The World We Have Won is a major study of transformations in erotic and intimate life since 1945. We are living in a world of transition, in the midst of a long, unfinished but profound revolution that has transformed the possibilities of living out our sexual diversities.

This book provides a balance sheet of the changes that have transformed our ways of being, from welfarism to the pill, women's and gay liberation, from globalization, consumerism and individualization to new forms of intimacy, from friends as family to same sex marriage. Some respond to these challenges with a deep cultural pessimism or moral conservatism. It rejects such views and argues that this is a world we are increasingly making for ourselves, part of the long process of democratization of everyday life. Unless we grasp this we cannot understand, not only the problems and anxieties, but the opportunities and hopes in this world we have won.

The World We Have Won is a major study of transformations in erotic and intimate life since 1945. We are living in a world of transition, in the midst of a long, unfinished but profound revolution that has transformed the possibilities of living out our sexual diversities.

This book provides a balance sheet of the changes that have transformed our ways of being, from welfarism to the pill, women's and gay liberation, from globalization, consumerism and individualization to new forms of intimacy, from friends as family to same sex marriage. Some respond to these challenges with a deep cultural pessimism or moral conservatism. It rejects such views and argues that this is a world we are increasingly making for ourselves, part of the long process of democratization of everyday life. Unless we grasp this we cannot understand, not only the problems and anxieties, but the opportunities and hopes in this world we have won.

The men 's movement is a fascinating and vexing phenomenon that is part of the important history of gender change in the United States and the world. Men are finally engaging the challenges of feminism and rethinking what it means to be a man in today 's society. At stake in this crisis of masculinity is the future of the family, the economy, and the society as a whole. This book examines the cultural imagery and the actions of the men of the mythopoetic men 's movement in particular, examining their ideas, goals, and behavior. The book innovates theoretically by synthesizing cultural sociology with an interest in power as well as social psychology. Using ethnography as its primary research method, the study explores hegemony and microlevel power on the interactional level. The result is a dynamic look at the social construction of cultural discourse and the action that follows in this curious and unusual social movement.

Exploring sexuality in the twenty-first century, this unique book collects together more than fifty timely and accessible contributions to create a wide-ranging and compelling picture of contemporary American sexuality.

Incorporating the latest cutting-edge controversies, theory and methodological material from the major domains of sexual education, sexual health, sexual rights, and globalization, this book includes a superb editorial overview that opens up the field for students and teachers alike.

This anthology will be an invaluable supplement to all levels of students and researchers interested in sexuality across a range of disciplines, including anthropology, sociology, gender and sexuality studies and politics.

Exploring sexuality in the twenty-first century, this unique book collects together more than fifty timely and accessible contributions to create a wide-ranging and compelling picture of contemporary American sexuality.

Incorporating the latest cutting-edge controversies, theory and methodological material from the major domains of sexual education, sexual health, sexual rights, and globalization, this book includes a superb editorial overview that opens up the field for students and teachers alike.

This anthology will be an invaluable supplement to all levels of students and researchers interested in sexuality across a range of disciplines, including anthropology, sociology, gender and sexuality studies and politics.

With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.

An Independent Book of the Month Penises, and the things people do with them, have been subjects of controversy for a long time. This book examines how one thing that some people do to penises-remove the foreskin-has become a site upon which vital questions of gender, race, religion, sexuality, and psychic life are negotiated. While most contemporary work on the subject is concerned with whether circumcision is right or wrong, safe or harmful, Circumcision on the Couch takes as its starting point that the significance of male circumcision exceeds anatomical and juridical considerations. Deploying a feminist Lacanian framework, while drawing from a wide range of archival sources and critical thought, Jordan Osserman asks: How can psychoanalysis help us shed light on the ideologies, discourses, and fantasies surrounding circumcision and the impassioned stances for and against it? And how might the history of circumcision, in turn, allow us to re-assess and clarify how we understand the split (or "snipped") subject of psychoanalysis?

Until today, Western, European sociology contributes to the social reality of colonial modernity, and gender knowledge is a paradigmatic example of it. Multiple Gender Cultures, Sociology, and Plural Modernities critically engages with these 'Western eyes' and shifts the focus towards the global variety of gendered socialities and hierarchically entangled social histories. This is conceptualised as multiple gender cultures within plural modernities. The authors examine the multifaceted realities of gendered life in varying contexts across the globe. Bringing together different perspectives, the volume provides a rereading of the social fabric of gender in contrast to androcentrist-modernist as well as orientalist representations of 'the' gendered Other. The key questions explored by this volume are: which social mechanisms lead to conflicting or shifting gender dynamics against the backdrop of global entanglements and interdependencies, and to what extent are neocolonial gender regimes at work in this regard? How are varying gender cultures sociohistorically and culturally structured, and how are they connected within (global) power relations? How can established hierarchies and asymmetries become an object of criticism? How can historical, cultural, social, and political specificities be analysed without gendered and other reifications? That way, the volume aims to promote border thinking in sociological understanding of social reality towards multiple gender cultures and plural modernities.

