Over recent years, a number of scholars have argued that the human mind underwent a cognitive revolution in the Neolithic. This volume seeks to test these claims at the Neolithic site of Catalhoeyuk in Turkey and in other Neolithic contexts in the Middle East. It brings together cognitive scientists who have developed theoretical frameworks for the study of cognitive change, archaeologists who have conducted research into cognitive change in the Neolithic of the Middle East, and the excavators of the Neolithic site of Catalhoeyuk who have over recent years been exploring changes in consciousness, creativity and self in the context of the rich data from the site. Collectively, the authors argue that when detailed data are examined, theoretical evolutionary expectations are not found for these three characteristics. The Neolithic was a time of long, slow and diverse change in which there is little evidence for an internal cognitive revolution.

In 1946 the first of the Dead Sea Scroll discoveries was made near the site of Qumran, at the northern end of the Dead Sea. Despite the much publicized delays in the publication and editing of the Scrolls, practically all of them had been made public by the time of the fiftieth anniversary of the first discovery. That occasion was marked by a spate of major publications that attempted to sum up the state of scholarship at the end of the twentieth century, including The Encyclopedia of the Dead Sea Scrolls (OUP 2000). These publications produced an authoritative synthesis to which the majority of scholars in the field subscribed, granted disagreements in detail.
A decade or so later, The Oxford Handbook of the Dead Sea Scrolls has a different objective and character. It seeks to probe the main disputed issues in the study of the Scrolls. Lively debate continues over the archaeology and history of the site, the nature and identity of the sect, and its relation to the broader world of Second Temple Judaism and to later Jewish and Christian tradition. It is the Handbook's intention here to reflect on diverse opinions and viewpoints, highlight the points of disagreement, and point to promising directions for future research.

Egyptology Today examines how modern scholars examine all aspects of ancient Egypt, one of the greatest of all ancient civilizations. In essays by a team of archaeologists, curators, scholars, and conservators who are actively involved in research or applied aspects of Egyptology, this book looks at the techniques and methods that are used to increase our understanding of a distant culture that was as old to the Greeks and Romans as these cultures are to us. Topics range from how tombs and other monuments are discovered, excavated, recorded and preserved, to the study of Egyptian history, art, artifacts, and texts. Each chapter shows how modern Egyptology approaches, learns about, and strives to preserve the ancient remains of one of the most fascinating cultures in human history.

In this fascinating study, architect and Egyptologist Corinna Rossi analyses the relationship between mathematics and architecture in ancient Egypt by exploring the use of numbers and geometrical figures in ancient architectural projects and buildings. While previous architectural studies have searched for abstract 'universal rules' to explain the history of Egyptian architecture, Rossi attempts to reconcile the different approaches of archaeologists, architects and historians of mathematics into a single coherent picture. Using a study of a specific group of monuments, the pyramids, and placing them in the context of their cultural and historical background, Rossi argues that theory and practice of construction must be considered as a continuum, not as two separated fields, in order to allow the original planning process of a building to re-emerge. Highly illustrated with plans, diagrams and figures, this book is essential reading for all scholars of Ancient Egypt and the architecture of ancient cultures.

In his pathbreaking Israel in Egypt James K. Hoffmeier sought to refute the claims of scholars who doubt the historical accuracy of the biblical account of the Israelite sojourn in Egypt. Analyzing a wealth of textual, archaeological, and geographical evidence, he put forth a thorough defense of the biblical tradition. Hoffmeier now turns his attention to the Wilderness narratives of Exodus, Leviticus, and Numbers. As director of the North Sinai Archaeological Project, Hoffmeier has led several excavations that have uncovered important new evidence supporting the Wilderness narratives, including a major New Kingdom fort at Tell el-Borg that was occupied during the Israelite exodus. Hoffmeier employs these archaeological findings to shed new light on the route of the exodus from Egypt. He also investigates the location of Mount Sinai, and offers a rebuttal to those who have sought to locate it in northern Arabia and not in the Sinai peninsula as traditionally thought. Hoffmeier addresses how and when the Israelites could have lived in Sinai, as well as whether it would have been possible for Moses to write down the law received at Mount Sinai. Building on the new evidence for the Israelite sojourn in Egypt, Hoffmeier explores the Egyptian influence on the Wilderness tradition. For example, he finds Egyptian elements in Israelite religious practices, including the use of the tabernacle, and points to a significant number of Egyptian personal names among the generation of the exodus. The origin of Israel is a subject of much debate and the wilderness tradition has been marginalized by those who challenge its credibility. In Ancient Israel in Sinai, Hoffmeier brings the Wilderness tradition to the forefront and makes a case for its authenticity based on solid evidence and intelligent analysis.

