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Books > Humanities > Philosophy > Topics in philosophy > Metaphysics & ontology
This is the first English-language anthology to provide a compendium of primary source material on the sublime. The book takes a chronological approach, covering the earliest ancient traditions up through the early and late modern periods and into contemporary theory. It takes an inclusive, interdisciplinary approach to this key concept in aesthetics and criticism, representing voices and traditions that have often been excluded. As such, it will be of use and interest across the humanities and allied disciplines, from art criticism and literary theory, to gender and cultural studies and environmental philosophy. The anthology includes brief introductions to each selection, reading or discussion questions, suggestions for further reading, a bibliography and index - making it an ideal text for building a course around or for further study. The book's apparatus provides valuable context for exploring the history and contemporary views of the sublime.
In the book If Tropes, the author attempts to approach and then deal with some of the most basic problems for a theory of tropes. The investigation proceeds from three basic assumptions: (i) tropes (i.e. particular properties) exist, (ii) only tropes exist (that is, tropes are the only basic or fundamental kind of entities), and (iii) the main-function for tropes is to serve as truth-makers for atomic propositions. Provided that one accepts these assumptions the author finds that the trope-theorist will have to deal with two important matters. Some atomic propositions seem to require universal truth-makers and others seem to require concrete truth-makers. This means that universals and concrete particulars will need to be constructed from the material of tropes. Such constructions are attempted and it is argued that it is possible to deal at least with these basic issues while staying squarely within the boundaries of a purely trope-theoretical framework. The book is written in an untechnical language but requires some prior understanding of basic metaphysics.
When was photography invented, in 1826 with the first permanent photograph? If we depart from the technologically oriented accounts and consider photography as a philosophical discourse an alternative history appears, one which examines the human impulse to reconstruct the photographic or "the evoking of light". It's significance throughout the history of ideas is explored via the Platonic Dialogues, Iamblichus' theurgic writings, and Marsilio Ficino's texts. This alternative history is not a replacement of other narratives of photographic history but rather offers a way of rethinking photography's ontological instability.
The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.
Each of the following claims has been defended in the scientific
literature on free will and consciousness: your brain routinely
decides what you will do before you become conscious of its
decision; there is only a 100 millisecond window of opportunity for
free will, and all it can do is veto conscious decisions,
intentions, or urges; intentions never play a role in producing
corresponding actions; and free will is an illusion.
Infinite regresses (e.g., event3 caused event2, event2 caused event1, ad infinitum; statement3 justifies statement2, statement2 justifies statement1, ad infinitum) have been used as premises in arguments on a great variety of topics in both Eastern and Western philosophy since ancient times. They are part of a philosopher's tool kit of argumentation. But how sharp or strong is this tool? How effectively is it used? The typical presentation of infinite regress arguments throughout history is so succinct and has so many gaps that it is often unclear how an infinite regress is derived, and why an infinite regress is logically problematic, and as a result, it is often difficult to evaluate infinite regress arguments. These prevalent consequences indicate that there is a need for a theory to re-orient our practice. After well over two thousand years of using infinite regresses as premises, one would have expected that at least some theory of infinite regress arguments would have emerged. None exists. There have been only a few articles on infinite regress arguments, but they are based on the examination of only a small number of examples, discuss only a few logical or rhetorical aspects of infinite regress arguments, and so they help to meet the need for a theory in only a limited way. Given the situation, I examined many infinite regress arguments to clarify the various aspects of the derivation of infinite regresses, and explain the different ways in which certain infinite regresses are unacceptable. My general approach consisted of collecting and evaluating as many infinite regress arguments as possible, comparing and contrasting many of the formal and non-formal properties, looking for recurring patterns, and identifying the properties that appeared essential to those patterns. The six chapters of this book gradually emerged from this approach. Two very general questions guided this work: (1) How are infinite regresses generated in infinite