James Mellaart was a pioneering archaeologist who made some of the greatest discoveries about Turkey's prehistoric past, changing our understanding of the late stone age forever. His excavation of the huge Neolithic mound site of Catalhoeyuk, now a World Heritage Site, brought revolutionary evidence of a complex prehistoric town, revealing previously undreamt of art and culture, and making him famous. However, there was far more to the man than his archaeology - his troubled childhood, fierce identity, love for Turkish culture, as well as the controversies by which he was dogged, meant that his life was filled with adventure and exoticism. This book delves into the life of James Mellaart and his wife Arlette, their family histories and historical Istanbul, the romantic backdrop to Mellaart's ground-breaking work. His son Alan explores in detail how the lives of his parents and their respective families unfolded, set against the social whirl of a summer palace on the Bosphorus. Mellaart's archaeological discoveries and the excitement of excavation are vividly explained in first-hand accounts by those who were there at the time. Historical reports, eyewitness accounts from those who knew him and assessments of the impact of both Mellaart's work and character by leading academics show the undoubted importance of his contribution to the archaeology of Turkey and the wider Near East. Richly illustrated in colour throughout, here for the first time the reader encounters previously unseen archive materials, including Mellaart's personal notebooks and accounts, giving new perspective on one of the greatest and most controversial characters in the history of archaeology.

The cultures of Nubia built the earliest cities, states, and empires of inner Africa, but they remain relatively poorly known outside their modern descendants and the community of archaeologists, historians, and art historians researching them. The earliest archaeological work in Nubia was motivated by the region's role as neighbor, trade partner, and enemy of ancient Egypt. Increasingly, however, ancient Nile-based Nubian cultures are recognized in their own right as the earliest complex societies in inner Africa. As agro-pastoral cultures, Nubian settlement, economy, political organization, and religious ideologies were often organized differently from those of the urban, bureaucratic, and predominantly agricultural states of Egypt and the ancient Near East. Nubian societies are thus of great interest in comparative study, and are also recognized for their broader impact on the histories of the eastern Mediterranean and the Near East. The Oxford Handbook of Ancient Nubia brings together chapters by an international group of scholars on a wide variety of topics that relate to the history and archaeology of the region. After important introductory chapters on the history of research in Nubia and on its climate and physical environment, the largest part of the volume focuses on the sequence of cultures that lead almost to the present day. Several cross-cutting themes are woven through these chapters, including essays on desert cultures and on Nubians in Egypt. Eleven final chapters synthesize subjects across all historical phases, including gender and the body, economy and trade, landscape archaeology, iron working, and stone quarrying.

Resurrection of the dead represents one of the more enigmatic beliefs of Western religions to many modern readers. In this volume, C. D. Elledge offers an interpretation of some of the earliest literature within Judaism that exhibits a confident hope in resurrection. He not only aids the study of early Jewish literature itself, but expands contemporary knowledge of some of the earliest expressions of a hope that would become increasingly meaningful in later Judaism, Christianity, and Islam. Elledge focuses on resurrection in the latest writings of the Hebrew Bible, the Apocrypha, Pseudepigrapha, Dead Sea Scrolls, as well as the writings of other Hellenistic Jewish authors. He also incorporates later rabbinic writings, early Christian sources, and inscriptions, as they shed additional light upon select features of the evidence in question. This allows for a deeper look into how particular literary works utilized the discourse of resurrection, while also retaining larger comparative insights into what these materials may teach us about the gradual flourishing of resurrection within its early Jewish environment. Individual chapters balance a more categorical/comparative approach to the problems raised by resurrection (definitions, diverse conceptions, historical origins, strategies of legitimation) with a more specific focus on particular pieces of the early Jewish evidence (1 Enoch, Dead Sea Scrolls, Josephus). Resurrection of the Dead in Early Judaism, 200 BCE-CE 200 provides a treatment of resurrection that informs the study of early Jewish theologies, as well as their later reinterpretations within Rabbinic Judaism and Christianity.

Originally published in 1916, this book was written by the renowned British biblical scholar, archaeologist and manuscript specialist J. Rendel Harris (1852-1941). The text is composed of nine loosely connected essays following the theme of Boanerges, a 1913 work by Harris. This book will be of value to anyone with an interest in mythology and the works of Harris.

