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Books > Social sciences > Sociology, social studies > Gender studies > Men's studies
Based on an extensive worldwide study, this book reveals what gets boys excited about learning "Reaching Boys, Teaching Boys" challenges the widely-held cultural impression that boys are stubbornly resistant to schooling while providing concrete examples of pedagogy and instructional style that have been proven effective in a variety of school settings. This book offers more than 100 detailed examples of lessons that succeed with male students, grouped thematically. Such themes include: Gaming, Motor Activities, Open Inquiry, Competition, Interactive Technology, and Performance/Role Play. Woven throughout the book is moving testimony from boys that both validates the success of the lessons and adds a human dimension to their impact.The author's presents more than 100+ specific activities for all content areas that have proven successful with male studentsDraws on an in-depth, worldwide study to reveal what lessons and strategies most engage boys in the classroomHas been described as the missing link that our schools need for the better education of boys
This book considers major male writers from the last three centuries whose relation to a strong, often distant woman-one sometimes modeled on their own mother-forms the romantic core of their greatest narratives. Myron Tuman explores the theory that there is an underlying psychological type, the sensitive son, connecting these otherwise diverse writers. The volume starts and ends with Jean-Jacques Rousseau, whose Confessions provides an early portrait of one such son. There are chapters on other adoring sons, Stendhal, Sacher-Masoch, Scott Fitzgerald, and Turgenev, as well as on sons like Bernard Shaw and D.H. Lawrence with a different, less affectionate psychological disposition toward women. This book demonstrates how, despite many differences, the best works of all these sensitive sons reflect the deep, contorted nature of their desire, a longing that often seems less for an actual woman than for an elusive feminine ideal.
This collection covers a diverse and multi-disciplinary range of topics on how masculinities might be re-imagined outside of patriarchal power structures. Crucially, the book highlights the lived complexity of both patriarchies and masculinities as plural and situated, exploring questions of how they are constructed, negotiated and re-negotiated in daily practice; of how performative regimes interact, contradict and overlap with each other across a range of contexts. Contributors engage with theoretical frameworks engaging with feminist theory, contemporary politics of gender, bodies and marginalised experiences of masculinites. Global case studies are wide-ranging and include analysis of masculinity among communities such as drag artists, InCels and e-sports enthusiasts, as well as in the context of the body, for instance in relation to alcoholism and physical disability. In an era of resurgence of typically hegemonic patriarchal figures in the form of 'strong men' leadership, this book seeks to uncover what an alternative vision of masculinity could look like - one that is firmly rooted in a gender equality and feminist discourse.
Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11 is the first multigenre study of representations of masculinity following the emergence of violent terror as a plot element in American cinema after September 11, 2001. Across a broad range of subgenres - including disaster melodrama, monster movies, postapocalyptic science fiction, discovered footage and home invasion horror, action-thrillers, and frontier westerns - author Glen Donnar examines the impact of "terror-Others," from Arab terrorists to giant monsters, especially in relation to cinematic representations in earlier periods of national turmoil. Donnar demonstrates that the reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Taking up critical arguments about Hollywood's attempts to resolve male crisis through Orientalizing figures of terror, he shows how this failure reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they are supposed to be fighting. Donnar concludes that interrelated anxieties about masculinity and nationhood continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, the volume offers an important counternarrative to this supposedly unprecedented moment in American history.
To what extent is the legal subject gendered? Using illustrative examples from a range of jurisdictions and thematically organised chapters, this volume offers a comprehensive consideration of this question. With a systematic, accessible approach, it argues that law and gender work to co-produce the legal subject. Cumulatively, the volume's chapters provide a systematic evaluation of the key facets of the legal subject: the corporeal, the functional and the communal. Exploring aspects of the legal subject from the ways in which it is sexed and sexualised to its national and familial dimensions, this volume develops a complete account of the various processes through which legal orders produce gendered subjects. Across its chapters, each theoretically ambitious in its own right, this volume outlines how the law not only acts on the social world, but genders it.
