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Books > Humanities > Philosophy > Topics in philosophy > Metaphysics & ontology
Alain Badiou's Being and Event continues to impact philosophical
investigations into the question of Being. By exploring the central
role set theory plays in this influential work, Burhanuddin Baki
presents the first extended study of Badiou's use of mathematics in
Being and Event. Adopting a clear, straightforward approach, Baki
gathers together and explains the technical details of the relevant
high-level mathematics in Being and Event. He examines Badiou's
philosophical framework in close detail, showing exactly how it is
'conditioned' by the technical mathematics. Clarifying the relevant
details of Badiou's mathematics, Baki looks at the four core topics
Badiou employs from set theory: the formal axiomatic system of ZFC;
cardinal and ordinal numbers; Kurt Goedel's concept of
constructability; and Cohen's technique of forcing. Baki then
rebuilds Badiou's philosophical meditations in relation to their
conditioning by the mathematics, paying particular attention to
Cohen's forcing, which informs Badiou's analysis of the event.
Providing valuable insights into Badiou's philosophy of
mathematics, Badiou's Being and Event and the Mathematics of Set
Theory offers an excellent commentary and a new reading of Badiou's
most complex and important work.
Does a philosopher have an 'identity'? What kind of 'identity' is
mobilized when the work of a philosopher becomes a major reference
for certain schools of thought, as in the case of Gilles Deleuze
and postcolonial theory? Have the promoters of a generalized
Deleuzeanism taken care their usage of his specialized work does
him justice? Few exponents of postcolonial and subaltern theories
now dispute the influence that Deleuze's work exerted on the
intellectuals and theorists who developed those theories. However,
this book contends that postcolonial and subaltern theorists have
engaged with Deleuzean thought in ways that have perhaps produced a
long series of misunderstandings - for which Deleuze himself is not
responsible. By engaging with recent innovations in North African
culture and by examining the dissemination of Deleuze's identities
across a broad range of postcolonial theory, Reda Bensmaia shows
that the 'encounter' between Deleuze and the postcolonial movement
can only be understood through the idea of a 'transcendental'
field, in which Deleuze and his postcolonial followers find
themselves captured.
Human beings live in the illusion that they are in control of their
lives. They believe they have free choice. Education is a high
priority and laws are designed to insure justice for all. Yet
satisfaction, joy and full self-expression in daily living elude
most of us.
Art and Abstract Objects presents a lively philosophical exchange
between the philosophy of art and the core areas of philosophy. The
standard way of thinking about non-repeatable (single-instance)
artworks such as paintings, drawings, and non-cast sculpture is
that they are concrete (i.e., material, causally efficacious,
located in space and time). Da Vinci's Mona Lisa is currently
located in Paris. Richard Serra's Tilted Arc is 73 tonnes of solid
steel. Johannes Vermeer's The Concert was stolen in 1990 and
remains missing. Michaelangelo's David was attacked with a hammer
in 1991. By contrast, the standard way of thinking about repeatable
(multiple-instance) artworks such as novels, poems, plays, operas,
films, symphonies is that they must be abstract (i.e., immaterial,
causally inert, outside space-time): consider the current location
of Melville's Moby Dick, the weight of Yeats' "Sailing to
Byzantium", or how one might go about stealing Puccini's La Boheme
or vandalizing Mozart's Piano Concerto No. 9. Although novels,
poems, and symphonies may appear radically unlike stock abstract
objects such as numbers, sets, and propositions, most philosophers
of art think that for the basic intuitions, practices, and
conventions surrounding such works to be preserved, repeatable
artworks must be abstracta. This volume examines how philosophical
enquiry into art might itself productively inform or be
productively informed by enquiry into abstracta taking place within
not just metaphysics but also the philosophy of mathematics,
epistemology, philosophy of science, and philosophy of mind and
language. While the contributors chiefly focus on the relationship
between philosophy of art and contemporary metaphysics with respect
to the overlap issue of abstracta, they provide a methodological
blueprint from which scholars working both within and beyond
philosophy of art can begin building responsible, mutually
informative, and productive relationships between their respective
fields.
