Did the Exodus occur? This question has been asked in biblical scholarship since its origin as a modern science. The desire to resolve the question scientifically was a key component in the funding of archaeological excavations in the nineteenth century. Egyptian archaeologists routinely equated sites with their presumed biblical counterpart. Initially, it was taken for granted that the Exodus had occurred. It was simply a matter of finding the archaeological data to prove it. So far, those results have been for naught. The Exodus: An Egyptian Story takes a very real-world approach to understanding the Exodus. It is not a story of cosmic spectaculars that miraculously or coincidentally occurred when a people prepared to leave Egypt. There are no special effects in the telling of this story. Instead, the story is told with real people in the real world doing what real people do. Peter Feinman does not rely on the biblical text and is not trying to prove that the Bible is true. He places the Exodus within Egyptian history based on the Egyptian archaeological record. It is a story of the rejection of the Egyptian cultural construct and defiance of Ramses II. Egyptologists, not biblical scholars, are the guides to telling the Exodus story. What would you expect Ramses II to say after he had been humiliated? If there is an Egyptian smoking gun for the Exodus, how would you recognize it? To answer these questions requires us to take the Exodus seriously as a major event at the royal level in Egyptian history.

Place, Memory, and Healing: An Archaeology of Anatolian Rock Monuments investigates the complex and deep histories of places, how they served as sites of memory and belonging for local communities over the centuries, and how they were appropriated and monumentalized in the hands of the political elites. Focusing on Anatolian rock monuments carved into the living rock at watery landscapes during the Late Bronze and Early Iron Ages, this book develops an archaeology of place as a theory of cultural landscapes and as an engaged methodology of fieldwork in order to excavate the genealogies of places. Advocating that archaeology can contribute substantively to the study of places in many fields of research and engagement within the humanities and the social sciences, this book seeks to move beyond the oft-conceived notion of places as fixed and unchanging, and argues that places are always unfinished, emergent, and hybrid. Rock cut monuments of Anatolian antiquity are discussed in the historical and micro-regional context of their making at the time of the Hittite Empire and its aftermath, while the book also investigates how such rock-cut places, springs, and caves are associated with new forms of storytelling, holy figures, miracles, and healing in their post-antique life. Anybody wishing to understand places of cultural significance both archaeologically as well as through current theoretical lenses such as heritage studies, ethnography of landscapes, social memory, embodied and sensory experience of the world, post-colonialism, political ecology, cultural geography, sustainability, and globalization will find the case studies and research within this book a doorway to exploring places in new and rewarding ways.

This impressive work of scholarship brings together anthropology, religion, popular culture, and history in its focus on Bakhtiari lion tombstones that have remained largely unknown and hence little studied. Although lions have long figured in Iranian history, art and myth as symbols of rulership, power, religious leadership or as steadfast guardians, art historians have tended to concentrate their attentions on court traditions and the role of lions in popular culture, especially in religion, has remained little considered until this book. Funerary stone lions are to be found throughout western Iran, but are concentrated in the summer and winter pasture areas of the Bakhtiari, today's provinces of Chahar Mahal and Bakhtiari, west of Isfahan, and Khuzistan. This highly illustrated colour volume draws on meticulous fieldwork and includes over three hundred photographs, drawings, charts and maps. The recording of this rare sculptural heritage, dating from the 16th century to the early 20th century, has become ever more pressing as some tombstones have been taken from their original settings and re-erected in parks, others damaged by the elements and some recently broken up to be used in road repairs. 'Pedram Khosronejad's Lion Tombstones among Bakhtiari Pastoral Nomads in South West Iran is to be greatly welcomed... [It is ]based on extensive fieldwork and represents something of a rescue project....This volume, however, goes further in raising three inter-related issues: why have these important artifacts been neglected even by specialists; how do they relate to a richer understanding of Iranian art and culture; and how does vernacular art relate to the accepted traditions of Iranian art?.... This volume will prove to be important in bringing the lion tombstones to a larger public attention.' G. R. Garthwaite, Dartmouth College, Hanover, NH Jane and Raphael Bernstein Professor in Asian Studies, Emeritus & Professor of History, Emeritus