regress arguments? (2) How do infinite regresses logically function in an argument? In answering these questions I avoided as much as possible addressing the philosophical content and historical background of the arguments examined. Due to the already extensive work done on causal regresses and regresses of justification, only a few references are made to them. However, the focus is on other issues that have been neglected, and that do contribute to a general theory of infinite regress arguments: I clarify the notion of an infinite regress; identify different logical forms of infinite regresses; describe different kinds of infinite regress arguments; distinguish the rhetoric from the logic in infinite regress arguments; and discuss the function of infinite regresses in arguments. The unexamined derivation of infinite regresses is worth deriving to discover what we have kept hidden from ourselves, improve our ways of constructing and evaluating these arguments, and sharpen and strengthen one of our argumentative tools. This work is one example of empirical logic applied to infinite regress arguments: "the attempt to formulate, to test, to clarify, and to systematize concepts and principles for the interpretation, the evaluation, and the sound practice of reasoning" (Finocchiaro, M. Arguments about Arguments, Systematic, Critical and Historical Essays in Logical Theory. P48). "
The central idea developed by the contributions to this book is that the split between analytic philosophy and phenomenology - perhaps the most impor tant schism in twentieth-century philosophy - resulted from a radicalization of reciprocal partialities. Both schools of thought share, in fact, the same cultural background and their same initial stimulus in the thought of Franz Brentano. And one outcome of the subsequent rift between them was the oblivion into which the figure and thought of Brentano have fallen. The first step to take in remedying this split is to return to Brentano and to reconstruct the 'map' of Brent ani sm. The second task (which has been addressed by this book) is to revive inter est in the theoretical complexity of Brentano' s thought and of his pupils and to revitalize those aspects that have been neglected by subsequent debate within the various movements of Brentanian inspiration. We have accordingly decided to organize the book into two introductory es says followed by two sections (Parts 1 and 2) which systematically examine Brentano's thought and that of his followers. The two introductory essays re construct the reasons for the 'invisibility', so to speak, of Brentano and set out of his philosophical doctrine. Part 1 of the book then ex the essential features amines six of Brentano's most outstanding pupils (Marty, Stumpf, Meinong, Ehrenfels, Husserl and Twardowski). Part 2 contains nine essays concentrating on the principal topics addressed by the Brentanians."
Once thought to be the task of metaphysics, the synthesis of knowledge has been discounted by many philosophers today. Benedict Ashley, a leading Thomistic scholar, argues that it remains a valid and intellectually fruitful pursuit by situating metaphysics as an endeavor that must cross disciplinary and cultural boundaries. Working from a realist Thomistic epistemology, Ashley asserts that we must begin our search for wisdom in the natural sciences; only then, he believes, can we ensure that our claims about immaterial and invisible things are rooted in reliable experience of the material. Any attempt to share wisdom, he insists, must derive from a context that is both interdisciplinary and intercultural. Ashley offers an ambitious analysis and synthesis of major historical contributions to the unification of knowledge, including non-Western traditions. Beginning with the question "Metaphysics: Nonsense or Wisdom?" Ashley moves from a critical examination of the foundations of modern science to quantum physics and the Big Bang; from Aristotle's theory of being and change, through Aquinas's five ways, to a critical analysis of modern and postmodern thought. The capstone of a remarkable career, "The Way Toward Wisdom" will be welcomed by students in philosophy and theology.
In a time when astrological analysis can begin within seconds of an on-screen click, we do not often consider the methods that were previously used to individually calculate a chart as correctly and simply as possible. This text contains the fundamental processes of attaining astrological data so that we may understand and benefit from this tradition which grants us infinite knowledge, reflection, and growth. Concise, descriptive, at times even poetic, Simplified Scientific Astrology includes instructions and examples on accurately determining planetary positions for a given time and location, and demonstrates an organized method of indexing to derive overall conditions and effects. The second, extensive portion of the book is an encyclopedia of astrological terms which defines these distinctly and lucidly. The work of this master of Astrology is complemented through this elegantly restored volume. Within these pages, Max Heindel succinctly elaborates the procedures of astrological calculation and the integral concepts of this tremendous discipline.