Unparalled in its poetry, richness, and religious and historical significance, the Hebrew Bible has been the site and center of countless commentaries, perhaps none as unique as "Thinking Biblically." This remarkable collaboration sets the words of a distinguished biblical scholar, Andre LaCocque, and those of a leading philosopher, Paul Ricoeur, in dialogue around six crucial passages from the Old Testament: the story of Adam and Eve; the commandment "thou shalt not kill"; the valley of dry bones passage from Ezekiel; Psalm 22; the Song of Songs; and the naming of God in Exodus 3:14. Commenting on these texts, LaCocque and Ricoeur provide a wealth of new insights into the meaning of the different genres of the Old Testament as these made their way into and were transformed by the New Testament.
LaCocque's commentaries employ a historical-critical method that takes into account archaeological, philological, and historical research. LaCocque includes in his essays historical information about the dynamic tradition of reading scripture, opening his exegesis to developments and enrichments subsequent to the production of the original literary text. Ricoeur also takes into account the relation between the texts and the historical communities that read and interpreted them, but he broadens his scope to include philosophical speculation. His commentaries highlight the metaphorical structure of the passages and how they have served as catalysts for philosophical thinking from the Greeks to the modern age.
This extraordinary literary and historical venture reads the Bible through two different but complementary lenses, revealing the familiar texts as vibrant, philosophically consequential, and unceasingly absorbing.

The art of ancient Egypt that has been handed down to us bears no names of its creators, and yet we value the creations of these unknown masters no less than the works of later centuries, such as statues by Michelangelo or the paintings by Leonardo da Vinci. This book introduces some of the most important masterpieces, ranging from the Old Kingdom during the Third millennium BC to the Roman Period. The works encompass sculptures, reliefs, sarcophagi, murals, masks, and decorative items, most of them now in the Egyptian Museum in Cairo, but some occupying places of honor as part of the World Cultural Heritage in museums such as the Louvre in Paris, the British Museum in London, the Egyptian Museum in Berlin, and the Metropolitan Museum in New York. Featured works include: Seated statue of King Djoser Wood relief of Hesire on a dining table Statue of a scribe made of various materials Funerary relief of Aschait Sphinx of Sesostris III Robed statue of Cherihotep Reliefs from the Temple at Carnac Sarcophagus of Queen Hatshepsut Murals from Thebes Seated figure of the goddess Sachmet Statue of Queen Teje Head of Akhenaten (Amenophis IV) Queen Nefertiti Golden mask of Tutankhamun Ramses II from Abu Simbel Horus falcon made of granite Stone relief from the temple ambulatory at Edfu About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art History series features: approximately 100 color illustrations with explanatory captions a detailed, illustrated introduction a selection of the most important works of the epoch, each presented on a two-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

The first book of its kind to be published for a general readership from youngsters upwards, Hidden in the Sands: Uncovering Qatar's Past is the fascinating, fun and educational story of Qatar's heritage and the exciting discoveries being made by archaeologists. This informative and delightful book is published through the generosity of Maersk Oil as part of its programme to support education and unlock Qatar's history and heritage. Hidden beneath the sand and sea and revealed on rocks are the clues which explain why this ancient land has been such a key region throughout history. Here you can follow the detective work of archaeologists and discover Qatar's rich past. In conjunction with a fully interactive website and also available in an Arabic edition, Hidden in the Sands describes in words and pictures the treasures uncovered by archaeologists, the methods they use, and the significance of their discoveries. Today, using state-of-the-art technology for excavation, dating and conservation, teams of experts are working all over Qatar to reconstruct its past. Hidden in the Sands is fully illustrated with photographs, maps and diagrams, and embellished by the vivid and evocative illustrations of the artist Norman MacDonald. Told simply and with in-depth and up-to-date detail, it leads readers through the fascinating world of archaeology. Like reconstructing an earthenware jar from a hundred little shards, this work pieces together the fragments of the past to produce a complete and beautiful whole.

