The authors first demonstrate that most of the claims about sex and gender are not well supported by research, and then provide readers with constructive critical tools they can apply to this wealth of research to come to realistic, constructive conclusions. All of this is provided in a concise, inexpensive volume by a best-selling trade author and instructor team.

Due to a greater involvement of American fathers in the direct care of their children in recent years, interest in the impact and nature of the father's role in nurturing children has increased. While studies about fathers in the industrialized, literate West have proliferated, little is known about the role of fathers in the preliterate, non-Western world. This collection examines the diversity of paternal roles found in human cultures among various types of societies that are very peaceful and those that actively engage in warfare as a mode of existence. "Father-Child Relations" recognizes the importance of understanding both biological and cultural aspects of the father's role. Many of the contributors utilize evolutionary or biosocial models, including those of developmental psychology, to examine the father's role, while others rely upon the symbolic analysis of cultural and social anthropology. One chapter is devoted to male-infant relationships in nonhuman primates, a further largely ignored comparative perspective. The anthropologists who have contributed to this collection are field workers who have lived intimately over significant periods of time with the people about whom they are writing. These research reports from the field have been edited to make them wholly accessible to the non-specialist. The contributors of this volume recognize that biology and ideology are intertwined; both together influence the father's behavior and the effects of his behavior.

This book offers the first substantial critical examination of men and masculinities in relation to political crises in South Asian literatures and cultures. It employs political crisis as a frame to analyze how South Asian men and masculinities have been shaped by critical historical events, events which have redrawn maps and remapped or unmapped bodies with different effects. These include colonialism, anti-colonialism, state formations, civil wars, religious conflicts, and migration. Political crisis functions as a framing device to offer nuances and clarifications to the assumed visibility of male bodies and male activities during political crisis. The focus on masculinities in historical moments of crisis divests masculinity of its naturalization and calls for a heterogeneous conceptualization of the everyday practices and experiences of 'being a man.' Written by scholars from a variety of theoretical perspectives and disciplinary approaches, and drawing on a range of written and visual texts, this book contributes to this recent rethinking of South Asian literary and cultural history by engaging masculinity as a historicized category of analysis that accommodates an understanding of history as differentiated encounters among bodies, cultures, and nations. This book was originally published as a special issue of South Asian History and Culture.

Major psychoanalytic thinkers from Freud to Ricoeur to Lacan considered the Oedipus complex the key to explaining the human psyche and human sexuality, even culture itself. But, in fact, they were merely theorizing males. In this title, originally published in 1993, the author reassesses the benchmark concepts of Freudian thought, building on feminist criticisms of psychoanalysis and the new history of sexuality. The psychoanalytic questions become political questions: How do the norms of heterosexuality and masculinity themselves emerge within modern society and culture? How do the institutions of compulsory heterosexuality and modern patriarchy shape identity and desire? What make heterosexuality compulsory in our society? Brenkman argues that the larger social world is part and parcel of the Oedipus complex. He challenges psychoanalysis to reinvent its cultural project, as a therapeutics and an ethics, by recovering the moral-political dimension in its approach to family, sexuality and gender. Straight Male Modern casts a new light on psychoanalysis's contribution to modern life, revealing the richness of the Freudian tradition's encounter with modern politics and culture, and the poverty of its response.

Signs of Identity presents an interdisciplinary introduction to collective identity, using insights from social psychology, anthropology, sociology and the humanities. It takes the basic concept of semiotics - the sign - as its central notion, and specifies in detail in what ways identity can be seen as a sign, how it functions as a sign, and how signs of identity are related to those who have that identity. Recognizing that the sense of belonging is both the source of solidarity and discrimination, the book argues for the importance of emotional attachment to collective identity. The argument is supported by a large number of real-life examples of how collective emotions affect group formation, collective action and inter-group relations. By addressing the current issues of authenticity and the Self, multiculturalism, intersectionality and social justice, the book helps to stimulate discussion of the contested topics of identity in contemporary society.

