Sexuality, religion and faith often have complex and conflicting interactions, on both personal and societal levels. Numerous studies have been conducted on queer subjects, but they have predominantly focused on 'Western' expressions of faith and queer identities. This book contributes to the wider scholarship on queer subjects by drawing on actual lived experiences of self-identifying gay and bisexual men in Malaysia. It discusses what we can learn from the realities of their lives that intersect with their religious, spiritual, theological or humanistic values in an Asian context. Analysed within the critical frameworks of queer theory and queer sexual theology, this study divulges the meanings ascribed to sexual identities and practices, as well as conceptualisations of masculinity, sexual desire, love and intimate physical connections. It also lays bare the complex negotiations between gender, desire and spirit, and how they can affect one another. Tying fascinating case studies and underexplored Asian theologies with wider conversations around sexuality and faith, this book will be of significant interest to scholars working in religious studies, theology, queer studies, sexuality studies and Asian studies.

In this book based on the biographical accounts of upper-middle-class white men living in wealthy parts of Rio de Janeiro, Valeria Ribeiro Corossacz analyzes specific experiences of whiteness as they are produced at the intersection of multiple categories-in particular gender, class, and sexuality. White Middle-Class Men in Rio de Janeiro: The Making of a Dominant Subject investigates what it means to be classified as a white person and a man in a society that is known for its valorization of racial mixing and yet deeply structured by racism, class, and gender inequalities. By examining instances of silence and what is left unsaid as well as precise descriptions of power relations and violent episodes, this book encourages the reader to observe the condition of dominant subjects as a keystone of the reproduction of social discrimination.

Pathways to Pacifism and Antiwar Activism among U.S. Veterans seeks to answer the question of how and why some military personnel become antiwar activists. To examine this, the authors look at the stories of 114 veterans' pathways from a militaristic perspective to either a Just War or pacifist perspective. Identity theory provides a lens for exploring this process. The authors argue that this postservice process of identity transformation is not pathological but healthy, as it offers healing and verification of multiple roles and social aspects of the veterans' lives.

This book examines teacher candidates' experiences with gender and sexuality in the classroom, offering insight and strategies to better prepare teachers and teacher educators to support lesbian, gay, bisexual, transgender, and queer/questioning (LGBTQ) youth and families.

One of America's greatest challenges is to reverse the steep decline of the intellectual performance of its young men. The dramatic increase in violent acts and the downward spiral of high stakes testing in our schools has confirmed that many of our young men have lost hope or simply given up. Reconnecting, Redirecting, and Redefining 21st Century Males identifies the physical, emotional, and psychological adjustments many boys have been forced to navigate alone during their most vulnerable, formative years and provides adjustments that adults must make to assist them in these transitions.

Why did Americans reject the British gentleman as their dominant model of masculinity? Why is a boy's relationship to his mother a crucial factor in shaping his masculinity? What and how do boys learn about what it means to be a man? Holmberg demonstrates how David Mamet's plays provide insights into these questions, and into the masculine malaise. Through the gangsters, businessmen, soldiers, sailors, athletes, frontiersmen and thugs he created, Mamet celebrates and criticizes American macho. The book provides close readings of Mamet's well-known plays as well as plays which have not previously received the critical attention they deserve, and includes discussions of recent films and unpublished film scripts that shed light on Mamet's attitudes to American macho. Holmberg also presents detailed analysis of Mamet as director of his own plays, which gives fascinating insights into the playwright's intentions through his instructions to actors on how to play a part.

Clumsy stereotypes of the Romani and Travellers communities abound, not only culturally in programmes such as Big Fat Gypsy Weddings, but also amongst educators, social workers, administrators and the medical profession. Gypsy cultures are invariably presented as ruled by tradition and machismo. Women are presented as helpless victims, especially when it comes to gendered forms of violence. The reality, however, is much more complicated. In Gypsy Feminism, Laura Corradi demonstrates how Romaphobia - racist and anti-Gypsy rhetoric and prejudice, pervading every level of society - has led to a situation where Romani communities face multiple discrimination. In this context, the empowerment of women and girls becomes still more difficult: until recently, for example, women have largely remained silent about domestic violence in order to protect their communities, which are already under attack. Examining feminist research and action within Romani communities, Corradi demonstrates the importance of an intersectional approach in order to make visible the combination of racism and sexism that Gypsy women face every day. This concise and authoritative book will appeal to scholars and students in the areas of Sociology, Cultural Studies, Women's and Gender Studies and Anthropology, as well as Politics, Media Studies, Social Policy, and Social Work. It is also an invaluable resource for activists, community and social service workers, and policymakers.

