Masculinities in Higher Education provides empirical evidence, theoretical support, and developmental interventions for educators working with college men both in and out of the classroom. The critical philosophical perspective of the text challenges the status-quo and offers theoretically sound educational strategies to successfully promote men 's learning and development. Contesting dominant discourses about men and masculinities and binary notions of privilege and oppression, the contributors examine the development and identity of men in higher education today. This edited collection analyzes the nuances of lived identities, intersections between identities, ways in which individuals participate in co-constructing identities, and in turn how these identities influence culture. Masculinities in Higher Education is a unique resource for graduate students and professional post-secondary educators looking for strategies to effectively promote college men 's learning and development.

Gender Inclusive offers a challenging and unconventional reinterpretation of gender and mass violence.

Compiling essays and excerpts drawn from nearly two decades of Adam Jones s writing on gender and politics, this stimulating and diverse collection of essays explores vital issues surrounding gendercide (gender-selective mass killing) including:

• How gender shapes men and women as victims and perpetrators of mass violence, including genocide.
• The range of gender-selective atrocities inflicted upon males, especially the gendercidal killing of civilian men of "battle age."
• The victimization of women and girls worldwide, including the structural forms of violence ("gendercidal institutions") directed against them.
• Genocidal violence throughout modern history, with a particular focus on the Balkans and Rwanda.
• In-depth critiques of prevailing gender framings in academic scholarship, mass media, and the policy sphere.

Adam Jones recently selected as "one of fifty key thinkers in Holocaust and genocide studies" contests prevailing interpretations of gender and violence, arguing that they fail to capture the broad range of gendered experience. His global-historical treatment is essential reading for anyone with an interest in genocide, human rights and gender studies.

The binary model of sexuality can be devastating and even fatal for people left outside the category of heterosexuality. Essentialist categories of sexuality and gender are often enforced by harassment and violence, as is clear in the case of violence directed against sexual minorities such as homosexual men. This book investigates why men launch assaults on sexual minorities, why these attacks are so vicious and frequently irrational, the identities of perpetrators and their victims, and why such violence seems to have some acceptance in fields such as law, psychiatry, the media and popular opinion.

Tomsen discusses the theoretical and research literatures on models of understanding human sexuality and gender and the nature of hate violence and prejudice in contemporary societies, and also provides an analysis from his own original research to draw out the contradictory nature of both sexual identity and violence and the significance of viewing both fields as linked domains. This text makes an important contribution to current and future discussions of the nature of social prejudice and its ties to legal rulings, collective beliefs and mainstream culture.

From early photographs of disfigured slaves to contemporary representations of bullet-riddled rappers, images of wounded black men have long permeated American culture. While scholars have fittingly focused on the ever-present figure of the hypermasculine black male, little consideration has been paid to the wounded black man as a persistent cultural figure. This book considers images of wounded black men on various stages, including early photography, contemporary art, hip hop, and new media. Focusing primarily on photographic images, Jackson explores the wound as a specular moment that mediates power relations between seers and the seen. Historically, the representation of wounded black men has privileged the viewer in service of white supremacist thought. At the same time, contemporary artists have deployed the figure to expose and disrupt this very power paradigm. Jackson suggests that the relationship between the viewer and the viewed is not so much static as fluid, and that wounds serve as intricate negotiations of power structures that cannot always be simplified into the condensed narratives of victims and victimizers. Overall, Jackson attempts to address both the ways in which the wound has been exploited to patrol and contain black masculinity, as well as the ways in which twentieth century artists have represented the wound to disrupt its oppressive implications

This study examines the impact of racial, gender, and religious constructs of Jewish masculinity on a select group of male writers including George Du Maurier, Theodor Herzl, Ernest Hemingway, James Joyce, and Philip Roth during the Modernist and Postmodern eras. In reading the work of these authors, Davison demonstrates how religious-based prejudices as well as doctrinal Judaic concepts were sustained in the discourse of race and gender surrounding "the Jew." The project engages a dynamic composed of the historically constitutive Jewish racial portrait, the psychosexual impact of that racial theory as internalized by Jewish males, and differing or conflicting discussions of Judaic-based gender and codes of male behavior. By focusing alternately on non-Jewish and Jewish writers, Davison explores how the racial/gender construct of "the feminized Jew" was pivotal to each in negotiating male-selfhood during his encounter with modernity. The study engages these issues during the Dreyfus era, within early Zionism, and in post-war High Modernism. In a final chapter on Roth, Davison explores how the author 's postmodernism remains tethered to Jewish history, liberalism, gender, and Judaic concepts.