Eight years ago, Jean-Pierre Houdin, a successful French architect, became obsessed by the age-old mystery of how the Great Pyramid was built. He renounced his architectural practice, sold his Paris apartment, and for ten hours a day labored at his computer to create exquisitely detailed 3-D models of the interior of the Great Pyramid. After five years of effort, the images rotating on his computer screen provided irrefutable evidence of an astonishing secret. Corkscrewing up the inside of the Great Pyramid is a mile-long ramp, unseen for 4,500 years. The pyramid was built from the inside. The revelation casts a fresh light on the minds that founded earth's first civilization. The narration takes place in two time frames: ancient and modern. The ancient story explains how a nation of farmers that had only recently emerged from the Stone Age could construct one of the Seven Wonders of the Ancient World. To execute something as complex and massive as the Great Pyramid, Egypt needed architects, mathematicians, boat builders, stone masons, metallurgists. It took twenty years to build the Great Pyramid. By the time its capstone was laid in 2560 BC, the innovations born of the building quest had transformed agrarian Egypt into the world's most modern, most powerful nation. As we follow the progress of Hemienu, the innovative architect who planned, organized and oversaw construction of the Great Pyramid, we also follow Houdin working to discover how and why the ancient architect designed the pyramid as he did. Houdin works as a 'forensic' architect, aiming to reconstruct the lessons Hemienu had learned from construction of three previous pyramids and to visualise his blueprint for the massive stone building.

Best-selling book on the Scrolls, updated to reflect current scholarship and recent debates The premier Dead Sea Scrolls primer ever since its original publication in 1994, James VanderKam's Dead Sea Scrolls Today won the Biblical Archaeology Society's Publication Award in 1995 for the Best Popular Book on Biblical Archaeology. In this expanded and updated edition the book will continue to illuminate the greatest archaeological find in modern times. While retaining the format, style, and aims of the first edition, the second edition of The Dead Sea Scrolls Today takes into account the full publication of the texts from the caves and the post-1994 debates about the Qumran site, and it contains an additional section regarding information that the Scrolls provide about Second Temple Judaism and the groups prominent at the time. Further, VanderKam has enlarged the bibliographies throughout and changed the phrasing in many places. Finally, quotations of the Scrolls are from the fifth edition of Geza Vermes's translation, The Complete Dead Sea Scrolls in English (Penguin, 1997).

Self-presentation is the oldest and most common component of ancient Egyptian high culture. It arose in the context of private tomb records, where the character and role of an individual-invariably a well-to-do non-royal elite official or administrator-were presented purposefully: published by inscription and image, to a contemporary audience and to posterity. Living Forever: Self-presentation in Ancient Egypt looks at how and why non-royal elites in ancient Egypt represented themselves, through language and art, on monuments, tombs, stelae, and statues, and in literary texts, from the Early Dynastic Period to the Thirtieth Dynasty. Bringing together essays by international Egyptologists and archaeologists from a range of backgrounds, the chapters in this volume offer fresh insight into the form, content, and purpose of ancient Egyptian presentations of the self. Applying different approaches and disciplines, they explore how these self-representations, which encapsulated a discourse with gods and men alike, yield rich historical and sociological information, provide examples of ancient rhetorical devices and repertoire, and shed light on notions of the self and collective memory in ancient Egypt.

Very Short Introductions: Brilliant, Sharp, Inspiring The ancient Egyptians are an enduring source of fascination - mummies and pyramids, curses and rituals have captured the imagination of generations. We all have a mental picture of ancient Egypt, but is it the right one? How much do we really know about this great civilization? This second edition of Ancient Egypt: A Very Short Introduction explores the history and culture of pharaonic Egypt, inlcuding ideas about Egyptian kingship, ancient Egyptian writing systems, and the history of Egyptology. Ian Shaw introduces the reader to issues relating to ethnicity, race, gender, and sexual relations; the latest ideas about death, funerary rites and mummification; and thoughts on religion and ethics in ancient Egypt. He also looks at the phenomenon of Egyptomania, whereby certain books and films have sensationalised aspects of Egyptian culture. Finally, Shaw takes the story to the present day by illustrating the impact of the Arab Spring on approaches to Egyptian museums and cultural heritage. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 2 offers a systematic reorganization of Glueck's original excavation records and presents detailed specialist analyses of the Khirbet et-Tannur faunal and botanical remains, metal, glass, lamps and pottery collected by Glueck in 1937 and now preserved in Semitic Museum's ASOR Nelson Glueck Archive, along with fresh examinations of the Nabataean inscriptions and altars from the site. Annual of ASOR 68

The second half of the seventh millennium BC saw the demise of the previously affluent and dynamic Neolithic way of life. The period is marked by significant social and economic transformations of local communities, as manifested in a new spatial organization, patterns of architecture, burial practices, and in chipped stone and pottery manufacture. This volume has three foci. The first concerns the character of these changes in different parts of the Near East with a view to placing them in a broader comparative perspective. The second concerns the social and ideological changes that took place at the end of Neolithic and the beginning of the Chalcolithic that help to explain the disintegration of constitutive principles binding the large centers, the emergence of a new social system, as well as the consequences of this process for the development of full-fledged farming communities in the region and beyond. The third concerns changes in lifeways: subsistence strategies, exploitation of the environment, and, in particular, modes of procurement, consumption, and distribution of different resources.