Same-sex marriage is now legal in twenty-nine countries and the subject of continued debate around the world. The Political Economy of Same-Sex Marriage: A Feminist Critique considers this debate from a political economy perspective. Rather than engaging directly in the now well-rehearsed social-movement and academic for-and-against debates, this book focuses on processes of institutionalization of same-sex marriage and so-called "rainbow families" within (neo)liberal capitalist democracies. It examines how states and markets appropriate same-sex marriage and family to enhance their own political and symbolic capital, consolidating power and profit within existing systems of gendered and raced socioeconomic stratification. Taking a radical feminist, heterodox, qualitative and intersectional approach, this book investigates the political economy of same-sex marriage across three axes: same-sex marriage as institution; same-sex marriage and the market; and the political economy of the "rainbow family". The examination of case studies from different countries and regions enables a comparative analysis that foregrounds cultural, political and economic path dependencies while at the same time highlighting a number of striking commonalities. In all the countries discussed in this book and in most respects, same-sex marriage has been integrated almost seamlessly into a mainstream/malestream political economy of marriage and family and its translation into added market and productive value. The Political Economy of Same-Sex Marriage: A Feminist Critique will be of use to researchers and students alike, and indeed to all those who are curious about the mainstreaming of homosexuality within twenty-first-century capitalist democracies.

Before the advent of the teenager in the 1940s and the teenpic in the 1950s, The Freshman (Taylor and Newmeyer, 1925) represented 1920s college youth culture as an exclusive world of leisure to a mass audience. Starring popular slapstick comedian Harold Lloyd, The Freshman was a hit with audiences for its parody of contemporary conceptions of university life as an orgy of proms and football games, becoming the highest grossing comedy feature of the silent era. This book examines The Freshman from a number of perspectives, with a focus on the social, economic, and political context that led to the rise of campus culture as a distinct subculture and popular mass culture in 1920s America; Lloyd's use of slapstick to represent an embodied, youthful middle-class masculinity; and the film's self-reflexive exploration of the conflict between individuality and conformity as an early entry in the youth film genre.

Born in the late nineteenth century, sexuality is a relatively new category within the human sciences in general and law and society scholarship in particular. Despite its novelty, it is now a central category through which we understand ourselves both as individuals and as members of communities. This volume offers a collection of essays selected to reflect the ever-widening horizons and diverse methodologies of law and society scholarship on sexual and identity in law. The essays offer an insight into some of the key themes and recent developments in this body of work. Each in different ways offers an evaluation of the nature, meaning and effects of sexuality thereby providing a critical evaluation of the politics of sexual identity as it appears in and through the law.

Max Reger (1873-1916) was a celebrated German composer, performer on piano and organ, and conductor. Well known for his compositions for keyboards and orchestra, Reger worked during the crucial decades when Western music transformed itself from the misty veil of Romanticism and Impressionism to the more hard-edged modernism that would prevail in the 20th century. Less well known are his writings about music and the composer's craft. Although he wrote a major book on music theory published in 1903 (and translated into English a year later), his extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson, a noted Reger scholar, has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger's writings and music in the context of his time.
This volume will appeal strongly to those interested in the Late Romantic era; musical composition and aesthetics; and of course those interested in the music and life of Reger.

Presenting a survey of the social, cultural and theoretical issues which surround and inform our understanding of masculinity, this book explores the interface between traditional sociological approaches and the work covered by more post-structural, media-driven or cultural perspectives. Edwards well known for his work on representations of masculinities, uses grounded examples of the job market and domestic violence to set his theoretical discussion. He argues that there is a need for more dialogue on men and masculinities between disciplines, and considers the validity of the concerns and anxieties which surround masculinity in the contemporary world through a range of key topics, including: the new man, the new lad and 'men's movements' men, masculinity and violence marginalized masculinities: black masculinity and gay male sexuality queer theory, performativity and fashion cinema, representation and the body. One of the most comprehensive and progressive studies of modern masculinity available, this book will be essential reading for students of gender, culture and sociology.

