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Books > Social sciences > Sociology, social studies > Gender studies > Men's studies
This book explores the lives of male sex workers living in Dublin, Ireland. It focuses on the stories of young Brazilian and Venezuelan migrants who use their micro-celebrity on social media to construct a brand that can be converted into financial advantage within the sex industry. The book focuses on two sites: Grindr, which these men use to build a transient pop-up escort profile that is linked to Instagram, which in turn provides followers with access to a curated digital identity built around consumption. Ryan explores how the muscular body acts as a form of physical and erotic capital providing the raw material of these digital identities as they are broadcast on new online subscription platforms like OnlyFans. Male Sex Work in the Digital Age offers fascinating insights into the role social media plays in (re)creating a new and more flexible understanding of commercial sex. Students and scholars across a range of disciplines, including sociology, gender studies, sexuality studies, LGBTQ studies, media studies and law, will find this book of interest.
Gendered processes of globalisation, transnationalisation and urbanisation are increasing local and global inequalities and widening the gap between the rich and the poor. The global finance industry plays a key role in these processes, directing its operations from local command points in global cities such as London. Drawing on empirical data collected after the 2008 financial crisis - in depth interviews with male City of London bankers who are also fathers, in depth interviews with the bankers' wives, observational data of work and family spaces, and banks' promotional online material -this book explores the day-to-day individual and institutional social practices of wealthy City bankers and banks. The book's analysis offers insight into how the spaces of work and home are integrally linked in ways that mutually shape, support and sustain the gendered dominance of the industry and its highly paid workers. This book will appeal to postgraduate students, researchers and academics interested in the fields of gender studies, critical studies of men and masculinities, urban and metropolitan studies, sociology, studies of globalisation and transnationalisation, anthropology, cultural studies and business management. It will also be interesting for those concerned about the role of the finance industry and neoliberal capitalist ideologies, values and practices in ever-widening local and global inequalities.
Divided into 15 chapters, this book provides the reader with an insight into certain representations of mothers and motherhood in history and today's societies in some areas of the world, notably in Britain and Asia. Key facts about the history of motherhood are presented, together with the use of very recent notions and phrases portraying 'good' and 'bad' mothers. An analysis of the concepts of naming and blaming, along with regret with respect to mothers in 21st century societies, provides food for thought. Other issues addressed are varied and numerous: the politics of early intervention, feminist critique, mothers with disabilities and mothers of disabled children, incarcerated mothers, surrogate mothers, teenage mothers, lesbian mothers, and mothering in Eastern Asia, namely in China, Japan, and Korea. Interestingly, both visual arts and literature play a crucial role in this analysis. The publication will appeal to students, academics, researchers, and the general public interested in and seeking to comprehend the shifts that have occurred over time in connection with the vast and inexhaustible subject of motherhood and mothers - a private and public matter. Readers are also provided with a rich reference section dealing with the latest publications on the issues tackled by prominent academics and researchers in human geography, women's studies, sociology, gender studies, contemporary history, and the arts.
Since its original publication in 1989, this work has been widely cited in gender studies literature. In 13 essays, Stoltenberg articulates the first fully argued liberation theory for men that will also liberate women. He argues that male sexual identity is entirely a political and ethical construction whose advantages grow out of injustice. His thesis is, however, ultimately one of hope - that precisely because masculinity is so constructed, it is possible to refuse it, to act against it and to change. An introduction by the author discusses the roots of his work in the American civil rights and radical feminist movements and distinguishes it from the anti-feminist philosophies underlying the recent tide of reactionary mens movements.
Sexual spaces, normally inhabited by (mostly) female sex workers, are understood as masculine spaces, and positioned for and around male consumers. However, red light zones and public sex performances in both Thailand and Holland are being explored and visually consumed by female tourists in significant numbers. Their presence in red light districts and sexual venues is at odds with the ways in which sexual spaces have normally been positioned. Woman and Sex Tourism Landscapes explores female tourists' interactions with highly sexualized spaces and places in two very different contexts: the Netherlands and Thailand. Addressing this incongruence, this text explores the ways in which these spaces are constructed, and examines the different relations that govern the management of, and female tourist interactions with these liminal,sexual zones. Ethnographic data collected in both countries suggests that far from being male-centred spaces, the red light districts and associated sexual entertainment venues are very much open to female tourists. Drawing on this research the author argues that some women are indeed interested in exploring sexualized zones, challenging assumptions about women's involvements with sexual space. Thinking specifically about the visual nature of women's sexualized experiences, the analysis draws on a range of different theoretical understandings that address power, privilege, and the gaze. An important contribution to a range of debates, this book will appeal to students and researchers in tourism, geography, sociology, gender studies and cultural theory.