Violence and Power in Ancient Egypt examines the use of Egyptian pictures of violence prior to the New Kingdom. Starting with the assertion that making and displaying such images served as a tactic of power, related to but separate from the actual practice of violence, the book explores the development and deployment of this imagery across different contexts. By comparatively utilizing violent images from a variety of other times and cultures, the book asks that we consider not only how Egyptian imagery was related to Egyptian violence, but also why people create pictures of violence and place them where they do, and how such images communicate what to whom. By cataloging and querying Egyptian imagery of violence from different periods and different contexts-royal tombs, divine temples, the landscape, portable objects, and private tombs-Violence and Power highlights the nuances of the relationship between aspects of royal ideology, art, and its audiences in the first half of pharaonic Egyptian history.

The author is an important but controversial figure in the history of Palestinian archaeology. This volume celebrates the centennial of the publication of his excavations at Tel Gezer (1912), conducted under the auspices of the PEF. This excavation was the most ambitious one of its time in the land, yielding important architectural remains and thousands of artefacts, including the well-known Gezer Calendar. The contributions of several eminent scholars reflect on the man and his work, and also report on how his work influenced the understanding of the sites he excavated in Palestine, all of which are currently being re-investigated. It is also richly illustrated with images from the PEF archives. Evaluations of Macalister's work vary tremendously and are reflected here. Many learnt from him, others deplored his methods and record keeping. As one contributor puts it, 'an industrious archaeologist but an awful excavator', and a man who was both admired and intensely disliked: regarded as both a villain and a visionary. But it is generally agreed that he is a figure who cannot be ignored, and anyone interested in Palestinian archaeology will find a great deal to learn from this book.

The Gayer-Anderson Cat has been one of the most admired objects at the British Museum since its arrival in 1947. This book presents a detailed description of the cat and a discussion of its possible meaning and role in ancient times. Surprising new finds from scientific analyses are presented for the first time, shedding light on the cats somewhat traumatic modern history, from its acquisition by the British Army major and avid antiquities collector John Gayer-Anderson to its donation to the British Museum. The fascinating narrative is complemented by outstanding new photography.

This book is a brief, popular (but informed and up-to-date) introduction to the relationship between the Bible and archaeology. Material culture (i.e., artifacts) and the biblical text illuminate each other in various ways, but many of us find it difficult to reach a nuanced understanding of how this process works and how archaeological discoveries should be interpreted. This book provides an irenic and balanced perspective on these issues, showing how texts and artifacts are in a fascinating "dialogue" with one another that sheds light on the meaning and importance of both. What emerges is a rich and complex picture that enlivens our understanding of the Bible's message, increases our appreciation for the historical and cultural contexts in which it was written, and helps us be realistic about the limits of our knowledge.

Syria-Palestine in the Late Bronze Age presents an explicitly anthropological perspective on politics and social relationships. An anthropological reading of the textual and epigraphic remains of the time allows us to see how power was constructed and political subordination was practised and expressed. Syria-Palestine in the Late Bronze Age identifies a particular political ontology, native to ancient Syro-Palestinian societies, which informs and constitutes their social worlds. This political ontology, based on patronage relationships, provides a way of understanding the political culture and the social dynamics of ancient Levantine peoples. It also illuminates the historical processes taking place in the region, processes based on patrimonial social structures and articulated through patron-client bonds.

This is the second of three volumes, first published in 1906, which explore the Egyptian theology of the afterlife. It contains the complete hieroglyphic text of the short form of the Am-Tuat and of the Book of Gates, with translations and reproductions of all the illustrations. In the Book of Gates the doctrines of the sophisticated cult of Osiris are prominent: they affirm that the beatified live for ever in the kingdom of Osiris, and feed daily upon his eternal body. The object of all the Books of the Other World was to provide the dead with a 'guide' or 'handbook,' containing a description of the regions through which their souls would have to pass on their way to the Kingdom of Osiris, and which would supply them with the words of power and magical names necessary for an unimpeded journey from this world to the next.

Offers an up to date exploration of Egyptian society. The case study format allows students to grasp the material, while also teaching them how to analyse evidence and make judgements about challenging social issues.

