From the famed Oregon Trail to the boardwalks of Dodge City to the great trading posts on the Missouri River to the battlefields of the nineteenth-century Indian Wars, there are places all over the American West where visitors can relive the great Western migration that helped shape our history and culture. This guide to the Mountain West states of Nevada, Utah, Colorado, Wyoming, and Montana--one of the five-volume Finding the Wild West series--highlights the best preserved historic sites as well as ghost towns, reconstructions, museums, historical markers, statues, works of public art that tell the story of the Old West. Use this book in planning your next trip and for a storytelling overview of America's Wild West history.

Locating Imagination in Popular Culture offers a multi-disciplinary account of the ways in which popular culture, tourism and notions of place intertwine in an environment characterized by ongoing processes of globalization, digitization and an increasingly ubiquitous nature of multi-media. Centred around the concept of imagination, the authors demonstrate how popular culture and media are becoming increasingly important in the ways in which places and localities are imagined, and how they also subsequently stimulate a desire to visit the actual places in which people's favourite stories are set. With examples drawn from around the globe, the book offers a unique study of the role of narratives conveyed through media in stimulating and reflecting desire in tourism. This book will have appeal in a wide variety of academic disciplines, ranging from media and cultural studies to fan- and tourism studies, cultural geography, literary studies and cultural sociology.

What is the role of cultural heritage in multi-ethnic societies, where cultural memory is often polarized by antagonistic identity traditions? Is it possible for monuments that are generally considered as a symbol of national unity to become emblems of the conflictual histories still undermining divided societies? Taking as a starting point the cosmopolitanism that blossomed across the Mediterranean in the age of empires, this book addresses the issue of heritage exploring the concepts of memory, culture, monuments and their uses, in different case studies ranging from 19th-century Salonica, Port Said, the Palestinian region under Ottoman rule, Trieste and Rijeka under the Hapsburgs, up to the recent post-war reconstructions of Beirut and Sarajevo.

Koepriyet: Republican Heritage Bridges of Turkey deals with bridges and the construction industry of Turkey during the foundation of the Republic between 1923 and 1940. This book provides a brief summary of the bridge history of the country, but the main focus is on the Early Republic Era. During this period, the bridge-building technique was reborn in a country undergoing a radical transformation. Turkey changed its ruling, secularized and changed its alphabet. In addition to detailed descriptions of bridges built during this period and of leading innovative engineers, this book provides a first documented overview of heritage bridges in Turkey, focusing on applied techniques known worldwide. Many bridges are documented for the first time in this book, and most of them are heritage bridges and provide significant value in terms of bridge-building technology and application of worldwide techniques. In the waning days of the Ottoman Empire, engineering projects in Turkey were often carried out through "privileges" by foreign companies. The technical personnel were also financed with foreign resources. With the new Republic, Turkey experienced a renaissance in many areas, including technology. This transition from technology import to development and use of local resources is described in detail. Koepriyet: Republican Heritage Bridges of Turkey provides a wealth of information and documentation on bridges in Turkey from an important era, and aims at those interested in bridge structures and structural engineering history.

Scientists have long been looking for alternative methods for the cleaning of historical and cultural museum objects as conventional methods often fail to completely remove surface films, leaving contamination and surface residues behind. Low-temperature plasmas have recently been found to provide a new, efficient and durable approach that maintains the safety of both the materials and personnel. This book is the first to introduce the emerging use of low-temperature plasmas in the cleaning and decontamination of cultural heritage items. It provides a comprehensive exploration of the new possibilities of cleaning objects with plasma, before providing a practice guide to the individual cleaning methods and an overview of the technologies and conditions used in the different cleaning regimes. It is an ideal reference for researchers in plasma physics, in addition to professionals working in the field of historical and cultural conservation. Features: Provides a thorough overview of the cleaning potential of emerging plasma technologies in accessible language for professional restorers and conservators without a scientific background Includes the latest case studies from the field, which have not been published elsewhere yet Authored by a team of experts in the field About the Authors: Dr. Radko Tino is an Associate Professor at the Slovak University of Technology in Bratislava, Slovakia. Dr. Katarina Vizarova is an Associate Professor at the Slovak University of Technology in Bratislava, Slovakia. Dr. Frantisek Krcma is an Associate Professor at Brno University of Technology, Czech Republic. Dr. Milena Rehakova is an Associate Professor at the Slovak University of Technology in Bratislava, Slovakia. Dr. Viera Jancovicova is an Associate Professor at the Slovak University of Technology in Bratislava, Slovakia. Dr. Zdenka Kozakova is an Associate Professor at Brno University of Technology, Czech Republic.