Rural-urban migration within China has transformed and reshaped rural people's lives during the past few decades, and has been one of the most visible phenomena of the economic reforms enacted since the late 1970s. Whilst Feminist scholars have addressed rural women's experience of struggle and empowerment in urban China, in contrast, research on rural men's experience of migration is a neglected area of study. In response, this book seeks to address the absence of male migrant workers as a gendered category within the current literature on rural-urban migration. Examining Chinese male migrant workers' identity formation, this book explores their experience of rural-urban migration and their status as an emerging sector of a dislocated urban working class. It seeks to understand issues of gender and class through the rural migrant men's narratives within the context of China's modernization, and provides an in-depth analysis of how these men make sense of their new lives in the rapidly modernizing, post-Mao China with its emphasis on progress and development. Further, this book uses the men's own narratives to challenge the elite assumption that rural men's low status is a result of their failure to adopt a modern urban identity and lifestyle. Drawing on interviews with 28 male rural migrants, Xiaodong Lin unpacks the gender politics of Chinese men and masculinities, and in turn contributes to a greater understanding of global masculinities in an international context. This book will be of great interest to students and scholars working in the fields of Chinese culture and society, gender studies, migration studies, sociology and social anthropology. Shortlisted for this year's BSA Philip Abrams Memorial Prize.

This study argues that in Japanese popular cinema the "tragic hero" narrative is an archetypal plot-structure upon which male genres, such as the war-retro and yakuza films are based. Two central questions in relation to these post-war Japanese film genres and historical consciousness are addressed: what is the relationship between history, myth and memory? And how are individual subjectivities defined in relation to the past? The book examines the role of the "tragic hero" narrative as a figurative structure through which the Japanese people could interpret the events of World War II and defeat. This narrative became part of a wider discourse which developed as a backlash against the criminalization of Japan through the conviction of her war-time leaders. The author analyzes the construction of the "tragic heroes" of film and their relationship to the popular interpretation of historical events. Also considered is the fantasy world of the nagare-mono (drifter) or yakuzu film.

The rise of consumerism in the twentieth and twenty-first centuries radically changed the way we perceive ourselves and the world around us. And, as it has throughout history, the social construct of "ideal" masculinity both reflects and responds to that lived reality, helping individuals adapt. Through a close study of Spanish film of the twentieth and twenty-first centuries, this book investigates hegemonic, or dominant, masculinity in the wake of dramatic consumer changes that occurred in Spain. It explores the ways in which masculine identity as represented in Spanish film positions itself in relation to desire and consumption, focusing especially on representations of hegemonic masculinity from the almost 40 year dictatorship of General Francisco Franco through the transition to democracy and into the early 1990s. Using psychoanalytic theory as employed primarily by Todd McGowan and Slavoj Zizek, this book analyzes cinematic representations of hegemonic masculine models, along with those portrayed as less favorable, to understand how political, social and economic changes in Spain in the twentieth and early twenty-first centuries affect the process of masculine identity formation. In the shift from a "society of prohibition" to a "society of commanded enjoyment," hegemonic masculinity as represented in Spanish film changes dramatically, initially organizing itself around prohibition and self-renunciation in the early Franco dictatorship and later, with neoliberal reforms and mass media promotion of consumerist values starting in the 1950s, reorienting itself around desire and enjoyment (embodied, for example, in the sexually promiscuous, fashionable young man of the 1970s). Personal pleasure and the satisfaction of one's desires replace submission, obedience and self-abnegation-leading to a reconstruction of masculine identities in a social context that appears increasingly fragmented, plural and individualistic. The primary innovation of this text involves the repositioning of consumerism as a fundamental force in the formation of Spanish masculinity and showing how widely disseminated masculine models serve to accommodate political, social and economic demands.