Peter. Pecker. Wiener. Dick. Schlong. Penis. Whatever we choose to call it, the penis is more than just a body part. This A-to-Z encyclopedia explores the cultural meanings, interpretations, and activities associated with the penis over the centuries and across cultures. Scholars, activists, researchers and clinicians delve into the penis in antiquity, in art, in religion, in politics, in media, in music, and in the cultural imagination. They examine the penis as a problem, a fetishized commodity, a weapon, an object of play. Penile decor and fashions from piercings to codpieces to koteka are treated with equal dignity. Explanation of common medical terms and not-so-common subcultural practices add to the broad scope of the book. Taken together, the Cultural Encyclopedia of the Penis offers refreshing, thoughtful, and wide-ranging insight into this malleable, meaningful body part."
This is a study of masculinity as a metaphor and especially of the muscular male body as a moral symbol. It explores the Nazi's preoccupation with the male body as an icon of political power, and the ideology and theories which propelled it.
This collection of specially commissioned essays provides the first social history of masculinity in the 'long eighteenth century'. Drawing on diaries, court records and prescriptive literature, it explores the different identities of late Stuart and Georgian men. The heterosexual fop, the homosexual, the polite gentleman, the blackguard, the man of religion, the reader of erotica and the violent aggressor are each examined here, and in the process a new and increasingly important field of historical enquiry is opened up to the non-specialist reader. The book opens with a substantial introduction by the Editors. This provides readers with a detailed context for the chapters which follow. The core of the book is divided into four main parts looking at sociability, virtue and friendship, violence, and sexuality. Within this framework each chapter forms a self-contained unit, with its own methodology, sources and argument. The chapters address issues such as the correlations between masculinity and Protestantism; masculinity, Englishness and taciturnity; and the impact of changing representations of homosexual desire on the social organisation of heterosexuality. Misogyny, James Boswell's self-presentation, the literary and metaphorical representation of the body, the roles of gossip and violence in men's lives, are each addressed in individual chapters. The volume is concluded by a wide-ranging synoptic essay by John Tosh, which sets a new agenda for the history of masculinity. An extensive guide to further reading is also provided. Designed for students, academics and the general reader alike, this collection of essays provides a wide-ranging and accessible framework within which to understand eighteenth-century men. Because of the variety of approaches and conclusions it contains, and because this is the first attempt to bring together a comprehensive set of writings on the social history of eighteenth-century masculinity, this volume does something quite new. It de-centres and problematises the male 'standard' and explores the complex and disparate masculinites enacted by the men of this period. This will be essential reading for anyone interested in eighteenth-century British social history.
Charles Baudelaire's flaneur, as described in his 1863 essay "The Painter of Modern Life," remains central to understandings of gender, space, and the gaze in late nineteenth-century Paris, despite misgivings by some scholars. Baudelaire's privileged and leisurely figure, at home on the boulevards, underlies theorizations of bourgeois masculinity and, by implication, bourgeois femininity, whereby men gaze and roam urban spaces unreservedly while women, lacking the freedom to either gaze or roam, are wedded to domesticity. In challenging this tired paradigm and offering fresh ways to consider how gender, space, and the gaze were constructed, this book attends to several neglected elements of visual and written culture: the ubiquitous male beggar as the true denizen of the boulevard, the abundant depictions of well-to-do women looking (sometimes at men), the popularity of windows and balconies as viewing perches, and the overwhelming emphasis given by both male and female artists to domestic scenes. The book's premise that gender, space, and the gaze have been too narrowly conceived by a scholarly embrace of Baudelaire's flaneur is supported across the cultural spectrum by period sources that include art criticism, high and low visual culture, newspapers, novels, prescriptive and travel literature, architectural practices, interior design trends, and fashion journals.
First published in 1987, this book encompasses a broad range interdisciplinary research into homosexuality - displaying a full spectrum of points of view - and, given that the major traditions of modern homosexual research began in Europe, is not restricted to works in English.. In general topics that are densely covered in the literature are presented in this guide selectively, with some less studied topics, such as Economics and Music, fleshed out with signposts to more comprehensive research. It seeks to not only mirror existing publications, but also to stimulate new work by pinpointing neglected themes and methods. This book will be of interest to students of sociology.