Lost in Egypt's honeycombed hills, distanced by its western desert, or rendered inaccessible by subsequent urban occupation, the monumental decorated tombs of the Graeco-Roman period have received little scholarly attention. This volume serves to redress this deficiency. It explores the narrative pictorial programs of a group of decorated tombs from Ptolemaic and Roman-period Egypt (c.300 BCE-250 CE). Its aim is to recognize the tombs' commonalities and differences across ethnic divides and to determine the rationale that lies behind these connections and dissonances. This book sets the tomb programs within their social, political, and religious context and analyzes the manner in which the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife.

Elam was an important state in southwestern Iran from the third millennium BC to the appearance of the Persian Empire and beyond. Less well-known than its neighbors in Mesopotamia, Anatolia, the Levant or Egypt, it was nonetheless a region of extraordinary cultural vitality. This book examines the formation and transformation of Elam's many identities through both archaeological and written evidence, and brings to life one of the most important regions of Western Asia, re-evaluates its significance, and places it in the context of the most recent archaeological and historical scholarship. The new edition includes material from over 800 additional sources, reflecting the enormous amount of fieldwork and scholarship on Iran since 1999. Every chapter contains new insights and material that have been seamlessly integrated into the text in order to give the reader an up-to-date understanding of ancient Elam.

Elam was an important state in southwestern Iran from the third millennium BC to the appearance of the Persian Empire and beyond. Less well-known than its neighbors in Mesopotamia, Anatolia, the Levant or Egypt, it was nonetheless a region of extraordinary cultural vitality. This book examines the formation and transformation of Elam's many identities through both archaeological and written evidence, and brings to life one of the most important regions of Western Asia, re-evaluates its significance, and places it in the context of the most recent archaeological and historical scholarship. The new edition includes material from over 800 additional sources, reflecting the enormous amount of fieldwork and scholarship on Iran since 1999. Every chapter contains new insights and material that have been seamlessly integrated into the text in order to give the reader an up-to-date understanding of ancient Elam.

The surgeon William Ainsworth (1807-96) acted as the geologist of the 1835 Euphrates Expedition, his account of which is also reissued in this series. Great interest was aroused by the scientific and archaeological findings of that journey, and a further expedition was funded, ostensibly to make contact with the Nestorian Christians of the region, but covertly to make further mineralogical investigations. Ainsworth was the leader of the expedition, and his two-volume account was published in 1842. Starting from Istanbul in 1839, Ainsworth took a route through Asia Minor, northern Syria, Kurdistan, Persia and Armenia, returning to Istanbul in 1840. The expedition was regarded as unsuccessful, as Ainsworth had massively overspent the budget originally allotted by the sponsors, and his secret activities were discovered by the Ottoman authorities, but the work remains a vivid account of the area. Volume 2 describes the journey through Armenia, and the return via Trebizond.

The American archaeologist James H. Breasted (1865-1935) published this history in 1906. His intention was to create a one-volume work which would be suitable for the increasing number of tourists visiting the Nile valley, for those interested in the rise of Greek and Roman civilisation, and for students of the Old Testament. Drawing on Breasted's own four-volume Records of Egypt, which contains fresh readings and translations of almost all of the ancient Egyptian historical inscriptions available at the time, the book follows the conventional chronology from 'earliest Egypt' to the Old Kingdom and the Middle Kingdom, characterised as a 'feudal age', the intermediate period of the Hyksos, and the New Kingdom, described here as 'the Empire'. The account ends with 'the Decadence', invasions by Libyans and Nubians, and the Persian conquest after the battle of Pelusium in 525 BCE. The book contains nearly 200 photographs and drawings.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...is gaily dressed in yet another costume, his pleated tunic stiffened uncomfortably, and an elaborately-coloured ribbon, to which, perhaps, an amulet is suspended, hung round his neck. He is accompanied by his wife and hound, and by a son (Asa?) who brings a gift of birds and flowers. His titles seem written in disorderly columns, as before, The signs 4 must belong to the lost name of the herdsman. Surety they cannot form an attribute of Asa.: Not represented to Ecalc in the plate. but little save the repetition of the name, Rahenem, is preserved. In front, in the top register, two sons present offerings of birds and cruses of ointment. They are the "Sole Companion, Lector, and Great Chief of the Du-ef Nome "(Asa or Qehua?) and Qednes. Behind them is a barque, which contains a chest inscribed for "The Sole Companion, Chief Lector, Sempriest, and Great Chief of the Du-ef Nome, Rahenem." This coffin or ark is set on a bier under a light baldachin, and the two sacred eyes are represented above it. A man in attitude of adoration, and carrying the kherpsceptre, stands in the prow. This boat is followed by a ship under sail, which contains, besides the crew, the figure of Asa (?) seated in a chair. From the attitude of the female figure before him, whether she be his wife or a professional mourner, it would seem that the deceased prince is here represented. Two sacrificial oxen led by herdsmen follow this scene, one of which wears the gay collar which was put on valuable animals when presented for inspection. The dancing scene in the second register may be loosely connected with the funeral procession. Most of the dancers are dressed in the garb already familiar from previous examples, but one, who may be a singer, is in ordinary...