Many, perhaps most textbooks of quantum mechanics present a Copenhagen, single system angle; fewer present the subject matter as an instrument for treating ensembles, but the two methods have been silently coexisting since the mid-Thirties. This lingering dichotomy of purpose for a major physical discipline has much shrouded further insights into the foundations of quantum theory. Quantum Reprogramming resolves this long-standing dichotomy by examining the mutual relation between single systems and ensembles, assigning each its own tools for treating the subject at hand: i.e., Schrodinger-Dirac methods for ensembles versus period integrals for single systems. A unified treatment of integer and fractional quantum Hall effects and a finite description of the electron's anomalies are mentioned as measures of justification for the chosen procedure of resolving an old-time dichotomy. The methods of presentation are, in part, elementary, with repetitive references needed to delineate differences with respect to standard methods. The parts on period integrals are developed with a perspective on elementary methods in physics, thus leading up to some standard results of de Rham theory and algebraic topology. Audience: Students of physics, mathematics, philosophers as well as outsiders with a general interest in the conceptual development of physics will find useful reading in these pages, which will stimulate further inquiry and study. "
The material reprinted in this two-volume set, first published in 1989, covers the first eighty-five years in responses to George Berkeley's writings. David Berman identifies several key waves of eighteenth-century criticism surrounding Berkeley's philosophies, ranging from hostile and discounted, to valued and defended. The first volume includes an account of the life of Berkeley by J. Murray and key responses from 1711 to 1748, whilst the second volume covers the years between 1745 and 1796. This fascinating reissue illustrates the breadth and diversity of the early reaction to Berkeley's philosophies, and will help students and academics form a clear image of both Berkeley's work and his reputation through the eyes of his contemporaries.
Thomas Aquinas has always been viewed as a highly important figure in Western civilization, and the chief philosopher of Roman Catholicism. In recent decades there has been a renewed interest in Aquinas's thought as scholars have been exploring the relevance of his thought to contemporary philosophical problems. The book will be of interest not only to historians of medieval philosophy, but to philosophers who work on problems associated with the nature of material objects. Because human beings are typically understood to be a kind of material object, the book will also be of interest to philosophers working on topics in the philosophy of religion, philosophy of mind, and the philosophy of human nature. Although the work contains the kinds of details that are necessary for a work of historical scholarship, it is written in a manner that makes it approachable for undergraduate students in philosophy and so it would be a welcomed addition to any university library.
Truth and Paradox offers a comprehensive account of truth values and the norms governing claims about truth, based on a new approach to logic and semantics. Since the seminal work of Tarski in the mid-twentieth century, the Liar paradox and other related paradoxes have stood in the way of a precise philosophical account of truth. Tim Maudlin draws on analogies from mathematical physics to explicate the origin of classical truth-value gaps, and to provide an account of truth that avoids any hierarchy of languages or of truth predicates. He also closely investigates our reasoning about truth, including apparently unobjectionable reasoning about the paradoxical sentences. The fallacies in that reasoning are located not in any inferences concerning truth, but in the foundations of standard logic. Blocking the paradoxical arguments requires emendation of classical logic, and the requisite emendations call into question the existence of any a priori logical truths. Maudlin also includes a discussion of facts and factuality, most particularly the question of whether there are any facts about truth. All philosophers interested in logic and language will find this a stimulating read.
Hermeneutics and Phenomenology in Paul Ricoeur: Between Text and Phenomenon calls attention to the dynamic interaction that takes place between hermeneutics and phenomenology in Ricoeur's thought. It could be said that Ricoeur's thought is placed under a twofold demand: between the rigor of the text and the requirements of the phenomenon. The rigor of the text calls for fidelity to what the text actually says, while the requirement of the phenomenon is established by the Husserlian call to return "to the things themselves." These two demands are interwoven insofar as there is a hermeneutic component of the phenomenological attempt to go beyond the surface of things to their deeper meaning, just as there is a phenomenological component of the hermeneutic attempt to establish a critical distance toward the world to which we belong. For this reason, Ricoeur's thought involves a back and forth movement between the text and the phenomenon. Although this double movement was a theme of many of Ricoeur's essays in the middle of his career, the essays in this book suggest that hermeneutic phenomenology remains implicit throughout his work. The chapters aim to highlight, in much greater detail, how this back and forth movement between phenomenology and hermeneutics takes place with respect to many important philosophical themes, including the experience of the body, history, language, memory, personal identity, and intersubjectivity.