Plotinus' mysticism of henosis, unification with the One, is a
highly controversial topic in Plotinian scholarship. This book
presents a careful reading of the Enneads and suggests that
Plotinus' mysticism be understood as mystical teaching that offers
practical guidance concerning henosis. It is further argued that a
rational interpretation thereof should be based on Plotinus'
metaphysics, according to which the One transcends all beings but
is immanent in them. The main thesis of this book is that Plotinus'
mystical teaching does not help man attain henosis on his own, but
serves to remind man that he fails to attain henosis because it
already pertains to his original condition. Plotinus' mysticism
seeks to change man's misconception about henosis, rather than his
finite nature.
Anthropocentrism in philosophy is deeply paradoxical. Ethics
investigates the human good, epistemology investigates human
knowledge, and antirealist metaphysics holds that the world depends
on our cognitive capacities. But humans' good and knowledge,
including their language and concepts, are empirical matters,
whereas philosophers do not engage in empirical research. And
humans are inhabitants, not 'makers', of the world. Nevertheless,
all three (ethics, epistemology, and antirealist metaphysics) can
be drastically reinterpreted as making no reference to humans.
Subconscious and the Superconscious Planes of Mind, written by W.W.
Atkinson in 1909, is a somewhat supernatural text on the different
levels at which the mind works and functions. There are the
sub-conscious (below normal), conscious (normal), and
super-conscious (above normal) levels, which Atkinson describes in
detail. He also covers the elements of each level-for example, in
the subconscious our memory works and resides. While based in hard
facts, Atkinson uses the mind theories to justify instances such as
telepathy and mind reading, in which he strongly believed. American
writer WILLIAM WALKER ATKINSON (1862-1932) was editor of the
popular magazine New Thought from 1901 to 1905, and editor of the
journal Advanced Thought from 1916 to 1919. He authored dozens of
New Thought books under numerous pseudonyms, including "Yogi," some
of which are likely still unknown today.
Historically speaking, the majority of efforts in the study of
ancient Greek physics have traditionally been devoted either to the
analysis of the surviving evidence concerning Presocratic
philosophers or to the systematic examination of the Platonic and
the Aristotelian oeuvre. The aim of this volume is to discuss the
notion of space by focusing on the most representative exponents of
the Hellenistic schools and to explore the role played by spatial
concepts in both coeval and later authors who, without specifically
thematising these concepts, made use of them in a theoretically
original way. To this purpose, renowned scholars investigate the
philosophical and historical significance of the different
conceptions of space endorsed by various thinkers ranging from the
end of the Classical period to the middle Imperial age. Thus, the
volume brings to light the problematical character of the ancient
reflection on this topic.
Some things in the world-intentional items such as words, thoughts,
portraits, and passport photos-are about things, whereas other
things in the world-sticks, stones, and fireflies-are not about
anything. Necessary Intentionality is a study of aboutness, or
intentionality, with a focus on the following question: are
intentional items typically about whatever they are about as a
matter of necessity, or is their aboutness, rather, a matter of
mere contingency? Consider, for example, a particular name
referring to a particular person, or a specific belief with respect
to some particular thing that it is such and so. Is it possible for
the name not to have referred to the person and for the belief not
to have been about the thing? Ori Simchen defends a negative answer
to such questions. That the name refers to the person is necessary
for the name and that the belief is about the thing is necessary
for the belief. Simchen articulates his overall position in two
main stages. In the first stage he fleshes out a requisite modal
metaphysical background. In the second stage he brings the modal
metaphysics to bear on cognition, specifically the aboutness of
cognitive states and episodes. Simchen presents a productivist
approach, which takes aboutness to be determined by the conditions
of production of intentional items, rather than an
interpretationist approach that takes aboutness to be determined by
conditions of consumption of such items.
The principal aim of this volume is to elucidate what freedom,
sovereignty, and autonomy mean for Nietzsche and what philosophical
resources he gives us to re-think these crucial concepts. A related
aim is to examine how Nietzsche connects these concepts to his
thoughts about life-affirmation, self-love, promise-making, agency,
the 'will to nothingness', and the 'eternal recurrence', as well as
to his search for a 'genealogical' understanding of morality.
These twelve essays by leading Nietzsche scholars ask such key
questions as: Can we reconcile his rejection of free will with his
positive invocations of the notion of free will? How does
Nietzsche's celebration of freedom and free spirits sit with his
claim that we all have an unchangeable fate? What is the relation
between his concepts of freedom and self-overcoming?
The depth in which these and related issues are explored gives this
volume its value, not only to those interested in Nietzsche, but to
all who are concerned with the free will debate, ethics, theory of
action, and the history of philosophy.
