An in-depth and beautifully illustrated look at one of the most revered works of antiquity, the Ishtar Gate of ancient Babylon In the ancient Near East, expert craftspeople were more than technicians: they numbered among those special members of society who could access the divine. While the artisans' names are largely unknown today, their legacy remains in the form of spectacular artworks and monuments. One of the most celebrated works of antiquity-Babylon's Ishtar Gate and its affiliated Processional Way-featured a dazzling array of colorful beasts assembled from molded, baked, and glazed bricks. Such an awe-inspiring structure demanded the highest level of craft; each animal was created from dozens of bricks that interlocked like a jigsaw. Yet this display of technical and artistic skill also served a ritual purpose, since the Gate provided a divinely protected entrance to the sacred inner city of Babylon. A Wonder to Behold explores ancient Near Eastern ideas about the transformative power of materials and craftsmanship as they relate to the Ishtar Gate. This beautifully illustrated catalogue accompanies an exhibition at New York University's Institute for the Study of the Ancient World. Essays by archaeologists, art historians, curators, conservators, and text specialists examine a wide variety of artifacts from major American and European institutions. Contributors include Anastasia Amrhein, Heather Baker, Jean-Francois de Laperouse, Eduardo Escobar, Anja Fugert, Sarah Graff, Helen Gries, Elizabeth Knott, Katherine Larson, Beate Pongratz-Leisten, Shiyanthi Thavapalan, and May-Sarah Zessin. Distributed for the Institute for the Study of the Ancient World at New York University Exhibition Schedule Institute for the Study of the Ancient World, New York University Exhibition Dates: November 6, 2019-May 24, 2020

Collected Studies CS1070 The present book collects 31 articles that Jacques van der Vliet, a leading scholar in the field of Coptic Studies (Leiden University / Radboud University, Nijmegen), has published since 1999 on Christian inscriptions from Egypt and Nubia. These inscriptions are dated between the third/fourth and the fourteenth centuries, and are often written in Coptic and/or Greek, once in Latin, and sometimes (partly) in Arabic, Syriac or Old Nubian. They include inscriptions on tomb stones, walls of religious buildings, tools, vessels, furniture, amulets and even texts on luxury garments. Whereas earlier scholars in the field of Coptic Studies often focused on either Coptic or Greek, Van der Vliet argues that inscriptions in different languages that appear in the same space or on the same kind of objects should be examined together. In addition, he aims to combine the information from documentary texts, archaeological remains and inscriptions, in order to reconstruct the economic, social and religious life of monastic or civil communities. He practiced this methodology in his studies on the Fayum, Wadi al-Natrun, Sohag, Western Thebes and the region of Aswan and Northern Nubia, which are all included in this book.

Antiquities have been pawns in empire-building and global rivalries; power struggles; assertions of national and cultural identities; and cross-cultural exchanges, cooperation, abuses, and misunderstandings—all with the underlying element of financial gain. Indeed, “who owns antiquity?� is a contentious question in many of today’s international conflicts. About Antiquities offers an interdisciplinary study of the relationship between archaeology and empire-building around the turn of the twentieth century. Starting at Istanbul and focusing on antiquities from the Ottoman territories, Zeynep Çelik examines the popular discourse surrounding claims to the past in London, Paris, Berlin, and New York. She compares and contrasts the experiences of two museums—Istanbul’s Imperial Museum and the Metropolitan Museum of Art—that aspired to emulate European collections and gain the prestige and power of owning the material fragments of ancient history. Going beyond institutions, Çelik also unravels the complicated interactions among individuals—Westerners, Ottoman decision makers and officials, and local laborers—and their competing stakes in antiquities from such legendary sites as Ephesus, Pergamon, and Babylon. Recovering perspectives that have been lost in histories of archaeology, particularly those of the excavation laborers whose voices have never been heard, About Antiquities provides important historical context for current controversies surrounding nation-building and the ownership of the past.