Though American crime novels are often derided for containing misogynistic attitudes and limiting ideas of masculinity, Greg Forter maintains that they are instead psychologically complex and sophisticated works that demand closer attention. Eschewing the synthetic methodologies of earlier work on crime fiction, Murdering Masculinities argues that the crime novel does not provide a consolidated and stable notion of masculinity. Rather, it demands that male readers take responsibility for the desires they project on to these novels.

Forter examines the narrative strategies of five novels--Hammett's "The Glass Key," Cain's "Serenade," Faulkner's "Sanctuary," Thompson's "Pop. 1280," and Himes's "Blind Man with a Pistol"--in conjunction with their treatment of bodily metaphors of smell, vision, and voice. In the process, Forter unearths a "generic unconscious" that reveals things Freud both discovered and sought to repress.

An original and highly accessible collection of essays which is based on a huge range of historical sources to reveal the realities of mens' lives in the Middle Ages. It covers an impressive geographical range - including essays on Italy, France, Germany and Byzantium - and will span the entire medieval period, from the fourth to the fifteenth century. The collection is divided into four main sections: attaining masculinity; lay men and churchmen: sources of tension; sexuality and the construction of masculinity; and written relationships and social reality. The contributors are: Dawn Hadley, Jenny Moore, William M. Aird, Jeremy Goldberg, Matthew Bennet, Janet Nelson, Conrad Leyser, Robert Swanson, Patricia Cullum, Ross Balzaretti, Shaun Tougher, Julian Haseldine, Marianne Ailes and Mark Chinca.

This book examines the potential impact of rape survivors' traumatic experiences in post-conflict zones. With specific attention given to the experiences of women who were sexually abused during the breakup of the former Yugoslavia, it addresses the sexuality of survivors, which has so far been inadequately researched, and challenges the stereotypical and victimized images and narrations that have so far prevailed in academic and public discourse about women survivors while exploring the effects of those narratives on the political, social and economic status of the survivors themselves. Methodologically innovative, the book questions the processes of re-victimization that can follow fieldwork with survivors and introduces the theoretical and practical foundations of applied drama and community theater as a research approach in this field, revealing its potential as a means of expressing a range of ethnographic, anthropological and case-study research findings. Based on the narratives of advocates, scholars and different social stakeholders, together with new drama-based methodologies employed directly with survivors, Sexuality after War Rape: From Narrative to Embodied Research offers a sensitive and ethically-responsible research approach to contesting assumptions about the sexualities of survivors of sexual violence and revealing the emancipatory potential of testifying. This book will appeal to scholars of sociology and gender studies, victimology and sexuality.

Mark Moss's The Media and the Models of Masculinity details the impact that the mass media has upon men's sense of identity, style, and deportment. From advertising to television shows, mass consumer culture defines and identifies how men select and sort what is fashionable and acceptable. Utilizing a large mine of mediated imagery, men and boys construct and define how to dress, act, and comport themselves. By engaging critical discussions on everything from fashion, to domestic space, to sports and beyond, readers are privy to a modern and fascinating account of the diverse and dominant perceptions of and on Western masculine culture. Historical tropes and models are especially important in this construction and influence and impact contemporary variations.

Bringing together theory and public health practice, this interdisciplinary collection analyses three forms of nonconventional or radical sexualities: bareback sex, BDSM practices, and public sex. Drawing together the latest empirical research from Brazil, Canada, Spain, and the USA, it mobilizes queer theory and poststructuralism, engaging the work of theorists such as Bataille, Butler, Deleuze and Guattari, and Foucault, among others. While the collection contributes to current research in gender and sexuality studies, it does so distinctly in the context of empirical investigations and discourses on critical public health. Radical Sex Between Men: Assembling Desiring-Machines will be of interest to advanced undergraduate students, postgraduate students, and researchers in gender and sexuality studies, sexology, social work, anthropology, and sociology, as well as practitioners in nursing, medicine, allied health professions, and psychology.