This book is the first major study of the theme of misanthropy, its history, arguments both for and against it, and its significance for us today. Misanthropy is not strictly a philosophy. It is an inconsistent thought, and so has often been mocked. But from Timon of Athens to Motoerhead it has had a very long life, vast historical purchase and is seemingly indomitable and unignorable. Human beings have always nursed a profound distrust of who and what they are. This book does not seek to rationalize that distrust, but asks how far misanthropy might have a reason on its side, if a confused reason. There are obvious arguments against misanthropy. It is often born of a hatred of physical being. It can be historically explained. It particularly appears in undemocratic cultures. But what of the misanthropy of terminally defeated and disempowered peoples? Or born of progressivisms? Or the misanthropy that quarrels with specious or easy positivities (from Pelagius to Leibniz to the corporate cheer of contemporary `total capital`)? From the Greek Cynics to Roman satire, St Augustine to Jacobean drama, the misanthropy of the French Ancien Regime to Swift, Smollett and Johnson, Hobbes, Schopenhauer and Rousseau, from the Irish and American misanthropic traditions to modern women`s misanthropy, the book explores such questions. It ends with a debate about contemporary culture that ranges from the `dark radicalisms`, queer misanthropy, posthumanism and eco-misanthropy to Houellebecq, punk rock and gangsta rap.
The material reprinted in this two-volume set, first published in 1989, covers the first eighty-five years in responses to George Berkeley's writings. David Berman identifies several key waves of eighteenth-century criticism surrounding Berkeley's philosophies, ranging from hostile and discounted, to valued and defended. The first volume includes an account of the life of Berkeley by J. Murray and key responses from 1711 to 1748, whilst the second volume covers the years between 1745 and 1796. This fascinating reissue illustrates the breadth and diversity of the early reaction to Berkeley's philosophies, and will help students and academics form a clear image of both Berkeley's work and his reputation through the eyes of his contemporaries.
Charles Sanders Peirce is quickly becoming the dominant figure in the history of American philosophy. The breadth and depth of his work has begun to obscure even the brightest of his contemporaries. Concerning the interpretation of his work, however, there are two distinct schools. The first holds that Peirce's work is an aggregate of important but disconnected insights. The second school argues that his work is a systematic philosophy with many pieces of the overall picture still obscure or missing. It is this second view which seems to me the most reasonable, in part because it has been convincingly defended by other scholars, but most importantly because Peirce himself described his philosophy as systematic: What I would recommend is that every person who wishes to form an opinion concerning fundamental problems should first of all make a complete survey of human knowledge, should take note of all the valuable ideas in each branch of science, should observe in just what respect each has been successful and where it has failed, in order that, in the light of the thorough acquaintance so attained of the available materials for a philosophical theory and of the nature and strength of each, he may proceed to the study of what the problem of philosophy consists in, and of the proper way of solving it (6. 9) [1].
The nature and existence of time is a fascinating and puzzling feature of human life and awareness. This book integrates interdisciplinary work and approaches from such fields as physics, psychology, biology, phenomenology, and technology studies with philosophical analyses and considerations to explain a number of facets of the perennnial question of time's nature and existence, both in contemporary and in its initial classical Greek context; and it then explores and explains two of the most influential investigations of time in classical Western thought: Aristotle's, as presented in his "Physics," and the (neo)Platonist Plotinus' in his treatise "On Time and Eternity," Original interpretative perspectives are argued in both cases, and special attention is paid to Plotinus as partly responding to and critiquing Aristotle's account.
This book charts and challenges the bruising impact of
post-Saussurean thought on the categories of experience and
self-presence. It attempts a reappropriation of the category of
lived experience in dialogue with poststructuralist thinking.
Following the insight that mediated subjectivity need not mean
alienated selfhood, Meredith forwards a postmetaphysical model of
the experiential based on the interpenetration of poststructuralist
thinking and hermeneutic phenomenology. Since poststructuralist
approaches in feminist theory have often placed women's lived
experiences "under erasure," Meredith uses this
hermeneutic/deconstructive model to attempt a rehabilitation of the
singular "flesh and blood" female existent.
"With Nature" provides new ways to think about our relationship with nature in today's technologically mediated culture. Warwick Mules makes original connections with German critical philosophy and French poststructuralism in order to examine the effects of technology on our interactions with the natural world. In so doing, the author proposes a new way of thinking about the eco-self in terms of a careful sharing of the world with both human and non human beings. "With Nature" ultimately argues for a poetics of everyday life that affirms the place of the human-nature relation as a creative and productive site for ecological self-renewal and redirection.
This controversial work discusses a theory of plurallism, claiming that there is not merely a plurality of correct theories and world views, but a corresponding plurality of actual worlds. Plurality penetrates deeper than the linguistic surface or than conceptual or theoretical structure.
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