This remarkable true story recounts one of the great discoveries of the century: finding a 2000-year-old boat from the Sea of Galilee. Shelley Wachsmann, a respected nautical archaeologist, shares the joy and drama he felt in discovering and excavating the first ancient boat from this biblical location. Through his perceptive eyes, we experience the adventure of a lifetime as he offers his personal account of first setting eyes on and then preserving this unique treasure. Wachsmann is a master storyteller, interweaving his own unforgettable story of this challenging excavation with the writings of the past. Jews and Christians alike will be captivated by his search for the boat's identity. Wachsmann - like a detective - hunts down clues that will reveal the boat's actual history. Since the boat turns out to be a 2000 year old craft, he carefully examines the Gospels for passages that will shed light on this wondrous vessel. This ever-curious author also traces Jewish historical texts to discover that the Sea of Galilee, during the boat's vibrant past, was the setting for one of the most tragic massacres of Jews - the Battle of Migdal. During this sea battle, we learn, Roman soldiers mercilessly slaughtered Jews as they attempted to escape in boats like this one, turning the Sea of Galilee into a sea of crimson. The saga of tenderly extracting this extraordinary boat from the earth, protecting its timbers, and restoring it to health is a compelling tale on its own. Wachsmann impresses us with the dedication and creativity of his makeshift team in improvising answers to the seemingly impossible logistic problems that dog them every step of the way. Still, generosity abounds and actual rainbows appear as scores of volunteers pull together to save this singular monument of the past. Wachsmann punctuates the absorbing details of preserving this artifact with the rich history that surrounds the Sea of Galilee, making this a uniquely enduring and personal work.

In the Ancient Near East, cutting off someone's head was a unique act, not comparable to other types of mutilation, and therefore charged with a special symbolic and communicative significance. This book examines representations of decapitation in both images and texts, particularly in the context of war, from a trans-chronological perspective that aims to shed light on some of the conditions, relationships and meanings of this specific act. The severed head is a "coveted object" for the many individuals who interact with it and determine its fate, and the act itself appears to take on the hallmarks of a ritual. Drawing mainly on the evidence from Anatolia, Syria and Mesopotamia between the third and first millennia BC, and with reference to examples from prehistory to the Neo-Assyrian Period, this fascinating study will be of interest not only to art historians, but to anyone interested in the dynamics of war in the ancient world.

A unique study of the engineering and tools used to create Egyptian monuments
- Presents a stone-by-stone analysis of key Egyptian monuments, including the statues of Ramses II and the tunnels of the Serapeum
- Reveals that highly refined tools and mega-machines were used in ancient Egypt
From the pyramids in the north to the temples in the south, ancient artisans left their marks all over Egypt, unique marks that reveal craftsmanship we would be hard pressed to duplicate today. Drawing together the results of more than 30 years of research and nine field study journeys to Egypt, Christopher Dunn presents a stunning stone-by-stone analysis of key Egyptian monuments, including the statue of Ramses II at Luxor and the fallen crowns that lay at its feet. His modern-day engineering expertise provides a unique view into the sophisticated technology used to create these famous monuments in prehistoric times.
Using modern digital photography, computer-aided design software, and metrology instruments, Dunn exposes the extreme precision of these monuments and the type of advanced manufacturing expertise necessary to produce them. His computer analysis of the statues of Ramses II reveals that the left and right sides of the faces are precise mirror images of each other, and his examination of the mysterious underground tunnels of the Serapeum illuminates the finest examples of precision engineering on the planet. Providing never-before-seen evidence in the form of more than 280 photographs, Dunn's research shows that while absent from the archaeological record, highly refined tools, techniques, and even mega-machines must have been used in ancient Egypt.

Published in six volumes between 1894 and 1905, this collection served as a valuable reference work for students and scholars of Egyptology at a time when ongoing archaeological excavations were adding significantly to the understanding of one of the world's oldest civilisations. At the forefront of this research was Sir William Matthew Flinders Petrie (1853 1942), whose pioneering methods made Near Eastern archaeology a much more systematic and scientific discipline. Many of his other publications are also reissued in this series. Britain's first professor of Egyptology from 1892, Petrie was conscious of the fact that there was no textbook he could recommend to his students. The work of Weidemann was in German and out of date, so Petrie and his collaborators incorporated the latest theories and discoveries in this English-language resource. Volumes 1-3, written by Petrie, cover Egyptian history from its beginnings to the thirtieth dynasty. Volumes 3-6, by other authors, extend the coverage up to 1517 CE.

Many times when the author saw the bedouins of southern Sinai excavate their wells in the crystalline rocks, from which this part of the peninsula is built, the story of Moses striking the rock to get water came to mind. The reader will, indeed, find in this book the description for a rather simple method by which to strike the rock to get water in the wilderness of Sinai. Yet this method was not invented by the author nor by any other modem hydrogeologist, but was a method that the author learned from the bedouins living in the crystalline mountains of southern Sinai. These bedouins, belonging to the tribe of the Gebelia (the "mountain people"), live around the monastery of Santa Katerina and, according to their tradition, which has been conftrmed by historical research, were once Christians who were brought by the Byzantine emperor, Justinian, from the Balkans in the 6th century A. D. to be servants to the priests of the monastery. They know how to discern places where veins of calcite fIlled the fractures of the granites; such places are a sign of an extinct spring. They also know how to distinguish an acid hard granite rock, and hard porphyry dike from a soft diabase dike. The latter indicated the location at which they should dig for water into the subsurface. In Chapter 9, the reader will ftnd a detailed description of how they used this knowledge to extract water from the rock.