Law of the New Thought: A Study of Fundamental Principles and Their
Application is study of "new thought," or the oldest school of
thought that teaches spiritual and psychic truth concerning the
planes of the mind, telepathy, the celestial and clairvoyant. In
it, Atkinson instructs on the definition of "New Thought," the
nature of thought in general, the law of attraction, the nature and
planes of mind and body, the soul, and the absolute-God and the
Universe. He shows how students of New Thought can apply its
principles to their everyday lives, while students of philosophy
and psychology will find his theories an interesting read. American
writer WILLIAM WALKER ATKINSON (1862-1932) was editor of the
popular magazine New Thought from 1901 to 1905, and editor of the
journal Advanced Thought from 1916 to 1919. He authored dozens of
New Thought books under numerous pseudonyms, including "Yogi," some
of which are likely still unknown today.
Method and Metaphysics presents twenty-six essays in ancient
philosophy by Jonathan Barnes, one of the most admired and
influential scholars of his generation. The essays span four
decades of his career, and are drawn from a wide variety of
sources: many of them will be relatively unknown even to
specialists in ancient philosophy. Several essays are now
translated from the original French and made available in English
for the first time; others have been substantially revised for
republication here.
The volume opens with eight essays about the interpretation of
ancient philosophical texts, and about the relationship between
philosophy and its history. The next five essays examine the
methods of ancient philosophers. The third section comprises
thirteen essays about metaphysical topics, from the Presocratics to
the late Platonists. This collection will be a rich feast for
students and scholars of ancient philosophy.
The problem of the limits of science is twofold. First, there is
the problem of demarcation, i.e., the boundaries or "barriers"
between what is science and what is not science. Second, there is
the problem of the ceiling of scientific activity, which leads to
the "confines" of this human enterprise. These two faces of the
problem of the limits - the "barriers" and the "confines" of
science - require a new analysis, which is the task of this book.
The authors take into account the Kantian roots but they are
focused on the current stage of the philosophical and
methodological analyses of science. This vision looks to supersede
the Kantian approach in order to reach a richer conception of
science.
The book defends that there is both teleological order (design) and
chance in non-living and in living systems of nature including man.
This is done by giving exact definitions of different types of
order and teleological order on the one hand and of different types
of chance on the other. For their compatibility it is important to
notice that any definition of chance presupposes some kind of order
relative to that we can speak of chance. Thus also in evolution
which is some growth of some order and for which a detailed
definition is given in chpt.13 chance and degrees of freedom play
an essential role. A further purpose of the book is to show that
both the existing order and the existing chance in nature are
compatible with a global teleological plan which is God's
providence. However concerning the execution of God's plan not
everything is done or caused by himself but "God created things in
such a way that they themselves can create something" (Goedel, MAX
PHIL). A reason for that is that God is neither all-causing nor
all-willing although he is almighty. This is connected with the
result of chpts.15 and 16 that also human freedom and evil are
compatible with God's providence.
Plato’s Timaeus is unique in Greek Antiquity for presenting the
creation of the world as the work of a divine demiurge. The maker
bestows order on sensible things and imitates the world of the
intellect by using the Forms as models. While the creation-myth of
the Timaeus seems unparalleled, this book argues that it is not the
first of Plato’s dialogues to use artistic language to articulate
the relationship of the objects of the material world to the world
of the intellect. The book adopts an interpretative angle that is
sensitive to the visual and art-historical developments of
Classical Athens to argue that sculpture, revolutionized by the
advent of the lost-wax technique for the production of bronze
statues, lies at the heart of Plato’s conception of the relation
of the human soul and body to the Forms. It shows that, despite the
severe criticism of mimēsis in the Republic, Plato’s use of
artistic language rests on a positive model of mimēsis. Plato was
in fact engaged in a constructive dialogue with material culture
and he found in the technical processes and the cultural semantics
of sculpture and of the art of weaving a valuable way to
conceptualise and communicate complex ideas about humans’
relation to the Forms.
Few concepts have been considered as essential to the theory of
knowledge and rational belief as that of evidence. The simplest
theory which accounts for this is evidentialism, the view that
epistemic justification for belief--the kind of justification
typically taken to be required for knowledge--is determined solely
by considerations pertaining to one's evidence. In this
ground-breaking book, leading epistemologists from across the
spectrum challenge and refine evidentialism, sometimes suggesting
that it needs to be expanded in quite surprising directions.
