-first book of its kind in the UK developing an intersectional understanding of QTPOC subjectivities and identities -a radical and critical intervention into psychology - melds activism and academia from an #ownvoices perspective

Somewhere along the way, our culture lost its definition of manhood, leaving generations of men and men-to-be confused about their roles, responsibilities, relationships, and the reason God made them men. It's into this "no man's land" that New York Times bestselling author Mark Batterson declares his mantra for manhood: play the man. In this inspiring call to something greater, he helps men understand what it means to be a man of God by unveiling seven virtues of manhood. Mark shares inspiring stories of manhood, including the true story of the hero and martyr Polycarp, who first heard the voice from heaven say, "Play the man." Mark couples those stories with practical ideas about how to disciple the next generation of men. This is more than a book; it's a movement of men who will settle for nothing less than fulfilling their highest calling to be the man and the father God has destined them to be. Play the man. Make the man.

Drawing on recent theoretical developments in gender and men's studies, Pre-Raphaelite Masculinities shows how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement. Paying particular attention to the representation of non-normative or alternative masculinities, the contributors take up the multiple versions of masculinity in Dante Gabriel Rossetti's paintings and poetry, masculine violence in William Morris's late romances, nineteenth-century masculinity and the medical narrative in Ford Madox Brown's Cromwell on His Farm, accusations of 'perversion' directed at Edward Burne-Jones's work, performative masculinity and William Bell Scott's frescoes, the representations of masculinity in Pre-Raphaelite illustration, aspects of male chastity in poetry and art, TannhAuser as a model for Victorian manhood, and masculinity and British imperialism in Holman Hunt's The Light of the World. Taken together, these essays demonstrate the far-reaching effects of the plurality of masculinities that pervade the art and literature of the Pre-Raphaelite Brotherhood.

Some semi-public, exclusive male settings, most noticeably in the military, encourage the production of intimacy and desire. Yet whereas in most instances this desire is displaced through humor and aggressive gestures, it becomes acknowledged and outright declared once associated with sites of heroic death. In his provocative study of interrelations between friendship in everyday life and national sentiments in Israel, the author follows selected stories of friendship ranging over early childhood, school, the workplace, and some unique war experiences. He explores the symbolism of friendship in rituals for the fallen soldiers, the commemoration of Prime Minister Yzhak Rabin, and the national infatuation with recovering bodies of missing soldiers. He concludes that the Israeli case offers an extreme instance of a much broader cultural phenomenon: declaring the friendship for the dead epitomizes the political "blood pact" between men, taking precedence over the traditional blood ties of kinship and heterosexual unions. The book underscores nationalism as a homosocial-based emotion of commemorative desire.

What does it mean to be a man, to be manly? How has this changed throughout history? This text examines the manly stereotype, which stresses courage and athletic comportment, which from the 18th century onwards became representative of normative modern society.

As a group, normal middle-aged men tend to fly well below the radar screen of public scrutiny. They are neither deviants nor superheroes. Rarely the subject of movies or newspaper headlines, regular guys arena (TM)t fabulously wealthy, nor are their ambitions circumscribed. They contribute to society, raise their children, and respect other people. Nevertheless, these regular guys have experienced their share of adversity and emotional challengesa "such a divorce, death, illness, and loss of jobsa "but reflect a continuing core of emotional stability.

Regular Guys follows 67 well-adjusted mostly white males, who were initially chosen during the 1960s, to test theories of normal adolescent functioning. They were reinterviewed at age 48 to examine male functioning at middle age. This unique, 34-year study contrasts the critical period of adolescent development, which has been culturally characterized by stress and turmoil, with the relative stability of middle age. It addresses such issues as:

- Attitudes and behaviors concerning work, sex, religion, and self.

- Relationships with parents, siblings, spouses, and children.

- Coping and resilience in response to trauma.

- Negative health behaviors (particularly overeating and problem drinking as adults).

- Memories of their teenage years.