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...is gaily dressed in yet another costume, his pleated tunic stiffened uncomfortably, and an elaborately-coloured ribbon, to which, perhaps, an amulet is suspended, hung round his neck. He is accompanied by his wife and hound, and by a son (Asa?) who brings a gift of birds and flowers. His titles seem written in disorderly columns, as before, The signs 4 must belong to the lost name of the herdsman. Surety they cannot form an attribute of Asa.: Not represented to Ecalc in the plate. but little save the repetition of the name, Rahenem, is preserved. In front, in the top register, two sons present offerings of birds and cruses of ointment. They are the "Sole Companion, Lector, and Great Chief of the Du-ef Nome "(Asa or Qehua?) and Qednes. Behind them is a barque, which contains a chest inscribed for "The Sole Companion, Chief Lector, Sempriest, and Great Chief of the Du-ef Nome, Rahenem." This coffin or ark is set on a bier under a light baldachin, and the two sacred eyes are represented above it. A man in attitude of adoration, and carrying the kherpsceptre, stands in the prow. This boat is followed by a ship under sail, which contains, besides the crew, the figure of Asa (?) seated in a chair. From the attitude of the female figure before him, whether she be his wife or a professional mourner, it would seem that the deceased prince is here represented. Two sacrificial oxen led by herdsmen follow this scene, one of which wears the gay collar which was put on valuable animals when presented for inspection. The dancing scene in the second register may be loosely connected with the funeral procession. Most of the dancers are dressed in the garb already familiar from previous examples, but one, who may be a singer, is in ordinary...

The career of Arthur Weigall (1880-1934) encompassed Egyptology but also stage design, film criticism and journalism, as well as fiction and books about ancient Egypt. After studying in Germany, he worked at Abydos with Flinders Petrie, but in 1905 he was unexpectedly promoted to Chief Inspector of Antiquities for Upper Egypt, when Howard Carter was forced to resign. His work in Egypt, especially in the area of Luxor, focused on the conservation of monuments and the prevention of the shipping of artefacts abroad, until 1911, when he returned to London. In the preface to this two-volume work, published in 1925, Weigall likens the writing of a history of Egypt to the piecing together of a jigsaw puzzle consisting of thousands of pieces, but presents a chronological narrative at a level to satisfy both the scholar and the interested amateur. Volume 2 covers the period from the twelfth to the mid-eighteenth dynasty.

The Oxford History of Ancient Egypt describes the emergence and development of the distinctive civilization of the ancient Egyptians, from their prehistoric origins to their conquest by the Persians, Greeks, and Romans. It details the changing nature of life and death in the Nile valley, which gave rise to some of the earliest masterpieces of art, architecture, and literature in the ancient world.

The surgeon William Ainsworth (1807-96) acted as the geologist of the 1835 Euphrates Expedition, his account of which is also reissued in this series. Great interest was aroused by the scientific and archaeological findings of that journey, and a further expedition was funded, ostensibly to make contact with the Nestorian Christians of the region, but covertly to make further mineralogical investigations. Ainsworth was the leader of the expedition, and his two-volume account was published in 1842. Starting from Istanbul in 1839, Ainsworth took a route through Asia Minor, northern Syria, Kurdistan, Persia and Armenia, returning to Istanbul in 1840. The expedition was regarded as unsuccessful, as Ainsworth had massively overspent on the budget originally allotted by the sponsors, and his secret activities were discovered by the Ottoman authorities, but the work remains a vivid account of the area. Volume 1 covers events up to the battle of Nezib in 1839.