How did gender shape the expanding Jesuit enterprise in the early modern world? What did it take to become a missionary man? And how did missionary masculinity align itself with the European colonial project? This book highlights the central importance of male affective ties and masculine mimesis in the formation of the Jesuit missions, as well as the significance of patriarchal dynamics. Focusing on previously neglected German actors, Strasser shows how stories of exemplary male behavior circulated across national boundaries, directing the hearts and feet of men throughout Europe toward Jesuit missions in faraway lands. The sixteenth-century Iberian exemplars of Ignatius of Loyola and Francis Xavier, disseminated in print and visual media, inspired late-seventeenth-century Jesuits from German-speaking lands to bring Catholicism and European gender norms to the Spanish-controlled Pacific. The age of global missions hinged on the reproduction of missionary manhood in print and real life.

Despite Soviet Russia having been one of the first major powers to decriminalise homosexual acts between men, attitudes towards lesbian, gay, bisexual and transgender (LGBT) people in contemporary Russia and the other post-Soviet states have become increasingly hostile, with the introduction of laws restricting their rights and an increase in homophobic violence. This book explores how this situation has come about. It discusses how meanings attached to non-heteronormative sexualities have been constructed for specific socio-political purposes by elites in line with Marxist-Leninist or nationalist thought, explores how attitudes to non-normative sexualities developed historically and examines the current situation in the post-Soviet space, including Russia, Transcaucasia, Central Asia and the Baltic States. The book provides a wealth of detail on this understudied subject and assesses how LGBT subjects are responding to this state of affairs.

From the Delivered to the Dispatched: Masculinity in Modern American Fiction (1969-1977) focuses on masculinity in late twentieth-century American fiction. This rigorous study shows the ways post-war American authors engage with the tension between capitalist consumer culture and traditional national conceptions of American manhood. Drawing on examples from the works of prolific contemporary American writers, Cormac McCarthy, Toni Morrison and Michael Herr, Stilley investigates hypermasculine male violence, the classical and grotesque body, as well as specific regional themes such as the Western frontier, the American Adam, the Southern Gothic and the Suburban Gothic.

Masculinities in Chinese History is the first historical survey of the many ways men have acted, thought, and behaved throughout China's long past. Bret Hinsch introduces readers to the basic characteristics of historical Chinese masculinity while highlighting the dynamic changes in male identity over the centuries. He covers the full span of Chinese history, from the Zhou dynasty in distant antiquity up to the current era of disorienting rapid change. Each chapter, focused on a specific theme and period, is organized to introduce key topics, such as differences between the sexes and the mutual influence of ideas regarding manhood and womanhood, masculine honor, how masculine ideals change, the use of high culture to bolster masculine reputation among the elite, and male role models from the margins of society. The author concludes by exploring how capitalism, imperialism, modernization, revolution, and reform have rapidly transformed ideas about what it means to be a man in contemporary China.

When Americans talked about politics in the 1950s they always seemed to be talking about sex. Political discourse was inundated with refernces to soft and hard, to masochism and impotency, to thrusts and ecstacies. Cuordileone argues that the gendered and sexualised language of Cold Warriors was produced by specific anxieties about masculinities. To support this interpretation she offers subtle readings of figures like Norman Mailer, Arthur Schlesinger and JFK.

When Americans talked about politics in the 1950s they always seemed to be talking about sex. Political discourse was inundated with refernces to soft and hard, to masochism and impotency, to thrusts and ecstacies. Cuordileone argues that the gendered and sexualised language of Cold Warriors was produced by specific anxieties about masculinities. To support this interpretation she offers subtle readings of figures like Norman Mailer, Arthur Schlesinger and JFK.

This book explores images of single and married men in C.B. Brown's "Monthly Magazine" and concludes that Brown used his periodical as a vehicle for validating bachelorhood as a viable alternative form of masculinity.

In the space of barely fifteen years, the history of masculinity has become an important dimension of social and cultural history. John Tosh has been in the forefront of the field since the beginning, having written A Man's Place: Masculinity and the Middle-Class Home in Victorian England (1999), and co-edited Manful Assertions: Masculinities in Britainsince 1800 (1991). Here he brings together nine key articles which he has written over the past ten years. These pieces document the aspirations of the first contributors to the field, and the development of an agenda of key historical issues which have become central to our conceptualising of gender in history. Later essays take up the issue of periodisation and the relationship of masculinity to other historical identities and structures, particularly in the context of the family. The last two essays, published for the first time, approach British imperial history in a fresh way. They argue that the empire needs to be seen as a specifically male enterprise, answering to masculine aspirations and insecurities. This leads to illuminating insights into the nature of colonial emigration and the popular investment in empire during the era the New Imperialism.