The main aim of this book is to reconstruct a philosophical context for the Hieroglyphica of Horapollo, a late 5th century Greek study of hieroglyphic writing. In addition to reviewing and drawing on earlier approaches it explores the range of signs and meanings for which Horapollo is interested in giving explanations, whether there are characteristic types of explanations given, what conception of language in general and of hieroglyphic Egyptian in particular the explanations of the meanings of the glyphs presuppose, and what explicit indications there are of having been informed or influenced by philosophical theories of meaning, signs, and interpretation.

Thebes offers a scholarly survey of the history and archaeology of the city, from 1600 BCE - 476 CE. Discussions of major developments in politics, war, society and culture form the basis of a chronological examination of one of Greece's most powerful and dynamic cities. By taking a broad view, the book's account speaks to larger trends in the ancient Mediterranean world while also demonstrating how Thebes was unique in its ancient context. It provides an up-to-date examination of all available information: topographic, demographic, numismatic, epigraphic, archaeological and textual discussions provide the most complete, current picture of ancient Thebes and illustrate the value of an interdisciplinary approach.

The Great Oasis of Egypt provides the first full study of the Dakhla and Kharga Oases in antiquity, written by participants in several of the current archaeological projects in this region. The oases were closely tied to Egypt and to each other, but not always easy to control, and their agricultural productivity varied with climatic conditions. The book discusses the oases' geology, water resources, history, administration, economy, trade connections, taxation, urbanism, religion, burial practices, literary culture, and art. New evidence for human health and illness from the cemeteries is presented along with a synthesis on the use of different types of cloth in burial. A particular emphasis is placed on pottery, with its ability to tell us both about how people lived and how far imports and exports can be seen from the shapes and fabrics, and both literature and art suggest full participation in the culture of Greco-Roman Egypt.

Peripheral Concerns examines the influence of one "core" region of the ancient Near Eastern world-Egypt-on urban development in the southern Levant in the Early and Middle Bronze Ages, with emphasis on the relative stability and sustainability of this development in each era. The study utilizes a very broad scale "macro" approach to examine urban development using core-periphery theories, specifically in regard to southern Levantine-Egyptian interactions.While many studies examine urban development in both the Early Bronze Age and the Middle Bronze Age, few compare this phenomenon in the two periods. Likewise, there are few studies of urban development in the southern Levant that compare contemporary Egyptian policies in that region to those in Nubia, despite the fact that Egyptian activities linked the eastern Mediterranean, the Nile Valley, and Nubia into one interactive system. The broad chronological and geographic framework utilized in this study therefore allows for a new approach to urban development in the southern Levant.

Since its publication in 1982, the Archaeological Gazetteer of Afghanistan has become the main reference work for the archaeology of Afghanistan, and the standard sites and monuments record for the region; archaeological sites are now referred to under their Gazetteer catalogue number as routine in academic literature, and the volume has become a key text for developing research in the area. This revised and updated edition has been significantly expanded to incorporate new field-work and discoveries, as well as older field-work more recently published, and presents new cases of synthesis and unpublished material from private archives. New discoveries include the Rabatak inscription detailing the genealogy of the Kushan kings, a huge archive of Bactrian documents, Aramaic documents from Balkh on the last days of the Persian empire, a new Greek inscription from Kandahar, two tons of coins from Mir Zakah, a Sasanian relief of Shapur at Rag-i Bibi, a Buddhist monastic 'city' at Kharwar, new discoveries of Buddhist art at Mes Aynak and Tepe Narenj, and a newly revealed city at the Minaret of Jam. With over 1500 catalogue entries, supplemented with concordance material, site plans, drawings, and detailed maps prepared from satellite imagery, the Archaeological Gazetteer of Afghanistan: Revised Edition is the most comprehensive reference work on the archaeology and monuments of the region ever undertaken. Cataloguing all recorded sites and monuments from the earliest times to the Timurid period, this volume will be an invaluable contribution to the renewed interest in Afghanistan's cultural heritage and an essential resource for students and researchers.

