|
|
Books > Humanities > Philosophy > Topics in philosophy > Logic
Locating poetry in a philosophy of the everyday, Brett Bourbon
continues a tradition of attention to logic in everyday utterances
through Wittgenstein, Austin, Quine, and Cavell, arguing that poems
are events of form, not just collections of words, which shape
everyone's lives. Poems taught in class are formalizations of the
everyday poems we live amidst, albeit unknowingly. Bourbon
resurrects these poems to construct an anthropology of form that
centers everyday poems as events or interruptions within our lives.
Expanding our understanding of what a poem is, this book argues
that poems be understood as events of form that may depend on words
but are not fundamentally constituted by them. This line of thought
delves into a poem's linguistic particularity, to ask what a poem
is and how we know. By reclaiming arenas previously ceded to
essayists and literary writers, Bourbon reveals the care and
attention necessary to uncovering the intimate relationship between
poems, life, reading and living. A philosophical meditation on the
nature of poetry, but also on the meaning of love and the claim of
words upon us, Everyday Poetics situates the importance of everyday
poems as events in our lives.
Bertrand Russell, (1872 - 1970) was a British philosopher,
logician, mathematician, historian, and social critic. Russell's
books are excellent for those who have no experience of reading
philosophy. This volume contains many of his most notable works:
The Problems with Philosophy, The Analysis of the Mind, Mysticism
and Logic and other Essays, Political Ideals, The Problem of China,
The Practice and Theory of Bolshevism, Proposed Roads to Freedom,
Our Knowledge of the External World as a Field for Scientific
Method in Philosophy
This textbook/software package covers first-order language in a
method appropriate for a wide range of courses, from first logic
courses for undergraduates (philosophy, mathematics, and computer
science) to a first graduate logic course. The accompanying online
grading service instantly grades solutions to hundreds of computer
exercises. The second edition of "Language, Proof and Logic"
represents a major expansion and revision of the original package
and includes applications for mobile devices, additional exercises,
a dedicated website, and increased software compatibility and
support.
Set theory is an autonomous and sophisticated field of
mathematics that is extremely successful at analyzing mathematical
propositions and gauging their consistency strength. It is as a
field of mathematics that both proceeds with its own internal
questions and is capable of contextualizing over a broad range,
which makes set theory an intriguing and highly distinctive
subject. This handbook covers the rich history of scientific
turning points in set theory, providing fresh insights and points
of view. Written by leading researchers in the field, both this
volume and the Handbook as a whole are definitive reference tools
for senior undergraduates, graduate students and researchers in
mathematics, the history of philosophy, and any discipline such as
computer science, cognitive psychology, and artificial
intelligence, for whom the historical background of his or her work
is a salient consideration
Serves as a singular contribution to the intellectual history of
the 20th centuryContains the latest scholarly discoveries and
interpretative insights
This text examines the many transformations in Husserl's
phenomenology that his discoveries of the nature of appearing lead
to. It offers a comprehensive look at the Logical Investigations'
delimitation of the phenomenological field, and continues with
Husserl's account of our consciousness of time. This volume
examines Husserl's turn to transcendental idealism and the problems
this raises for our recognition of other subjects. It details
Husserl's account of embodiment and takes largely from his
manuscripts, both published and unpublished, dealing with his
theory of instincts, his considerations of mortality and the
teleological character of our existence. This book appeals to
students and researchers and presents a genetic account of our
selfhood, one that unifies Husserl's different claims about who and
what we are.
The first critical work to attempt the mammoth undertaking of
reading Badiou's Being and Event as part of a sequence has often
surprising, occasionally controversial results. Looking back on its
publication Badiou declared: "I had inscribed my name in the
history of philosophy". Later he was brave enough to admit that
this inscription needed correction. The central elements of
Badiou's philosophy only make sense when Being and Event is read
through the corrective prism of its sequel, Logics of Worlds,
published nearly twenty years later. At the same time as presenting
the only complete overview of Badiou's philosophical project, this
book is also the first to draw out the central component of
Badiou's ontology: indifference. Concentrating on its use across
the core elements Being and Event-the void, the multiple, the set
and the event-Watkin demonstrates that no account of Badiou's
ontology is complete unless it accepts that Badiou's philosophy is
primarily a presentation of indifferent being. Badiou and
Indifferent Being provides a detailed and lively section by section
reading of Badiou's foundational work. It is a seminal source text
for all Badiou readers.
Material objects persist through time and survive change. How do
they manage to do so? What are the underlying facts of persistence?
Do objects persist by being "wholly present" at all moments of time
at which they exist? Or do they persist by having distinct
"temporal segments" confined to the corresponding times? Are
objects three-dimensional entities extended in space, but not in
time? Or are they four-dimensional spacetime "worms"? These are
matters of intense debate, which is now driven by concerns about
two major issues in fundamental ontology: parthood and location. It
is in this context that broadly empirical considerations are
increasingly brought to bear on the debate about persistence.
Persistence and Spacetime pursues this empirically based approach
to the questions. Yuri Balashov begins by setting out major rival
views of persistence -- endurance, perdurance, and exdurance -- in
a spacetime framework and proceeds to investigate the implications
of Einstein's theory of relativity for the debate about
persistence. His overall conclusion -- that relativistic
considerations favour four-dimensionalism over three-dimensionalism
-- is hardly surprising. It is, however, anything but trivial.
Contrary to a common misconception, there is no straightforward
argument from relativity to four-dimensionalism. The issues
involved are complex, and the debate is closely entangled with a
number of other philosophical disputes, including those about the
nature and ontology of time, parts and wholes, material
constitution, causation and properties, and vagueness.
When instruments are harmoniously joined together, beautiful music
ensues. Just as in a classic symphony, life often occurs in phases,
or movements. In his creative comparison Symphony #1 in a Minor
Key, literary exegete Alan Block shares his philosophies on four
movements reflected in his own life, each loosely modeled on a
different musical form linked to the emotions of a life both fully
lived and joyously celebrated. In the first movement, "Sonata
Allegro," Block juxtaposes biblical stories with personal
experiences as he explores the contradictory nature of what it
means to leave home in search of another home. In the second
movement, representing a slow march to and from the grave, he
focuses his examination on the funerals of three very different
people from a Jewish perspective. In strong contrast, Block
presents a glimpse into his absurd daily world in the third
movement, punctuated by jokes and commentary. Finally, he shares a
celebration of life and hope inspired by the final movement of
Beethoven's Seventh Symphony, encouraging others to be open to the
sublime and realize that none of our worlds is perfect. Symphony #1
in a Minor Key shares one man's reflections as he offers a
fascinating meditation on life, death, and everything in between.
To clarify and facilitate our inquiries we need to define a
disquotational truth predicate that we are directly licensed to
apply not only to our own sentences as we use them now, but also to
other speakers' sentences and our own sentences as we used them in
the past. The conventional wisdom is that there can be no such
truth predicate. For it appears that the only instances of the
disquotational pattern that we are directly licensed to accept are
those that define "is true" for our own sentences as we use them
now. Gary Ebbs shows that this appearance is illusory. He
constructs an account of words that licenses us to rely not only on
formal (spelling-based) identifications of our own words, but also
on our non-deliberative practical identifications of other
speakers' words and of our own words as we used them in the past.
To overturn the conventional wisdom about disquotational truth,
Ebbs argues, we need only combine this account of words with our
disquotational definitions of truth for sentences as we use them
now. The result radically transforms our understanding of truth and
related topics, including anti-individualism, self-knowledge, and
the intersubjectivity of logic.
|
|