This is the first book to focus on the relationships which men
formed with their wives in early modern England, making it an
important contribution to a new understanding of English, social,
family, and gender history. Dr Foyster redresses the balance of
historical research which has largely concentrated on the public
lives of prominent men. The book looks at youth and courtship
before marriage, male fears of their wives' gossip and sexual
betrayal, and male friendships before and after marriage.
Highlighted throughout is the importance of sexual reputation.
Based on both legal records and fictional sources, this is a
fascinating insight into the personal lives of ordinary men and
women in early modern England.
'An impressive and meticulously crafted African ethnography, which
has theoretical and practical relevance for understanding
masculinity and violence in general'- David Parkin, Professor of
Anthropology, Cambridge University Manhood and Morality explores
issues of male identity among the Gisu of Uganda and the moral
dilemma faced by men who define themselves by their capacity for
violence. Drawing extensively on twenty years of fieldwork and on
psychological theory the book covers: circumcision
Men Who Sell Sex is the first comprehensive international account of male prostitution and AIDS. While much is known about female prostitution and sex work, relatively little is known about men who sell sex - either to women or other men. This book brings together an authoritative collection of essays from different countries and examines sexual behaviour, the reasons men sell sex, the meanings involved, and implications for HIV prevention. The authors are all experts in their fields and individual chapters offer a compelling description of the reasons men sell sex and the pleasures and risks involved.
This book is about the modernist narrative voice and its correlation to medical, mythological, and psychoanalytic images of emasculation between 1919 and 1945. It shows how special-effects of rhetoric and form inspired by outre modernist developments in psychoanalysis, occultism, and negative philosophy reshaped both narrative structure and the literary depiction of modern masculine identity. In acknowledging early twentieth-century Anglo-American literature's self-conscious and self-reflexive understanding of the effect of textual production, this engaging new study depicts a history of writers and readers understanding the role of textual absence in the development and chronicling of masculine anxiety and optimism.
Using the storyThe Frog Princeas a symbol of traditional awareness of the potential marginality of men in society, Transforming Menproposes that much of patriarchy is a theatrical illusion. Presenting men as more important and powerful than they really are should be seen as a way of controlling them, rather than as a system for dominating women. The author believes that both men and women need to feel that other people are dependent on them. Dench states that women acquire a sense of responsibility through the direct dependence of children, but most men can only come to experience responsibility via women. If women reject the male breadwinning role, then men will never develop the altruistic incentive. Dench urges that men need to be given a greater stake than women in the public realm in order to be the main family providers and become caring members of society. Dispensing with male privileges and formal positions, the author continues, will simply reveal and revive older and deeper problems, to which patriarchy itself was a historical and sociological solution. Dench does not deny the possibility that if men did behave as feminists have asked or expected, then certainly we would be living in a far better world. However, he asserts that it is too simple to just blame men for the fact that this has not happened; perhaps the real failure lies in feminist approaches and theories. Thus, Dench persuasively argues that feminism may be making the male problem worse, not better by insisting on everything from absolute parity to role reversal. Transforming Mencontains examples of many different feminist viewpoints, including those of Margaret Mead, Betty Friedan, and Camille Paglia. It also uses contemporary cultural instances, such as popular movies, television shows, and books, to emphasize its points. This volume presents an intriguing argument regarding feminism versus a patriarchal society. It will provide stimulating reading for all those interested in the feminist debate.
The relation between feminism and men is often presumed to be
antagonistic, so that men are expected to resist feminism, and
feminists are assumed to hate men. That pattern of opposition is
disrupted, however, by the continually increasing numbers of men
who are participating in feminist theory and practice, trying to
integrate feminist perspectives into their scholarship, teaching,
work, play, friendships, and romantic involvements. Responses to
this male feminism have varied. Sometimes male feminists find some
female feminists critical of men who oppose or decline to join
feminist projects, but also rebuff the few men who do undertake
feminist projects. On the other hand, some women feminists have
unequivocally welcomed men as allies in political, business,
religious, and academic contexts. The essays in "Men Doing
Feminism" reveal that there is justification for both views, the
skeptical and the enthusiastic, because feminist men are as diverse
as feminist women.
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