Divided into 15 chapters, this book provides the reader with an insight into certain representations of mothers and motherhood in history and today's societies in some areas of the world, notably in Britain and Asia. Key facts about the history of motherhood are presented, together with the use of very recent notions and phrases portraying 'good' and 'bad' mothers. An analysis of the concepts of naming and blaming, along with regret with respect to mothers in 21st century societies, provides food for thought. Other issues addressed are varied and numerous: the politics of early intervention, feminist critique, mothers with disabilities and mothers of disabled children, incarcerated mothers, surrogate mothers, teenage mothers, lesbian mothers, and mothering in Eastern Asia, namely in China, Japan, and Korea. Interestingly, both visual arts and literature play a crucial role in this analysis. The publication will appeal to students, academics, researchers, and the general public interested in and seeking to comprehend the shifts that have occurred over time in connection with the vast and inexhaustible subject of motherhood and mothers - a private and public matter. Readers are also provided with a rich reference section dealing with the latest publications on the issues tackled by prominent academics and researchers in human geography, women's studies, sociology, gender studies, contemporary history, and the arts.

This book addresses how sexual practices and identities are imagined and regulated through development discourses and within institutions of global governance. The underlying premise of this volume is that the global development industry plays a central role in constructing people's sexual lives, access to citizenship, and struggles for livelihood. Despite the industry's persistent insistence on viewing sexuality as basically outside the realm of economic modernization and anti-poverty programs, this volume brings to the fore heterosexual bias within macroeconomic and human rights development frameworks. The work fills an important gap in understanding how people's intimate lives are governed through heteronormative policies which typically assume that the family is based on blood or property ties rather than on alternative forms of kinship. By placing heteronormativity at the center of analysis, this anthology thus provides a much-needed discussion about the development industry's role in pathologizing sexual deviance yet also, more recently, in helping make visible a sexual rights agenda. Providing insights valuable to a range of disciplines, this book will be of particular interest to students and scholars of Development Studies, Gender Studies, and International Relations. It will also be highly relevant to development practitioners and international human rights advocates. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9780203868348, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This book is an analysis of the Amar Chitra Katha genre, historical comic-books that capture and promote a middle class masculine identity, as culture became the new site for right-wing hegemonic politics in India over the last 4 decades of the 20th century.

This book presents an analysis of representations of white, heterosexual, working-class masculinities in British culture between 1945 and 1989 to trace the development of the sociocultural and material conditions that shaped the masculinities which are helping to shape contemporary culture. This book seeks to fan the 'spark of hope' in the past that informs our present. The period which saw the establishment of the welfare state and the construction and breakdown of the post-war consensus in British politics was of great significance in the formation and maintenance of working-class masculinities and their correspondent representations. The author engages with a variety of cultural texts across various modes and media including films (Alfie), plays (Don't Look Back in Anger), television (Boys from the Blackstuff), and music (The Beatles), and employs the analysis of the representation of working-class masculinities as a lens through which to examine a range of historical and cultural moments. This book reinstates class as a central precept in the study of British cultural representations and offers a timely intervention in ongoing debates around class and gender identities in Britain. The book will be key reading for students and researchers with interests in twentieth-century social and cultural British history, masculinities and gender studies, twentieth-century British literature, British television, and cultural studies more broadly.

Sexual spaces, normally inhabited by (mostly) female sex workers, are understood as masculine spaces, and positioned for and around male consumers. However, red light zones and public sex performances in both Thailand and Holland are being explored and visually consumed by female tourists in significant numbers. Their presence in red light districts and sexual venues is at odds with the ways in which sexual spaces have normally been positioned. Woman and Sex Tourism Landscapes explores female tourists' interactions with highly sexualized spaces and places in two very different contexts: the Netherlands and Thailand. Addressing this incongruence, this text explores the ways in which these spaces are constructed, and examines the different relations that govern the management of, and female tourist interactions with these liminal,sexual zones. Ethnographic data collected in both countries suggests that far from being male-centred spaces, the red light districts and associated sexual entertainment venues are very much open to female tourists. Drawing on this research the author argues that some women are indeed interested in exploring sexualized zones, challenging assumptions about women's involvements with sexual space. Thinking specifically about the visual nature of women's sexualized experiences, the analysis draws on a range of different theoretical understandings that address power, privilege, and the gaze. An important contribution to a range of debates, this book will appeal to students and researchers in tourism, geography, sociology, gender studies and cultural theory.

What does it mean to speak of 'men' as a gender category in relation to law? How does law relate to masculinities? This book presents the first comprehensive overview and critical assessment of the relationship between men, law and gender; outlining the contours of the 'man' of law across diverse areas of legal and social policy. Written in a theoretically informed, yet accessible style, Men, Law and Gender provides an introduction to the study of law and masculinities whilst calling for a richer, more nuanced conceptual framework in which men's legal practices and subjectivities might be approached. Building on recent sociological work concerned with the relational nature of gender and personal life, Richard Collier argues that social, cultural and economic changes have reshaped ideas about men and masculinities in ways that have significant implications for law. Bringing together voices and disciplines that are rarely considered together, he explores the way ideas about men have been contested and politicised in the legal arena. Including original empirical studies of male lawyers, the legal profession and fathers' rights and law reform, alongside discussions of university law schools and legal academics, and family policy and parenting cultures, this innovative, timely and important text provides a unique and important insight into the relationship between law, men and masculinities. It will be required reading for academics and students in law and legal theory, socio-legal studies, gender studies, sociology and social policy, as well as policy-makers and others concerned with the changing nature of gender relations.