To what extent is the legal subject gendered? Using illustrative examples from a range of jurisdictions and thematically organised chapters, this volume offers a comprehensive consideration of this question. With a systematic, accessible approach, it argues that law and gender work to co-produce the legal subject. Cumulatively, the volume's chapters provide a systematic evaluation of the key facets of the legal subject: the corporeal, the functional and the communal. Exploring aspects of the legal subject from the ways in which it is sexed and sexualised to its national and familial dimensions, this volume develops a complete account of the various processes through which legal orders produce gendered subjects. Across its chapters, each theoretically ambitious in its own right, this volume outlines how the law not only acts on the social world, but genders it.
Worldwide data on violence confirms that young men are the
commonest perpetrators and recipients of violence, ranging from
homicide to lesser forms of violence such as assault and delinquent
behavior. Among young men in North and Latin America the incidence
of violence, and homicide, is the highest in the world. Largely
urban-based, the violence is clearly related to social exclusion,
unemployment, and curtailed educational opportunities, although the
versions of male identity prevailing in this context also appear to
play a very large part in supporting and encouraging the use of
violence, especially against women. The health consequences, and
financial cost, of violence are considerable.
"""Shaunti and Jeff have unearthed a treasure chest of
insights--eye-opening and life-changing.""
The rise of consumerism in the twentieth and twenty-first centuries radically changed the way we perceive ourselves and the world around us. And, as it has throughout history, the social construct of "ideal" masculinity both reflects and responds to that lived reality, helping individuals adapt. Through a close study of Spanish film of the twentieth and twenty-first centuries, this book investigates hegemonic, or dominant, masculinity in the wake of dramatic consumer changes that occurred in Spain. It explores the ways in which masculine identity as represented in Spanish film positions itself in relation to desire and consumption, focusing especially on representations of hegemonic masculinity from the almost 40 year dictatorship of General Francisco Franco through the transition to democracy and into the early 1990s. Using psychoanalytic theory as employed primarily by Todd McGowan and Slavoj Zizek, this book analyzes cinematic representations of hegemonic masculine models, along with those portrayed as less favorable, to understand how political, social and economic changes in Spain in the twentieth and early twenty-first centuries affect the process of masculine identity formation. In the shift from a "society of prohibition" to a "society of commanded enjoyment," hegemonic masculinity as represented in Spanish film changes dramatically, initially organizing itself around prohibition and self-renunciation in the early Franco dictatorship and later, with neoliberal reforms and mass media promotion of consumerist values starting in the 1950s, reorienting itself around desire and enjoyment (embodied, for example, in the sexually promiscuous, fashionable young man of the 1970s). Personal pleasure and the satisfaction of one's desires replace submission, obedience and self-abnegation-leading to a reconstruction of masculine identities in a social context that appears increasingly fragmented, plural and individualistic. The primary innovation of this text involves the repositioning of consumerism as a fundamental force in the formation of Spanish masculinity and showing how widely disseminated masculine models serve to accommodate political, social and economic demands.
Why is it that successful black men--black men who are "at the top of their game" in the arts, entertainment, politics and athletics--are four times as apt to be married to or dating a woman who is not an African American than they were only thirty years ago? And why are twice as many black men involved in interracial relationships as black women? In addition to their celebrity status, which includes widespread popularity and wealth, black men from Charles Barkley to James Earl Jones to Russell Simmons to Bryant Gumbel share something else in common; something that also characterizes the experiences of more than 250,000 less well-known black men in the United States. They happen to be involved in interracial intimate relationships. Less than fifty years ago such relationships were next to impossible, leading to severe social sanctions. The fact that this is no longer the case is concrete evidence of changes in the quality and character of contemporary race relations. Drawing on her own observations, and her examination of the responses of a small, diverse group of black men who date (in some cases exclusively), have sexual relations with, and marry women who are not of African descent, the book provides insight into the continuing ways that race and ethnic status affect the choices people make in their lives. Until this book, though, these types of relationships have received scant serious attention. Craig-Henderson forthrightly addresses the taboo, interspersing analysis with verbatim accounts from black men involved in such relationships. Grounded in serious research, interviews, and analysis of census data, "Black Men in Interracial Relationships "examines why such relationships appear to be so popular among black male elites. In the process, the author unravels the mystery behind the apparent absence of black women in black men's lives. It will be of interest to specialists in race, gender, family, and sexual issues, and appropriate for courses in these areas. It is also highly readable and thought-provoking for the general public, who will find its observations and findings fascinating. "Kellina M. Craig-Henderson" is a faculty member in the Department of Psychology at Howard University in Washington, DC. Her research program includes studies of groups, cross-cultural, gender and race stereotyping, and aggression.