Building on comparative research in the U.K. and the U.S.A., this is the first book focused specifically on transgender experiences within policing. It examines the issues faced by the transgender community within policing and explores how gender, and the non-conformity of it, is perceived within police cultures. Moreover, it provides an on-going critique of the queer criminology movement and why it is crucial to policing studies, emphasising the specific importance of transgender issues therein. This empirical book provides qualitative data from American officers and English and Welsh constables on transgender police. The following research questions are addressed: What are the perceptions of cisgender officers towards transgender officers, and what are the consequences of these perceptions? What are the occupational experiences and perceptions of officers who identify as transgender within policing? Finally, what are the reported positive and negative administrative issues that transgender individuals face within policing? The author concludes by discussing the empirical, theoretical and policy contributions of this research and offers some final thoughts on policy recommendations and directions for future research. A strong contribution to the literature in critical criminology and queer criminology, this book will also be of interest to those in the fields of gender studies, sociology, public administration, management studies and policing studies.

Each contribution to this book discusses key issues arising from the portrayal of men and the formation of masculine identities in a range of representative and landmark texts, fictional and non-fictional, drawn from different historical periods and from various countries in the Hispanophone Americas. There is an emphasis on the ways in which writers from Argentina (Manuel Puig), Chile (the Spaniard Alonso de Ercilla y Zuniga and the Chilean Nicolas Palacios), Mexico (Gustavo Sainz and Angeles Mastretta) and the Hispanic USA (Jennifer Harbury and Francisco Goldman) have explored the themes of love, friendship and trust and their transformative power for gender relations in situations and contexts where deception, exploitation and oppression are often disturbingly present. There is also a discussion of the applications, insights and limitations of different theoretical frameworks and concepts relevant to the task of producing gendered readings, including Connell's 'world gender order' and 'hegemonic masculinity', as well as 'the cult of virility' as characterised by Still and Worton, Chela Sandoval's 'decolonial love' and 'methodology of the oppressed' and Beasley-Murray's 'posthegemony'. This book was originally published as a special issue of Iberian and Latin American Studies.

Men's domination of the public domain is obvious, yet this is often ignored in social and political analyses. This text examines the problems of "public men" within "public patriarchies". It addresses two central questions. Why and how do men dominate in the public worlds of work, politics and culture? How do these public worlds construct public men and public masculinities in different and changing ways? These questions are examined through a focus on the past, specifically the period 1870-1920, a period of massive growth and transformation in the power of the public domain. A continuing theme is that the present exists in the past, and the past in the present. "Men in the Public Eye" attempts to reveal why men's domination in and out of the public domain is a vital feature of gender relations in patriarchy, and how public domains dominate the private domains. This book should be of interest to undergraduates, postgraduates and academics interested in gender studies and women's studies.

Staunchly homosocial, vaguely or overtly misogynistic, anxiously homophobic-this study follows the male breadwinner as he is incarnated in Arthur Miller's most celebrated plays and as he resurfaces in different guises throughout American drama, from the 1950s to the present. Anxious Masculinity offers a compelling analysis of gender dynamics and the legacy of this figure as he stalks through the works of other American dramatists, and argues that the gendered anxieties exhibited by their characters are the very ones invoked with such success by Donald Trump. Claire Gleitman examines this figure in the plays of Miller and Tennessee Williams, as well as later 20th-century writers Lorraine Hansberry, August Wilson, and Sam Shepard, who reposition him in more racially and economically marginalized settings. He reappears in the more recent work of playwrights Tony Kushner, Paula Vogel, and collaborators Lisa Kron and Jeanine Tesori, who shift their focus to the next generation, which seeks to escape his clutches and forge new, often gleefully queer identities. The final chapter concerns contemporary Black dramatists Suzan Lori-Parks, Jackie Sibblies Drury, and Jeremy O. Harris, whose plays move us from anxious masculinity to anxious whiteness and speak directly to the current moment.

Somewhere along the way, our culture lost its definition of manhood, leaving generations of men and men-to-be confused about their roles, responsibilities, relationships, and the reason God made them men. It's into this "no man's land" that New York Times bestselling author Mark Batterson declares his mantra for manhood: play the man. In this inspiring call to something greater, he helps men understand what it means to be a man of God by unveiling seven virtues of manhood. Mark shares inspiring stories of manhood, including the true story of the hero and martyr Polycarp, who first heard the voice from heaven say, "Play the man." Mark couples those stories with practical ideas about how to disciple the next generation of men. This is more than a book; it's a movement of men who will settle for nothing less than fulfilling their highest calling to be the man and the father God has destined them to be. Play the man. Make the man.

