![]() |
![]() |
Your cart is empty |
||
Books > Language & Literature > Literature: history & criticism > Literary studies
In recent years, under pressure from New Historicism and developments in the formal study of biography, scholars have become increasingly conscious of how deliberately fashioned were the images of Shelley, Byron and Wordsworth. In Byron's case, this was often with his consent or collusion; in Shelley's case, it was the active efforts of his widow and friends who struggled to construct a particular picture of both man and poet. With Wordsworth the picture is less clear, since the kind of scrutiny that his two counterparts have recently received has rarely extended to him. The memoirs in this collection are written by those who had personal knowledge of Shelley, Byron and Wordsworth, or who claimed to be recording the accounts of those who had such knowledge. Each volume in this set contains the original memoirs in facsimile together with introductions and headnotes. The headnotes set the relevant context for each document, cross-referencing controversial passages.
Pathologizing Black Bodies reconsiders the black body as a site of cultural and corporeal interchange; one involving violence and oppression, leaving memory and trauma sedimented in cultural conventions, political arrangements, social institutions and, most significantly, materially and symbolically engraved upon the body, with "the self" often deprived of agency and sovereignty. Consisting of three sections, this text focuses on works of the 20th and 21st century fiction and cultural narratives by mainly African American authors, aiming to highlight the different ways in which race has been pathologized in America and examine how the legacies of plantation ideology have been metaphorically inscribed on black bodies. The variety of analytical approaches and thematic foci with respect to theories and discourses surrounding race and the body allow us to delve into this thorny territory in the hope of gaining perspectives about how African-American lives are still shaped and haunted by the legacies of plantation slavery. Furthermore, this volume offers insights into the politics of eugenic corporeality in an illustrative dialogue with the lasting carceral and agricultural effects of life on a plantation. Tracing the degradation and suppression of the black body, both individual and social, this text includes analysis of the pseudo-scientific discourse of social Darwinism and eugenics; the practice of mass incarceration and the excessive punishment of black bodies; and food apartheid and USDA practices of depriving black farmers of individual autonomy and collective agency. Based on such an interplay of discourses, methodologies and perspectives, this volume aims to use literature to further examine the problematic relationship between race and the body and stress that black lives do indeed matter in the USA.
This monograph contends that attending to Pratchett's work could help to save our world. It draws attention to the astonishing capacity of Pratchett's novels to inspire and argues that Pratchett's fantasy novels directly address many of the most significant challenges people in the world face: the explosion of weapons technology; the myriad issues involved in the envelopment of human life by corporatized information technology; the destructive human inattention to, and interactions with, the earth and its life forms; and the problem of devalued labor. Paradoxically, it is Pratchett's choice of fantasy that lets him address the reality of major issues that humanity and the rest of life confront now. Pratchett's novels show us how to better understand and confront the problems the world is contending with. The book will interest both scholars and fans.
The Routledge Companion to Politics and Literature in English provides an interdisciplinary overview of the vibrant connections between literature, politics, and the political. Featuring contributions from 41 scholars across a variety of disciplines, the collection is divided into five parts: Connecting Literature and Politics; Constituting the Polis; Periods and Histories; Media, Genre, and Techne; and Spaces. Organised around familiar concepts - such as humans, animals, workers, empires, nations and states - rather than theoretical schools, it will help readers to understand the ways in which literature affects our understanding of who is capable of political action, who has been included in and excluded from politics, and how different spaces are imagined to be political. It also offers a series of engagements with key moments in literary and political history from 1066 to the present in order to assess and reassess the utility of conventional modes of periodization. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of literary studies as a whole which will appeal to academics and researchers seeking to orient their own interventions into broader contexts.
This book examines how Methodism and popular review criticism intersected with and informed each other in the eighteenth century. Methodism emerged at a time when the idea of a 'public square' was taking shape, a process facilitated by the periodical press. Perhaps more so than any previous religious movement, Methodism, and the publications associated with it, received greater scrutiny largely because of periodical literature and the emergence of popular review criticism. The book considers in particular how works addressing Methodism were discussed and critiqued in the era's two leading literary periodicals - The Monthly Review and The Critical Review. Focusing on the period between 1749 and 1789, the study encompasses the formative years of popular review criticism and some of the more dramatic moments in the textual culture of early Methodism. The author illustrates some of the specific ways these review journals diverged in their critical approaches and sensibilities as well as their politics and religious opinions. The Monthly's and the Critical's responses to the Methodists' own publishing efforts as well as the anti-Methodist critique are shown to be both multifaceted and complex. The book critically reflects on the pretended neutrality, reasonableness, and objectivity of reviewers, who at times found themselves negotiating between the desire to regulate literary tastes and the impulse to undermine the Methodist revival. It will be relevant to scholars of religion, history and literary studies with an interest in Methodism, print culture, and the eighteenth century.
