This book discusses the significance of social geography, a multi-dimensional concept encompassing social health, social security and social ethos. It presents the socio-spatial dynamics of the population in India through an understanding of the various issues related to migration, urbanisation, unemployment, poverty and public health. With a thorough analysis of various social indicators relating to health, education, income and employment, the volume presents a detailed picture of the social geography of India. It discusses in detail, The origin, nature and scope of social geography, its relations with other social sciences and applications The nature and importance of social well-being along with welfare geography and the role of welfare state in ensuring social well-being The population of India and its attributes The status and spatial patterns of various social indicators relating to health, education and income and employment The composite indices which aggregate several social indicators such as the Human Development Index, Multidimensionally Poverty Index, Global Hunger Index, Gross National Happiness, Sustainable Developmental Goals Index and Freedom Index in the context of India. This comprehensive book will be useful for students, researchers and teachers of social geography, human geography, population geography, demography and sociology. The book can also be used by students preparing for exams like civil services, UPSC, PSC and other competitive exams.

This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O'Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.

Both research and policy on balancing work and family life have tended to focus on mothers' lives. There has been a general lack of comparative research to the complex intersection between old and new forms of masculinity; and between fatherhood, work-life balance, gender relations and children's well-being. As a result, men's fathering roles and their struggle with work-life balance have often been neglected. These cultural challenges should be better theorized within family and social policy research. This volume examines how fathers fulfill their roles both within the family and at work and what institutional support could be of most benefit to them in combining these roles.

Because of his lengthy screen resume that includes almost eighty appearances in such movies as Camille and Waterloo Bridge, as well as a marriage and divorce to actress Barbara Stanwyck, Robert Taylor was a central figure of Hollywood's classical era. Despite this, he can be regarded as a "lost" star, an interesting contradiction given the continued success he enjoyed during his lifetime. In Robert Taylor: Male Beauty, Masculinity, and Stardom in Hollywood, author Gillian Kelly investigates the initial construction and subsequent developments of Taylor's star persona across his thirty-five-year career. By examining concepts of male beauty, men as object of the erotic gaze, white American masculinity, and the unusual longevity of a career initially based on looks, Kelly highlights how gender, masculinity, and male stars and the ageing process affected Taylor's career. Placing Taylor within the histories of both Hollywood's classical era and mid-twentieth-century America, this study positions him firmly within the wider industrial, cultural, and socioeconomic contexts in which he worked. Kelly examines Taylor's film and television work as well as ephemeral material, such as fan magazines, to assess how his on- and off-screen personas were created and developed over time. Taking a mostly chronological approach, Kelly places Taylor's persona within specific historical moments in order to show the complex paradox of his image remaining consistently recognizable while also shifting seamlessly within the Hollywood industry. Furthermore, she explores Taylor's importance to Hollywood cinema by demonstrating how a star persona like his can "fit" so well, and for so long, that it almost becomes invisible and, eventually, almost forgotten.

Tracing the influence of masculinity on fictional form and theme through an era of dizzying social change, this timely new book conducts a close analysis of English novels selected for contrasting definitions of the male gender, from the allegedly "Angry Young Men" to the contemporary confessions of Nick Hornby. The literary period since 1950 is interpreted as one of intense political and stylistic negotiation by male authors with the gendered subject-positions both of fictional characters and those who read about them.

Montenegro has been a much neglected part of former Yugoslavia. The Montenegrin Warrior Tradition aims to scrutinize the identity debates in Montenegrin public opinion over the question of membership to NATO and to explore how narratives created for that purpose have been linked with Montenegrin identity, history, tradition, and the concept of Montenegrin masculinity. The intertwining of the question of identity with that of NATO membership, and the inseparability of these issues from the context of quotidian politics produces an array of controversies among Montenegrin citizens. The book interprets the public and private debates about Montenegro joining NATO through the prism of anthropological studies of identity; in particular those focused on a general theory of culture and the anthropology of multiculturalism.

This book examines how the concept of the poet as a male professional emerged during the Restoration and 18th century. Analyzing works by writers from Rochester to Johnson, Linda Zionkowski argues that the opportunities for publication created by the growth of a commercial market in texts profoundly challenged aristocratic conceptions of authorship and altered the status of professional poets on the hierarchies of class and gender. The book proposes that during this period, discourse about the poet’s social role both revealed and produced a crucial shift in configurations of masculinity: the belief that commodifying their mental labor undermined writers’ cultural authority gave way to a celebration of the market’s function as the proving ground for both literary merit and bourgeois manhood.