Muzahim Hussein's 1989 discovery of tombs of Neo-Assyrian queens in the palace of Ashurnasirpal in Nimrud (Kalhu/Calah) was electrifying news for archaeology. Although much is known of the Assyrian kings (8th/9th century B.C.), very little was known about the queens, with the exception of semi-mythical Semiramis. Now, for the first time, not only were actual remains and burial objects of Assyrian queens discovered, but also names and attempts through curses to protect the burials. Elaborate gold jewelry and other items in the tombs rivaled in quality and quantity that found in Egyptian royal tombs. A short scholarly publication of a few items, as well as limited coverage in the world's press, gave only hints of the importance of the objects in the tombs. Planned international exhibitions of the treasures from the tombs had to be cancelled due to war and sanctions. Hussein and Amer Suleiman published Nimrud: A City of Golden Treasures, in 1999, under extraordinarily difficult conditions, that could not do justice to the objects. The present volume, a joint publication of the Iraqi State Board of Antiquities and Heritage and the Oriental Institute, is a new version of the finding of the tombs and their contents, giving much additional information derived from Hussein's continued analyses of classes of artifacts, accompanied by numerous full color plates.

Stretching across the historical region of Mesopotamia, the Akkadian dynasty (ca. 2334-2154 BCE) created a territorial state of unprecedented scale in the ancient Near East by uniting the city-states of Sumer and Akkad and parts of Syria and Iran. To establish and, later, cement their authority over disparate peoples and places, the kings used art and visual culture to extraordinary effect. Exemplars of Kingship conveys the astonishing life of the art of the Akkadian kings by assessing ancient and modern responses to its dynamic forms and transformative ideologies of kingship. For nearly two thousand years after their reign, the Akkadian kings were remembered as exemplary rulers. Modern assessments of ancient memories of Akkadian kingship have concentrated on textual attestations of the kings' place in cultural memory. This book considers the contributions of images to memories of Akkadian kingship. Through close readings of the visuals that remain, Melissa Eppihimer discusses how Akkadian steles, statues, and cylinder seals became models for later rulers in Mesopotamia and beyond who wished to emulate or critique the Akkadian kings-and how these rulers and their contemporaries were reminded of the Akkadian past when they looked at images. Exemplars of Kingship is, therefore, a book about Akkadian art and its reception in antiquity, but it is also concerned with the modern reception of Akkadian art and kingship. It argues that modern responses have constrained our understanding of ancient responses. Through a wide range of examples drawn from almost two millennia, the book highlights the individual decisions that prompted continuity and change during the long history of Mesopotamia and its artistic traditions.

The history of David's Jerusalem remains one of the most contentious topics of the ancient world. This study engages with debates about the nature of this location by examining the most recent archaeological data from the site and by exploring the relationship of these remains to claims made about David's royal center in biblical narrative. Daniel Pioske provides a detailed reconstruction of the landscape and lifeways of early 10th century BCE Jerusalem, connected in biblical tradition to the figure of David. He further explores how late Iron Age (the Book of Samuel-Kings) and late Persian/early Hellenistic (the Book of Chronicles) Hebrew literary cultures remembered David's Jerusalem within their texts, and how the remains and ruins of this site influenced the memories of those later inhabitants who depicted David's Jerusalem within the biblical narrative. By drawing on both archaeological data and biblical writings, Pioske calls attention to the breaks and ruptures between a remembered past and a historical one, and invites the reader to understand David's Jerusalem as more than a physical location, but also as a place of memory.

Marcus Pasha Simaika (1864-1944) was born to a prominent Coptic family on the eve of the inauguration of the Suez Canal and the British occupation of Egypt. From a young age, he developed a passion for Coptic heritage and devoted his life to shedding light on centuries of Christian Egyptian history that had been neglected by ignorance or otherwise belittled and despised. He was not a professional archaeologist, an excavator, or a specialist scholar of Coptic language and literature. Rather, his achievement lies in his role as a visionary administrator who used his status to pursue relentlessly his dream of founding a Coptic Museum and preserving endangered monuments. During his lengthy career, first as a civil servant, then as a legislator and member of the Coptic community council, he maneuvered endlessly between the patriarch and the church hierarchy, the Coptic community council, the British authorities, and the government to bring them together in his fight to save Coptic heritage. This fascinating biography draws upon Simaika's unpublished memoirs as well as on other documents and photographs from the Simaika family archive to deepen our understanding of several important themes of modern Egyptian history: the development of Coptic archaeology and heritage studies, Egyptian-British interactions during the colonial and semi-colonial eras, shifting balances in the interaction of clergymen and the lay Coptic community, and the ever-sensitive evolution of relations between Copts and their Muslim countrymen.