Arthur Weigall (1880-1934) is chiefly remembered as an Egyptologist, although he also wrote novels, screenplays and film reviews. Following a period spent working with Flinders Petrie at Abydos, he succeeded Howard Carter in 1905 as Chief Inspector of Antiquities for Upper Egypt at Luxor. Here he worked diligently to protect Egyptian artefacts from the ravages of thieves, antiques dealers, public works, and amateur excavators. Ill health then forced a return to London, where Weigall became a successful set designer and later moved into journalism. He returned to Egypt to report on Carter's discovery of Tutankhamen's tomb for the Daily Mail. This collection of essays, accessible to non-specialists, appeared in 1923. Written in response to the extraordinary surge of public interest in Egyptology, the book covers various archaeological and historical subjects, taking Tutankhamun's magnificent tomb in the Valley of the Kings as its starting point.

The most lasting achievement of the German Egyptologist Heinrich Karl Brugsch (1827-94) is perhaps his work on the Egyptian demotic script, which had been relatively neglected since Champollion's death. This two-volume illustrated history of Egypt, 'derived entirely from the monuments', was first published in an English translation (by H. D. Seymour, from the 1876 first German edition, and edited by Philip Smith) in 1879. Brugsch brings to bear his wide experience of the archaeological sites together with his linguistic expertise, and deliberately eschews later Greek and Roman accounts of Egypt. Volume 2 covers the period from the Nineteenth Dynasty, the time of the empire's widest extent under Seti I and Rameses II, through the later decline and disintegration, with ruling dynasties from Nubia and Assyria, to the Persian conquest in 525 BCE. An appendix discusses the biblical account of Exodus in the context of Egyptian material remains.

This highly illustrated 1900 work on Egypt old and new by John Ward (1832-1912) seeks to guide the visitor to the ancient sites while also remarking on the radical changes to the economy and the development of the modern state since the intervention of the British government in 1883 and the appointment of Lord Cromer as consul-general and effective ruler. This blending of ancient and modern can be seen in discussions of Port Said ('not an Egyptian town at all') alongside the abandoned and silted-up delta ports of the Egyptians, Ptolemies and Ottomans. Thebes is discussed both as a city of the living and a city of the dead, and Ward notes approvingly the flattening of the ancient town of Assouan (Aswan), to form the foundations for new public buildings, on the orders of Lord Kitchener. Ward's subsequent book, Our Sudan (1905), is also reissued in this series.

This 1838 work by Samuel Sharpe (1799-1881) is the second of two volumes on the history of ancient Egypt; the first, dealing with the earlier period, is also reissued in this series. From a banking family, Sharpe was fascinated by Young's and Champollion's work in deciphering the hieroglyphs. He taught himself Coptic, and compiled his own hieroglyphic vocabulary lists. His facility for decipherment was assisted by a natural gift for solving cryptograms, but his inferences sometimes led him into error. This book, in which Sharpe follows his earlier technique of using inscriptions as well as historical works as sources, begins with a survey of the history of Egypt up to the time of Alexander the Great; the interested reader is referred to Sharpe's earlier volume for more details. He then surveys the Ptolemaic era by reigns, ending with the battle of Actium and the conquest of Egypt by Augustus.

The career of Arthur Weigall (1880-1934) encompassed Egyptology but also stage design, film criticism and journalism, as well as fiction and books about ancient Egypt. After studying in Germany, he worked at Abydos with Flinders Petrie, but in 1905 he was unexpectedly promoted to Chief Inspector of Antiquities for Upper Egypt, when Howard Carter was forced to resign. His work in Egypt, especially in the area of Luxor, focused on the conservation of monuments and the prevention of the shipping of artefacts abroad, until 1911, when he returned to London. In the preface to this illustrated two-volume work, published in 1925, Weigall likens the writing of a history of Egypt to the piecing together of a jigsaw puzzle consisting of thousands of pieces, but intends to present a chronological narrative at a level to satisfy both the scholar and the interested amateur. Volume 1 covers the first eleven dynasties.