A vivid portrait of the early years of biblical archaeology from the acclaimed author of 1177 B.C.: The Year Civilization Collapsed In 1925, James Henry Breasted, famed Egyptologist and director of the Oriental Institute at the University of Chicago, sent a team of archaeologists to the Holy Land to excavate the ancient site of Megiddo-Armageddon in the New Testament-which the Bible says was fortified by King Solomon. Their excavations made headlines around the world and shed light on one of the most legendary cities of biblical times, yet little has been written about what happened behind the scenes. Digging Up Armageddon brings to life one of the most important archaeological expeditions ever undertaken, describing the site and what was found there, including discoveries of gold and ivory, and providing an up-close look at the internal workings of a dig in the early years of biblical archaeology. The Chicago team left behind a trove of writings and correspondence spanning more than three decades, from letters and cablegrams to cards, notes, and diaries. Eric Cline draws on these materials to paint a compelling portrait of a bygone age of archaeology. He masterfully sets the expedition against the backdrop of the Great Depression in America and the growing troubles and tensions in British Mandate Palestine. He gives readers an insider's perspective on the debates over what was uncovered at Megiddo, the infighting that roiled the expedition, and the stunning discoveries that transformed our understanding of the ancient world. Digging Up Armageddon is the enthralling story of an archaeological site in the interwar years and its remarkable place at the crossroads of history.

The excavations of the University of Pennsylvania Museum of Archaeology and Anthropology on Bates's Island at Marsa Matruh, on the seacoast at the north of Egypt's western desert, uncovered a small site with a metalworking workshop and nearby houses. The pottery indicates that this small Late Bronze Age settlement had links to several cultures: Cyprus, the Aegean, Egypt, the coast of western Asia, and the local Marmarican people. The volumes publish the architecture, the local and imported pottery, the crucibles and other evidence for metalworking, the ostrich egg shells and other faunal remains, and the other discoveries made at the site.

This book is an attempt to explain, in lay terms, the world that Jesus took as his reference point. The kinds of houses in which he dwelt; the education he received; the clothes he would have worn; the language he spoke; the terrain and climate; the agricultural methods; the cultural assumptions; the religious customs; the festivals; the Temple; the synagogue; the scriptures; the opposition and the political currents - all of these formed the soil in which Jesus the man was nurtured. Each chapter covers a distinct aspect, and opens a whole new range of understanding which we are likely to miss. For instance, a rich symbolism concerned with water and light, and linked with the Feast of Tabernacles, underlies John 7 and 8, but much of this will probably escape us. Previously published by Monarch and then Moody, this classic reference work has been unavailable for several years.

Where did the Israelites originate? What was the fate of the Canaanites? In this revealing introduction, Jonathan M. Golden tackles these and other hotly debated questions. Drawing on the extensive and often surprising archeological record, he looks at daily life in antiquity, providing rich portraits of the role of women, craft production, metallurgy, technology, political and social organization, trade, and religious practices. Golden traces the great religious traditions that emerged in this region back to their most ancient roots, drawing on the evidence of scriptures and other texts as well as the archeological record. Though the scriptures stress the primacy of Israel, the author considers the Canaanites and Philistines as well, examining the differences between highland and coastal cultures and the cross-fertilization between societies. He offers a clear, objective look at the evidence for the historical accuracy of the biblical narrative, based on the latest thinking among archeologists worldwide.

Women, Gender and Identity in Third Intermediate Period Egypt clarifies the role of women in Egyptian society during the first millennium BCE, allowing for more nuanced discussions of women in the Third Intermediate Period. It is an intensive study of a corpus that is both geographically and temporally localized around the city of Thebes, which was the cultural and religious centre of Egypt during this period and home to a major national necropolis. Unlike past studies which have relied heavily on literary evidence, Li presents a refreshing material culture-based analysis of identity construction in elite female burial practices. This close examination of the archaeology of women's burial presents an opportunity to investigate the social, professional and individual identities of women beyond the normative portrayals of the subordinate wife, mother and daughter. Taking a methodological and material culture-based approach which adds new dimensions to scholarly and popular understandings of ancient Egyptian women, this fascinating and important study will aid scholars of Egyptian history and archaeology, and anyone with an interest in women and gender in the ancient world.

