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Books > Language & Literature > Literature: history & criticism > Literary studies
If you've ever wanted to know more about the power of 'P', the hypnotic rhythm of anapestic tetrameter, or how to change the mood of a verb, then look no further. If you've ever needed to catch a red herring, wield a zeugma, deepen your pathos or improve your character, then this is the book for you. The TRIVIUM consists of the three liberal arts pertaining to language, Grammar, Logic, and Rhetoric. These ancient disciplines have been studied for over two thousand years as a way of refining a speaker and their speech. With extra sections on Euphonics, Poetic Meter and Form, Ethics, and Proverbs, this unique compendium contains a wealth of rare information.
A novel based on fact about the child prodigy who lived in Scotland from 1803-11.
The gruesome double-murder upon which the novel Crime and Punishment hinges leads its culprit, Raskolnikov, into emotional trauma and obsessive, destructive self-reflection. But Raskolnikov's famous philosophical musings are just part of the full philosophical thought manifest in one of Dostoevsky's most famous novels. This volume, uniquely, brings together prominent philosophers and literary scholars to deepen our understanding of the novel's full range of philosophical thought. The seven essays treat a diversity of topics, including: language and the representation of the human mind, emotions and the susceptibility to loss, the nature of agency, freedom and the possibility of evil, the family and the failure of utopian critique, the authority of law and morality, and the dialogical self. Further, authors provide new approaches for thinking about the relationship between literary representation and philosophy, and the way that Dostoevsky labored over intricate problems of narrative form in Crime and Punishment. Together, these essays demonstrate a seminal work's full philosophical worth-a novel rich with complex themes whose questions reverberate powerfully into the 21st century.
If you're looking for a fast, focussed and effective way to revise for your AS or A2 exams, Revision Express is the answer. Now fully updated for the new A-levels, Revision Express covers everything you need for success in your exams. Each chapter is broken down into two-page topic sessions, packed with information, top tips and unique features to help you carefully organise your revision and gain vital extra marks. All the information is presented in short, memorable chunks for quick and simple revision and you can check your understanding and progress as you proceed with checkpoint questions. Develop and practice your exam techniques with sample exam-style questions (and answers - luckily!) and get some inside information as A-level examiners reveal the secrets to getting top grades.
Die eerste uitgawe van Die keer toe ek my naam vergeet het verskyn in 1995, vyf jaar nadat die skrywer F.A. Venter ’n beroerte gekry het. In hierdie outobiografiese vertelling dokumenteer hy die pynlike en stadige proses van herstel: hy moet weer leer loop, leer praat, leer skryf. Dit is verder ’n verhaal oor die verhouding tussen Venter en sy geliefde vrou, Stella. In Die Afrikaanse literatuur 1652–2004 beskryf J.C. Kannemeyer Die keer toe ek my naam vergeet het as een van Venter se “belangrikste bydraes tot die Afrikaanse prosa”: “Die aangrypende verhaal van ouderdom en lyding, maar ook van ’n mooi huwelik en toegewyde liefde, is terselfdertyd ’n getuienis van die onblusbare gees van die skeppende mens wat, ten spyte van alle teenspoed, kan voortgaan met die werk waarvoor hy hier op aarde geplaas is.” Op ’n eerlike en roerende wyse, en met ’n tikkie humor, raak Venter die universele, tydlose temas van siekte, oudword en die dood aan. Uiteindelik is dit ’n verhaal van aanvaarding: “Ek het baie verloor – die kosbaarste. Maar ek het ook geleer om te verduur. Te aanvaar. Tevrede te wees. Anders sou dit ondraaglik wees.”