The two 'Moulding Masculinities' volumes represent the first major publication in English of Northern European studies on masculinities. They focus on men's relationships towards each other and their bodies, primarily from psycho-dynamic and social constructionist perspectives. The contributors are drawn from disciplines as diverse as sociology, social anthropology, media studies and sports sciences, and include scholars from Denmark, Sweden, Norway, Finland, The Netherlands, Germany, Australia, the UK and the USA. Investigating the relational aspects of masculinity, this volume describes how different masculinities are moulded within diverse structures and settings. It explores how men interact with each other and how they collectively react to and embody changing concepts of masculinity. By centering on the struggle and negotiation between different groups and discourses of masculinity and investigating the origin of dominant images and ideals of masculinity, these two volumes will widen international understanding of how historic forms of masculinity are interpreted, revived and combined in the process of moulding masculinities.
Fictive Fathers in the Contemporary American Novel explores the unstable construction of heteronormative white masculinity in the contemporary United States by focusing on relationships between fathers and their children. Debra Shostak reads the novels of 18 North American writers publishing in the late 20th and early 21st centuries as allegories of cultural conflict and change within the nuclear family; the authors considered include Paul Auster, Don DeLillo, Jeffrey Eugenides, Jonathan Safran Foer, Jonathan Franzen, John Irving, Jonathan Lethem, Carole Maso, Bobbie Ann Mason, Cormac McCarthy, Claire Messud, Viet Thanh Nguyen, Tim O'Brien, Marilynne Robinson, Philip Roth, Mona Simpson, Jane Smiley, and Anne Tyler. These novelists portray father figures who, often literally or figuratively absent from the family scene, disrupt the familial order and their family members' identities. Shostak's close readings illuminate unexpectedly conservative, even subversive, ideological positions at the heart of these fictions. Fictive Fathers traces the eroding myth of paternal authority that sustained a patriarchal model within real American families and their literary representations.
This important book provides unique new knowledge on the lived experience of openly bisexual men without medicalizing or pathologizing them. Presenting research from sexology, sociology, and psychology, it features extensive findings on the sexual, social, romantic, and emotional behaviors of the 90 men interviewed in the U.S. and U.K. Issues and challenges are examined in such areas as identity and self-concept, along with the burden of social erasure and the paradox of stigma from both the gay and straight communities. However, the research reveals evidence of a recent cultural transition toward acceptance of bisexual identity and behavior, with younger bisexual men experiencing better social lives and increased recognition of the legitimacy of bisexuality. Among the topics covered: Examining the components of sexuality. Measuring and surveying bisexuality. Bisexual burden Demonstrating a generational cohort effect Expansion of gendered boundaries. Erosion of the one-time rule of homosexuality. Coming out in the 21st century. Bringing clarity and focus beyond the gender binary-and compelling insights into why society and science have trouble shedding that paradigm-The Changing Dynamics of Bisexual Men's Lives will interest sexuality scholars, sexologists, and social scientists studying the social aspects of sexuality.
David Foster Wallace's Toxic Sexuality: Hideousness, Neoliberalism, Spermatics is the first full-length study of perhaps the most controversial aspect of Wallace's work - male sexuality. Departing from biographical accounts of Wallace's troubled relationship to sex, the book offers new and engaging close readings of this vexed topic in both his fiction and non-fiction. Wallace consistently returns to images of sexual toxicity across his career to argue that, when it comes to sex, men are immutably hideous. He makes this argument by drawing on a variety of neoliberal logics and spermatic metaphors, which in their appeal to apparently neutral economic processes and natural bodily facts, forestall the possibility that men can change. The book therefore provides a revisionist account of Wallace's attitudes towards capitalism, as well as a critical dissection of his approach to masculinity and sexuality. In doing so, David Foster Wallace's Toxic Sexuality shows how Wallace can be considered a neoliberal writer, whose commitment to furthering male sexual toxicity is a disturbing but undeniable part of his literary project.