Presenting innovative field research conducted in new and emerging human rights museums across Asia and Latin America, the book adopts a broad museological approach. It does so by including national and community museums, as well as public and private museological initiatives, within its purview. Drawing on in-depth case studies about museums in Taiwan, Japan, Paraguay and Colombia - all discussed within their political and cultural contexts - the book examines the paradigmatic shift that has occurred within the museum field in the wake of the larger global transformations that have shaped contemporary geopolitics over the last 50 years. The diversity of geographical and political contexts, and the attention to lesser-known institutions within the canon of English museum studies literature, presents readers with a valuable opportunity to learn more about innovative museological models in non-English-speaking and non-Western contexts. Human Rights Museums will appeal to academics, scholars and students of museum studies and related disciplines, and to museum professionals seeking to know more about the diverse and evolving roles of museums in contemporary society.

Examining urban heritage in twentieth-century Australia, James Lesh reveals how evolving ideas of value and significance shaped cities and places. Over decades, a growing number of sites and areas were found to be valuable by communities and professionals. Places perceived to have value were often conserved. Places perceived to lack value became subject to modernisation, redevelopment, and renewal. From the 1970s, alongside strengthened activism and legislation, with the innovative Burra Charter (1979), the values-based model emerged for managing the aesthetic, historic, scientific, and social significance of historic environments. Values thus transitioned from an implicit to an overt component of urban, architectural, and planning conservation. The field of conservation became a noted profession and discipline. Conservation also had a broader role in celebrating the Australian nation and in reconciling settler colonialism for the twentieth century. Integrating urban history and heritage studies, this book provides the first longitudinal study of the twentieth-century Australian heritage movement. It advocates for innovative and reflexive modes of heritage practice responsive to urban, social, and environmental imperatives. As the values-based model continues to shape conservation worldwide, this book is an essential reference for researchers, students, and practitioners concerned with the past and future of cities and heritage. The Foreword and Chapter 1/Introduction of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This book presents the results of extensive research into the very interesting phenomenon of local museums-kraevedschskyi museums-in Russia's regions. It outlines how numerous such museums are, how long they have existed, what they display, and how this has changed, or not, from Soviet times up to the present. It shows how the museums' displays often are about nature, history, and society. It goes on to discuss how what is portrayed represents particular interpretations of knowledge- including the heroism of the Soviet past, a colonial-style view of Russia's very many non-Russian people, and the failure to mention things which might present Russia in a critical way. The book is much more than 'museum studies': it sheds a great deal of light on how Russians think about themselves and about how this self-view is fostered, and it also highlights the vast regional differences which exist in Russia.

Stroll Lisbon's cobbled lanes, cruise the Douro River, and soak up the sun on Algarve beaches: experience Portugal with Rick Steves! Inside Rick Steves Portugal you'll find: * Comprehensive coverage for spending a week or more exploring Portugal * Rick's strategic advice on how to get the most out of your time and money, with rankings of his must-see favorites * Top sights and hidden gems, from the bone chapel of Evora and the palaces of Sintra to seaside street food and lush vineyards * How to connect with culture: Chat with friendly locals over a glass of vinho verde, enjoy a dinner of fresh seafood stew, or spend an evening at a bluesy fado bar * Beat the crowds, skip the lines, and avoid tourist traps with Rick's candid, humorous insight * The best places to eat, sleep, and relax with a glass of local port * Self-guided walking tours of lively neighborhoods and historic museums * Detailed maps for exploring on the go * Useful resources including a packing list, a Portuguese phrase book, a historical overview, and recommended reading * Over 400 bible-thin pages include everything worth seeing without weighing you down * Complete, up-to-date information on Lisbon, Sintra, Salema, Cape Sagres, Lagos, Tavira, Evora, Nazare, Batalha, Fatima, Alcobaca, Obidos, Coimbra, Porto, Peso de Regua, Pinhao, and more Make the most of every day and every dollar with Rick Steves Portugal.

This edited book provides a broad collection of current critical reflections on heritage-making processes involving landscapes, positioning itself at the intersection of landscape and heritage studies. Featuring an international range of contributions from researchers, academics, activists, and professionals, the book aims to bridge the gap between research and practice and to nourish an interdisciplinary debate spanning the fields of geography, anthropology, landscape and heritage studies, planning, conservation, and ecology. It provokes critical enquiry about the challenges between heritage-making processes and global issues, such as sustainability, economic inequalities, social cohesion, and conflict, involving voices and perspectives from different regions of the world. Case studies in Italy, Portugal, Spain, Slovenia, the Netherlands, Turkey, the UK, Columbia, Brazil, New Zealand, and Afghanistan highlight different approaches, values, and models of governance. This interdisciplinary book will appeal to researchers, academics, practitioners, and every landscape citizen interested in heritage studies, cultural landscapes, conservation, geography, and planning.