L.M.Montgomery grew up in Prince Edward Island, a real place of "politics and potatoes." But it's her fictional island, a richly textured imaginative landscape that has captivated a world of readers since 1908, when Anne of Green Gables became the first of Montgomery's long string of bestsellers. In this wide-ranging and highly readable book, Elizabeth Waterston uses the term "magic" to suggest that peculiar, indefinable combination of attributes that unpredictably results in creative genius. Montgomery's intelligence, her drive, and her sense of humour are essential components of this success. Waterston also features what Montgomery called her "dream life," a "strange inner life of fancy which had always existed side by side with my outer life." This special ability to look beyond the veil, to access vibrant inner vistas, produced deceptively layered fictions out of a life that saw not just its share of both fame and ill fortune, but also what Waterston calls "dark passions." A true reader's guide, Magic Island explores the world of L.M. Montgomery in a way never done before. Each chapter of Magic Island discusses a different Montgomery book, following their progression chronologically. Waterston draws parallels between Montgomery's internal "island," her personal life, her professional career, and the characters in her novels. Designed to be read alongside the new biography of Montgomery by Mary Rubio, this is the first book to reinterpret Montgomery's writing in light of important new information about her life. A must-read for any Montgomery fan, Magic Island offers a fresh and insightful look at the world of L.M. Montgomery and the "magic" of artistic creation.
Mazo de la Roche leaped to prominence as one of the most successful writers of the twentieth century when the first novel in her Whiteoaks of Jalna series won the Atlantic Monthly Prize in 1927. The award was hailed not only as a triumph for Mazo but as marking the coming of age of Canadian literature. Therefore her popularity, which earned her a luxurious life-style that included baronial manors in the English countryside, a retinue of devoted servants, and a fondness for world travel, abated only with her death in 1961. The centre of her life was her overwhelming love for her cousin, Caroline Clement, whom she adopted as a sister and who was her life-long companion, soulmate, and muse. The core of their existence was a secret unwritten play-endlessly changing and growing-that they acted out from the moment they met almost to the end of their lives. In this insightful biography Joan Givner has recovered the hidden life of Mazo de la Roche.
Die Afrikaanse literatuur het 'n aangrypende lewe in Afrika oopgeskryf. Hierdie lewe kry sy beslag in 'n boeiende takelwerk verse, in 'n kennis van die aand en deur die oe van 'n siener in die suburbs. Kannas kom huis toe en Poppies loop die lange swerfjare deur. Nie slegs die belletrie (die arbeid van skeppende skrywers) is indrukwekkend nie, maar ook die getuienis van kundige lesers - die leesaktiwiteite van akademici wat sin moet maak van skeppende arbeid, wat die patrone moet ople en die teoretiese lense instel op die gedig, die toneelstuk, die essay, die drama of roman. Akademies gesproke is Perspektief en profiel 'n onontbeerlike handleiding. Dit is tans die belangrikste beskouing van ons skryfwerk in Afrikaans en die begeleidende literere gesprek. Dit bied insig in die oeuvres van die belangrikste skrywers (die "profiel" in die boektitel), maar is ook 'n bestekopname van verskuiwende teoretiese gesigspunte en aksente en 'n kartering van die gebied, vandaar die "perspektief". Dit toon by implikasie oortuigend aan hoedat die Afrikaanse letterkunde aansluit in