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Books > Humanities > Archaeology > Archaeology by period / region > Middle & Near Eastern archaeology
This work evokes the fascination and wonder of the most ancient period of Egypt's history, from c 5000 to 2000 BC. It draws on Jungian theory to explore the psychological forces that contributed to the nation's special character, and which also account for Egypt's continuing allure up to the 21st century. The author covers a huge range of topics, including formative influences in the political and social organisation and art of Egypt, the origins of kingship, the age of pyramids, the nature of Egypt's contact with the lands around the Arabian Gulf, and the earliest identifiable developments of the historic Egyptian personality. Wholly revised and updated in the light of the many discoveries made since its first publication, "Egypt's Making" is a scholarly yet readable approach to this compelling ancient civilization.
It is widely believed that the practice of ancient Egyptian religion ceased with the end of pharaonic culture and the rise of Christianity. However, an organised reconstruction and revival of the authentic practice of Egyptian, or Kemetic religion has been growing, almost undocumented, for nearly three decades. Profane Egyptologists is the first in-depth study of the now-global phenomenon of Kemeticism. Presenting key players in their own words, the book utilises extensive interviews to reveal a continuum of beliefs and practices spanning eight years of community growth. The existence of competing visions of Egypt, which employ ancient material and academic resources, questions the position of Egyptology as a gatekeeper of Egypt's past. Exploring these boundaries, the book highlights the politised and economic factors driving the discipline's self-conception. Could an historically self-imposed insular nature have harmed Egyptology as a field, and how could inclusive discussion help guard against further isolationism? Profane Egyptologists is both an Egyptological study of Kemeticism, and a critical study of the discipline of Egyptology itself. It will be of value to scholars and students of archaeology and Egyptology, cultural heritage, religion online, phenomenology, epistemology, pagan studies and ethnography, as well as Kemetics and devotees of Egyptian culture.
This book presents a new analysis of the organization, structure and changes of the pharaonic state through three millennia of its history. Moreno Garcia sheds new light on this topic by bringing to bear recent developments in state theory and archaeology, especially comparative study of the structure of ancient states and empires. The role played by pharaonic Egypt in new studies often reiterates old views about the stability, conservatism and 'exceptionalism' of Egyptian kingship, which supposedly remained the same across the Bronze and Iron Ages. Ancient Egypt shared many parallels with other Bronze and Iron Age societies as can be shown by an analysis of the structure of the state, of the limits of royal power, of the authority of local but neglected micro-powers (such as provincial potentates and wealthy non-elite), and of the circulation and control of wealth. Furthermore, Egypt experienced deep changes in its social, economic, political and territorial organization during its history, thus making the land of the pharaohs an ideal arena in which to test applications of models of governments and to define the dynamics that rule societies on the longue duree. When seen through these new perspectives, the pharaonic monarchies appear less exceptional than previously thought, and more dependent on the balance of power, on their capacity to control the kingdom's resources and on the changing geopolitical conditions of their time.
World Prehistory: The Basics tells the compelling story of human prehistory, from our African origins to the spectacular pre-industrial civilizations and cities of the more recent past.
In 1759 the botanist and scientist Vitaliano Donati led an expedition to Egypt under the patronage of King Carlo Emanuele III of Sardinia, to acquire Egyptian antiquities for the Museum in Turin. Charting his tumultuous expedition, this book reveals how, in spite of his untimely death in 1762, Donati managed to send enough items back to Turin to lay the foundations for one of the earliest and largest systematic collections of Egyptology in Europe, and help to bring the world of ancient Egypt into the consciousness of Enlightenment scholarship. Whilst the importance of this collection has long been recognised, its exact contents have been remained largely unknown. War, the Napoleonic occupation of Italy and the amalgamation and reorganisation of museum collections resulted in a dispersal of objects and loss of provenance. As a result it had been supposed that the actual contents of Donati's collection could not be known. However, the discovery by Angela Morecroft in 2004 of Donati's packing list reveals the exact quantity and type of objects that he acquired, offering the possibility to cross-reference his descriptions with unidentified artifacts at the Museum. By examining Donati's expedition to Egypt, and seeking to identify the objects he sent back to Turin, this book provides a fascinating insight into early collecting practice and the lasting historical impact of these items. As such it will prove a valuable resource for all those with an interest in the history of museums and collecting, as well as enlightenment travels to Egypt.