From the famed Oregon Trail to the boardwalks of Dodge City to the great trading posts on the Missouri River to the battlefields of the nineteenth-century Indian Wars, there are places all over the American West where visitors can relive the great Western migration that helped shape our history and culture. This guide to the Pacific West states of California, Oregon, Idaho, Washington, and Alaska--one of the five-volume Finding the Wild West series--highlights the best preserved historic sites as well as ghost towns, reconstructions, museums, historical markers, statues, works of public art that tell the story of the Old West. Use this book in planning your next trip and for a storytelling overview of America's Wild West history.

For popular-culture vultures, there really is no better guide to Britain's best TV and film locations than On Location. Explore the cities, towns, historical sights, stately homes, studios, beaches, moors and parks that inspired and hosted films such as Harry Potter, 28 Days Later, Trainspotting and Batman Begins, and TV programmes such as Poldark, The Crown, Dr Who and Bridgerton, to name just a few. Wander the corridors of Lyme Park in Derbyshire, the house used as Pemberley in the BBC's Pride and Prejudice; gaze across Glen Etive in the Highlands of Scotland, an eerie and atmospheric location seen in the James Bond film, Skyfall; escape on the Hogwarts Express, aka the Jacobite Steam Train, across Glenfinnan Viaduct, as seen in the Harry Potter films: storm through the gates of Castle Ward in Northern Ireland, the location of Winterfell in Game of Thrones; and experience a feast for the senses amongst the dreamlike candy-coloured houses of Portmeirion Village, setting of The Prisoner, plus so many more sights to please all ages. Handy maps and beautiful colour photography complete this fascinating guidebook that covers over 100 different locations, so you're never far from one whether you're on holiday and on a mission to see as many as you can, or simply fancy an interesting afternoon or day out not far from home that will both thrill the kids and captivate the grown-ups.

Shakespeare and Tourism provides a dialogical mapping of Shakespeare studies and touristic theory through a collection of essays by scholars on a wide range of material. This volume examines how Shakespeare tourism has evolved since its inception, and how the phenomenon has been influenced and redefined by performance studies, the prevalence of the World Wide Web, developments in technology, and the globalization of Shakespearean performance. Current scholarship recognizes Shakespearean tourism as a thriving international industry, the result of centuries of efforts to attribute meanings associated with the playwright's biography and literary prestige to sites for artistic pilgrimage and the consumption of cultural heritage. Through bringing Shakespeare and tourism studies into more explicit contact, this collection provides readers with a broad base for comparisons across time and location, and thereby encourages a thorough reconsideration of how we understand both fields.

Bringing different cultural perspectives on creativity with them, teachers and children in two early childhood education sites in Aotearoa New Zealand were using museum visits as jumping off places to hone their creative capacity building. As a contribution to Tim Ingold's discussion of anthropology and/as education, and also finding John Dewey's writing valuable (specifically his framing of 'enduring attitudes'), the authors employ a navigation metaphor throughout the discussion. They describe a coming together of four Cultural Anchors (thinking from materials) with four Coordinates (creative capacity builders) to describe ways in which the children were making creative sense of the museum exhibits, while at the same time gathering information about them. They take these travel metaphors from a star cluster in the southern hemisphere night sky, Matariki, which provided early sea-going Maori with guidance as they navigated wide stretches of ocean in their sea-going canoes to reach Aotearoa New Zealand. A Maori immersion early childhood centre and school, and a New Zealand kindergarten provided lively examples of children's and teachers' responses to the treasured artefacts (taonga) in their local museums. The book describes an ecosocial framing, from 'little to big', and illustrates the different cultural perspectives on creativity. The Mana Tamariki kaiako (teachers) gifted us a title-He taonga, he rerenga arorangi (Where there are treasured objects, the spirit is nurtured and creativity will be inspired).

With Rick Steves, Naples and the Amalfi Coast are yours to discover! This slim guide excerpted from Rick Steves Italy includes: *Rick's firsthand, up-to-date advice on the Amalfi Coast's best sights, restaurants, hotels, and more, plus tips to beat the crowds, skip the lines, and avoid tourist traps *Top sights and local experiences: See ancient art at Naples' Archaeological Museum or travel back in time at the Pompeii Forum. Relax on the beach in Positano, go for a cliffside stroll along the coast, or feast on pizza where the dish was first created *Helpful maps and self-guided walking tours to keep you on trackWith selective coverage and Rick's trusted insight into the best things to do and see, Rick Steves Snapshot Naples & the Amalfi Coast is truly a tour guide in your pocket.Exploring beyond the Amalfi Coast? Pick up Rick Steves Italy for comprehensive coverage, detailed itineraries, and essential information for planning a countrywide trip.