suid-suid-verband met ander literature van die halfrond, en ondersoek die historiese en tydgenootlike noord-suid-bande en -spanninge. Ook verken dit die skryftegnieke en die produksie en resepsie van die Afrikaanse teks in Afrika. Dis 'n boek wat sensitief is vir die polities-kulturele omgewing wat steeds omvorm word deur die momentum geskep deur die koms van demokrasie in 1994. Eerder as om 'n literatuurgeskiedenis te probeer wees wat die finale woord wil spreek en ondubbelsinnig kanoniseer, word die literatuur hier as strydperk aangebied. Hierdie veelstemmige gesprek matig sigself as literatuurgeskiedenis nie objektiwiteit aan nie, maar huldig verskeidenheid en teenspraak. Perspektief en profiel toon aan dat die Afrikaanse letterkunde diep geent is in die kontinent Afrika. Dit boekstaaf die geestesprestasie van mense aan die suidpunt van 'n uitdagende kontinent. Dit is mense wat rekenskap gee van hul ontheemding en twyfel, maar ook van inburgering en liefde vir die land, van verwantskap met landgenote wat ander geskiedenisse en huistale het. Dis 'n literatuur van hierwees en aanhanklikheid aan plant en dier, landskap en leemte. Perspektief en profiel verskyn tydens die groot wending. Dis 'n tyd waarin die Boek soos geslagte dit sedert Gutenberg geken het weens die oorgang na digitaliteit onder beleg kom. Die tydsbesteding aan ernstig lees as aktiwiteit verskraal en hierdie boek is 'n tydige herinnering aan die tydsaamheid en denke wat in 'n literatuur opgesluit is. Die boek verdien 'n staanplek in elke Afrikaanssprekende gesin se boekrak of leplek in hul e-boek-biblioteek. Dit is onontbeerlik vir die student en die akademikus. As jy wil weet hoe jou voorgeslagte hul hierwees verwoord het en hoe jou tydgenote jou eie situasie stem gee, is hierdie boek jou toevlug. Deel 2 - Verkorte inhoud: 'n Oorsig van die Afrikaanse drama en teater van 1990 tot 2010 'n Perspektief op die Afrikaanse drama van 1906 tot 1966 Die vroueskrywer in die Afrikaanse letterkunde 'n Perspektief op die Afrikaanse literere tydskrifte 'n Perspektief op kinder- en jeugliteratuur
York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, 'York Notes Advanced' introduce students to sophisticated analysis, a range of critical perspectives and wider contexts.
In die afgelope bykans 30 jaar het 'n groot leemte ontstaan aan omvattende verwysingsbronne en handboeke in die Afrikaanse taalkunde wat op universiteitsvlak voorgeskryf kan word. In 2014 word hierdie leemte gevul deur Kontemporere Afrikaanse Taalkunde. Die feit dat 'n tweede, hersiene uitgawe slegs drie jaar later verskyn, beklemtoon weereens die groot behoefte aan so 'n bron. Die samestelling van hierdie boek bied 'n nuwe blik op die taalkunde en het wye gebruikspotensiaal omdat dit die kernvelde van die taalkunde, en in die besonder van die Afrikaanse taalkunde, dek. Sodoende gee dit nuwe lewe aan 'n belangrike komponent in die bestudering van die Afrikaanse taal: die taalkunde en alles wat daarmee saamhang. Inhoud en konsepte strek van die ontstaan en aard van die Afrikaanse taal, leksikografie en dokumentontwerp tot fonetiek, fonologie, morfologie, sintaksis, semantiek, pragmatiek, taalverwerwing en die normatiewe taalkunde. Al die bestaande hoofstukke is op datum gebring, en 'n ekstra hoofstuk oor sintaksis is bygevoeg om nuwer sieninge te weerspieel. Bydraes deur spesialiste in die onderskeie velde bied daarom die nuutste navorsing en 'n verskeidenheid teoretiese vertrekpunte met die Afrikaanse taalkunde as fokus. Nuwe en moontlik selfs omstrede standpunte sal akademiese gesprek stimuleer, terwyl elke hoofstuk nasionale en internasionale ontwikkelinge op die bepaalde gebied voorle aan 'n nuwe geslag studente, onderwysers, akademici en taalpraktisyns.