Vibrant tapestries of beribboned birds, cantering centaurs, and Dionysian dancers, woven in Coptic Egypt more than a thousand years ago, were artfully arranged in a handsome pair of albums in 1913. Some of the fabrics are shown in unique collage compositions. Sandals, spindles, and a mysterious lock of hair are assembled in a shallow box at the back of one album. Many textiles in this important collection, housed at the Henry Art Gallery at the University of Washington, were once joined by warp and weft with those from the Mus e du Louvre and other major museums. Nancy Hoskins deftly interweaves the creation of the textiles in the Greco-Roman city of Antino, Egypt, with their discovery by the charismatic French archaeologist Albert Gayet (1856-1916). Gayet staged stunning exhibitions of the pieces in Paris at the turn of the century and ultimately gave them to museums or sold them. One collector, Henry Bryon, had his 144 fabrics bound into the two albums featured here. The album pages and covers are illustrated in glowing color, along with archival photographs from Gayet's expeditions. The style, structure, and iconography of each tapestry, tabby, and tablet-woven textile are discussed within the cultural construct of Late Antique and Early Christian Egypt. Detailed technical drawings illustrate the special weaving techniques of the Copts. Directions for six weaving projects inspired by the album fragments are included. The story of the inimitable Coptic tapestry albums will delight weavers, textile historians, art historians, and archaeologists. Nancy Arthur Hoskins, a former college weaving instructor, researched Coptic collections in over fifty museums around the world. She is the author of Universal Stitches for Weaving, Embroidery, and Other Fiber Arts and Weft-Faced Pattern Weaves: Tabby to Taquet . OMaster weaver, scholarly detective, and sensitive connoisseur, Nancy Hoskins combines all these skills to describe and identify this unusually wide range of Egyptian Coptic textile fragments. Her descriptions of weaving techniques create a fundamental glossary of technical terms, which all who study textiles should use. The detailed data on each piece are a benchmark for all who work in the field.O N Jere L. Bacharach, Director, American Research Center in Egypt"

This volume explores the earliest appearances and functions of the five major Egyptian goddesses Neith, Hathor, Nut, Isis and Nephthys. Although their importance endured throughout more than three millennia of ancient Egyptian history, their origins, earliest roles, and relationships in religion, myth, and cult have never before been studied together in detail. Showcasing the latest research with carefully chosen illustrations and a full bibliography, Susan Tower Hollis suggests that the origins of the goddesses derived primarily from their functions, as, shown by their first appearances in the text and art of the Protodynastic, Early Dynastic, and Old Kingdom periods of the late fourth and third millennia BCE. The roles of the goddess Bat are also explored where she is viewed both as an independent figure and in her specific connections to Hathor, including the background to their shared bovine iconography. Hollis provides evidence of the goddesses' close ties with royalty and, in the case of Neith, her special connections to early queens. Vital reading for all scholars of Egyptian religion and other ancient religions and mythology, this volume brings to light the earliest origins of these goddesses who would go on to play major parts in later narratives, myths, and mortuary cult.

Persian cities are part of a corridor of civilisation with settlements straddling thousands of years. Taking Maibud as a case study, Eisa Esfanjary traces the evolution of ancient settlements chronologically, thematically and methodologically. Maibud provides the basis from which a new interpretive approach is developed, being a city that has a history of several millennia yet has a scale that renders it manageable with archaeological remains that range across several phases of building development. An archetypal example of middle-sized Persian cities, it affords insights into the entire urban landscape and its spatial, functional and morphological iterations. Within this overall picture, a methodology is developed to explore various morphological elements of the city, the three key components of which are the town plan, the building type, and construction materials. The inter-relationships between these three components are explained in order to formulate an approach to support the management and conservation of the historic urban landscape. Combining a rigorous survey and observation of the standing structures with scarce archaeological and written sources, this book sheds light on Islamic urbanism in general and Islamic urbanism in Iran particularly.