This richly illustrated volume introduces one of America's finest university art museums - one whose directors, curators, donors, and patrons have left a remarkable legacy, a museum collection that encourages us all to "look close, think far." The selection of over 280 highlights is presented with brief commentaries and an essay that traces the growth of the Ackland Art Museum's outstanding collection. The Ackland Art Museum at the University of North Carolina at Chapel Hill is one of the United States' most distinguished public university art museums. Founded in 1958, it now houses over 20,000 works of art, covering some 5,000 years of cultures from around the globe. Look Close, Think Far is the tagline of the Ackland, informing everything from the dynamic and varied program of special exhibitions to ambitious interpretation, education, and outreach activities. It applies especially strongly to the museum's extensive permanent collection. Although an integral part of the oldest public university in the United States, the Ackland is a relatively young institution. Now approaching its sixty-fifth year, it has become the proud steward of over 20,000 works of art from an impressively broad range of world cultures and time periods. The Museum is known for its special strengths in art of the European tradition, with very strong holdings in prints and drawings; the arts of Asia, and especially China, Japan, and India; a small but fine collection of classical art from Africa; and recent and contemporary art. This publication showcases a cross-section though the diverse collection, with 283 works, giving an impression of the Ackland's permanent collection that is true to its character, representative of its breadth, and indicative of its quality. The essay gives special attention to the early stages and the less obvious, more idiosyncratic moments that have contributed to the Ackland's personality and individuality. The approach taken by the editor Peter Nisbet, deputy director for curatorial affairs at the Ackland, differs from most conventional volumes of museum collection highlights in several refreshing ways. Instead of separating works along the lines of curatorial departments, the arrangement emphasizes the unity of the collection by merging works from different cultures. These are presented in a largely chronological sequence, but one that surprises by starting with the present and extending back in time. Within this order, works of art are deliberately paired across individual page openings, to stimulate visual attention, reflective thinking, and sometimes maybe just a smile.

India, South Asia, festivals, Cultural studies, Heritage, ecology, art history, Heritage studies, performance, Theatre

Indigenous Studies, Pacific Island Studies, Theatre, Anthropology, Sociology, and Theatre Education, Rapanui, Aotearoa/New Zealand

This book Analyses the role of museums in transforming lives and creating a just future. Explores how museums help ordinary people overcome loss suffered during conflict. Draws on fieldwork in a range of museums in Vietnam, alongside interviews with museum workers and stakeholders, and analyses of museum exhibitions. Also brings in question the dynamics between history and memory; the capacity of the museum to repair injury, loss or suffering; and the limits of historical memory beyond the control of a one-party state. Will be of interest to academics and students engaged in the study of museums, heritage, Asia, tourism and anthropology.

The book approaches museums of the Great War as political entities, some more overtly than others, but all unable to escape from the politics of the war, its profound legacies and its enduring memory. Their changing configurations and content are explored as reflections of the social and political context in which they exist. Curating of the Great War has expanded beyond the walls of museum buildings, seeking public engagement, both direct and digital, and taking in whole landscapes. Recognizing this fact, the book examines these museums as standing at the nexus of historiography, museology, anthropology, archaeology, sociology and politics as well as being a lieux de memoire. Their multi-vocal nature makes them a compelling subject for research and above all the book highlights that it is in these museums that we see the most complete fusion of the material culture of conflict with its historical, political and experiential context. This book is an essential read for researchers of the reception of the Great War through material culture and museums.

The book approaches museums of the Great War as political entities, some more overtly than others, but all unable to escape from the politics of the war, its profound legacies and its enduring memory. Their changing configurations and content are explored as reflections of the social and political context in which they exist. Curating of the Great War has expanded beyond the walls of museum buildings, seeking public engagement, both direct and digital, and taking in whole landscapes. Recognizing this fact, the book examines these museums as standing at the nexus of historiography, museology, anthropology, archaeology, sociology and politics as well as being a lieux de memoire. Their multi-vocal nature makes them a compelling subject for research and above all the book highlights that it is in these museums that we see the most complete fusion of the material culture of conflict with its historical, political and experiential context. This book is an essential read for researchers of the reception of the Great War through material culture and museums.

1. The book offers a unique insight into local stakeholders' perspectives on World Heritage and development in Africa. 2. Drawing on empirical evidence gathered in conversation with stakeholders at heritage sites across Africa, the book explores the opportunities and challenges involved in implementing conservation and socioeconomic development as part of a stakeholder-driven process. The book will be essential reading for academics, students and practitioners around the world who are interested in museums and heritage, conservation, development and the African continent. 3. The scattered information and data paucity on stakeholders' perspectives on conservation and development creates a gap on the market and in the literature for a book that presents consolidated empirical-based data towards advocating for a mindset shift in heritage management in Africa.The proposed book will fill that gap. 3.

Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised - processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that 'works' are defined in each institution are explored. This study also considers the so-called 'birth' of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.