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Modern biblical scholarship's commitment to the historical-critical method in its efforts to write a history of Israel has created the central and unavoidable problem of writing an objective and critical history of Palestine through the biblical literature with the methods of Biblical Archaeology. 'Biblical Narrative and Palestine's History' brings together key essays on historical method and the archaeology and history of Palestine. The essays employ comparative and formalistic techniques to illuminate the allegorical and mythical in Old Testament narrative traditions from Genesis to Nehemiah. In so doing, the volume presents a detailed review of central and radical changes in both our understanding of biblical traditions and the archaeology and history of Palestine. The study offers an analysis of Biblical narrative as rooted in ancient Near Eastern literature since the Bronze Age.

Syria-Palestine in the Late Bronze Age presents an explicitly anthropological perspective on politics and social relationships. An anthropological reading of the textual and epigraphic remains of the time allows us to see how power was constructed and political subordination was practised and expressed. Syria-Palestine in the Late Bronze Age identifies a particular political ontology, native to ancient Syro-Palestinian societies, which informs and constitutes their social worlds. This political ontology, based on patronage relationships, provides a way of understanding the political culture and the social dynamics of ancient Levantine peoples. It also illuminates the historical processes taking place in the region, processes based on patrimonial social structures and articulated through patron-client bonds.

In this book the origin and objects of the land description in Joshua 15 and its context are examined. Town lists and border descriptions are literarily, historiographically and theologically classified against the background of their relationships to Tetrateuch/Pentateuch/Hexateuch and the Deuteronomistic History.
The first part deals with the text, context, and literary relationships of Joshua 15. The second part is devoted to the historical-geographical analysis of the area defined by the town list and border description of Joshua 15. In the third part the respective origins and objects of the successive phases in the history of the text are examined.
All those who are dealing with Joshua 13-21 and the historiographical and theological meaning of land descriptions should read this thorough and encompassing study

Born from the fields of Islamic art and architectural history, the archaeological study of the Islamic societies is a relatively young discipline. With its roots in the colonial periods of the late 19th and early 20th centuries, its rapid development since the 1980s warrants a reevaluation of where the field stands today. This Handbook represents for the first time a survey of Islamic archaeology on a global scale, describing its disciplinary development and offering candid critiques of the state of the field today in the Central Islamic Lands, the Islamic West, Sub-Saharan Africa, and Asia. The international contributors to the volume address such themes as the timing and process of Islamization, the problems of periodization and regionalism in material culture, cities and countryside, cultural hybridity, cultural and religious diversity, natural resource management, international trade in the later historical periods, and migration. Critical assessments of the ways in which archaeologists today engage with Islamic cultural heritage and local communities closes the volume, highlighting the ethical issues related to studying living cultures and religions. Richly illustrated, with extensive citations, it is the reference work on the debates that drive the field today.

2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology Book
For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia's remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to focus more attention on the fascinating cultures of ancient Nubia, ironically prompted by the construction of large dams that have flooded vast tracts of the ancient land.
This book attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy.

A generously illustrated selection of John Baines's influential writings on two core areas of ancient Egyptian civilization: the role of writing, which was very different in antiquity from what is familiar in the modern world, and the importance of visual culture. These questions are explored through a number of case studies. The volume assembles articles that were scattered in publications in a variety of disciplines, making available key contributions on core problems of theory, comparison, and analysis in the study of many civilizations and offering important points of departure for further research. Three wholly new essays are included, and the overall approach is an interdisciplinary one, synthesizing insights from archaeology, anthropology, and art history as well as Egyptology.

