The world-class National Palace Museum (NPM) in Taiwan possesses a repository of the largest collection of Chinese cultural treasures of outstanding quality. Through implementing a two-organizational restructuring, and shifting its operational focus from being object-oriented to public-centered, it aims to capture the attention of people and promote awareness of the culture and traditions of China. In this vein, the NPM combines its expertise in museum service with the possibilities afforded by Information Technology (IT). This book analyses the research results of a team sponsored by the National Science Council in Taiwan to observe the development processes and accomplishments, and to conduct scientific researches covering not only the technology and management disciplines, but also the humanities and social science disciplines. The development process of new digital content and IT-enabled services of NPM would be a useful benchmark for museums, cultural and creative organizations and traditional organizations in Taiwan and around the world.

Venice is a resplendent city of a thousand islands in the middle of a lagoon, which has an elegant and eventful history. Her geographical location and the political and commercial shrewdness of her former rulers, together with the spirit of her citizens once made her the mistress of the seas and master of a great empire. This journal is intended to provide helpful, descriptive and enjoyable routes to explore, as well as providing many interesting historical and architectural facts throughout its passage. As an artist the author has painted a journalistic picture of Venice by visiting the 'Serenissima' each month over the course of a year to enjoy the islands and understand the Venetians themselves, who have battled through centuries of evolution, toil and achievement. Throughout each interesting tour John has recorded many scenes in pen and ink water colour sketches, which he feels will bring the beauty and history of the Venetian islands to both the armchair reader as well as those who explore the Serenissima.

Lighthouses and ghosts are two popular passions. Melded together by master storyteller and lighthouse expert Ray Jones, these tales of spirited lights are guaranteed to grab the attention of all readers. As an added bonus, practical information is given for those who wish to visit the featured lighthouses for themselves . . . if they dare.

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"The third edition of "Artwalks," substantially revised and updated with seven new walks, leads readers through various sections of the city, highlighting what the authors consider to be public art, whether seen outdoors or within the confines of museums and other buildings. With directions on how to get there by subway and car, plus excellent and easy-to-read maps, Artwalks has much to offer the art lover, including off-the-beaten-path suggestions like the Chinese Scholar's Garden at Snug Harbor on Staten Island ('not to be missed') and the Ukrainian Institute of America on East 79th Street. A helpful section, 'Choosing an Outing, ' lists walks by subject, such as parks or flower gardens.... [R]ecommended."
--"Library Journal"

"East side, west side, all around the townathis handy, pocket-sized guide is a great tool for the wanderer in search of those out-of-the-way treasures that New York is abundantly full of. Revised and updated, "Artwalks" is a must for the discerning curious.a
--"Art Times"

"Art enthusiasts who also love the big city will relish this third revised, updated edition."--"The Bookwatch"

"Opinions are freely given about the quality of work one will see, and there is real concern shown for such creature comforts as finding relief for sore feet after a visit to the Met. Historical and other background details are provided throughout each walk, which even the most inveterate New Yorker will find compelling."
--"American Reference Books Annual"

Praise for previous editions

"A sharp eye for art in unexpected corners. "Artwalks in New York" is bouncy, well written, and filled with goodtips."
--The New York Times

"Like two good cooks, the writers have mixed enough tasty nuggets to make this one scrumptious cookie of a read. It is an insider's guide ot the Apple for the visitor, and an eye opener for even the most jaded native New Yorker."
--Adrian Benepe, Commissioner, City of New York Department of Parks and Recreation

Completely updated, the new edition of this acclaimed guide brings us 33 tours of public art, covering the length of the island, from the Cloisters and Harlem in northern Manhattan, to Central Park and the museum mile, to Rockefeller Center and Chelsea, and all the way down to the southern tip at Battery Park City. This indispensable guide also covers the outer boroughs, from Snug Harbor, Staten Island to the Socrates Sculpture Park and the Noguchi Museum in Queens, from Wave Hill in the Bronx all the way to the botanical gardens in Brooklyn.

The perfect guidebook for residents and tourists alike, Harrison and Rosenfeld uncover nooks and crannies off the beaten track alongside favored treasures, reminding us all why New York City is the art capital of the world.

Artwalks in New York contains: Completely revised and updated entries, including seven new walks, reflecting the ever-changing city Includes over 25 walking tour maps, directions, and suggested visitation hours Listings of museums, art and auction galleries, art-filled public spaces, hotel lobbies, gardens, restaurants, subway stations, public sculpture and murals, and more Hundreds of interesting facts, anecdotes, and tidbits about New York City art from two expert guides

The University Archives was established in 1634. Based in the Bodleian Library, it is the institutional archive of Oxford University, holding records which span just over 800 years, documenting the University's activities and decisions throughout that time. Fifty-two documents and objects from the University Archives are showcased here, telling a wide range of intriguing stories about the University. Arranged chronologically, they deal with the University's relations with governments and monarchs; the effects of war; teaching and student behaviour; the University's buildings and institutions; widening access to university education; and the impact it has had on the city of Oxford and its people. Also documented here are fascinating insights into the University's erstwhile police force, a hidden time capsule, brewing licences, brawls and illicit steeplechasing. The items - all illustrated - also often unlock human stories to which we can relate today, opening a window on the individuals (from University, city, or even further afield) whose lives the University has touched, including people who would perhaps not be expected to feature in a history of Oxford University, but whose stories are preserved forever in its magnificent archives.