Did the Exodus occur? This question has been asked in biblical scholarship since its origin as a modern science. The desire to resolve the question scientifically was a key component in the funding of archaeological excavations in the nineteenth century. Egyptian archaeologists routinely equated sites with their presumed biblical counterpart. Initially, it was taken for granted that the Exodus had occurred. It was simply a matter of finding the archaeological data to prove it. So far, those results have been for naught. The Exodus: An Egyptian Story takes a very real-world approach to understanding the Exodus. It is not a story of cosmic spectaculars that miraculously or coincidentally occurred when a people prepared to leave Egypt. There are no special effects in the telling of this story. Instead, the story is told with real people in the real world doing what real people do. Peter Feinman does not rely on the biblical text and is not trying to prove that the Bible is true. He places the Exodus within Egyptian history based on the Egyptian archaeological record. It is a story of the rejection of the Egyptian cultural construct and defiance of Ramses II. Egyptologists, not biblical scholars, are the guides to telling the Exodus story. What would you expect Ramses II to say after he had been humiliated? If there is an Egyptian smoking gun for the Exodus, how would you recognize it? To answer these questions requires us to take the Exodus seriously as a major event at the royal level in Egyptian history.

Self-presentation is the oldest and most common component of ancient Egyptian high culture. It arose in the context of private tomb records, where the character and role of an individual-invariably a well-to-do non-royal elite official or administrator-were presented purposefully: published by inscription and image, to a contemporary audience and to posterity. Living Forever: Self-presentation in Ancient Egypt looks at how and why non-royal elites in ancient Egypt represented themselves, through language and art, on monuments, tombs, stelae, and statues, and in literary texts, from the Early Dynastic Period to the Thirtieth Dynasty. Bringing together essays by international Egyptologists and archaeologists from a range of backgrounds, the chapters in this volume offer fresh insight into the form, content, and purpose of ancient Egyptian presentations of the self. Applying different approaches and disciplines, they explore how these self-representations, which encapsulated a discourse with gods and men alike, yield rich historical and sociological information, provide examples of ancient rhetorical devices and repertoire, and shed light on notions of the self and collective memory in ancient Egypt.

Tea on the terrace takes the reader on a journey up and down the Nile with famous archaeologists and Egyptologists. Spending time with these fascinating men and women at their hotels and on their boats, the book reveals that a great deal of archaeological work took place away from field sites and museums. Arriving in Alexandria, travellers such as Americans Theodore Davis, Emma Andrews and James Breasted, and Britons Wallis Budge, Maggie Benson and Howard Carter moved on to Cairo before heading south for Luxor, the site of the Ancient Egyptian city of Thebes. The book follows them on their journey, listening in on their conversations and observing their activities. Applying insights from social studies of science, it reveals that hotels in particular were crucial spaces for establishing careers, building and strengthening scientific networks, and generating and experimenting with new ideas. Combining archaeological tourism with the history of Egyptology, and drawing on a wide array of archival materials, Tea on the terrace takes the reader behind the scenes of familiar stories, showing Egyptologists' activities in a whole new light. -- .

Place, Memory, and Healing: An Archaeology of Anatolian Rock Monuments investigates the complex and deep histories of places, how they served as sites of memory and belonging for local communities over the centuries, and how they were appropriated and monumentalized in the hands of the political elites. Focusing on Anatolian rock monuments carved into the living rock at watery landscapes during the Late Bronze and Early Iron Ages, this book develops an archaeology of place as a theory of cultural landscapes and as an engaged methodology of fieldwork in order to excavate the genealogies of places. Advocating that archaeology can contribute substantively to the study of places in many fields of research and engagement within the humanities and the social sciences, this book seeks to move beyond the oft-conceived notion of places as fixed and unchanging, and argues that places are always unfinished, emergent, and hybrid. Rock cut monuments of Anatolian antiquity are discussed in the historical and micro-regional context of their making at the time of the Hittite Empire and its aftermath, while the book also investigates how such rock-cut places, springs, and caves are associated with new forms of storytelling, holy figures, miracles, and healing in their post-antique life. Anybody wishing to understand places of cultural significance both archaeologically as well as through current theoretical lenses such as heritage studies, ethnography of landscapes, social memory, embodied and sensory experience of the world, post-colonialism, political ecology, cultural geography, sustainability, and globalization will find the case studies and research within this book a doorway to exploring places in new and rewarding ways.