This book focuses on the decorative schemes of several chapels in the earlier part of the Temple of Hibis, one of the most important temples from Late Period Egypt. The chapels studied here were either established and/or decorated during the first Persian Period (525-404 BCE). 45 b/w illustrations & 20 pages of colour plates. Ancient Egyptian temple walls expressed royal and political ideologies, reflected the ancient Egyptian secular and spiritual world order, supplied a medium for the reenactments of assorted myths, and implied a metaphor for the universe. Despite the conventional overall architecture plan of the Temple of Hibis, it exhibits numerous particularities and, while the more prominent parts of the temple, such as the sanctuary, have been studied by numerous scholars, in other areas the decoration schemes remain largely unexplained. The chapels studied in this book were located around the main sanctuary A, but have rarely been the subject of scholarly discussions. The book concentrates on chapels F and G to the south of sanctuary A on the first level of the temple and all the decorated chapels, E1, E2, H1, and H2, on the second level of the temple. Each chapter begins with a brief description of the scenes and their basic layout and a complete translation of the accompanying texts. A more in-depth analysis regarding both text and image follows in the commentary. It includes the analysis of the different aspects of the gods, their origins, and the development of their cults that are significant to the scenes and to each other. Also discussed are their coherence, any aspects that are especially emphasized, and any other information that could be gleaned from the whole scene. The analysis tries to detail the specific composition that makes up the mosaic of the picture, wall, or room. Attention is paid to both the scenic arrangement and the hieroglyphic inscriptions, as the interpretation of one would be meaningless without the other. Attention is given to investigating the general function of the different rooms by means of their decoration and by identifying the patterns or important themes generated by the layout of the scenes. The results are summarized in the last chapter. A number of line drawings have been inserted into the text beside a described scene as an aid to the reader.

Postmortem existence in the Hebrew Bible/Old Testament was rooted in mortuary practices and conceptualized through the embodiment of the dead. But this idea of the afterlife was not hopeless or fatalistic, consigned to the dreariness of the tomb. The dead were cherished and remembered, their bones were cared for, and their names lived on as ancestors. This book examines the concept of the afterlife in the Hebrew Bible by studying the treatment of the dead, as revealed both in biblical literature and in the material remains of the southern Levant. The mortuary culture of Judah during the Iron Age is the starting point for this study. The practice of collective burial inside a Judahite rock-cut bench tomb is compared to biblical traditions of family tombs and joining one's ancestors in death. This archaeological analysis, which also incorporates funerary inscriptions, will shed important insight into concepts found in biblical literature such as the construction of the soul in death, the nature of corpse impurity, and the idea of Sheol. In Judah and the Hebrew Bible, death was a transition that was managed through the ritual actions of the living. The connections that were forged through such actions, such as ancestor veneration, were socially meaningful for the living and insured a measure of immortality for the dead.

In Mittani Palaeography, Zenobia Homan analyses cuneiform writing from the Late Bronze Age Mittani state, which was situated in the region between modern Aleppo, Erbil and Diyarbakir. The ancient communication network reveals a story of local scribal tradition blended with regional adaptation and international political change, reflecting the ways in which written knowledge travelled within the cuneiform culture of the Middle East. Mittani signs, their forms, and variants, are described and defined in detail utilising a large digital database and discussed in relation to other regional corpora (Assyro-Mittanian, Middle Assyrian, Nuzi and Tigunanum among others). The collected data indicate that Mittanian was comparatively standardised - an innovation for the period - signifying the existence of a centralised system of scribal training.

Like many European Jews, Sam Iwry began his life in Poland, but at the age of ten fled with his family to Russia before World War I. At age 29, Iwry was forced to flee again - this time from the Soviets - and ended up in Shanghai, China, joining 20,000 Jewish refugees who were there. The story of the Diaspora caused by the Holocaust is well-known, but the Far Eastern dimension has come to light only very recently. Iwry is a magnificent storyteller who not only brings the harrowing details of flight and survival into vivid detail, but he is also an historian who deliberately places his own experiences into much wider context. This oral history sheds light on Jewish life in Eastern Europe during the inter-war period, the search for a safe haven from Nazis and Soviets, daily life in the Shanghai ghetto, and emigration to America. Iwry's story is both representative of the Jewish experience and also completely unique.

Near Eastern archaeology is generally represented as a succession of empires with little attention paid to the individuals, labelled as terrorists at the time, that brought them down. Their stories, when viewed against the backdrop of current violent extremism in the Middle East, can provide a unique long-term perspective. Extremism, Ancient and Modern brings long-forgotten pasts to bear on the narratives of radical groups today, recognizing the historical bases and specific cultural contexts for their highly charged ideologies. The author, with expertise in Middle Eastern archaeology and counter-terrorism work, provides a unique viewpoint on a relatively under-researched subject. This timely volume will interest a wide readership, from undergraduate and graduate students of archaeology, history and politics, to a general audience with an interest in the deep historical narratives of extremism and their impact on today's political climate.