The Masculinites of John Milton is the first published monograph on Milton's men. Examining how Milton's fantasies of manly authority are framed in his major works, this study exposes the gaps between Milton's pleas for liberty and his assumptions that White men like himself should rule his culture. From schoolboys teaching each other how to traffic in young women in the Ludlow Masque, to his treatises on divorce that make the wife-less husband the best possible citizen, and to the later epics, in which Milton wrestles with male small talk and the ladders of masculine social power, his verse and prose draw from and amplify his culture's claims about manliness in education, warfare, friendship, citizenship, and conversation. This revolutionary poet's most famous writings reveal how ambivalently manhood is constructed to serve itself in early modern England.
Gain a fresh perspective on this misunderstood sexual orientation From invisible to pathological, the literary, cultural, and theoretical representations of male bisexuality have been almost uniformly negative. Bisexual Men in Culture and Society provides a clear, rational analysis of the negative stereotypes and the underlying reasons for them."The bisexual is the brutal father, the abusive husband, the violent rapist (all familiar figures of male heterosexual power), but he is also the simpering, oral-sadistic mama's boy found in psychoanalytic accounts of homosexuality. . . . Bisexuals are queers with straight privilege, . . . straights with gay chic." Jonathan David White's caustic summary of bisexual men as seen in David Lynch's film Blue Velvet also applies to many of the representations of male bisexuality in popular and high culture. The original essays in Bisexual Men in Culture and Society deconstruct that dangerous image with blistering force and accuracy. Bisexual Men in Culture and Society offers thoughtful, insightful examinations of the cultural meanings of bisexuality, including: the recurring figure of the predatory, immoral bisexual man in the novels of E. Lynn Harris the overlooked bisexual themes in James Baldwin's classic novels Another Country and Giovanni's Room the murderous bisexual men in such films as Blue Velvet and American Commandos the portrayal in women's magazines of the bisexual husband as a promiscuous, deceitful AIDS carrier the conflicts within sexual-identity politics between gay men and bisexual men the focus on bisexual orientation, rather than sexual behavior, as a risk factor for AIDS Continuing the tradition of Bisexuality in the Lives of Men: Facts and Fictions, Bisexual Men in Culture and Society offers a brilliant analysis of the lives of bisexual men and their precarious position within a racist, sexist, and homophobic society.
This tightly argued and methodologically sound volume addresses widespread social assumptions associating crime and African-American men. An exploration into the criminal justice system in America today and its impact on young African-American males, this book challenges the linking of crime and race and the conservative anti-welfare, hard-on-crime agenda. Jerry Miller has spent a lifetime studying and challenging our criminal justice system. He has worked to make it more progressive and more just. He has watched as it turned into a system of segregation and control for many Americans of color. That is the story told here in devastating detail.
A valued icon of British manhood, Sir Arthur Conan Doyle has been the subject of numerous biographies since his death in 1930. All his biographers have drawn heavily on his own autobiography, Memories & Adventures, a collection of stories and anecdotes themed on the subject of masculinity and its representation. Diana Barsham discusses Doyle's career in the context of that nineteenth-century biographical tradition which Dr Watson so successfully appropriated. It explores Doyle's determination to become a great name in the culture of his day and the strains on his identity arising from this project. A Scotsman with an alcoholic, Irish, fairy-painting father, Doyle offered himself and his writings as a model of British manhood during the greatest crisis of British history. Doyle was committed to finding solutions to some of the most difficult cultural problematics of late Victorian masculinity. As novelist, war correspondent, historian, legal campaigner, propagandist and religious leader, he used his fame as the creator of Sherlock Holmes to refigure the spirit of British Imperialism. This original and thought-provoking study offers a revision of the Doyle myth. It presents his career as a series of dialoguic contestations with writers like Thomas Hardy and Winston Churchill to define the masculine presence in British culture. In his spiritualist campaign, Doyle took on the figure of St Paul in an attempt to create a new religious culture for a Socialist age.