Digression is widely considered a mark of disordered or evasive discourse. Modern legal, philosophical, and political writing largely disavows this trope, regarding it as a departure from the model of rational exposition institutionalized under the Enlightenment. And yet, as the rhetorical figure of digression has grown increasingly marginalized within the decorum of public discourse, it has come to occupy a central position in the private discursive world of poetry. Changing Subjects outlines an anatomy of 'the excursus' within twentieth-century American poetics; moving from aesthetics to the archive to narratology to theories of identity, this study considers the various spheres in which American writers of the period revise prior models of purposeful discourse by cultivating a poetics of digression in the modern poem. The opening section considers the manner in which Wallace Stevens employs digression within the ars poetica genre to deconstruct aesthetic theory under High Modernism; the second chapter examines Marianne Moore's use of the excursus to organize archival knowledge in the Progressive poetry of instruction; the third section turns to Lyn Hejinian's construction of a digressive narratology intended to unsettle master-narratives of the Cold War era; the fourth chapter treats digression as a strategy for fashioning the self in the poetry of Walt Whitman and Frank O'Hara; and the book concludes with a survey of "Elliptical" strategies employed by a new generation of poets, writing in the wake of John Ashbery's aleatory craft, who seek to extend the digressive project of American poetry into the 21st Century.
What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? With Spirit Deep: Recovering the Sacred in Black Women's Travel, Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women's writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.
Popular perceptions of American writers as either godless radicals or God-fearing reactionaries overlook a vital tradition of Christian leftist thought and creative work. In Communion of Radicals, Jonathan McGregor offers the first literary history of theologically conservative writers who embraced political radicalism, as their reverence for tradition impelled them to work for social justice. Challenging recent accounts that examine twentieth-century American literature against the backdrop of the rising Religious Right, Communion of Radicals uncovers a different literary lineage in which allegiance to religious tradition fostered dedication to a more just future. From the Gilded Age to the Great Depression to the civil rights movement, traditional faith empowered the rebellious writing of socialists, anarchists, and Catholic personalists such as Vida Scudder, Dorothy Day, Claude McKay, F. O. Matthiessen, and W. H. Auden. By recovering their strain of traditioned radicalism, McGregor shows how strong faith in the past can fuel the struggle for an equitable future. As Christian socialists, Scudder and Ralph Adams Cram envisioned their movement for beloved community as a modern version of medieval monasticism. Day and the Catholic Workers followed the fourteenth-century example of St. Francis when they lived and wrote among the disaffected souls on the Bowery during the Great Depression. Tennessee's Fellowship of Southern Churchmen argued for a socialist and antiracist understanding of the notion of "the South and the Agrarian tradition" popularized by James McBride Dabbs, Walker Percy, and Wendell Berry. Agrarian roots flowered into creative expressions encompassing the queer and Black medievalist poetry of Auden and McKay, respectively; Matthiessen's Catholic socialist interpretation of the American Renaissance; and the genteel anarchism of Percy's southern comic novels. Imaginative writing enabled these Christian leftists to commune with the past and with each other, driving their radical efforts in the present. Communion of Radicals chronicles a literary Christian left that unites deeply traditional faith with radicalism, and offers a usable past that disrupts perceived alignments of religion and politics.
An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop your analysis and understanding, plus regular study tips, revision questions and progress checks to track your learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping you to succeed.
Exam board: AQA A, Cambridge Assessment International Education Level & Subject: AS and A Level English Literature First teaching: September 2015 First examination: June 2017, 2021 This edition of Persuasion provides depth and context for A Level students, with the complete novel in an easy to read format, and a detailed introduction and bespoke glossary written by an experienced A Level teacher with academic expertise in the area. * Affordable high quality complete text of Persuasion, ideal for AS and A Level Literature * Perfectly pitched introductions provide the depth and demand required by AS and A Level * Explore the contemporary context, Jane Austen's writing, the novel's critical reception and subsequent interpretations for a deeper reading of the text * Expand your further reading with a list of key articles and critical and theoretical texts * Improve your understanding of the novel with unfamiliar concepts and culturally-specific terms defined in the glossary
York Notes Advanced have been written by acknowledged literature experts for the specific needs of advanced level and undergraduate students. They offer a fresh and accessible approach to the Study of English literature. Building on the successful formula of York Notes, this Advanced series introduces students to more sophisticated analysis and wider critical perspectives. This enables students to appreciate contrasting interpretations of the text and to develop their own critical thinking. York Notes Advanced help to make the study of literature more fulfilling and lead to exam success. They will also be of interest to the general reader, as they cover the widest range of popular literature titles. Key Features: Study methods - Introduction to the text - Summaries with critical notes - Themes and techniques - Textual analysis of key passages - Author biography - Historical and literary background - Modern and historical critical approaches - Chronology - Glossary of literary terms. General Editors: Martin Gray - Head of Literary Studies, University of Luton; Professor A.N. Jeffares - Emeritus Professor of English, University of Stirling.