This book investigates the founding and building of cities in the ancient Near East. The creation of new cities was imagined as an ideological project or a divine intervention in the political narratives and mythologies of Near Eastern cultures, often masking the complex processes behind the social production of urban space. During the Early Iron Age (c.1200-850 BCE), Assyrian and Syro-Hittite rulers developed a highly performative official discourse that revolved around constructing cities, cultivating landscapes, building watercourses, erecting monuments and initiating public festivals. This volume combs through archaeological, epigraphic, visual, architectural and environmental evidence to tell the story of a region from the perspective of its spatial practices, landscape history and architectural technologies. It argues that the cultural processes of the making of urban spaces shape collective memory and identity as well as sites of political performance and state spectacle.

The traveller and archaeologist Sir Charles Fellows (1799-1860) made several trips through Asia Minor. This work is an account of the first of these, recording his careful observations of the lands he travelled through. On this trip, he found ancient cities which were unknown to Europeans at that time, including Xanthos, the capital of ancient Lycia, dating from the fifth century BCE. Fellows' narrative brings the journey to life with vivid descriptions of the people and places he encountered, and detailed sketches of notable antiquities and inscriptions. First published in 1839, this work generated significant interest, fuelling the British Museum's eagerness to acquire antiquities from the region. Fellows was later knighted for his role in these acquisitions, though controversy surrounds their removal. Two of his later works, An Account of Discoveries in Lycia (1841) and The Xanthian Marbles (1843), are also reissued in this series.

The most lasting achievement of the German Egyptologist Heinrich Karl Brugsch (1827-94) is perhaps his work on the Egyptian demotic script, which had been relatively neglected since Champollion's death. This illustrated two-volume history of Egypt, 'derived entirely from the monuments', was first published in an English translation (by H. D. Seymour, from the 1876 first German edition, and edited by Philip Smith) in 1879. Brugsch brings to bear his wide experience of the archaeological sites together with his linguistic expertise, and deliberately eschews later Greek and Roman accounts of Egypt. Volume 1 gives a detailed survey of the physical environment of Egypt before considering the pre-dynastic period, and the emergence of Menes, the first known pharaoh. He then takes the narrative through the Old and Middle Kingdoms, and the intermediate period, to the emergence of the New Kingdom and the flowering and end of the Eighteenth Dynasty.

The career of Arthur Weigall (1880-1934) encompassed Egyptology but also stage design, film criticism and journalism, as well as fiction and books about ancient Egypt. After studying in Germany, he worked at Abydos with Flinders Petrie, but in 1905 he was unexpectedly promoted to Chief Inspector of Antiquities for Upper Egypt, when Howard Carter was forced to resign. His work in Egypt, especially in the area of Luxor, focused on the conservation of monuments and the prevention of shipping of artefacts abroad, until 1911, when he returned to London. He did not revisit Egypt until, as a journalist, he covered the opening of Tutankhamen's tomb in 1922. In this 1910 guide, writing 'from careful and prolonged personal observation and thought', Weigall describes the less frequented ancient sites of Upper Egypt, beginning north of Thebes and descending to the Second Cataract and the Sudanese border.

A companion volume to the third edition of the author's popular Middle Egyptian, this book contains eight literary works from the Middle Kingdom, the golden age of Middle Egyptian literature. Included are the compositions widely regarded as the pinnacle of Egyptian literary arts, by the Egyptians themselves as well as by modern readers. The works are presented in hieroglyphic transcription, transliteration and translation, accompanied by notes cross-referenced to the third edition of Middle Egyptian. These are designed to give students of Middle Egyptian access to original texts and the tools to practise and perfect their knowledge of the language. The principles of ancient Egyptian verse, in which all the works are written, are discussed, and the transliterations and translations are versified, giving students practice in this aspect of Egyptian literature as well. Consecutive translations are also included for reference and for readers more concerned with Middle Egyptian literature than language.

Oimenepthah I, better known to us as Seti I, was regarded as a great pharaoh by his contemporaries, although his son Ramesses II would claim greater renown. Seti's tomb was discovered by Belzoni in 1817 and was the first to be found to have extensive decorations throughout. The huge alabaster coffin found in the tomb was sold to Sir John Soane, who held a three-day party upon its arrival at his London house, where it can still be seen. Written by the noted Egyptologist Samuel Sharpe (1799-1881), this illustrated description of the intricately decorated sarcophagus was published in 1864. By the time of his death, Sharpe was regarded in Britain as one of the most important figures in helping to popularise all things Egyptian. With the artist and sculptor Joseph Bonomi (1796-1878), who provided the drawings here, he collaborated in organising the Egyptian court at the Crystal Palace in 1854.