As sport has grown, progressively replacing religion, in its power to excite passion, provide emotional escape, offer fraternal (and increasingly sororital) bonding, it has come to loom larger and larger in the lives of Europeans and others. It has become an inescapable reality linking public environment with intimate experience and thus offers the historian an opportunity to inspect and attempt to grasp all the dimensions of the recent past and their relative share in individual and collective experience. This collection considers the evolution of modern sport in Europe and examines its role in shaping masculine identity.
Men from a variety of sexual orientations and ethnic backgrounds overturn myths about male sexuality and desire Male sexuality comes of age in this provocative collection of personal essays and poetry. Male Lust's nearly 60 contributors explore emotional, social, and political aspects of sex and desire from a diversity of backgrounds, perspectives, and sexual orientations. Answering the long-standing challenge for men to finally theorize the complexity of their own sexual desires, Male Lust (a 2001 Lambda Gay Studies Literary Award Finalist) delves into topics such as commercial sex, sadomasochism, feminism, and white supremacy without lapsing into reactionary, knee-jerk or misogynist stances. This book offers a positive sexual vision that moves far beyond the narrow messages offered in mainstream media. Male Lust reveals thoughtful, detailed realities of gay, straight, bisexual, transgender, and same-gender-loving men's personal experiences with sex that lurk behind the stereotypes. Among the many topics that the essays, stories, and poems herein chronicle are: various facets of men's and women's experience with commercial sex, both as consumers and providers social and hormonal phenomena involved in transitioning from female to male handling the impact of white supremacy on male lust as a man of color the transformational possibilities of S/M women's responses to the lusts of the men in their lives coming of age with a "deviant" gender or sexual orientation healing from rape and other forms of sexual abuse coming to terms with loving and desiring women within a misogynist culture lust and desire within a disabled bodyTogether, the contributors break the noisy silence surrounding male lust, challenge the dominant images of men as unemotional sexual predators, and expose the live, beating hearts, minds, and souls of real men loving, healing, and revealing themselves, each other, and the women in their lives. Male Lust heralds the next generation of thinking men--a must-read for anyone seeking cutting-edge ideas on sexuality and desire.
Men from a variety of sexual orientations and ethnic backgrounds overturn myths about male sexuality and desire Male sexuality comes of age in this provocative collection of personal essays and poetry. Male Lust's nearly 60 contributors explore emotional, social, and political aspects of sex and desire from a diversity of backgrounds, perspectives, and sexual orientations. Answering the long-standing challenge for men to finally theorize the complexity of their own sexual desires, Male Lust (a 2001 Lambda Gay Studies Literary Award Finalist) delves into topics such as commercial sex, sadomasochism, feminism, and white supremacy without lapsing into reactionary, knee-jerk or misogynist stances. This book offers a positive sexual vision that moves far beyond the narrow messages offered in mainstream media. Male Lust reveals thoughtful, detailed realities of gay, straight, bisexual, transgender, and same-gender-loving men's personal experiences with sex that lurk behind the stereotypes. Among the many topics that the essays, stories, and poems herein chronicle are: various facets of men's and women's experience with commercial sex, both as consumers and providers social and hormonal phenomena involved in transitioning from female to male handling the impact of white supremacy on male lust as a man of color the transformational possibilities of S/M women's responses to the lusts of the men in their lives coming of age with a "deviant" gender or sexual orientation healing from rape and other forms of sexual abuse coming to terms with loving and desiring women within a misogynist culture lust and desire within a disabled bodyTogether, the contributors break the noisy silence surrounding male lust, challenge the dominant images of men as unemotional sexual predators, and expose the live, beating hearts, minds, and souls of real men loving, healing, and revealing themselves, each other, and the women in their lives. Male Lust heralds the next generation of thinking men--a must-read for anyone seeking cutting-edge ideas on sexuality and desire. |
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