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Books > Humanities > Philosophy > Topics in philosophy > Metaphysics & ontology
Willard VanOrman Quine has probably been the most influential th
American philosopher of the 20 century. His work spans over seven
decades, and covers many domains in philosophy. He has made major
contributions to the fields of logic and set theory, philosophy of
logic and mathematics, philosophy of language, philosophy of
science, epistemology and metaphysics. Quine's first work in
philosophy was in the field of logic. His major contributions are
the two set-theoretic systems NF (1936) and ML (1940). 1 These
systems were alternatives to the type theory of Principia
Mathematica or Zermelo's set theory, and are still being studied by
2 mathematicians. An indirect contribution to the field of logic is
his strong resistance to moda110gic. Quine's objectIons to the
notions of necessity and analyticity have influenced the
development of moda110gic? Quine has had an enormous influence on
philosophy of mathematics. When Quine entered philosophy there was
a discussion on the foundations of mathematics between the schools
of intuitionism, formalism, and conventionalism. Quine soon took
issue with Carnap's conventionalism in "Truth by convention, 4
(1936). Quine has never joined one of the other schools, but has
added new elements that are the basic ones of the 5 contemporary
schools of nominalism, platonism, and structuralism. Quine has long
been in the shadow of Benacerraf and Putnam in this field. At the
moment there seems to be a renewed interest in Quine's work, and
most philosophers explicitly refer to Quine's work.
Our world is full of composite objects that persist through time:
dogs, persons, chairs and rocks. But in virtue of what do a bunch
of little objects get to compose some bigger object, and how does
that bigger object persist through time? This book aims to answer
these questions, but it does so by looking at accounts of
composition and persistence through a new methodological lens. It
asks the question: what does it take for two theories to be
genuinely different, and how can we know whether what seems like
metaphysical disagreement is really just semantic disagreement? By
offering a framework within which to explore issues of theoretical
diversity, this book provides a novel way of thinking about the
inter-relationship between composition and persistence. Ultimately,
it argues for a new way of thinking about these issues, a way that
does not preserve the standard theoretical dichotomies between
four-dimensionalist and three-dimensionalist theories
For many years, Wolfgang Smith has been putting forward an
expansive vision of the traditional Christian cosmos alongside an
incisive critique of the truncated perspective of contemporary
scientism. In Ancient Wisdom and Modern Misconceptions he shows how
the physical sciences, freed from prevailing misconceptions,
actually corroborate the traditional wisdom long thought to be
dead. Basing himself in part upon epistemological considerations
first enunciated by Sir Arthur Eddington, he shows that the
so-called physical universe proves finally to be constructed by the
strategies of the experimental physicist himself. Following this he
delves into the foundations of astrophysics and planetary
astronomy, and then proceeds to elucidate the concepts of
Intelligent Design and vertical causation. He concludes by showing
how Anthropic Coincidence should be rightly considered.
With equal mastery Smith presents the serious reader with
glimpses of the perennial wisdom eclipsed since the Enlightenment,
and shows that traditional cosmology, so far from being
disqualified, actually provides the keys to an understanding of
science itself. No one entering the fray of current debates
regarding "science and religion" can afford to neglect the immense
implications of this work by Wolfgang Smith.
The philosophical problem of identity and the related problem of
change go back to the ancient Greek philosophers and fascinated
later figures including Leibniz, Locke, and Hume. Heraclitus argued
that one could not swim in the same river twice because new waters
were ever flowing in. When is a river not the same river? If one
removes one plank at a time when is a ship no longer a ship? What
is the basic nature of identity and persistence? In this book,
Andre Gallois introduces and assesses the philosophical puzzles
posed by things persisting through time. Beginning with essential
historical background to the problem he explores the following key
topics and debates: mereology and identity, including arguments
from 'Leibniz's Law' the constitution view of identity the
'relative identity' argument concerning identity temporary identity
four-dimensionalism, counterpart and multiple counterpart theory
supervenience the problem of temporary intrinsics the necessity of
identity Indeterminate identity presentism criteria of identity
conventionalism about identity. Including chapter summaries,
annotated further reading and a glossary, this book is essential
reading for anyone seeking a clear and informative introduction to
and assessment of the metaphysics of identity.