The authorsa (TM) findings are likely to be of considerable interest and use to clinicians and academics alike. In addition, the results provide a baseline as to what, by contrast, reflects psychopathology. Regular Guys provides a much-needed portrait of individuals rarely studied across several decades of time.

This book assesses the construction of masculinities in relation to appearance, embodiment and emotions by drawing on perspectives in psychology, sociology, gender studies and public health. Brendan Gough questions conventional assumptions about masculinity and men's health and responds to recent trends in critical studies of masculinities which discuss 'positive' or 'healthy' masculine identities. The book showcases discursively inflected qualitative research using data sources where men's own accounts are prioritised: in-depth interviews and online discussion forums. Chapters discuss men's appearance concerns and activities and examine male mental health, focusing on vulnerability and its management. Current trends and key concepts, including intersectionality, inequalities and embodiment are also considered throughout. This book will appeal to students and academics within social sciences and humanities interested in gender issues in general and masculinity in particular.

In its specially-commissioned fourteen chapters, this important book discusses an impressively wide range of issues around the theme of male spirituality in the nineteenth century, drawing from history, cultural studies, art history and literary criticism. Topics explored include: ideological and iconographical representations of masculinity across the major Christian denominations; militarism and hymnody; male homosexuality and homoeroticism. The book is not afraid to explore controversial areas, nor to go beyond the generally acknowledged 'canon' of prescribers of gender identity: it includes, for example, leading nonconformist figures like William Booth and Charles Haddon Spurgeon, and early gay writers like John Addington Symonds.

It is often said that men are 'in crisis, ' blighted by the adverse effects of corrosive masculinity norms ranging from emotional disconnection to aggression. Consequently, with men in considerable 'trouble' relative to their female counterparts - from higher levels of suicide, alcoholism and violence to poorer health and educational outcomes - the question of how to help men 'change' is pressing. This book offers one possible solution. It shows how a group of men learned to overcome their masculine inheritance by taking up meditation. Tim Lomas follows their difficult but ultimately rewarding life journeys as they sought and found an elusive sense of wellbeing. The book interweaves these personal narratives with the very latest research and theory at the intersection of gender and mental health, together with practical recommendations for those working with men (and indeed for men themselves)

Is midlife for gay men the start of a slide towards the rejection, exclusion and misery associated with the spectre of the lonely old queen? Whilst exclusion is possible as gay men age, Middle Aged Gay Men, Ageing and Ageism offers a more nuanced view of gay ageing, using sociological tools to advance understanding beyond stereotypes.

What are men doing in feminist discourse? Although many feminists have commented on the relation, actual or possible, of men to feminist thinking and practice, and although some male academics have written about feminism, there has so far been little shared discussion. Men in Feminism is the first substantial attempt to produce a dialogue between feminists and their male allies. This lively book, comprised of essays by both men and women, is a controversial sally in the current debate over the future of feminist theory. Its focus is one seemingly direct and yet surprisingly prickly question: the actual and potential relationship of men to the now impressive and widely recognized body of feminist writing. Each essay attempts to assess the benefits or damage of male participation in feminism; several of the contributions stand in direct dialogue with others. The editors present, mediate and reflect upon the agreements and arguments in the book, as well as between themselves as editors. Their dialogue-afterword draws together the questions at the heart of the volume. Offering few comfortable answers, Men in Feminism will open up discussion of this theoretical and thoroughly political issue.

Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing.

Champagne seeks to evaluate how the aesthetic analysis of the artefacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something like masculinity is rendered as being an element of world politics, and how such an understanding differs from more orthodox cultural analyses common to international relations.

Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history.