In Ramesses II, Egypt's Ultimate Pharaoh Peter J. Brand paints with authoritative knowledge and colourful details a compelling portrait of this legendary Pharaoh who ruled over Imperial Egypt during its Golden Age. Warrior, mighty builder and statesman, over the course of his 67-year-long reign (1279-1212 BCE), Ramesses II achieved more than any other pharaoh in the three millennia of ancient Egyptian civilization. Drawing on the latest research, Peter Brand reveals Ramesses the Great as a gifted politician, canny elder statesman, and tenacious warrior. With restless energy, he fully restored the office of Pharaoh to unquestioned levels of prestige and authority, thereby bringing stability to Egypt. He ended almost seven decades of warfare between Egypt and the Hittite Empire by signing the earliest international peace treaty in recorded history. In his later years, even as he outlived many of his own children and grandchildren, Ramesses II became a living god and finally, an immortal legend. Forty years after the publication of Kenneth Kitchen's Pharaoh Triumphant, here at last is a fresh, engaging look at Ramesses II, Egypt's ultimate Pharaoh
This book covers the prehistory of the Nile Valley from Nubia to
the Mediterranean, during the period from the earliest hominid
settlement, around 700,000 BC, to the beginnings of dynastic Egypt
at the end of the fourth millennium BC. The author explores the
prehistoric foundations pf many of the cultural traditions of
Pharaonic Egypt. The book focuses primarily on the fifteen millennia from 18,000
to 3,000 BC, when different cultures can be identified and the
earliest forms of agriculture traced with some detail. Textile and
ceramic production began at the end of the seventh millennium and
were deployed with great skill and considerable sophistication by
the beginning of the Predynastic Period at around 4,500 BC. By the
Early Dynastic Period much that is considered characteristic of
Ancient Egypt, such as cosmology and burial rites, was already
established tradition. This account of prehistoric Egypt will be welcomed as an outstanding narrative, combining both scholarship and accessibility.
Discovering Qatar evolved from a series of features on the archaeology, natural history and traditional life of Qatar that Frances Gillespie began publishing in a national newspaper in the late 1990s. There was little available on these subjects for the general reader, and many people, especially those involved in education, asked for them to be compiled into a book. The author had no idea at that time what the demand would be, and hoped that, perhaps, a few hundred copies might find a market. Two reprints and 12,000 copies later, the time has come for a thoroughly updated edition of the book, with new and improved illustrations, and including the latest information on such fascinating topics as the whale sharks which congregate in large numbers in an off-shore oil field, the presence of which had not been noted by scientists when Discovering Qatar was first published in 2006. Research into Qatar's past by teams of archaeologists has made huge progress in the last decade, culminating in the old pearling and trading settlement of Zubara being inscribed as a Word Heritage Site in 2013. During the 30 years Frances Gillespie lived in Qatar, the country made a gigantic leap forward in development, with a modern capital to rival any in the region. As a freelance journalist and writer she has the freedom to concentrate on subjects that interest her. Discovering Qatar reflects this, and the author and publisher hope that readers will share her enthusiasm and enjoy learning more about the 'real' Qatar - the Qatar that was there all the time.
The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mummy portraits uncovered by Petrie, including full color illustrations and descriptions of technical and stylistic features and iconographic characteristics. To add to the value of the volume, articles describe the process of finding the mummies, explain the place of funerary assemblages in the history of Egyptian burial customs, offer an introduction to Egyptian portrait painting, and explain the conservation issues presented by the coffins. Petrie's own reflections on his finds are also included. The volume is dedicated to the memory of Egyptologist Barbara Adams and co-sponsored by the Petrie Museum.
Originally published in 1923, this book provides an exploration of Egyptian art. Drawing on environmental factors of the Egyptian region, architecture, history and Egyptian society, Capart also provides an insight into the psyche of the Egyptian artist.
A clear understanding of the relationship between archaeology and literary material is crucial for scholars who wish to reconstruct the history of emerging Israel. The papers assembled in this work use recent research in key areas - the early settlements of Israel, early Israelite religion, Qumran, Jerusalem, early Christian churches - to show that ancient writings and modern archeaology can illuminate each other, but only when used with professsional care. The essays represent a generation of archaeologists and historians, with social, political and religious concerns who draw a useful picture of the emergence of ancient Israel.
This study is an analysis of the Qumran Wisdom texts. New translations and an explanation of the background and context of Wisdom literature introduce the reader to a little discussed part of the Dead Sea Scrolls. After surveying biblical and extrabiblical Wisdom books, the author considers the best and most fully preserved Wisdom texts from Qumran. The centrepiece of the book is a discussion of the large Wisdom instruction known as Sapiential Work A. Also, the author reflects on the relevance of those texts for the study of early Judaism and Christianity. An appendix treats the Ben Sira scroll from Masada. "The Maccabean Revolt" (1988) "John's Thought and Theology" (1990) "The Gospel of Matthew" (1991).
The ancient Egyptians had very definite views about their neighbours, some positive, some negative. As one would expect, Egyptian perceptions of 'the other' were subject to change over time, especially in response to changing political, social and economic conditions. Thus, as Asiatics became a more familiar part of everyday life in Egypt, and their skills and goods became increasingly important, depictions of them took on more favourable aspects. The investigation by necessity involves a multi-disciplined approach which seeks to combine and synthesize data from a wider variety of sources than drawn upon in earlier studies. By the same token, the book addresses the interests of, and has appeal to, a broad spectrum of scholars and general readers.