This volume explores Husserl's theory of sensibility and his
conceptualization of spatial and temporal constitution. The author
maps the linkages between Husserl's 'transcendental aesthetic', the
theory of pure experience in empirio-criticism, as well as Immanuel
Kant's transcendental philosophy. The core argument in this
analysis centers on the relationship between spatiality and
temporality in Husserl's philosophy. The study interrogates
Husserl's understanding of the relationship between spatiality and
temporality in terms of stratifications, analogies and
parallelisms. It incorporates a discussion of the potentialities
and limitations of such an understanding. It concludes that such
limits can be overcome by adopting an understanding of spatiality
and temporality as interwoven moments of sensible experience-a
'spatio-temporal intertwining'. This 'intertwining' is made
explicit in a thorough inquiry into three central topics in the
phenomenological analysis of sensible experience: spatio-temporal
individuation, perspectival givenness and bodily experience. The
book shows how such an inquiry can form the bedrock of a dynamic
and relational understanding of experience as a whole.
C. D. Broad's writing on various philosophical issues spans more
than half a century. Rather than attempt to trace the development
of his thought throughout these fifty years this book considers his
most representative work, namely, The Mind and Its Place in Nature.
Nor does the scope of this study encompass the whole of that book,
but only some of the issues he discusses in it. Specifically,
Oaklander considers what Broad has to say about such fundamental
issues as substance, universals, relations, space, time, and
intentionality in the contexts of perception, memory and
introspection. L. Nathan Oaklander studied philosophy at the
university of Iowa. He is a student of Gustav Bergmann, one of the
most distinguished ontologist in 20th century philosophy.
Ontology is the philosophical discipline which aims to understand
how things in the world are divided into categories and how these
categories are related together. This is exactly what information
scientists aim for in creating structured, automated
representations, called 'ontologies,' for managing information in
fields such as science, government, industry, and healthcare.
Currently, these systems are designed in a variety of different
ways, so they cannot share data with one another. They are often
idiosyncratically structured, accessible only to those who created
them, and unable to serve as inputs for automated reasoning. This
volume shows, in a non-technical way and using examples from
medicine and biology, how the rigorous application of theories and
insights from philosophical ontology can improve the ontologies
upon which information management depends.
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Badiou is with doubt the most influential philosopher working in
Europe today - this book will provide the first detailed
introduction to "Being and Event", a hugely important, but
challenging book. Alain Badiou's "Being and Event" is the most
original and significant work of French philosophy to have appeared
in recent decades. It is the magnum opus of a thinker who is widely
considered to have reshaped the character and set new terms for the
future development of philosophy in France and elsewhere.This book
has been written very much with a view to clarifying Badiou's
complex and demanding work for non-specialist readers. It offers
guidance on: philosophical and intellectual context; key themes;
reading the text; reception and influence; and, further
reading."Continuum Reader's Guides" are clear, concise and
accessible introductions to key texts in literature and philosophy.
Each book explores the themes, context, criticism and influence of
key works, providing a practical introduction to close reading,
guiding students towards a thorough understanding of the text. They
provide an essential, up-to-date resource, ideal for undergraduate
students.
Duncan Pritchard offers students not only a new exploration of
topics central to current epistemological debate, but also a new
way of doing epistemology. This advanced textbook covers such key
topics as virtue epistemology, anti-luck epistemology,
epistemological disjunctivism and attributer contextualism.
The material reprinted in this two-volume set, first published in
1989, covers the first eighty-five years in responses to George
Berkeley's writings. David Berman identifies several key waves of
eighteenth-century criticism surrounding Berkeley's philosophies,
ranging from hostile and discounted, to valued and defended. The
first volume includes an account of the life of Berkeley by J.
Murray and key responses from 1711 to 1748, whilst the second
volume covers the years between 1745 and 1796. This fascinating
reissue illustrates the breadth and diversity of the early reaction
to Berkeley's philosophies, and will help students and academics
form a clear image of both Berkeley's work and his reputation
through the eyes of his contemporaries.
In this work, the author formulates a critique of widely
accepted mereological assumptions, presents a new conception of
wholes as 'Unities', and demonstrates the advantages of this new
conception in treating a variety of metaphysical puzzles (such as
that of Tibbles the cat). More generally he suggests that
conceiving wholes as Unities offers us a new way of understanding
the world in non-reductive terms.