Phallic Critiques, first published in 1984, is a study of 'masculine' styles of writing in the twentieth century - an age, according to Virginia Woolf, when 'virility has become self-conscious'. Writers who carry macho values to their extreme often subscribe to the popular feeling that writing is an effeminate activity for a real man to be engaged in. Consequently they attempt to forge 'masculine' style of writing in an effort to redeem language from its sexually suspect nature. These styles reveal much about the ambiguous and paradoxical attitudes of men towards their own masculine role. Peter Schwenger demonstrates the international nature of 'masculine' styles. His study ranges from such American authors as Norman Mailer, Ernest Hemingway and Philip Roth, to figures like Yukio Mishima, Alberto Moravia and Michel Leiris. This book should be of interest to students of literature.

In this detailed investigation of masculine gendered identity, first published in 1990, David Jackson uses his own personal history to look at the specific ways in which men become masculine . In doing so he examines, but also offers some positive challenges to, the assumed qualities and values of growing up manly . Jackson looks closely at the psychological and social forces active in his own development: relations with his father, violence at school, male banter and joking, sporting activities, boys comics, and sexual relations. The title is a deliberate blend between life story and critical commentary that makes use of some areas of post-structuralist theory to make visible the social and emotional processes that contribute to one man s life history. With an innovative theoretical approach, this reissue will be of particular value to those interested in the social, psychological and cultural forces that have gone into the historical shaping of men and masculinities. "

Drawing on recent theoretical developments in gender and men's studies, Pre-Raphaelite Masculinities shows how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement. Paying particular attention to the representation of non-normative or alternative masculinities, the contributors take up the multiple versions of masculinity in Dante Gabriel Rossetti's paintings and poetry, masculine violence in William Morris's late romances, nineteenth-century masculinity and the medical narrative in Ford Madox Brown's Cromwell on His Farm, accusations of 'perversion' directed at Edward Burne-Jones's work, performative masculinity and William Bell Scott's frescoes, the representations of masculinity in Pre-Raphaelite illustration, aspects of male chastity in poetry and art, TannhAuser as a model for Victorian manhood, and masculinity and British imperialism in Holman Hunt's The Light of the World. Taken together, these essays demonstrate the far-reaching effects of the plurality of masculinities that pervade the art and literature of the Pre-Raphaelite Brotherhood.

As a group, normal middle-aged men tend to fly well below the radar screen of public scrutiny. They are neither deviants nor superheroes. Rarely the subject of movies or newspaper headlines, regular guys arena (TM)t fabulously wealthy, nor are their ambitions circumscribed. They contribute to society, raise their children, and respect other people. Nevertheless, these regular guys have experienced their share of adversity and emotional challengesa "such a divorce, death, illness, and loss of jobsa "but reflect a continuing core of emotional stability.

Regular Guys follows 67 well-adjusted mostly white males, who were initially chosen during the 1960s, to test theories of normal adolescent functioning. They were reinterviewed at age 48 to examine male functioning at middle age. This unique, 34-year study contrasts the critical period of adolescent development, which has been culturally characterized by stress and turmoil, with the relative stability of middle age. It addresses such issues as:

- Attitudes and behaviors concerning work, sex, religion, and self.

- Relationships with parents, siblings, spouses, and children.

- Coping and resilience in response to trauma.

- Negative health behaviors (particularly overeating and problem drinking as adults).

- Memories of their teenage years.

The authorsa (TM) findings are likely to be of considerable interest and use to clinicians and academics alike. In addition, the results provide a baseline as to what, by contrast, reflects psychopathology. Regular Guys provides a much-needed portrait of individuals rarely studied across several decades of time.

What does it mean to be a man, to be manly? How has this changed throughout history? This text examines the manly stereotype, which stresses courage and athletic comportment, which from the 18th century onwards became representative of normative modern society.

Somewhere along the way, our culture lost its definition of manhood, leaving generations of men and men-to-be confused about their roles, responsibilities, relationships, and the reason God made them men. It's into this "no man's land" that New York Times bestselling author Mark Batterson declares his mantra for manhood: play the man. In this inspiring call to something greater, he helps men understand what it means to be a man of God by unveiling seven virtues of manhood. Mark shares inspiring stories of manhood, including the true story of the hero and martyr Polycarp, who first heard the voice from heaven say, "Play the man." Mark couples those stories with practical ideas about how to disciple the next generation of men. This is more than a book; it's a movement of men who will settle for nothing less than fulfilling their highest calling to be the man and the father God has destined them to be. Play the man. Make the man.