Most social scientific work on intimate relationships has assumed a monogamous structure, or has considered anything other than monogamy only in the context of 'infidelity'. Yet, in recent years there has been a growing interest among researchers and the public in exploring various patterns of intimacy that involve open non-monogamy. This volume gathers contributions from academics, activists, and practitioners throughout the world to explore non-monogamous relationships. Featuring both empirical and theoretical pieces, contributors examine the history and cultural basis of various forms of non-monogamy, experiences of non-monogamous living, psychological understandings of relationship patterns, language and emotion, the discursive construction of mono-normativity as well as issues of race, class, disability, sexuality and gender. This volume will be of interest to academics and practitioners working in the social sciences and anyone who is seeking greater insight into the intricacies of non-monogamous relationships.

This books sounds a bold call to the highest consecration in our sexuality. Get ready for a unique book that is apprehending, prudent, and empowering. Based on Bob's own experience with Job 31:1, this book extends an invitation to actually make a covenant vow before God with our eyes. Written for all ages, men and women alike, this book excavates from the ancient spirituality of the book of Job the master key to consecration and illuminates its relevance to us today. The careful writing style will make you feel safe recommending this book even to teens.

First published in 1987, this book encompasses a broad range interdisciplinary research into homosexuality - displaying a full spectrum of points of view - and, given that the major traditions of modern homosexual research began in Europe, is not restricted to works in English.. In general topics that are densely covered in the literature are presented in this guide selectively, with some less studied topics, such as Economics and Music, fleshed out with signposts to more comprehensive research. It seeks to not only mirror existing publications, but also to stimulate new work by pinpointing neglected themes and methods. This book will be of interest to students of sociology.

This groundbreaking work explores masculinity and the body within sports. Sports continue to retain expectations for presentations of specific forms of masculinity. The body is central to these presentations. These everyday bodily performances are rehearsed and performed either successfully or unsuccessfully - and the consequences of these actions play a significant part in the ability of the individual to continue to take part. Through participant observations, sporting life-history interviews (with over forty men) and research with children, this book examines the ways in which 'appropriate' sporting masculinities are learned and enacted to varying degrees of success. Wellard highlights the social processes which impact upon individual constructions and formulations of masculine identity and reviews these in relation to broader debates on gender, embodiment and sporting participation. This book contributes not only to the academic fields of sport and gender, but also to the efforts to confront continued forms of 'accepted' gender discrimination.

Drawing on qualitative studies of teamsport athletes and fraternity members, this book describes the rapidly changing world of masculinities among men in both the United States and Great Britain. As cultural homophobia decreases, university-aged men are influenced to construct a softer version of masculinity - one that is not predicated in homophobia. Inclusive Masculinity shows that today's youth express decreased sexism, racism and masculine bullying. As Eric Anderson demonstrates, men who value inclusive masculinities are also shown to be more likely to bond in emotional relationships with other men and to embrace a variety of behaviors once coded as feminine, including certain same-sex sexual behaviors. Now available in paperback, this groundbreaking analysis of masculinity and young men will be of interest to students and faculty members within Sociology, Gender Studies, and Sport Studies.

The binary model of sexuality can be devastating and even fatal for people left outside the category of heterosexuality. Essentialist categories of sexuality and gender are often enforced by harassment and violence, as is clear in the case of violence directed against sexual minorities such as homosexual men. This book investigates why men launch assaults on sexual minorities, why these attacks are so vicious and frequently irrational, the identities of perpetrators and their victims, and why such violence seems to have some acceptance in fields such as law, psychiatry, the media and popular opinion. Tomsen discusses the theoretical and research literatures on models of understanding human sexuality and gender and the nature of hate violence and prejudice in contemporary societies, and also provides an analysis from his own original research to draw out the contradictory nature of both sexual identity and violence and the significance of viewing both fields as linked domains. This text makes an important contribution to current and future discussions of the nature of social prejudice and its ties to legal rulings, collective beliefs and mainstream culture.