Are there nonexistent objects? Can we make sense of objects having
properties without thinking that there are nonexistent objects? Is
existence a predicate? Can we make sense of necessarily existing
objects depending on God? Tackling these central questions, Matthew
Davidson explores the metaphysics of existence and nonexistence. He
presents an extended argument for independence actualism, a
previously undefended view that objects can have properties in
worlds and at times at which they do not exist. Among other unique
points of discussion, Davidson considers the nature of actualism,
arguments for and against serious actualism, the semantics of
"exists" as a predicate, the merits of different sorts of
Meinongian theories, and different views on which God might ground
the existence of necessarily existing abstracta. The book offers a
Lewisian-style argument for adopting independence actualism in that
the view may be used to solve many problems in metaphysics,
philosophy of language and philosophy of religion.
This is the first English-language anthology to provide a
compendium of primary source material on the sublime. The book
takes a chronological approach, covering the earliest ancient
traditions up through the early and late modern periods and into
contemporary theory. It takes an inclusive, interdisciplinary
approach to this key concept in aesthetics and criticism,
representing voices and traditions that have often been excluded.
As such, it will be of use and interest across the humanities and
allied disciplines, from art criticism and literary theory, to
gender and cultural studies and environmental philosophy. The
anthology includes brief introductions to each selection, reading
or discussion questions, suggestions for further reading, a
bibliography and index - making it an ideal text for building a
course around or for further study. The book's apparatus provides
valuable context for exploring the history and contemporary views
of the sublime.
This volume stems chiefly from a research symposiumofthe same title
held in Delray Beach, Florida during May 1997 with the sponsorship
of Florida Atlantic University and the Center for Advanced Research
in Phenomenology, Inc.The papers from that occasionhave been
revised inthe lightofcriticismbysympatheticcolleagues. Onepaperthat
waspresentedhas notbeen includedandtwohavebeen added,
thatoftheFullbrooks, whichwas prepared for the symposium but could
not be presented, and that by Ms. Sarah Miller because life in
South Floridaprevents one from forgetting old age, whichSimone
deBeauvoirwasthefirstinphenomenologytodescribeat
length.ProfessorToadvine'sbibliography
wasavailablefromtheoutsetofthe project and was then used and
praised by all. The colleagues included here and also Professor
Dorothy Leland are thanked for their sympathetic participation in
the symposium. Mr. Samuel Julian is thanked for the technical
editing ofthis volume. Wendy O'Brien Lester Embree VB Introduction
Wendy O'Brien Humber College Early
studiesofthephilosophyofSimonedeBeauvoirreadherworks through the
lensofeitherFeminismorExistentialism.Whilebothofthesereadingsof her
writings have afforded important insights into her thought, they
have at the same time overlooked the basic approachofher
philosophy, resulting in claims of inconsistencies and of a lack of
rigor. Feminist theorists, for example, found an
importantpoliticalagendainBeauvoir'swork. However, with their focus
on this elementofher writing, they tended to overlook the
philosophicalunderpinningsofherreflectionsonthe livesofwomen. Read
as such, Beauvoirhasbeencriticizedbyher contemporariesforthe
incoherence in her work and for her failure to presentpositive role
models for women in her novels, essays, and studies.
In 1687 Isaac Newton ushered in a new scientific era in which laws
of nature could be used to predict the movements of matter with
almost perfect precision. Newton's physics also posed a profound
challenge to our self-understanding, however, for the very same
laws that keep airplanes in the air and rivers flowing downhill
tell us that it is in principle possible to predict what each of us
will do every second of our entire lives, given the early
conditions of the universe. Can it really be that even while you
toss and turn late at night in the throes of an important decision
and it seems like the scales of fate hang in the balance, that your
decision is a foregone conclusion? Can it really be that everything
you have done and everything you ever will do is determined by
facts that were in place long before you were born? This problem is
one of the staples of philosophical discussion. It is discussed by
everyone from freshman in their first philosophy class, to
theoretical physicists in bars after conferences. And yet there is
no topic that remains more unsettling, and less well understood. If
you want to get behind the facade, past the bare statement of
determinism, and really try to understand what physics is telling
us in its own terms, read this book. The problem of free will
raises all kinds of questions. What does it mean to make a
decision, and what does it mean to say that our actions are
determined? What are laws of nature? What are causes? What sorts of
things are we, when viewed through the lenses of physics, and how
do we fit into the natural order? Ismael provides a deeply informed
account of what physics tells us about ourselves. The result is a
vision that is abstract, alien, illuminating, and-Ismael
argues-affirmative of most of what we all believe about our own
freedom. Written in a jargon-free style, How Physics Makes Us Free
provides an accessible and innovative take on a central question of
human existence.