Shifts in societal development resulting from economic and technological advancements have had an impact upon the development of human sexuality and behaviour, and with the expansion of developments such as the Internet and associated technologies, it is likely that further societal shifts will ensue. This book recognises the importance of new digital spaces for discourses surrounding sexuality, examining issues such as pornography; sex education and health; LGBTQ sexualities; polysexuality or polyamory; abstention; sexual abuse and violence; erotic online literature; sex therapy; teledildonics; sex and gaming; online dating; celebrity porn; young people and sexual media; and sexting and sextainment, all of which are prominently affected by the use of digital media. With case studies drawn from the US, the UK and Europe, Sex in the Digital Age engages in discussion about the changing acceptance of sex in the 21st century and part played in that by digital media, and considers the future of sex and sexuality in an increasingly digital age. It will therefore appear to scholars across the social sciences with interests in gender and sexuality, new technologies and media and cultural studies.

Pedro Almodovar is an internationally acclaimed Spanish director. The national and international fascination over Almodovar's cinema lies in his ability to reflect the problems of contemporary society, his lucidity in combining the urban and the rural, his ability to express the frustrations of modern man, as well as his freshness and spontaneity. Although the vast majority of studies on this Spanish director have focused on women and the gay world, his films are crowded with many types and archetypes of heterosexual men. This groundbreaking edited volume studies the men in the cinema of Almodovar from a broad yet comprehensive and complementary perspective. Each chapter of All About Almodovar's Men methodically dissects these male characters-their misery and their greatness, their frustrations and their desires-offering a kaleidoscopic view of man that goes beyond the narrow framework in which many studies have locked the rich cinema of Almodovar.

In the twenty-first century, fatherhood is shifting from simply being a sidekick in the parental team to taking center stage with new expectations of involvement and caretaking. The social expectations of fathers start even before the children are born. Mr. Mom is now displaced with fathers who don't think of themselves as babysitting their own children, but as central decision makers, along with mothers, as parents. Deconstructing Dads: Changing Images of Fathers in Popular Culture is an interdisciplinary edited collection of essays authored by prominent scholars in the fields of media, sociology, and cultural studies who address how media represent the image of the father in popular culture. This collection explores the history of representation of fathers like the "bumbling dad" to question and challenge how far popular culture has come in its representation of paternal figures. Each chapter of this book focuses on a different aspect of media, including how advertising creates expectations of play and father, crime shows and the new hero father, and men as paternal figures in horror films. The book also explores changing definitions of fatherhood by looking at such subjects as how the media represents sperm donation as complicating the definition of father and how specific groups have been represented as fathers, including gay men as dads and Latino fathers in film. This collection examines the media's depiction of the "good" father to study how it both challenges and reshapes the ways in which we think of family, masculinity, and gender roles.

Having wounded his father with a hurtful letter when he was twenty-three, Tom Couser felt somewhat responsible for his later mental collapse. When his father died, Tom found personal documents that revealed facets of his father's life of which Tom had known nothing. Too traumatized to grieve properly, much less to probe his father's complicated history, Tom boxed the documents and stored them-for over thirty years. When he finally explored his father's rich legacy, he achieved a belated reconciliation with a man he had not really known.

How did American Jewish men experience manhood, and how did they present their masculinity to others? In this distinctive book, Sarah Imhoff shows that the project of shaping American Jewish manhood was not just one of assimilation or exclusion. Jewish manhood was neither a mirror of normative American manhood nor its negative, effeminate opposite. Imhoff demonstrates how early 20th-century Jews constructed a gentler, less aggressive manhood, drawn partly from the American pioneer spirit and immigration experience, but also from Hollywood and the YMCA, which required intense cultivation of a muscled male physique. She contends that these models helped Jews articulate the value of an acculturated American Judaism. Tapping into a rich historical literature to reveal how Jews looked at masculinity differently than Protestants or other religious groups, Imhoff illuminates the particular experience of American Jewish men.