Charles Baudelaire's flaneur, as described in his 1863 essay "The Painter of Modern Life," remains central to understandings of gender, space, and the gaze in late nineteenth-century Paris, despite misgivings by some scholars. Baudelaire's privileged and leisurely figure, at home on the boulevards, underlies theorizations of bourgeois masculinity and, by implication, bourgeois femininity, whereby men gaze and roam urban spaces unreservedly while women, lacking the freedom to either gaze or roam, are wedded to domesticity. In challenging this tired paradigm and offering fresh ways to consider how gender, space, and the gaze were constructed, this book attends to several neglected elements of visual and written culture: the ubiquitous male beggar as the true denizen of the boulevard, the abundant depictions of well-to-do women looking (sometimes at men), the popularity of windows and balconies as viewing perches, and the overwhelming emphasis given by both male and female artists to domestic scenes. The book's premise that gender, space, and the gaze have been too narrowly conceived by a scholarly embrace of Baudelaire's flaneur is supported across the cultural spectrum by period sources that include art criticism, high and low visual culture, newspapers, novels, prescriptive and travel literature, architectural practices, interior design trends, and fashion journals.

Who are pop dandies? Why are stars like David Bowie, Jarvis Cocker, Pete Doherty and Robbie Williams so dandified? Taking up a wide range of British pop stars, Hawkins seeks to find out why so many have cast themselves in roles that often take style to absurd extremes. In this study, male pop artists are mapped against a cultural and historical background through a genealogy of personalities, such as Oscar Wilde, W.H. Auden, Andy Warhol, NoA"l Coward, Derek Jarmen, David Beckham and countless others. A critical analysis of issues and approaches to musical performance through masculinity becomes the focal point of this fascinating study. Ranging from the sixties to beyond the twentieth century, The British Pop Dandy considers the construction of the male pop icon through the spectacle of videos, live concerts and films. Why do we derive pleasure from the performing body, and how is entertainment linked to categories of gender and sexuality? The author insists that pop performances can be understood through human characteristics that relate to the particulars of dandyism, camp and glamour, and this he theorizes through the work of Charles Baudelaire. One of the political objectives of the dandy is to liberate himself through a denial of the structures that assume fixed identity. Not least, it is acts of queering in pop music that characterize entire generations of male artists in the UK. Setting out to discover what distinguishes the British pop dandy, Hawkins considers the role of music and performance in the articulation of hyperbolic display. It is argued that the recorded voice is a construction that idealizes self-representation, and absorbs the listener's attention. Particularly, camp address in singing practice is taken up in conjunction with a discussion of intimacy, which forms part of the strategy of the performer. In a range of songs and videos selected for music analysis, Hawkins points to the uniqueness of the voice as it expresses a transgressive quality that often comes across 'put-on', naive and vulnerable. To this end, vocal performativity is considered part of music's discursive disciplining through some of the greatest pop tracks, videos, concerts and films of our time. It is also argued that shifting signs of masculinity can be understood through musical process and style. While musicological in its main focus, this study is interdisciplinary and sets out to open new modes of thinking on the complex issues surrounding how masculinity, music and culture have developed in the UK.

Since the early 1990s there have been various waves of interest in what is often described as masculine spirituality. While diverse, a commonality among these interests has been a concern that spirituality has become too feminine, and that mens experiences of the spiritual are being marginalized. Masculine spirituality is therefore about promoting what it perceives to be authentic masculine characteristics within a spiritual context. By examining the nature of these characteristics, Numen, Old Men argues that masculine spirituality is little more than a thinly veiled patriarchal spirituality. The mythopoetic, evangelical, and to a lesser extent Catholic mens movements all promote a heteropatriarchal spirituality by appealing to neo-Jungian archetypes of a combative and oppressive nature, or understanding mens role as biblically ordained leader of the family. Numen, Old Men then examines Ken Wilbers integral spirituality which aims to honour and transcend both the masculine and feminine, but which privileges the former to the extent where it becomes another masculine spirituality, with all its inherent patriarchal problems. Gay spirituality is then offered as a form of masculine spirituality which to a large degree resists patriarchal tendencies, suggesting a queering of spirituality could be useful for all men, both gay and straight.

Gender Inclusive offers a challenging and unconventional reinterpretation of gender and mass violence. Compiling essays and excerpts drawn from nearly two decades of Adam Jones's writing on gender and politics, this stimulating and diverse collection of essays explores vital issues surrounding 'gendercide' (gender-selective mass killing) including: How gender shapes men and women as victims and perpetrators of mass violence, including genocide. The range of gender-selective atrocities inflicted upon males, especially the gendercidal killing of civilian men of "battle age." The victimization of women and girls worldwide, including the structural forms of violence ("gendercidal institutions") directed against them. Genocidal violence throughout modern history, with a particular focus on the Balkans and Rwanda. In-depth critiques of prevailing gender framings in academic scholarship, mass media, and the policy sphere. Adam Jones - recently selected as "one of fifty key thinkers in Holocaust and genocide studies" - contests prevailing interpretations of gender and violence, arguing that they fail to capture the broad range of gendered experience. His global-historical treatment is essential reading for anyone with an interest in genocide, human rights and gender studies.