Updated and expanded-with a new foreword by Kristin Kobes Du Mez, author of Jesus and John Wayne-Malestrom provides a redemptive vision of biblical manhood and a way through the treacherous seas of patriarchy. Like the danger of a maelstrom in the open seas, a relentless force threatens our culture, swirling with hidden currents that distorts God's image of personhood. This book reveals how the malestrom is one of the Enemy's single most successful strategies. Its victories are flashed before us every day in the headlines as men lose sight of who God created them to be. It has consumed the evangelical church that stoops to offering toxic "manly" solutions to the wrongs it perceives in society and distracts from the rich potential God has entrusted to his sons. Digging deeply into the stories of men in the Bible who subverted cultural hierarchies, Carolyn Custis James shows us how countercultural God's design for men really is. Through personal story, biblical commentary, and cultural analysis, Custis James: Makes a strong case for the unbiblical nature of patriarchy. Illuminates the sociology of marginalization and cultural gender roles. Takes a close biblical look at Jesus and what his character and humanity means to the men of the church today. Malestrom offers what we so desperately need-a biblical, global, timeless vision of godly personhood that is big enough to encompass the diversity of men's lives and strong enough to withstand the crises they face. "It is one thing to critique the abuses of a domineering masculinity and lament the religious and societal consequences, but Carolyn Custis James takes the next crucial step and offers us a better path forward. For those asking, "What now?" Malestrom serves as a sure-footed guide." -Kristin Kobes Du Mez

Many fathers are now providing hands-on, engaged care to babies and young children. This book draws on observations of, and interviews with, caregiving fathers, as well as analyses of fathers' memoirs and online blogs, to examine fathers' caregiving work as embodied practice and as lived experience.

This book captures the contested terrain of contemporary masculinity and explores a range of conceptualisations, with a specific focus on the role of the media and promotional culture within the context of sport. Asking whether sport is the final frontier of masculinity in society, the book focuses on how the production and representation of sport-related advertising and marketing contribute to the shifting and contested nature of masculinity and its alleged crisis. Drawing upon conceptual and empirical examples spanning across sport celebrity, professional sport leagues, beer advertising and indigenous cultures, the authors explore the links between sport, masculinity, promotional and consumer culture. Collectively, the chapters illustrate how advertising and promotional campaigns continue to circulate representations of particular forms of hegemonic masculinity while also accommodating new forms. Sport, Promotional Culture and the Crisis of Masculinity will be of interest to students and scholars in the fields of sociology of sport, media studies, marketing, gender and masculinity studies.

Masculinity is not a monolithic phenomenon, but a historically discontinuous one-a fabrication as it were, of given cultural circumstances. Because of its opacity and instability, masculinity, like more recognizable systems of oppression, resists discernibility. In Macho Ethics: Masculinity and Self-Representation in Latino-Caribbean Narrative, Jason Cortes seeks to reveal the inner workings of masculinity in the narrative prose of four major Caribbean authors: the Cuban Severo Sarduy; the Dominican American Junot Diaz; and the Puerto Ricans Luis Rafael Sanchez and Edgardo Rodriguez Julia. By exploring the relationship between ethics and authority, the legacies of colonial violence, the figure of the dictator, the macho, and the dandy, the logic of the Archive, the presence of Oscar Wilde, and notions of trauma and mourning, Macho Ethics fills a gap surrounding issues of power and masculinity within the Caribbean context, and draws attention to what frequently remains invisible and unspoken.

Depictions of an alcohol-saturated Japan populated by intoxicated salarymen, beer dispensing vending machines, and a generally tolerant approach to public drunkenness, typify domestic and international perceptions of Japanese drinking. Even the popular definitions of Japanese masculinity are interwoven with accounts of personal alcohol consumption in public settings; gender norms that exclude and marginalize the alcoholic. And yet the alcoholic also exists in Japan, and exists in a manner revealing of the dominant processes by which alcoholism and addiction are globally influenced, understood, and classified. As such, this book examines the ways in which alcoholism is understood, accepted, and taken on as an influential and lived aspect of identity among Japanese men. At the most general level, it explores how a subjective idea comes to be regarded as an objective and unassailable fact. Here such a process concerns how the culturally and temporally specific treatment methodology of Alcoholics Anonymous, upon which much of Japan's other major sobriety association, Danshukai, is also based, has come to be the approach in Japan to diagnosing, treating, and structuring alcoholism as an aspect of individual identity. In particular, the gendered consequences, how this process transpires or is resisted by Japanese men, are considered, as they offer substantial insight into how categories of illness and disease are created, particularly the ramifications of dominant forms of such categorizations across increasingly porous cultural borders. Ramifications that become starkly obvious when Japan's persistent connection between notions of masculinity and alcohol consumption are considered from the perspective of the sober alcoholic and sobriety group member.

