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Books > Language & Literature > Literature: history & criticism > Literary studies
This volume presents a selection from the American and British fiction of the nineteenth century which was evolving into what we now know as science fiction. Taking Frankenstein as its formative work, it assembles stories and excerpts from narratives exploring the complex impact of new technologies like the telegraph and later the cinema, or new scientific practices like mesmerism (hypnotism) and microscopy. The selected authors range from those famous within the realist tradition like George Eliot and Mark Twain to scientists like the physician Silas Weir Mitchell and the inventor Thomas Edison. They repeatedly destabilize their narratives so that some come to resemble scientific records and frequently leave their endings unresolved, encouraging the reader to speculate about their subjects, which include extensions to the senses, new inventions, and challenges to individual autonomy. Many focus on experiments but might combine scientific enquiry with the supernatural, producing hybrid narratives as a result which are difficult to classify.
Offers a comprehensive study of key authors, texts, and topics from Chinese literature around the world and throughout history The first volume to focus on twentieth- and twenty-first-century Chinese literature, it looks at natural, psychological, fantastic, and transborder, as well as considering Chinese literature comparatively with other literature Essential reading for all students and scholars of Chinese literature, language, and culture
This is the first book-length academic study of historical crime fiction that explores Nazi Germany and the Holocaust. This is the first book-length academic study of the intersection of crime fiction and Holocaust fiction. This book discusses changing and conflicting ideas of legal, moral and social justice as they appear and are explored in historical crime fiction about the Holocaust and its legacies. This book discusses the ways in which popular historical crime novels explore the forms, styles and techniques of the novel, as they test its capacity to represent the Holocaust.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of Antony and Cleopatra, David Bevington has included in his introductory section a thorough consideration of recent critical and stage interpretations, demonstrating how the theatrical design and imagination of this play make it one of Shakespeare's most remarkable tragedies. The edition is attentive throughout to the play as theatre: a detailed, illustrated account of the stage history is followed, in the commentary, by discussion of staging options offered by the text. The commentary is especially full and helpful, untangling many obscure words and phrases, illuminating sexual puns, and alerting the reader to Shakespeare's shaping of his source material in Plutarch's Lives.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
In a society where a comic equates with knockabout amusement for children, the sudden pre-eminence of adult comics, on everything from political satire to erotic fantasy, has predictably attracted an enormous amount of attention. Adult comics are part of the cultural landscape in a way that would have been unimaginable a decade ago. In this first survey of its kind, Roger Sabin traces the history of comics for older readers from the end of the nineteenth century to the present. He takes in the pioneering titles pre-First World War, the underground 'comix' of the 1960s and 1970s, 'fandom' in the 1970s and 1980s, and the boom of the 1980s and 1990s (including 'graphic novels' and Viz.). Covering comics from the United States, Europe and Japan, Adult Comics addresses such issues as the graphic novel in context, cultural overspill and the role of women. By taking a broad sweep, Sabin demonstrates that the widely-held notion that comics 'grew up' in the late 1980s is a mistaken one, largely invented by the media. Adult Comics: An Introduction is intended primarily for student use, but is written with the comic enthusiast very much in mind.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 2002. Modes and categories inherited from the past no longer seem to fit the reality experienced by a new generation. 'New Accents' is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. The present selection of papers, made from nearly two hundred published, represents in some measure the diversity of the work at the eight Essex Sociology of Literature Conferences.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 2002. Amongst a time of rapid and radical social change, New Accents is a positive response to change, with each volume seeking to encourage rather than resist the process of change, to stretch rather than reinforce boundaries that currently define literature and its academic study. All the essays collected here deal in their different ways with 'popular fictions', but they were all, also, first published in the journal Literature and History. In that sense, then, they are quite literally 'essays in literature and history'.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
There are many 'Shakespeares', argue the contributors to this, the second volume of Alternative Shakespeares and the different versions emerge in a wide variety of cultural contexts: race, gender, sexuality and politics amongst others. Alternative Shakespeares: Volume 2 consists of entirely new essays by some of the world's leading Shakespearean critics. The topics covered include: Sexuality and Gender, Language and Power, Textualilty and Printing, Race and Shakespeare's Britain, New Historicist Criticism and the 'Gaze' of the Audience. In abandoning the search for any final and definitive 'meaning' in any of Shakepeare's plays, the contributors to Alternative Shakespeares: Volume 2 present an exciting and ultimately liberating challeneg to Shakespeare studies.
The Holy Mountain of Athos is a self governing monastic republic on a peninsula in Northern Greece. Standing on the shores of the Aegean Sea is one of the twenty ruling monasteries that comprise the republic, that of St Panteleimon, known in Greek as the Rossikon. It's building, fully restored in recent years, can accommodate up to 5,000 men, reflecting the scale of the settlement at its apogee in the nineteenth century and prior to the Bolshevik revolution in Russia. Since the fall of the Soviet Union in 1991 it has experienced a strong revival and is now one of the most numerous of the twenty. But the vast buildings that can be seen today are really only a reflection of the history of the past two centuries. Much less well known is the fact that the history of a Russian presence on Athos goes back more than one thousand years. This is the first comprehensive account of this in the English language. The author has been able to draw from previously inaccessible archival materials in gathering the wealth of information he shares in this work. The history of the community is not described in geographical isolation but shown as interacting with the much wider worlds of the Byzantine and Ottoman empires and the modern nation state of Greece, together with that of the Russian homeland whose political character is constantly evolving. There are shown to be three distinct phases in this history: From the tenth to the twelfth centuries when Russian Athonites inhabited the ancient Russian Lavra of the Mother of God, also known as Xylourgou. Then the six hundred years from the mid-twelth to the mid-eighteenth century when the ancient Monastery of St Panteleimon was the Russian house on Athos, more commonly referred to as Nagorny or Stary Rusik. Finally the most recent 250 years, that are naturally covered in greater depth thanks to the wider availability of sources. Amongst the themes explored in the book are ethnic relations, the Pan-Orthodox ideal, the role of money and political pressure, sanctity and heroism in adversity, and the importance of historical memory and precedent. The author seeks to arbitrate fairly between often strongly opposing ethnic viewpoints. It examines in detail the fluctuating fortunes of the monastic community of St Panteleimon during the past 250 years when its ethnic identity was frequently questioned. It is a history that has been blighted by Greek-Russian quarrels, mass deportation of dissenting brethren, troubles in the Caucasus, and even tangential implication in the present-day dispute between the Ecumenical and Moscow Patriarchates over Ukraine. This text will be invaluable to both academic historians and the general educated reader who does not possess specialist knowledge. It is complimented by a timeline, glossary, comprehensive bibliography, index, full colour illustrations and photographs.
First Published in 2002. Amongst a time of rapid and radical social change, New Accents is a positive response to change, with each volume seeking to encourage rather than resist the process of change, to stretch rather than reinforce boundaries that currently define literature and its academic study. This study offers the authors' theories of American literature and more specifically, his interest here is in how those theories define the canon of American literature and how those definitions influence our understanding and teaching of that canon. |
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