This book analyses the history of Naples and its relationship with its neighbours and will appeal to students of history and diplomatic history / By including the Latin text and English translations of these works, this book will appeal to those who wish to use these primary sources / This book will appeal to those interested in the history of the Church in Italy.
This book provides an overview of the research carried out by Chinese scholars in the field of literary translation. Although literary translation accounts for a small percentage of the translations produced every year, the interest into its cultural and historical significance continues to attract the interest of academics, notably in China. The contributors to the book engage in theoretical discussions, compare source and target texts, discuss the role of patronage and analyze the translation of unique cultural artefacts such as Chinese calligraphy. Their approaches range from the use of corpus-based studies to the use of mixed quantitative and qualitative methods to compare readers' views. This book will be of interest to researchers and advanced students of Linguistics, Literature, Translation Studies, and Cultural Studies. It was originally published as a special issue of the journal Perspectives: Studies in Translation Theory and Practice.
HUMOR IS AN INTEGRAL PART OF BRITISH LIFE AND LITERATURE
"White Skin/Black Masks" focuses on the fiction and travel writings
of Henry Rider Haggard and Rudyard Kipling. Close friends as well
as prominent figures of imperial and colonial myth-making, Haggard
and Kipling were praised for their alleged knowledge of and ability
to speak from within the "native" cultures of Africa and India.
Narrators and characters in their fiction attest to a persistent
fascination with the body-image of the "Other." Kipling's fiction
in particular deals with disguise and physical transformation
through the use of costume. This book addresses the psychic
processes of negation, projection and reappropriation in the
dynamics of pleasure/unpleasure and mastery/defense found in the
work of these two writers. It also seeks to provide a historical
context for understanding how these forces emerged from and were
played out in contemporary society.
Gathered for the first time in this unique volume are plays and documents suggesting that, contrary to traditional thinking, women participated in the theatrical culture of the English Renaissance--as authors, translators, performers, spectators, and even as part-owners of theaters. "Renaissance Drama by Women" includes 4 full length plays--"Love's Victory, The Concealed Fancies, The Tragedy of Marion, " and "The Tragedy of Antonie"--along with a fragment of a translation from Seneca by Queen Elizabeth I, an occasional masque written for performance by a ladies' school before Queen Anne, and a collection of historical documents illustration many fascinating ways that women participated in a range of theatrical activity between the 1570s and 1660.
"The Confessions of the Critics" shatters a certain silence.
Autobiographical criticism has until now skated relatively free
from the challenges that usually assail a new literary critical
method. It has had this immunity from critique largely because
feminists and third-world liberation fighters--such as Alice
Walker, Adrienne Rich and Jane Gallop--ushered it to the North
American academic stage. Other women and men, including Rigoberta
Menchu, Nawal al-Sadawi, Mahasweta Devi and Malcolm X, wrote in the
tradition and genre of "testimonio." These and other unimpeachably
militant backgrounds gave confessional criticism a certain cache
among the largely liberal community of literary scholars. We have
hesitated to express misgivings about a form that seemed
intrinsically tied to the most vital, powerful strivings.
This series gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from essays in the history of criticism to journalism and contemporary opinion, and little-published documentary material such as letters and diaries. Pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
The Critical Heritage series gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The important selected sources range from essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The whole Critical Heritage series is available as a set of 67 volumes, in mini- sets selected by period (in slipcase boxes) or as individual volumes.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
"The Critical Heritage" gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. "The Critical Heritage" is available as a set of 67 volumes, as mini-sets selected by period (in slipcase boxes) or as individual volumes.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from essays in the history of criticism to journalism and contemporary opinion, and little-published documentary material such as letters and diaries. Pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
This series gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from essays in the history of criticism to journalism and contemporary opinion, and little-published documentary material such as letters and diaries. Pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.
"The Critical Heritage" series gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. "The Critical Heritage" is available as a set of 67 volumes and the series is also available in mini-sets selected by period (in slipcase boxes) or as individual volumes.
The Critical Heritage series gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Critical Heritage series is available as a set of 67 volumes, as mini-sets selected by period (in slipcase boxes) or as individual volumes.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. |
![]() ![]() You may like...
A Manifesto For Social Change - How To…
Moeletsi Mbeki, Nobantu Mbeki
Paperback
![]()
Sol Plaatje's Mhudi - History…
Sabata-Mpho Mokae, Brian Willan
Paperback
Introduction To English Literary Studies
D Byrne, G. Kane, …
Paperback
![]()
|