This Element provides a new evaluation of burial customs in New Kingdom Egypt, from about 1550 to 1077 BC, with an emphasis on burials of the wider population. It also covers the regions then under Egyptian control: the Southern Levant and the area of Nubia as far as the Fourth Cataract. The inclusion of foreign countries provides insights not only into the interaction between the centre of the empire and its conquered regions, but also concerning what is typically Egyptian and to what extent the conquered regions were culturally influenced. It can be shown that burials in Lower Nubia closely follow those in Egypt. In the southern Levant, by contrast, cemeteries of the period often yield numerous Egyptian objects, but burial customs in general do not follow those in Egypt.

The aim of the Element is to provide a comprehensive comparison of the basic organization of power in Mesoamerica and Egypt. How power emerged and was exercised, how it reproduced itself, how social units (from households to cities) became integrated into political formation and how these articulations of power expanded and collapsed over time. The resilience of particular areas (Oaxaca, Middle Egypt), to the point that they preserved a highly distinctive cultural personality when they were included or not within states, may provide a useful guideline about the basics of integration, negotiation and autonomy in the organization of political formations.

This Element is aimed at discussing the relations between Egypt and its African neighbours. In the first section, the history of studies, the different kind of sources available on the issue, and a short outline of the environmental setting is provided. In the second section the relations between Egypt and its African neighbours from the late Prehistory to Late Antique times are summarized. In the third section the different kinds of interactions are described, as well as their effects on the lives of individuals and groups, and the related cultural dynamics, such as selection, adoption, entanglement and identity building. Finally, the possible future perspective of research on the issue is outlined, both in terms of methods, strategies, themes and specific topics, and of regions and sites whose exploration promises to provide a crucial contribution to the study of the relations between Egypt and Africa.

Cleopatra of Egypt is one of history's most famous rulers, but who was responsible for founding the Ptolemaic dynasty from which she came, how, and when? For the answers we go back 300 years before Cleopatra's time, to Ptolemy of Macedonia. He was a friend of Alexander the Great, fighting with him in the epic battles and sieges, which toppled the Persian Empire, and after Alexander's death taking over Egypt after the dead king's commanders carved up his vast empire among themselves. They were soon at war with each other, the co-called Wars of the Successors, as each man fought to increase his share of the spoils. They made and broke alliances with each other cynically and effortlessly, with Ptolemy showing himself no different from the others. But unlike them he had patience and cunning that arguably made him the greatest of the Successors. He built up his power base in Egypt, introduced administrative and economic reforms that made him fabulously wealthy, and as a conscious imperialist he boldly attempted to seize Greece and Macedonia and be a second Alexander. As well as his undoubted military prowess, Ptolemy was an intellectual. He founded the great Library and Museum at Alexandria, making that city the intellectual center of the entire Hellenistic age, and even patronized the mathematician Euclid. Ptolemy ruled Egypt first as satrap and then as its king and Pharaoh for forty years, until he died of natural causes in his early eighties. On his death, his son, Ptolemy II, succeeded him, and the Ptolemaic dynasty was thus established. It was the longest-lived of all the Hellenistic dynasties, falling with Cleopatra three centuries later. As a king, soldier, statesman, and intellectual, Ptolemy was one of a kind, but, unlike Alexander, he never forgot his Macedonian roots. Against all odds, Ptolemy fought off invasions, invaded opponents' territories, and established an Egyptian empire, making his adopted country a power with which to be reckoned. His achievements shaped both Egypt's history and that of the early Hellenistic world.

The Third Intermediate Period in Egypt (1076-664 BCE) has been characterised previously by political and social changes based upon the introduction of Libyan social and cultural influences. In this book, James Bennett analyses the concepts of 'transition' and 'continuity' within the cultural and societal environment of Egypt during the Third Intermediate Period and provides an up-to-date synthesis of current research on the settlement archaeology of the period. This is done through the assessment of settlement patterns and their development, the built environment of the settlements, and their associated material culture. Through this analysis, Bennett identifies several interconnected themes within the culture and society of the Twenty-First to Twenty-Fifth Dynasties. They are closely related to the political and economic powers of different regions, the nucleation of settlements and people, self-sufficiency at a collective and individual level, defence, both physical and spiritual, regionality in terms of settlement development and material culture, and elite emulation through everyday objects.