This book assesses the construction of masculinities in relation to appearance, embodiment and emotions by drawing on perspectives in psychology, sociology, gender studies and public health. Brendan Gough questions conventional assumptions about masculinity and men's health and responds to recent trends in critical studies of masculinities which discuss 'positive' or 'healthy' masculine identities. The book showcases discursively inflected qualitative research using data sources where men's own accounts are prioritised: in-depth interviews and online discussion forums. Chapters discuss men's appearance concerns and activities and examine male mental health, focusing on vulnerability and its management. Current trends and key concepts, including intersectionality, inequalities and embodiment are also considered throughout. This book will appeal to students and academics within social sciences and humanities interested in gender issues in general and masculinity in particular.

In its specially-commissioned fourteen chapters, this important book discusses an impressively wide range of issues around the theme of male spirituality in the nineteenth century, drawing from history, cultural studies, art history and literary criticism. Topics explored include: ideological and iconographical representations of masculinity across the major Christian denominations; militarism and hymnody; male homosexuality and homoeroticism. The book is not afraid to explore controversial areas, nor to go beyond the generally acknowledged 'canon' of prescribers of gender identity: it includes, for example, leading nonconformist figures like William Booth and Charles Haddon Spurgeon, and early gay writers like John Addington Symonds.

It is often said that men are 'in crisis, ' blighted by the adverse effects of corrosive masculinity norms ranging from emotional disconnection to aggression. Consequently, with men in considerable 'trouble' relative to their female counterparts - from higher levels of suicide, alcoholism and violence to poorer health and educational outcomes - the question of how to help men 'change' is pressing. This book offers one possible solution. It shows how a group of men learned to overcome their masculine inheritance by taking up meditation. Tim Lomas follows their difficult but ultimately rewarding life journeys as they sought and found an elusive sense of wellbeing. The book interweaves these personal narratives with the very latest research and theory at the intersection of gender and mental health, together with practical recommendations for those working with men (and indeed for men themselves)

Is midlife for gay men the start of a slide towards the rejection, exclusion and misery associated with the spectre of the lonely old queen? Whilst exclusion is possible as gay men age, Middle Aged Gay Men, Ageing and Ageism offers a more nuanced view of gay ageing, using sociological tools to advance understanding beyond stereotypes.

This book: sheds light on the intersectionality of lived experiences, including gender, sexuality, family, (mental) health, race and ethnicity, migration, and nationality, offering a picture of a community whose experience is deeply embedded in the dynamic society around. takes an innovative approach in viewing the community as an integral part of the world in flux, rather than an isolated monoracial and monolingual tightly-knit entity. is ideal for students and scholars of Gender Studies, LGBTQ Studies, Sociology, Health, and Asian Studies.

What are men doing in feminist discourse? Although many feminists have commented on the relation, actual or possible, of men to feminist thinking and practice, and although some male academics have written about feminism, there has so far been little shared discussion. Men in Feminism is the first substantial attempt to produce a dialogue between feminists and their male allies. This lively book, comprised of essays by both men and women, is a controversial sally in the current debate over the future of feminist theory. Its focus is one seemingly direct and yet surprisingly prickly question: the actual and potential relationship of men to the now impressive and widely recognized body of feminist writing. Each essay attempts to assess the benefits or damage of male participation in feminism; several of the contributions stand in direct dialogue with others. The editors present, mediate and reflect upon the agreements and arguments in the book, as well as between themselves as editors. Their dialogue-afterword draws together the questions at the heart of the volume. Offering few comfortable answers, Men in Feminism will open up discussion of this theoretical and thoroughly political issue.

Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing.

Champagne seeks to evaluate how the aesthetic analysis of the artefacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something like masculinity is rendered as being an element of world politics, and how such an understanding differs from more orthodox cultural analyses common to international relations.

Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history.

Sexuality is arguably the most under-researched of all diversity areas in work organizations. This book brings together and relates stories of minority sexual identity from six organizations drawn from three different industry sectors: the Emergency Services, the Civil Service and the Banking sector. Here sexual minorities freely recount stories of their own workplace experiences. Three main themes emerge from the data: silence, disclosure and response. Issues of voice and silence are particularly pertinent for those who are not part of the dominant heterosexual discourse; issues of disclosure are highly important for sexual minorities for whom coming out is a major defining moment; and, highly unusually, in this book readers get an insight into how people respond to sexual minorities, as other employees' reactions to stories are related too. This book makes a significant contribution to our understanding discursive construction of identity in the workplace, as experienced by sexual minorities and provides a snapshot of minority working lives at the beginning of the 21st century. This is an extremely well written, highly innovative, timely and engaging book which as well as human resources management, it will also be of interest to scholars in other areas such as sociology and general business and management.