This accessible edition for students presents Herodotus as one of the most fascinating and colourful authors from the ancient world. Book III of Herodotus’ nine-book work is one of the richest in its exploration of themes, such as the practices and customs of different peoples and the nature of political power, issues still much debated today. This commentary illuminates the geographical and even anthropological scope of Herodotus' history, and enables students to confidently tackle the text in the original Greek. Bringing together a full introduction, text, commentary and translation, Longley makes Herodotus accessible to students of ancient Greek. This guide shows us why Herodotus is still considered the ‘Father of History’.
Mining the borderlands where history meets literature in Britain and Europe as well as America, this book shows how the imminence and outbreak of World War II ignited the imaginations of writers ranging from Ernest Hemingway, W.H. Auden, and James Joyce to Bertolt Brecht, Evelyn Waugh, Henry Green, and Irene Nemirovsky. Taking its cue from Percy Shelley's dictum that great writers are to some extent created by the age in which they live, this book shows how much the politics and warfare of the years from 1939 to 1941 drove the literature of this period. Its novels, poems, and plays differ radically from histories of World War II because-besides being works of imagination-- they are largely products of a particular stage in the author's life as well as of a time at which no one knew how the war would end. This is the first comprehensive study of the impact of the outbreak of the Second World War on the literary work of American, English, and European writers during its first years.
Harriet Martineau, versatile woman of letters, philosopher, and economist, was at the heart of Victorian literary and social life. This is the first wide-ranging selection of her letters to a variety of correspondents, most of them major figures in Victorian political and literary history. Controversial because of Martineau's lifelong resistance to the future publication of her private correspondence, the letters reveal her outspoken views on contemporary writers, the working classes, women's role in society, political change, illness, mesmerism, and her own writing. Her opinions on literary realism and George Eliot, biography and Mrs Gaskell's Life of Charlotte Bronte, and Elizabeth Barrett's contribution to modern poetry are among the topics aired in these unashamedly forthright and often bigoted letters. Yet in her Autobiography, Harriet Martineau agrees with her friends `that it would be rather an advantage' to her than otherwise, to be known by her private letters. They allow the modern reader to enter fully into the spirit of Victorian social and literary controversy.
The most substantial collection of critical essays on Morrison to appear since her death in mid-2019, this book contains previously unpublished essays which both acknowledge the universal significance of her writing even as they map new directions. Essayists include pre-eminent Morrison scholars, as well as scholars who work in cultural criticism, African American letters, American modernism, and women's writing. The book includes work on Morrison as a public intellectual; work which places Morrison's writing within today's currents of contemporary fiction; work which draws together Morrison's "trilogy" of Beloved, Jazz, and Paradise alongside Dos Passos' USA trilogy; work which links Morrison to such Black Atlantic artists as Lubaina Himid and others as well as work which offers a reading of "influence" that goes both directions between Morrison and Faulkner. Another cluster of essays treats seldom-discussed works by Morrison, including an essay on Morrison as writer of children's books and as speaker for children's education. In addition, a "Teaching Morrison" section is designed to help teachers and critics who teach Morrison in undergraduate classes. The Bloomsbury Handbook to Toni Morrison is wide-ranging, provocative, and satisfying; a fitting tribute to one of the greatest American novelists. |
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