Following this, the twin pillars of contemporary
evidentialism--Earl Conee and Richard Feldman--respond to each
essay. This engaging debate covers a vast number of issues, and
will illuminate and inform.
This book offers a clear, analytic, and innovative interpretation
of Heidegger's late work. This period of Heidegger's philosophy
remains largely unexplored by analytic philosophers, who consider
it filled with inconsistencies and paradoxical ideas, particularly
concerning the notions of Being and nothingness. This book takes
seriously the claim that the late Heidegger endorses dialetheism -
namely the position according to which some contradictions are true
- and shows that the idea that Being is both an entity and not an
entity is neither incoherent nor logically trivial. The author
achieves this by presenting and defending the idea that reality has
an inconsistent structure. In doing so, he takes one of the most
discussed topics in current analytic metaphysics, grounding theory,
into a completely unexplored area. Additionally, in order to make
sense of Heidegger's concept of nothingness, the author introduces
an original axiomatic mereological system that, having a
paraconsistent logic as a base logic, can tolerate inconsistencies
without falling into logical triviality. This is the first book to
set forth a complete and detailed discussion of the late Heidegger
in the framework of analytic metaphysics. It will be of interest to
Heidegger scholars and analytic philosophers working on theories of
grounding, mereology, dialetheism, and paraconsistent logic.
Can we ever act freely if everything we do is determined by our
genes, our upbringing and our environment? On the other hand, if
everything we do isn't determined, is it just a matter of luck what
we do? What are the requirements on acting freely: are they easily
satisfied by ordinary people so long as they aren't coerced or
manipulated or suffering from compulsion, or does acting freely
involve requirements that are difficult or impossible to meet? This
introduction to the contemporary free will debate explores these
questions in a lively and accessible way, with the emphasis on
giving readers the intellectual tools to make their own minds up on
this important and controversial topic.
The Evident Connexion presents a new reading of Hume's 'bundle
theory' of the self or mind, and his later rejection of it. Galen
Strawson argues that the bundle theory does not claim that there
are no subjects of experience, as many have supposed, or that the
mind is just a series of experiences. Hume holds only that the
'essence of the mind is] unknown'. His claim is simply that we have
no empirically respectable reason to believe in the existence of a
persisting subject, or a mind that is more than a series of
experiences (each with its own subject).
Why does Hume later reject the bundle theory? Many think he became
dissatisfied with his account of how we come to believe in a
persisting self, but Strawson suggests that the problem is more
serious. The keystone of Hume's philosophy is that our experiences
are governed by a 'uniting principle' or 'bond of union'. But a
philosophy that takes a bundle of ontologically distinct
experiences to be the only legitimate conception of the mind cannot
make explanatory use of those notions in the way Hume does. As Hume
says in the Appendix to the Treatise of Human Nature having
'loosen'd all our particular perceptions' in the bundle theory, he
is unable to 'explain the principle of connexion, which binds them
together'. This lucid book is the first to be wholly dedicated to
Hume's theory of personal identity, and presents a bold new
interpretation which bears directly on current debates among
scholars of Hume's philosophy.
In this wide-ranging philosophical work, Koons takes on two powerful dogmas: anti-realism and materialism. In doing so, Koons develops an efficient metaphysical system that accounts for such phenomena as information, mental representation, our knowledge of logic, mathematics and science, the structure of spacetime, the identity of physical objects, and the objectivity of values and moral norms.
A core topic in metaphysics, time is also central to issues in the
philosophy of science, the philosophy of mind and the philosophy of
religion. Debates in the Metaphysics of Time explores these close
philosophical connections and tackles the contemporary debates
using an interactive approach. Leading philosophers do not only put
forward their views, they comment on the ideas of other
contributors and defend against objections. Divided into
'metaphysics and time', 'consciousness and time' and 'God, time and
human freedom', chapters are organized around key questions,
including: . How are we to understand the passage of time, or
events or things in time, What 'change' does an event undergo when
it moves from the future to the present and into the past? . Can we
only be directly aware of what is momentary, if we directly
experience change and duration? . How is God related to time and
human freedom? Approaching time in new and provocative ways, this
unique collection demonstrates progress in philosophy while
exploring debates surrounding the metaphysics of time in relation
to consciousness, God and freedom.For students and researchers in
philosophy looking to understand the latest arguments in the
philosophy of time, Debates in the Metaphysics of Time provides an
original, up-to-date and accessible account of past, present and
future debates.
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