Why do our night-time cities seem to mix pleasure with violence? This is the time and place when cities are taken over by young men in search of alcohol, drugs, another club or a fight. Current public policy has patently failed to keep on top of the new trends in both consumption and destruction which make urban centres simultaneously seductive and dangerous. Violent Night uses powerful insider accounts to uncover the underlying causes and meanings of violence. Interviews with the police, the perpetrators and the victims of violence reveal the complex emotions that surround both the perpetration and resolution of crime. Violent Night shows that a new approach is needed to successfully rehabilitate a culture struggling and failing to deal with nihilism and escalating hostility.

This book is open access under a CC BY license and explores the under-researched history of male mental illness from the mid-twentieth century. It argues that statistics suggesting women have been more vulnerable to depression and anxiety are misleading since they underplay a host of alternative presentations of 'distress' more common in men.

Kojo Baffoe embodies what it is to be a contemporary African man. Of Ghanaian and German heritage, he was raised in Lesotho and moved to South Africa at the age of 27. Forever curious, Kojo has the enviable ability to simultaneously experience moments intimately and engage people (and their views) sincerely, while remaining detached enough to think through his experiences critically. He has earned a reputation as a thinker, someone who lives outside the box and free of the labels that society seeks to place on us.

Listen to Your Footsteps is an honest and, at times, raw collection of essays from a son, a father, a husband, a brother and a man deeply committed to doing the internal work. Kojo reflects on losing his mother as a toddler, being raised by his father, forming an identity, living as an immigrant, his tussles with substance abuse, as well as his experiences of fatherhood, marriage and making a career in a fickle industry. He gives an extended glimpse into the experiences that make boys become men, and the battles that make men discover what they are made of, all the while questioning what it means to be ‘a man’.

Charles Berg (1892-1957) trained medically at St Thomas's Hospital, but before he could qualify the First World War broke out. He served in several medical positions throughout the war, having been released to obtain his medical qualification. After the war he started his career in general practice, but more interested in the causation of illness, went on to train firstly as a psychiatrist, then as a psychoanalyst, working at the Tavistock Clinic for seventeen years. During his time there under the founder Crichton-Miller he learnt to treat patients from the point of view of psychotherapy and eventually opened his own psychiatric and analytical practice. Out of print for many years, the Collected Works of Charles Berg is a great opportunity to revisit some of his finest works including his 'Sort of Autobiography'. This set will be a useful resource for those interested in the history of psychology, psychiatry, psychoanalysis, queer studies and beyond.

Kenneth Maurice Tyler identifies and describes the multiple identity components of young African American men using the theoretical and empirical literatures from education and the social science disciplines. Identity and African American Men: Exploring the Content of Our Characterization provides a comprehensive, research-based account of the ideologies and mindsets of many young African American men. The study critically discusses eight identity components that young African American men begin to negotiate during their adolescent years. These identity components include gender, sexual, racial, ethnic, cultural, socioeconomic, athletic, and academic identity. Tyler begins with a premise that a discussion of the behaviors and attitudes of young African American men must take into consideration not only their feelings about being Black; but feelings about being a man; about being homosexual, heterosexual, or bisexual; about Black people in general; about the specific cultural values one is socialized towards; about access to resources and ability to make it; about the ability to physically perform in sports; and about academic performance and educational achievement. Identity and African American Men makes a unique contribution to the scientific and popular literature by offering a conceptual framework which identifies the multiple identity components possessed by young African American men. Such a framework expands the conversation about African American men and their behaviors by broadening the understanding of who these individuals are, the identities they possess, and how their identity-based attitudes and orientations may influence the behaviors exhibited by them."