Sexuality is arguably the most under-researched of all diversity areas in work organizations. This book brings together and relates stories of minority sexual identity from six organizations drawn from three different industry sectors: the Emergency Services, the Civil Service and the Banking sector. Here sexual minorities freely recount stories of their own workplace experiences. Three main themes emerge from the data: silence, disclosure and response. Issues of voice and silence are particularly pertinent for those who are not part of the dominant heterosexual discourse; issues of disclosure are highly important for sexual minorities for whom coming out is a major defining moment; and, highly unusually, in this book readers get an insight into how people respond to sexual minorities, as other employees' reactions to stories are related too. This book makes a significant contribution to our understanding discursive construction of identity in the workplace, as experienced by sexual minorities and provides a snapshot of minority working lives at the beginning of the 21st century. This is an extremely well written, highly innovative, timely and engaging book which as well as human resources management, it will also be of interest to scholars in other areas such as sociology and general business and management.

Over the past several years, the question of men's relation to feminism has become a fiercely and sometimes bitterly debated subject. Engendering Men demonstrates the creative impact that feminist modes of inquiry have already had on a new generation of male critics. In the wake of feminism, many men have found it imperative to begin the task of retheorizing the male position in our culture. This collection of new essays brings together seventeen male critics whose work - on poetry, fiction, the Broadway stage, film and television, and broader cultural and psychoanalytic texts - is opening up new avenues in criticism, as well as in gender and feminist theory.

"Male Subjectivity and Poetic Form in "New American" Poetry" examines the crucial, yet sometimes fraught connections between poets associated with Donald Allen's groundbreaking 1960 anthology, "The New American Poetry." Focusing in particular on pairings of writers within the larger grouping of poets, including Robert Duncan, Charles Olson, and Nathaniel Mackey, this book suggests how literary partnerships became pivotal to the writing, especially at early stages in these poets' careers. Mossin then goes on to examine the role that male friendship, rivalry, and camaraderie play in the production of poetic texts. "No one listens to poetry," Jack Spicer famously wrote. This book shows how a particular group of poets did listen to each other and what they made of what they heard.

Mixed martial arts (MMA) is an emergent sport where competitors in a ring or cage utilize strikes (punches, kicks, elbows and knees) as well as submission techniques to defeat opponents. This book explores the carnal experience of fighting through a sensory ethnography of MMA, and how it transgresses the cultural scripts of masculinity in popular culture. Based on four years of participant observation in a local MMA club and in-depth interviews with amateur and professional MMA fighters, Spencer documents fighters' training regimes and the meanings they attach to participation in the sport. Drawing from the philosophical phenomenology of Martin Heidegger, Maurice Merleau-Ponty and Jean-Luc Nancy, this book develops bodies-centered ontological and epistemological grounding for this study. Guided by such a position, it places bodies at the center of analysis of MMA and elucidates the embodied experience of pain and injury, and the sense and rhythms of fighting.

"Spots of a leopard - on being a man" is a quest to discover the meaning of life in this day and age. When internationally acclaimed journalist Aernout Zevenbergen moved to Kenya in 1997, he had no idea how deeply his encounters with joy and sorrow in Africa would effect him. Writing about the most inspiring as well as the most disconcerting facets of life, Zevenbergen goes onto a subtle journey of self-discovery. What is love? If it takes a village to raise a child, does it also take a village to bury one? How does romance play a role in our lives? When is a man considered to be a good father? Can friendship conquer loneliness? What gives strength and inspiration when the going gets tough? Zevenbergen discusses these questions with a wide variety of men; from truckers to bikers, from paupers to presidents, from warriors to widowers. 'We are leopards wiping away their spots.' The author asks questions few have dared to ask men. Faced with their honesty, the author finds the courage to finally grow up as well. === Matthew Fox (author of 'The Hidden Spirituality of Men'): 'Your story telling is very powerful and moving and altogether creates a tapestry that gets one thinking strong thoughts and asking important questions.' The Weekender: 'Zevenbergen has a true talent for getting people to open up and speak their hearts' Cape Argus: 'Wordsmith: Aernout Zevenbergen has written beautifully crafted essays' Jury report Dick Scherpenzeel Foundation: 'He portrays in an extremely skillful way the face of traditions-in-flux.' Olivia Umurerwa Rutazibwa - politics.be: 'By voicing his own doubts and questions and by openly reflecting upon his own life, the journalistic stories get a beautiful human face.' Biblion: 'An extremely well written work on a topic for which there has been little attention.'

