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Books > Children's & Educational > The arts > Music
Updated editions to the bestselling series. They have been
completely redesigned in colour. Includes improved backing tracks
(on the CD editions) and new songs have been added. The prices
remain the same as the classic original editions. John Pitt's
hugely successful Recorder from the Beginning teaching scheme has a
straightforward, easy-to-follow approach with attractive
collections of well-known and original tunes. The beginner books
are specially written for 7-11 year olds. The additional graded
repertoire and ensemble books will appeal to players of all ages.
No previous knowledge of the recorder or music is needed in order
to begin playing with this specially written recorder course - it's
all covered in the books. Pupil book and CD edition provides
demonstration tracks and interesting accompaniments to help
encourage practice and performance.
Gender Issues in Scandinavian Music Education: From Stereotypes to
Multiple Possibilities introduces much-needed updates to research
and teaching philosophies that envision new ways of considering
gender diversity in music education. This volume of essays by
Scandinavian contributors looks beyond the dominant Anglo-American
lens while confronting a universal need to resist and rethink the
gender stereotypes that limit a young person's musical development.
Addressing issues at all levels of music education-from primary and
secondary schools to conservatories and universities- topics
discussed include: the intersection of social class, sexual
orientation, and teachers' beliefs; gender performance in the music
classroom and its effects on genre and instrument choice;
hierarchical inequalities reinforced by power and prestige
structures; strategies to fulfill curricular aims for equality and
justice that meet the diversity of the classroom; and much more!
Representing a commitment to developing new practices in music
education that subvert gender norms and challenge
heteronormativity, Gender Issues in Scandinavian Music Education
fills a growing need to broaden the scope of how gender and
equality are situated in music education-in Scandinavia and beyond.
This book explores the narratives of a group of four-year-old
children in a composition project in an Australian early learning
centre. The participants, centre staff and a composer, Stephen
Leek, contributed a number of music sessions for the children,
including five original songs. The book showcases young children's
communicative ability and sensitivity to wider issues. The staff in
the centre have a strongly voiced philosophy that is enacted
through arts-based pedagogy and incorporates significant themes
including a respect for Aboriginal culture and custodial
responsibility towards a sustainable future for the earth. Examples
of adult and children's ideas are illustrated through music making,
singing, dancing, words, drawings and paintings, which provide
insights into a world where children are viewed as active citizens
and the arts have rights. The book describes the context of the
centre, the history of projects and details one project as an
example of "lifeworthy learning".
New music teachers often struggle to find a way to connect the
content learned in college classes with the content that will be
taught in the classroom, since the nature of their work demands a
high level of both musical and educational ability, while also the
skills to switch from tuning an orchestra to leading a marching
band or practicing voice parts with a chorus. Becoming a Music
Teacher: Student to Practitioner focuses on making the connections
between the college music classroom and public school music
classroom transparent, visible, and relevant. Award-winning music
educators Donald L. Hamann and Shelly Cooper have created a
versatile text for music teacher education, and one that will
provide a significant resource for music education students across
the US. Based around an innovative organization and approach,
Becoming a Music Teacher is made up of 40 short modules that focus
on increasing a teacher's comfort and confidence level when
instructing or leading groups. Each module is broken down into four
individual components that demonstrate real life transfers from
classes to classroom through the components of Personal Awareness,
Personal Musicianship, Pre-Conducting, and Professional Knowledge.
The Personal Awareness component gives a lesson on good teaching
skills by focusing on body awareness, body language, and
communication styles rather than abstract theories of education.
Personal Musicianship provides a guided learning approach to
teaching sight-singing and opportunities to create both vocal and
instrumental accompaniments with the songs that are included in the
modules. Pre-conducting discusses ways in which certain gestures or
concepts could be used in rehearsing a school ensemble through the
development of hand/arm independence, posture, and gestures.