Eight years ago, Jean-Pierre Houdin, a successful French architect, became obsessed by the age-old mystery of how the Great Pyramid was built. He renounced his architectural practice, sold his Paris apartment, and for ten hours a day labored at his computer to create exquisitely detailed 3-D models of the interior of the Great Pyramid. After five years of effort, the images rotating on his computer screen provided irrefutable evidence of an astonishing secret. Corkscrewing up the inside of the Great Pyramid is a mile-long ramp, unseen for 4,500 years. The pyramid was built from the inside. The revelation casts a fresh light on the minds that founded earth's first civilization. The narration takes place in two time frames: ancient and modern. The ancient story explains how a nation of farmers that had only recently emerged from the Stone Age could construct one of the Seven Wonders of the Ancient World. To execute something as complex and massive as the Great Pyramid, Egypt needed architects, mathematicians, boat builders, stone masons, metallurgists. It took twenty years to build the Great Pyramid. By the time its capstone was laid in 2560 BC, the innovations born of the building quest had transformed agrarian Egypt into the world's most modern, most powerful nation. As we follow the progress of Hemienu, the innovative architect who planned, organized and oversaw construction of the Great Pyramid, we also follow Houdin working to discover how and why the ancient architect designed the pyramid as he did. Houdin works as a 'forensic' architect, aiming to reconstruct the lessons Hemienu had learned from construction of three previous pyramids and to visualise his blueprint for the massive stone building.

Very Short Introductions: Brilliant, Sharp, Inspiring The ancient Egyptians are an enduring source of fascination - mummies and pyramids, curses and rituals have captured the imagination of generations. We all have a mental picture of ancient Egypt, but is it the right one? How much do we really know about this great civilization? This second edition of Ancient Egypt: A Very Short Introduction explores the history and culture of pharaonic Egypt, inlcuding ideas about Egyptian kingship, ancient Egyptian writing systems, and the history of Egyptology. Ian Shaw introduces the reader to issues relating to ethnicity, race, gender, and sexual relations; the latest ideas about death, funerary rites and mummification; and thoughts on religion and ethics in ancient Egypt. He also looks at the phenomenon of Egyptomania, whereby certain books and films have sensationalised aspects of Egyptian culture. Finally, Shaw takes the story to the present day by illustrating the impact of the Arab Spring on approaches to Egyptian museums and cultural heritage. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This impressive work of scholarship brings together anthropology, religion, popular culture, and history in its focus on Bakhtiari lion tombstones that have remained largely unknown and hence little studied. Although lions have long figured in Iranian history, art and myth as symbols of rulership, power, religious leadership or as steadfast guardians, art historians have tended to concentrate their attentions on court traditions and the role of lions in popular culture, especially in religion, has remained little considered until this book. Funerary stone lions are to be found throughout western Iran, but are concentrated in the summer and winter pasture areas of the Bakhtiari, today's provinces of Chahar Mahal and Bakhtiari, west of Isfahan, and Khuzistan. This highly illustrated colour volume draws on meticulous fieldwork and includes over three hundred photographs, drawings, charts and maps. The recording of this rare sculptural heritage, dating from the 16th century to the early 20th century, has become ever more pressing as some tombstones have been taken from their original settings and re-erected in parks, others damaged by the elements and some recently broken up to be used in road repairs. 'Pedram Khosronejad's Lion Tombstones among Bakhtiari Pastoral Nomads in South West Iran is to be greatly welcomed... [It is ]based on extensive fieldwork and represents something of a rescue project....This volume, however, goes further in raising three inter-related issues: why have these important artifacts been neglected even by specialists; how do they relate to a richer understanding of Iranian art and culture; and how does vernacular art relate to the accepted traditions of Iranian art?.... This volume will prove to be important in bringing the lion tombstones to a larger public attention.' G. R. Garthwaite, Dartmouth College, Hanover, NH Jane and Raphael Bernstein Professor in Asian Studies, Emeritus & Professor of History, Emeritus

Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 2 offers a systematic reorganization of Glueck's original excavation records and presents detailed specialist analyses of the Khirbet et-Tannur faunal and botanical remains, metal, glass, lamps and pottery collected by Glueck in 1937 and now preserved in Semitic Museum's ASOR Nelson Glueck Archive, along with fresh examinations of the Nabataean inscriptions and altars from the site. Annual of ASOR 68

The second half of the seventh millennium BC saw the demise of the previously affluent and dynamic Neolithic way of life. The period is marked by significant social and economic transformations of local communities, as manifested in a new spatial organization, patterns of architecture, burial practices, and in chipped stone and pottery manufacture. This volume has three foci. The first concerns the character of these changes in different parts of the Near East with a view to placing them in a broader comparative perspective. The second concerns the social and ideological changes that took place at the end of Neolithic and the beginning of the Chalcolithic that help to explain the disintegration of constitutive principles binding the large centers, the emergence of a new social system, as well as the consequences of this process for the development of full-fledged farming communities in the region and beyond. The third concerns changes in lifeways: subsistence strategies, exploitation of the environment, and, in particular, modes of procurement, consumption, and distribution of different resources.