Men's domination of the public domain is obvious, yet this is often ignored in social and political analyses. This text examines the problems of "public men" within "public patriarchies". It addresses two central questions. Why and how do men dominate in the public worlds of work, politics and culture? How do these public worlds construct public men and public masculinities in different and changing ways? These questions are examined through a focus on the past, specifically the period 1870-1920, a period of massive growth and transformation in the power of the public domain. A continuing theme is that the present exists in the past, and the past in the present. "Men in the Public Eye" attempts to reveal why men's domination in and out of the public domain is a vital feature of gender relations in patriarchy, and how public domains dominate the private domains. This book should be of interest to undergraduates, postgraduates and academics interested in gender studies and women's studies.

Across Europe we are witnessing a series of events that are drawing upon representations of men and masculinity that are rupturing the social fabric of everyday life. For example, media reports of social unrest, misogynous hate crime, religious extremism, drug trafficking and political Far Right mobilization often have been at the centre of the discussion the figure of the apathetic, disenchanted, socially excluded young man. Marginalized Masculinities explores how men in precarious positions in different countries and social contexts understand and experience their masculinities, focusing on men who are viewed as being marginal in a range of fields in society including the family, work, the media and school. By focusing on atypical or marginal masculinities in each subfield, Haywood and Johansson provide an informed understanding of what it means to experience marginalization. Indeed, within this enlightening volume the chapters engage with the issue of whether it is necessary to name 'a' dominant masculinity in order to make sense of and understand the nature of marginalized masculinity. This insightful title will be of interest to researchers, undergraduates and postgraduates interested in fields such as Gender Studies, International Studies, Comparative Studies and Men Studies.

Through the examination of a range of literary and cinematic texts, from William Wyler's classic The Best Years of Our Lives to the novels of Henry James, Silverman offers a bold new look at masculinities which deviate from the social norm.

Though separated by only eleven years in age, Hemingway and Williams seem literary generations apart. Yet both authors bridged their modernist/postmodernist divide through mutual examinations of the polemics behind heteromasculinity, Hemingway in The Sun Also Rises and Williams in Cat on a Hot Tin Roof. This book explores the two works many sociopolitical, literary, and intertextual ties, in particular how the conclusion of one echoes that of the other, not just in its irony but also in its implication of the audiences participation in engendering the social rules responsible for the protagonists struggle to negotiate his sexual identity. Hemingway's Sun shares more with Williams' Cat than just a similar ending, however. Both works explore more broadly the construction of a queer masculinity, where the parameters that define masculinity and sexuality grow as unstable and irresolute as the frontier during a war or the line of scrimmage during a football game.

Masculinity is discussed by contemporary authors either in socio-political terms or in popular writing that concentrates on Jungian mythopoetics and spirituality. The outward-looking, sociological standpoint ignores the spiritual view; the inward-looking spiritual traditional disregards historical context and the conditioning of society. In this work, David Tacey makes a new synthesis of these two traditions, examining his own and other men's experience with both spiritual and political insight. He is critical of the way popular, conservative discourse on masculinity has appropriated and distorted Jungian psychology, and believes that political, antisexist and historical considerations should be brought into discussions about the inner world. From this radical standpoint Tacey addresses such topics as father-absence, homoerotic desire and the dilemmas of feminine men.

Addressing the problem of men's violence to known women, this book considers the scale of, and critically reviews the theoretical frameworks used to explain this violence.

From the perspective of critical studies on men', Jeff Hearn discusses issues, challenges and possible research methods for those researching violence. He draws on extensive research to analyze the various ways in which men describe, deny, justify and excuse their violence, and considers the complex interaction between doing violence and talking about violence. The book concludes with a summary of the key issues for theory, politics, policy and practice.

First published in 1987, this book encompasses a broad range interdisciplinary research into homosexuality - displaying a full spectrum of points of view - and, given that the major traditions of modern homosexual research began in Europe, is not restricted to works in English.. In general topics that are densely covered in the literature are presented in this guide selectively, with some less studied topics, such as Economics and Music, fleshed out with signposts to more comprehensive research. It seeks to not only mirror existing publications, but also to stimulate new work by pinpointing neglected themes and methods. This book will be of interest to students of sociology.

