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Books > Language & Literature > Literature: history & criticism > Literary studies
A collection of Native American tales and myths focusing on the relationship between man and nature.
Novelist and critic Colm Toibin explores the relationships of
writers with their families and their work in the brilliant,
nuanced, and wholly original "New Ways to Kill Your Mother."
Toibin--celebrated both for his award-winning fiction and his
provocative book reviews and essays--traces the intriguing, often
twisted family ties of writers in the books they leave behind.
Through the relationship between W. B. Yeats and his father, Thomas
Mann and his children, Jane Austen and her aunts, and Tennessee
Williams and his sister, Toibin examines a world of relations,
richly comic or savage in their implications. Acutely perceptive
and imbued with rare tenderness and wit, "New Ways to Kill Your
Mother "is a fascinating look at writers' most influential bonds
and a secret key to understanding and enjoying their work.
THE ULTIMATE GUIDES TO EXAM SUCCESS from York Notes - the UK's
favourite English Literature Study Guides. York Notes for AS &
A2 have been specifically designed for AS & A2 students to help
you get the very best grade you can. They are comprehensive, easy
to use, packed with valuable features and written by experienced
examiners and teachers to give you an expert understanding of the
text, critical approaches and the all-important exam. This edition
covers Dr Faustus and includes: An enhanced exam skills section
which includes essay plans, expert guidance on understanding
questions and sample answers. You'll know exactly what you need to
do and say to get the best grades. A wealth of useful content like
key quotations, revision tasks and vital study tips that'll help
you revise, remember and recall all the most important information.
The widest coverage and the best, most in-depth analysis of
characters, themes, language, form, context and style to help you
demonstrate an exhaustive understanding of all aspects of the text.
York Notes for AS & A2 are also available for these popular
titles: The Bloody Chamber(9781447913153) Doctor
Faustus(9781447913177) Frankenstein (9781447913214) The Great
Gatsby(9781447913207) The Kite Runner(9781447913160)
Macbeth(9781447913146) Othello(9781447913191)
WutheringHeights(9781447913184)
When Franz Kafka died in 1924, his loyal friend and champion Max
Brod could not bring himself to fulfil Kafka's last instruction: to
burn his remaining manuscripts. Instead, Brod devoted the rest of
his life to canonizing Kafka as the most prescient chronicler of
the twentieth century. By betraying Kafka's last wish, Brod twice
rescued his legacy - first from physical destruction, and then from
obscurity. But that betrayal was also eventually to lead to an
international legal battle over Kafka's legacy: as a writer in
German, should his papers come to rest with those of the other
great German writers, in the country where his three sisters died
as victims of the Holocaust? Or, as Kafka was also a great Jewish
writer, should they be considered part of the cultural inheritance
of Israel, a state that did not exist at the time he died in 1924?
Alongside an acutely observed portrait of Kafka and Brod and the
influential group of writers and intellectuals known as the Prague
Circle, Kafka's Last Trial also provides a gripping account of the
recent series of Israeli court cases - cases that addressed
dilemmas legal, ethical, and political - that determined the final
fate of the manuscripts Brod had rescued when he fled from Prague
to Palestine in 1939. It tells of a wrenching escape from Nazi
invaders as the gates of Europe closed to Jews; of a love affair
between exiles stranded in Tel Aviv; and of two countries whose
national obsessions with overcoming the traumas of the past came to
a head in the Israeli courts. Ultimately, Benjamin Balint invites
us to question not only whether Kafka's legacy belongs by right to
the country of his language, that of his birth, or that of his
cultural and religious affinities - but also whether any nation
state can lay claim to writers who belong more naturally to the
international republic of letters.
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