This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using "postfeminist" as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s on-as a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options. Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this volume engage prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism. The contributors have chosen textual examples whose protagonists actively struggle with the conflicting messages about masculinity. These protagonists are more often works-in-progress, acknowledging the limits of their negotiations and self-actualization. These chapters also cover a wide range of genres and decades: from action and fantasy to dramas and romantic comedy, from the late 1970s to today. Taken together, the chapters of Screening Images of American Masculinity in the Age of Postfeminism interrogate "the possible" screened in popular movies and television series, confronting the multiple and competing visions of masculinity not after or beyond feminism but, rather, in its very wake.

This book offers a sustained study of one feature of the prison officer's job: the threat and use of force, which the author calls 'doing' coercion. Adopting an interactionist, micro-sociological perspective, the author presents new research based on almost two years of participant observation within an Italian custodial complex hosting both a prison and a forensic psychiatric hospital. Based on observation of emergency squad interventions during so-called 'critical events', together with visual methods and interviews with staff, 'Doing' Coercion in Male Custodial Settings constitutes an ethnographic exploration of both the organisation and the implicit and explicit practices of threatening and/or 'doing' coercion. With a focus on the lawful yet problematic and discretionary threatening and 'doing' of coercion performed daily on the landing, the author contributes to the growing scholarly literature on power in prison settings, and the developing field of the micro-sociology of violence and of radical interactionism. As such, it will appeal to scholars of sociology, anthropology and criminology with interests in prisons, power and violence in institutions, and visual methods.

Unleashing Manhood in the Cage: Masculinity and Mixed Martial Arts addresses the question "Why do mixed martial arts participants endure grueling workouts and suffer through injury, with little or no pay, just to compete?" The answer is because the participants enjoy a form of idolization from their supporters, each other, and culture more generally, which is linked to masculinity. In fact, MMA organizers, from the very beginning, purposefully created elements of the sport that are linked to dominant narratives about manhood. In this context, men don thin open-fingered gloves, lock themselves in a caged enclosure, and slug it out in a fight with few rules to see who comes out on top. This all occurs while "ring girls" in high-heels and skin-tight shirts and shorts stride around outside the cage holding signs and peddling t-shirts. The sum of these elements is the creation of a type of a publicly accessible and consumable form of masculinity. The sport of mixed martial arts is a rich and intriguing space where the construction of gender can be explored through a sociological and ethnographic lens.

In this day and age, much has been discussed as to what it means 'to be an Arab'. However, this enlightening volume seeks instead to invite us deeper into young Arab-Australian men's lives as we explore their vocational aspirations and working experiences within highly racialised and hierarchical industries. Young Migrant Identities is an in-depth exploration into the lives of Arab-Australian young men living in Western Sydney with creative career aspirations. Indeed, not only does Idriss explore how these men develop interests in fields such as music, filmmaking, and design, but she also examines the multilinear routes that they take to turn these interests into vocational identities. However, in the local migrant communities in which these young men live, creative identities are seen to compromise individual and familial prospects for social mobility, and artistic interests tend to go unsupported. Thus, this book also strives to offer new insights about how notions of gender, ethnicity, and social class are experienced because of these young men's 'risky' career ambitions. A timely volume, Young Migrant Identities draws together a range of theoretical issues and debates, engaging with sociological approaches to race and social class, creative and cultural economies, and studies on youth. It will particularly appeal to post-graduate students and post-doctoral researchers interested in fields such as Youth Studies, Ethnicity Studies, Cultural Economy, and Migration Studies.

Role-playing games offer a chance to pretend, make believe, and share fantasy. They often invoke heavy themes into their game play: morality, violence, politics, spirituality, or sexuality. Although interesting moral debates perennially appear in the media and academia concerning the appropriateness of games' ability to deal with such adult concepts, very little is known about the intersection between games, playfulness, and sexuality and what this might mean for players. This book offers an in-depth, ethnographic look into the phenomenon of erotic role-play through the experiences of players in multiplayer and tabletop role-playing games. Brown explores why participants engage in erotic role-play; discusses the rules involved in erotic role-play; and uncovers what playing with sexuality in ludic environments means for players, their partners, and their everyday lives. Taken together, this book provides a rich, nuanced, and detailed account of a provocative topic.