It is more common now than ever before for partners, family members, and friends to provide informal care, yet caregiving in the lesbian, gay, bisexual, and transgender (LGBT) communities has received little attention. Caregiving with Pride is the pioneering examination of caregiving experiences in the LGBT population that also provides a frank discussion of the issues involved in needing and receiving care as well. This comprehensive, up-to-date text presents practical information for a timely account of this important field.

Love, Sex and Teenage Sexual Cultures in South Africa interrupts the relative silence around teenage constructions of love in South Africa. Against the backdrop of gender inequalities, HIV and violence, the book situates teenage constructions of love and romance within the wider social and cultural context underwritten by the histories of apartheid, chronic unemployment, poverty, and the endless struggle to survive.

By drawing on focus group discussions with African teenage men and women, the book addresses teenage Africans as active agents, providing a more nuanced picture of their desires and their dilemmas through which sexuality and love are experienced. The chapters in the book conceptualise desiring love, material love, pure love, forced love and fearing love. It argues that love is intrinsically linked to cultural practices and material realities which mold particular formations of teenage masculinities and femininities.

This book will be of interest to academics, undergraduates, postgraduates and researchers in sociology, HIV, health and gender studies, development and postcolonial studies and African studies.

Table of Contents

1. Introduction

2. Teenagers Expressing Love: Regulating Gender and Sexuality

3. Girls want Money, Boys want Virgins: Culture and the Materiality of Teenage Love

4. ‘Pure Love’: Virgins, Virtue and Desire

5. "I’m the one who says I love you first, and I’m the one to break up with you." Masculinity, Forced Love and Resistance

6. "Girls are not free." Feelings of Love, Feelings of Fear

7. Conclusion: Calling for Compassion, Care and Change

Originally published in 1945. This book is concerned with the secondary school as it developed since the 1902 Education Act. The author points out the strengths and weaknesses and makes suggestions for their improvement. Chapters are devoted to School Certificate, Religion in Education, Curriculum and Co-education, among other problems. The recent Act and the many official reports on relevant topics are discussed and some of the author's misgivings are stated.

Originally published in 1998. This book offers a balanced overview of the issues surrounding boys and education. It looks beyond the often hysterical debate in the popular media to analyse what is happening with boys in the school system and how this can be understood. The authors argue that popular constructions of masculinity affect boys in all parts of their lives: in families, peer groups and work cultures - at home, at school, at work and at leisure. Offering insight into key issues such as literacy, sport, bad behaviour, sexuality, race and ethnicity, and popular culture, this book also looks at programs and approaches to working with boys which have been successful.

What is masculinity? Drawing on psychoanalysis and an understanding of ideology, Easthope shows how the masculine myth forces men to try to be masculine and only masculine, denying their feminine side. In an original contribution to the understanding of gender, he analyzes masculinity as it is represented in a wide range of mass media --films, television, newspapers, pop music, and pop novels. Why are two men in a John Wayne western more concerned with each other than with the women in their lives? Is aggressive male banter a sign that men hate or love each other? Why does a jealous man always have to see his rival? Written in lively, witty, and accessible style, What a Man's Gotta Do is certain to become controversial but essential reading.

The two 'Moulding Masculinities' volumes represent the first major publication in English of Northern European studies on masculinities. They focus on men's relationships towards each other and their bodies, primarily from psycho-dynamic and social constructionist perspectives. The contributors are drawn from disciplines as diverse as sociology, social anthropology, media studies and sports sciences, and include scholars from Denmark, Sweden, Norway, Finland, The Netherlands, Germany, Australia, the UK and the USA. Investigating the relational aspects of masculinity, this volume describes how different masculinities are moulded within diverse structures and settings. It explores how men interact with each other and how they collectively react to and embody changing concepts of masculinity. By centering on the struggle and negotiation between different groups and discourses of masculinity and investigating the origin of dominant images and ideals of masculinity, these two volumes will widen international understanding of how historic forms of masculinity are interpreted, revived and combined in the process of moulding masculinities.

Originally published in 1994, and now a feminist classic, Dislocating Masculinity offers a penetrating critique of writing on and by men. Bringing together anthropologists, sociologists, linguists and historians, it raises important comparative questions about how gender operates, addressing issues of embodiment, agency, gender inequality and the variety of masculine styles.

The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. Modernism and the Making of the New Man explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers... What they had in common was the enthusiasm for defining the "new man", the ideal citizen of the radiant future, and the settings in which he or she lives. -- .