Most parliaments around the world are still mostly overwhelming populated by men, yet studies of male dominance are much rarer than are studies of female under-representation. In this book, men in politics are the subjects of a gendered analysis. How do men manage to hold on to positions of power despite societal trends in the opposite direction? And why do men seek to cooperate mainly with other men? Elin Bjarnegard studies how male networks are maintained and expanded and seeks to improve our understanding of the rationale underlying male dominance in politics. The findings build on results both from statistical analyses of parliamentary composition worldwide and from extensive field work in Thailand. A new concept, homosocial capital, is coined and developed to help us understand the persistence of male political dominance.

Peasant patriarchs, aristocratic dandies, anxious bureaucrats, workers seeking father-figures, and promiscuous bathhouse attendants populate this volume. Its essays examine how ideals of manliness intersected with historical developments, the formation of national identities, and changing definitions of intimacy. This book is essential reading for students and scholars of gender theory and Russian theory alike.

Rigid notions of masculinity are causing crisis in the global Islamic community. These are articulated from the Qur'an, its commentary, historical precedents and societal, religious and familial obligations. Some Muslims who don't agree with narrow constructs of manliness feel forced to consider themselves secular and therefore outside the religious community. In order to evaluate whether there really is only one valid, ideal Islamic masculinity, The Crisis of Islamic Masculinities explores key figures of the Qur'an and Indian-Pakistani Islamic history, and exposes the precariousness of tight constraints on Islamic manhood. By examining Qur'anic arguments and the strict social responsibilities advocated along with narrow Islamic masculinities, Amanullah De Sondy shows that God and women (to whom Muslim men relate but are different from) often act as foils for the construction of masculinity. He argues the constrainers of masculinity have used God and women to think with and to dominate through and that rigid gender roles are the product of a misguided enterprise: the highly personal relationship between humans and God does not lend itself to the organization of society, because that relationship cannot be typified and replicated. Discussions and debates surrounding Islamic masculinities are quickly finding their place in the study of Islam and Muslims, and The Crisis of Islamic Masculinities makes a vital contribution to this emerging field.

Masculinity and Irish Popular Culture is an interdisciplinary collection of essays by established and emerging scholars, analysing the shifting representations of Irish men across a range of popular culture forms in the period of the Celtic Tiger and beyond. From the self-stylings of GAA star Paul Galvin to theatrical depictions of an Irish masculinity in crisis, the essays firmly situate these diverse images of Irish manhood within the social and cultural contexts that produced them. Taking as its overall context the social changes instigated by the economic boom of the 1990s, the book traces the effects of these changes into popular understandings of what it is to be an Irish male. Through insightful analyses of film, theatre, literature and more, the essays in this collection argue that Irish masculinity has become a more heterogeneous concept within this period while critiquing the gender binaries that continue to structure Irish society and culture.

Men, Masculinities and Intimate Partner Violence examines how gender and other social identities and inequalities shape experiences of, and responses to, violence in intimate relationships. It provides new insights into men as both perpetrators and victims of violence, as well as on how to involve men and boys in anti-violence work. The chapters explore partner violence from the perspectives of researchers, therapists, activists, organisations, media as well as men of different background and sexual orientation. Highlighting the distinct and ambivalent ways we relate to violence and masculinity, this timely volume provides nuanced approaches to men, masculinity and intimate partner violence in various societies in the global North and South. This book foregrounds scholarship on men and masculinities in the context of intimate partner violence. By doing so, it revitalises feminist theorising and research on partner abuse, and brings together the fields of masculinity studies and studies of intimate partner violence. The book will be a vital resource for students and scholars in criminology, gender studies, psychology, social work and sociology, as well as those working with men and boys.