This work is a systematic investigation of a range of solutions
offered today for the philosophical problem of mental causation.
The premises constituting the problem are analyzed before a survey
is developed of the most popular theories on mental causation. It
is demonstrated in detail why most of these canonical solutions
must be considered deficient. In a third part, the 'new
compatibilist s' approach to mental causation is explored, which is
characterized by assertion of a non-identity-but-non-distinctness
principle. The last part aims to offer an alternative solution to
the problem. On the basis of a certain set of counterfactual
conditionals, which are jointly taken to provide a definition of
'causal proportionality' that improves the existing definitions, it
is shown that a specific, and hitherto widely neglected, version of
causal overdeterminationism must be considered the most successful
solution to the problem of mental causation."
The Philosophy of Time Society grew out of a National Endowment for
the Humanities Summer Seminar on the Philosophy of Time offered by
George Schlesinger in 1991. The members of that seminar wanted to
promote interest in the philosophy of time and Jon N. Turgerson
offered to become the first Director of the society with the
initial costs underwritten by the Drake University Center for the
Humanities. Thus, the Philosophy of Time Society (PTS) was formed
in 1993. Its goal is to promote the study of the philosophy of time
from a broad analytic perspective, and to provide a forum as an
affiliated group with the American Philosophical Association, to
discuss the issues in and related to the philosophy of time. The
society held its first meeting during the Eastern Division of the
AP A in Atlanta, George, in December 1993. In 1997 I began my
tenure as Executive Director of PTS and with my term ending in
2000, I decided to put together a volume of selected papers read at
PTS meetings over the years. The result is the present volume. It
contains some of the latest developments in the field, including
discussions of recent books by Michael Tooley, Time, Tense, and
Causation, and D. H. Mellor, Real Time II, and much more. The main
issue in the philosophy of time is and remains the status of
temporal becoming and the passage of time.
In this insightful new book David J. Yount argues, against received
wisdom, that there are no essential differences between the
metaphysics of Plato and Plotinus. Yount covers the core principles
of Plotinian thought: The One or Good, Intellect, and All-Soul (the
Three Hypostases), Beauty, God(s), Forms, Emanation, Matter, and
Evil. After addressing the interpretive issues that surround the
authenticity of Plato's works, Plotinus: The Platonist deftly
argues against the commonly held view that Plotinus is best
interpreted as a Neo-Platonist, proposing he should be thought of
as a Platonist proper. Yount presents thorough explanations and
quotations from the works of each classical philosopher to
demonstrate his thesis, concluding comprehensively that Plato and
Plotinus do not essentially differ on their metaphysical
conceptions. This is an ideal text for Plato and Plotinus scholars
and academics, and excellent supplementary reading for upper-level
undergraduates students and postgraduate students of ancient
philosophy.
This volume is about ontological categories. The categories of an
ontology are designed to classify all existents. They are crucial
and characterize an ontology.
The relevance of painting has been questioned many times over the
last century, by the arrival of photography, installation art and
digital technologies. But rather than accept the death of painting,
Mark Titmarsh traces a paradoxical interface between this art form
and its opposing forces to define a new practice known as 'expanded
painting' giving the term historical context, theoretical structure
and an important place in contemporary practice. As the formal
boundaries tumble, the being of painting expands to become a kind
of total art incorporating all other media including sculpture,
video and performance. Painting is considered from three different
perspectives: ethnology, art theory and ontology. From an
ethnological point of view, painting is one of any number of
activities that takes place within a culture. In art theory terms,
painting is understood to produce objects of interest for
humanities disciplines. Yet painting as a medium often challenges
both its object and image status, 'expanding' and creating hybrid
works between painting, objects, screen media and text.
Ontologically, painting is understood as an object of aesthetic
discourse that in turn reflects historical states of being. Thus,
Expanded Painting delivers a new kind of saying, a post-aesthetic
discourse that is attuned to an uncanny tension between the
presence and absence of painting.
When was photography invented, in 1826 with the first permanent
photograph? If we depart from the technologically oriented accounts
and consider photography as a philosophical discourse an
alternative history appears, one which examines the human impulse
to reconstruct the photographic or "the evoking of light". It's
significance throughout the history of ideas is explored via the
Platonic Dialogues, Iamblichus' theurgic writings, and Marsilio
Ficino's texts. This alternative history is not a replacement of
other narratives of photographic history but rather offers a way of
rethinking photography's ontological instability.
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