First published in 2000, this is an examination of the collection of art works through an anthropological study of modes of exchange and the social roles of material culture. Focusing on the figure of Sebastiano Resta, Genevieve Warwick brings to light a shadowy, yet crucial chapter in the history of collecting, that of the great migration of art objects out of Italy to northern Europe in the early eighteenth century. Her study pins the history of collecting to broader changes in European economic history and analyzes the epistemological frameworks for viewing that accompanied this transfer of artistic wealth. Warwick also demonstrates how early modern art collecting was shaped by the social mores of elite 'arts of love'.

Oxford Botanic Garden is the oldest surviving botanic garden in Britain and has occupied its site in central Oxford since 1621. Conceived as a place to grow medicinal plants, born in the turmoil of civil war and nurtured during the restoration of the monarchy, the garden has, unsurprisingly, a curious past. By tracing the work and priorities of each of the garden's keepers, this book explores its importance as one of the world's oldest scientific plant collections. It tells the story of the planting of the garden by its first keeper, Jacob Bobart, and his son, together with how they changed the garden to suit their own needs. The story develops during the eighteenth century as the garden grew exotic plants under glass and acquired a fine succulent collection but then experienced a downturn under the stewardship of the eccentric Professor Humphrey Sibthorp (famous for giving just one lecture in thirty-seven years). Finally, the narrative throws light on the partnership of gardener William Baxter and academic Charles Daubeny in the early nineteenth century, which gave the garden its glasshouses and ponds and contributed to its survival to the present day. This generously illustrated book is the first history of the garden and arboretum for more than a century and provides an essential introduction to one of Oxford's much-loved haunts.

The BKB travel guide presents everything you need for your short stay in Essen including information on attractive city quarters, addresses for accommodation, shopping and of course entertainment. Highlights include the Philharmonic Concert Hall, Aalto Opera House, Essen Cathedral, the Golden Madonna, Villa Hugel, Museum Folkwang, the Zollverein Colliery, shopping and nightlife in Essen.

Archiving Cultures defines and models the concept of a cultural archives focusing on how diverse communities express and record their heritage and collective memory and why and how these often-intangible expressions are archival records. Analysis of oral traditions, memory texts and performance arts demonstrate their relevance as records of their communities. Key features of this book include definitions of cultural heritage and archival heritage with an emphasis on intangible cultural heritage. Aspects of cultural heritage such as oral traditions, performance arts, memory texts and collective memory are placed within the context of records and archives. Presents strategies for reconciling intangible and tangible cultural expressions with traditional archival theory and practice. Offers both analog and digital models for constructing a cultural archives through examples and vignettes. Audience includes archivists and other information workers who challenge Western archival theory and scholars concerned with interdisciplinary perspectives on tangible and intangible cultural heritage. Relevant to scholars involved with non-textual materials. Will appeal to a range of academic disciplines engaging with 'the archive'.

London's many cemeteries, churches and graveyards are the last resting places of a multitude of important people from many different walks of life. Politicians, writers and military heroes rub shoulders with engineers, courtesans, artists and musicians, along with quite a few eccentric characters. Arranged geographically, this comprehensive guide describes famous graves in all the major cemeteries and churches in Greater London, including Highgate, Kensal Green, Westminster Abbey, and St Paul's Cathedral, as well as the City churches and many suburban parish churches. The book gives biographical details, information on the monuments, and is richly illustrated. As well as being an historical guide, it also serves as an indispensable reference guide for any budding tombstone tourist.

This study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians. -- .

The Afterlife of the Leiden Anatomical Collections starts where most stories end: after death. It tells the story of thousands of body parts kept in bottles and boxes in nineteenth-century Leiden - a story featuring a struggling medical student, more than one disappointed anatomist, a monstrous child, and a glorious past. Hieke Huistra blends historical analysis, morbid anecdotes, and humour to show how anatomical preparations moved into the hands of students and researchers, and out of the reach of lay audiences. In the process, she reveals what a centuries-old collection can teach us about the future fate of the biobanks we build today.

This book makes a significant contribution to the history of placemaking, presenting grassroots to top-down practices and socially engaged, situated artistic practices and artsled spatial inquiry that go beyond instrumentalising the arts for development. The book brings together a range of scholars to critique and deconstruct the notion of creative placemaking, presenting diverse case studies from researcher, practitioner, funder and policymaker perspectives from across the globe. It opens with the creators of the 2010 White Paper that named and defined creative placemaking, Ann Markusen and Anne Gadwa Nicodemus, who offer a cortically reflexive narrative on the founding of the sector and its development. This book looks at vernacular creativity in place, a topic continued through the book with its focus on the practitioner and community-placed projects. It closes with a consideration of aesthetics, metrics and, from the editors, a consideration of the next ten years for the sector. If creative placemaking is to contribute to places-in-the-making and encourage citizenled agency, new conceptual frameworks and practical methodologies are required. This book joins theorists and practitioners in dialogue, advocating for transdisciplinary, resilient processes.

The Brain-Friendly Museum proposes an innovative approach to experiencing and enjoying the museum environment in new ways, based on the systematic application of cognitive psychology and neuroscience. Providing practical guidance on navigating and thinking about museums in different ways, the book is designed to help develop more fulfilling visitor experiences. It explores our cognitive processes and emotions, and how they can be used to engage with and enjoy the museum environment, regardless of the visitor's background, language, or culture. The book considers core cognitive processes, including memory, attention, and perception, and how they can successfully be applied to the museum environment, for example, in creating more effective displays. Using evidence-based examples throughout, the book advocates for a wellbeing approach improving visitor experience, and one that is grounded in research from psychology and neuroscience. This book is a must-read for all museum practitioners and psychologists interested in the relationship between cultural heritage, psychology, and neuroscience. It will also be of great interest to art therapists, neuroscientists, university students, museum stakeholders, and museum lovers.