It is widely believed that the practice of ancient Egyptian religion ceased with the end of pharaonic culture and the rise of Christianity. However, an organised reconstruction and revival of the authentic practice of Egyptian, or Kemetic religion has been growing, almost undocumented, for nearly three decades. Profane Egyptologists is the first in-depth study of the now-global phenomenon of Kemeticism. Presenting key players in their own words, the book utilises extensive interviews to reveal a continuum of beliefs and practices spanning eight years of community growth. The existence of competing visions of Egypt, which employ ancient material and academic resources, questions the position of Egyptology as a gatekeeper of Egypt's past. Exploring these boundaries, the book highlights the politised and economic factors driving the discipline's self-conception. Could an historically self-imposed insular nature have harmed Egyptology as a field, and how could inclusive discussion help guard against further isolationism? Profane Egyptologists is both an Egyptological study of Kemeticism, and a critical study of the discipline of Egyptology itself. It will be of value to scholars and students of archaeology and Egyptology, cultural heritage, religion online, phenomenology, epistemology, pagan studies and ethnography, as well as Kemetics and devotees of Egyptian culture.
The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mummy portraits uncovered by Petrie, including full color illustrations and descriptions of technical and stylistic features and iconographic characteristics. To add to the value of the volume, articles describe the process of finding the mummies, explain the place of funerary assemblages in the history of Egyptian burial customs, offer an introduction to Egyptian portrait painting, and explain the conservation issues presented by the coffins. Petrie's own reflections on his finds are also included. The volume is dedicated to the memory of Egyptologist Barbara Adams and co-sponsored by the Petrie Museum.
Violence and Power in Ancient Egypt examines the use of Egyptian pictures of violence prior to the New Kingdom. Starting with the assertion that making and displaying such images served as a tactic of power, related to but separate from the actual practice of violence, the book explores the development and deployment of this imagery across different contexts. By comparatively utilizing violent images from a variety of other times and cultures, the book asks that we consider not only how Egyptian imagery was related to Egyptian violence, but also why people create pictures of violence and place them where they do, and how such images communicate what to whom. By cataloging and querying Egyptian imagery of violence from different periods and different contexts-royal tombs, divine temples, the landscape, portable objects, and private tombs-Violence and Power highlights the nuances of the relationship between aspects of royal ideology, art, and its audiences in the first half of pharaonic Egyptian history.
Writing, Violence, and the Military takes representations of reading and writing in Eighteenth Dynasty Egypt (ca. 1550-1295 BCE) as its point of departure, asking how patrons of art conceptualized literacy and how in turn they positioned themselves with respect to it. Exploring statuary and tomb art through the prism of self-representation and group formation, it makes three claims. Firstly, that the elite of this period held a variety of notions regarding literacy, among which violence and memory are most prominent. Secondly, that among the Eighteenth Dynasty elite, literacy found its strongest advocates among men whose careers brought them to engage with the military, either as military officials or as civil administrators who accompanied the army beyond the borders of Egypt. Finally, that Haremhab - the General in Chief who later ascended the throne - voiced unique views regarding literacy that arose from his career as an elite military official, and thus from his social world. Consequently, images of reading and writing allow us to study literacy with regard to those who commissioned them, and to consider these patrons' roles in changing conceptualizations. Throughout their different formulations, these representations call for a discussion on literacy in relation to self-representation and to art's role in society. They also invite us to reconsider our own approach to literacy and its significance in ancient times.
In December 1991, a two-volume edition of Dead Sea Scroll photographs was issued by the Biblical Archaeology Society, an American group headed by Hershel Shanks. It included an essay written by Dr. Elisha Qimron, an Israeli scholar noted for his work in the language of the Dead Sea Scrolls. Publication of this reconstruction and transcription resulted in a lawsuit in Israel and the United States between Qimron and Shanks. Piracy in Qumran analyzes this legal controversy, which rocked the scholarly world of Biblical and archaeological studies at the time, and which still resonates today. Qimron's long years of research so as to decipher one of the scrolls that dated from the years immediately preceding the Christian Era led him to revolutionary conclusions. He had controversial ideas about the ancient laws of purity of the Essenes, the authors of the scrolls, and their problematic relationships with the two main streams of Judaism. Read or reconstructed differently, this same text might yield very different conclusions. The emphasis in Raphael Israeli's volume is on legal and moral aspects of intellectual property law as it relates to works of historical reconstruction. There are questions about whether Qimron's work constitutes something original, the fruit of his creativity (and thus is copyrightable) versus whether it is merely a copy of an ancient blurred text, in the public domain, reconstructed by a modern author. This book does not simply take a position with respect to the matter of Qimron versus Shanks, it asks the reader to consider the controversy's implications for such topics as freedom of press. Although there are other books available about the Dead Sea Scrolls, no other study examines the social and cultural implications of this crisis in such detail. The story itself is intriguing for those who are not specialists in the subject, but are generally interested in the issues raised by the controversy. It will be of intense interest to scholars and students of religion or international law and historians of the Dead Sea Scrolls. |
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