Robinson Crusoe's call to adventure and do-it-yourself settlement resonated with British explorers. In tracing the links in a discursive chain through which a particular male subjectivity was forged, Karen Downing reveals how such men took their tensions with them to Australia, so that the colonies never were a solution to restless men's anxieties.

Male rape is a feminist issue - but perhaps not in the way that you might think. This work is an experiment in Foucauldian thought that attempts to satisfy Foucault's imperative to 'think differently'. From this positioning, feminist constructions of 'male rape' can plausibly be claimed to operate as a 'regime of truth', but one must necessarily question whether this is running counter to patriarchy.
This book seeks to problematize knowledge and practices regarding 'male rape', examining the social realms of the Academy, popular culture, policy and provision in the constitution of the subject. Discussion is moved beyond notions of fairness or justice. Instead, Cohen seeks to ascertain the discursive regularities in these sites, considers the power-effects of such discourse and thus conceives of 'male rape' as illustrating the success of governmentality.

White Male Nostalgia in Contemporary North American Literature charts the late twentieth-century development of reactionary emotions commonly felt by resentful, yet often goodhearted white men. Examining an eclectic array of literary case studies in light of recent work in critical whiteness and masculinity studies, history, geography, philosophy and theology, Tim Engles delineates five preliminary forms of white male nostalgia-as dramatized in novels by Sloan Wilson, Richard Wright, Carol Shields, Don DeLillo, Louis Begley and Margaret Atwood-demonstrating how literary fiction can help us understand the inner workings of deluded dominance. These authors write from identities outside the defensive domain of normalized white masculinity, demonstrating via extended interior dramas that although nostalgia is primarily thought of as an emotion felt by individuals, it also works to shore up entrenched collective power.

Patricia A. McKnight: Author "My Justice" In this amazing new book "Beyond Survivor," the very talented author, Jan Frayne, takes his readers into the arena of childhood sexual abuse recovery, battles and conquests. As one of the rare published novels from a Male Childhood Sexual Abuse Survivor, Mr. Frayne allows his readers to feel the depth of shattered mind, body and soul. "Beyond Survivor" will take you into the hurricane of emotion and strength as this boy conquers the demons and nightmares of his past. Readers will ride the rollercoaster of success as they travel through the many nightmares. This expertly written novel shows the path of standing strong and achieving what all mankind desires; retrieving the happiness once destroyed by the wicked. This collection of outstanding poetry and prose is a must read for all as inspiration to prevail against the challenges put forth in the battle to obtain our own freedom.

Without question, the East German National People's Army was a profoundly masculine institution that emphasized traditional ideals of stoicism, sacrifice, and physical courage. Nonetheless, as this innovative study demonstrates, depictions of the military in the film and literature of the GDR were far more nuanced and ambivalent. Departing from past studies that have found in such portrayals an unchanging, idealized masculinity, Comrades in Arms shows how cultural works both before and after reunification place violence, physical vulnerability, and military theatricality, as well as conscripts' powerful emotions and desires, at the center of soldiers' lives and the military institution itself.

Drawing on interviews with nurses, social workers, exotic dancers and hairdressers, this book explores the processes involved in producing and reproducing gendered and classed workers and occupations.

This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference-with the memory and effects of state-socialism. In looking closely at the films' male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers.

Zakariyya Tamir is Syria's foremost writer of short stories, and his works are widely read across the Arab world. In this, the first English language monograph on Tamir's entire oeuvre, Alessandro Columbu examines Tamir's literary development in the context of changing political contexts, from his beginnings as a short story writer on local magazines in the late 1950s until the Syrian revolution of 2011. Thus, the movements from independence and Western-inspired modernisation to the rise of nationalism and socialism; war, defeat, occupation in the 1960s; the emergence of authoritarianism and the cult of personality of Hafiz al-Assad in the 1970s are charted in the context of Tamir's works. Therein, the significance of masculinity and patriarchy and its changing nature in relation to nationalism and authoritarianism are revealed as Tamir's foremost vehicles for social and political critique. The role of female sexuality and its disrupting/empowering nature vis-a-vis patriarchal institutions is also explored, as is the question of literary commitment and the relationship between authors and the authoritarian regime of Syria; homosexuality and representations of unconventional sexualities in general.