When Men in Groups was first published in l969, the New York Times daily critic titled his review "The Disturbing Rediscovery of the Obvious." What was so obvious was male bonding, a phrase that entered the language. The links between males in groups Tiger describes extend through many other primate species, through our evolution as hunters/gatherers, and cross-culturally. Male bonding characterizes human groups as varied as the Vatican Council, the New York Yankees, the Elks and Masons the secret societies of Sierra Leone and Kenya.aThe power of Tiger's book is its identification of the powerful links between men and the impact of females and families on essentially male groups. While the world has changed much, the argument of the book and its new introduction by the author suggest that a species-specific pattern ofamale bonding continues to be part of the human default system. Perhaps one day concrete evidence of its location will emerge from the startling work on the human genome, just as the elaborate and consequential sex differences to which Men in Groups drew such pioneering attention have already become part of the common wisdom. Meanwhile, Men in Groups remains a measured andaresponsibleabut intrepid inspection of a major aspect of human social organization and personal behavior. The book was controversial when it first appeared, and often foolishly and unduly scorned. But it has remained a fundamental contribution to the emerging synthesis between the social and natural sciences. "The most creative contribution to the social sciences since David Riesman's The Lonely Crowd."--Robert Ardrey, Life Magazine " Tiger's] enquiry into male bonding is an important step towards the possibility of discovering a genuine human dimorphisma"--James Hamilton-Paterson, New Statesman "The implications of Men in Groups are manifold. We should all be grateful to Dr. Tiger for drawing our attention to a neglected aspect of human behavior."--Anthony Storr, Times (London) Lionel Tiger is the Charles Darwin Professor of Anthropology at Rutgers University. He is the author of The Decline of Males, Optimism, The Pursuit of Pleasure, and, with Robin Fox, The Imperial Animal, available from Transaction.

This book provides critical insights into the many, often overlooked, challenges and societal issues that face contemporary black men, focusing in particular on the ways in which governing societal expectations result in internal and external constraints on black male identity formation, sexuality and black 'masculine' expression. Presenting new interview and auto-ethnographic data, and drawing on an array of theoretical approaches methodologies, Hyper Sexual, Hyper Masculine? explores the formation of gendered and sexual identity in the lives of black men, shedding light on the manner in which these are affected by class and social structure. It examines the intersecting oppressions of race, gender and class, while acknowledging and discussing the extent to which black men's social lives differ as a result of their varying degrees of cumulative disadvantage. A wide-ranging and empirically grounded exploration of the intersecting roles of race, masculinity, and sexuality on the lives of black men, this volume will appeal to scholars across the social sciences with interests in race and ethnicity, gender and sexuality, social stratification and intersectionality.

Long sentenced young people are a small but significant part of the juvenile prison population. The current approach to young people convicted of serious crime speaks to wider issues in criminal and social justice, including the idealisation of (some) childhoods, processes of racialisation and identity and the sociology of the body. Analysing the relationships between biography, trauma and habitus reveals the ways in which class, racial and legal status are experienced and resisted. Young Men's Experiences of Long-Term Imprisonment: Living Life considers the need for the reinvigoration of prison ethnography and calls for a phenomenological approach to understanding youth crime and punishment. An insightful ethnographic study on imprisoned 15- to 17-year-olds in England, this volume examines how young people experience long-term imprisonment, manage their time and imagine and shape their futures. Drawing on observations, interviews and correspondence, Tynan situates long-term imprisonment of young men within the wider social context of criminal and social justice; and analyses constructs and practices that locate responsibility for crime with individuals and communities. Young Men's Experiences of Long-Term Imprisonment: Living Life will be of interest to students and researchers interested in the sociology of prisons, punishment and youth justice and qualitative research methodology.

Drawing on interviews with a breadth of different showgirls, from shows in Paris, Las Vegas, Berlin, and Los Angeles, as well as her own artworks and those by other contemporary and historical artists, this book examines the experiences of showgirls and those who watch them, to challenge the narrowness of representations and discussions around what has been termed 'sexualisation' and 'the gaze'. An account of the experience of being 'looked at', the book raises questions of how the showgirl is represented, the nature of the pleasure that she elicits and the suspicion that surrounds it, and what this means for feminism and the act of looking. An embodied articulation of a new politics of looking, Viewing Pleasure and Being a Showgirl engages with the idea (reinforced by feminist critique) that images of women are linked to selling and that women's bodies have been commodified in capitalist culture, raising the question of whether this enables particular bodies - those of glamorous women on display - to become scapegoats for our deeper anxieties about consumerism.