges of the contemporary world. Given their long-standing historical differences, their post-1945 relations reveal a surprisingly high degree of affinity in many areas. To show how they have deeply shaped each other's views, this volume presents 12 chapters by scholars from the fields of history, sinology, sociology, literature, music, and film. Topics include cultural topics, such as German and Swiss writers on East Asia (Enzensberg, Muschg, and Kreitz), Japanese writer on Germany (Tezuka and Tawada), German commemorative culture in Korea, Beethoven in China, metal music in Germany and Japan, diary films on Japan (Wenders), as well as sociopolitical topics, such as Sino- East German diplomacy, Germans and Korean democracy, and Japanes and Korean communities in Germany.

Through a careful examination of the work of the canonical nineteenth-century novelists, Mike Davis traces conspiracies and conspiratorial fantasy from one narrative site to another.

With the exception of Poe, no American writer has proven as challenging to biographers as the author of The Red Badge of Courage. Stephen Crane's short, compact life-"a life of fire," he called it-continues to be surrounded by myths and half-truths, distortions and outright fabrications. Mindful of the pitfalls that have marred previous biographies, Paul Sorrentino has sifted through garbled chronologies and contradictory eyewitness accounts, scoured the archives, and followed in Crane's footsteps. The result is the most complete and accurate account of the poet and novelist written to date. Whether Crane was dressing as a hobo to document the life of the homeless in the Bowery, defending a prostitute against corrupt New York City law enforcement, or covering the historic charge up the San Juan hills as a correspondent during the Spanish-American War, his adventures were front-page news. From Sorrentino's layered narrative of the various phases of Crane's life a portrait slowly emerges. By turns garrulous and taciturn, confident and insecure, romantic and cynical, Crane was a man of irresolvable contradictions. He rebelled against tradition yet was proud of his family heritage; he lived a Bohemian existence yet was drawn to social status; he romanticized women yet obsessively sought out prostitutes; he spurned a God he saw as remote yet wished for His presence. Incorporating decades of research by the foremost authority on Crane's work, Stephen Crane: A Life of Fire sets a new benchmark for biographers.

Language has a primary importance in Jungian psychology and its practice. C. G. Jung saw every act of speech as a psychic event. Even the "worker" words in language, like prepositions or conjunctions, carry particular archetypal energies, working dynamically and daimonically in the conduct of transformational narrative and realizing both personal and collective purposes. This book aims to deepen our consciousness of psyche's speech as it occurs in our professional discourses, in the psychoanalytic encounter, in dreams, fairy tales, myths and poetry. Vividly exploring the grammar of psyche, we are urged to constantly kindle and rekindle our engagement with language.