Professional knowledge links the module to the real world and
places it in the context of the workplace, offering advice on how
to work with other teachers and administrators, and includes
characteristics of successful teachers, the role of schools in
contemporary society, and diverse learners. When taken together,
these components help the student develop a genuinely rounded skill
set for the classroom. The lessons are activity-based and
interactive, allowing readers to experiment, communicate, and
provide feedback. The modules are also flexible and have been
designed to be easily integrated into a music education classroom
and applied to specific age groups, includingadult learners, a
demographic many music education students encounter but one rarely
discussed in music education classrooms. Each module stands alone,
allowing instructors to customize their lesson plans by selecting
or highlighting the modules most relevant to their class. This text
also includes exercises that promote reflection on professionalism,
collegiality, and legal factors that affect both students and
teachers, not found in most education texts.
This Too is Music guides and motivates teachers to foster playful
and motivating classroom conditions that enable elementary students
to thrive as musicians in every way-as singers, improvisers,
critical listeners, storytellers, dancers, performers, and
composers. Told through anecdotes and illustrated with musical
examples, the book explores how all of these aspects of music
making are intertwined, quelling any doubts teachers may have
regarding their abilities to create an environment where children
can improvise, dance, compose, and notate their musical offerings.
While the book acknowledges the importance of traditional
approaches to teaching notation and performance, the emphasis is on
the student's point of view, illustrating how young musicians can
learn when their musical ideas are honored and celebrated. Various
teaching ideas are presented-some exploratory in nature, others
involving direct instruction. Regardless of their nature, all of
the activities arise from research on children's musical
development in general and their development of notational systems
in particular. The ideas and activities have been tested in
multiple elementary-classroom environments and pre-service
settings. The activities center on music through movement, song,
various types of performances, improvisation, and composition and
notational development. These activities, which encompass both
small-scale classroom lessons and large-scale productions, engage
children across subjects, including language, drama, and
mathematics. Activities encompass both small-scale classroom
lessons and large-scale productions. The book underscores the
timeless quality of this pedagogy; even in our digital age, this
musical environment appeals to children. The work invites readers
to adapt the ideas to their own teaching settings, showing both
pre-service and established teachers that they can teach music
creatively to build community and to inspire all who enter there.
A high-energy, laugh-out-loud, fully illustrated adventure story by
much-loved actor Stephen Mangan and talented artist Anita Mangan.
'Just read the title... that will draw them in. It's a bit naughty,
a bit silly, a bit funny but you start reading and it's an
adventure Holly Willoughby A sure-fire way for kids to entertain
themselves. What's more, it's also excellent for reading aloud
LoveReading4Kids 'Laugh-out-loud stuff' Ray D'Arcy It's the most
important day of the year for King Fabian as he is hosting all the
neighbouring rulers. Everything simply must go perfectly. King
Fabian wakes up, stretches, and... farts. His wife's fury is so
huge that he panics and blames the butler, who is carted off to the
dungeons. Leaving behind a big problem: Fabian isn't really the
brains behind the crown: it is the butler... how will dithery
Fabian manage to pull off this high-pressure event alone? His small
and smelly fart looks like it will kick off a crisis... Frank - a
kitchen boy with a big imagination - is drafted in as an emergency
butler. As the banquet descends into a food fight and processions
catapult out of control, Frank finds himself in an all-out farty
farce. Can he save the day? Wildly funny and endlessly surprising,
this is delightfully imaginative, surreal storytelling with a
message that small events can trigger big change, and children can
be heroes! Packed with pictures by Stephen Mangan's sister Anita
Mangan. Escape the Rooms is one of the most loved and bestselling
children's debuts of 2021. Praise for Stephen Anita's first book,
Escape the Rooms: "A brilliant, clever, kind of genius book" Graham
Norton, Virgin Radio 'Richly imagined and deeply heartfelt' Hadley
Freeman, Guardian 'Manages to feel both classic and modern at the
same time' Good Housekeeping 'A beautiful and exciting adventure
that ignites the imagination' Edith Bowman Stephen Mangan is an
author, script-writer and actor with huge range across TV, radio,
film and theatre. From classic comedy such as Green Wing, Episodes
and I'm Alan Partridge and acclaimed drama such as The Split,
Stephen also presents Portrait and Landscape Artist of the Year and
regularly appears on stage, most recently as a highly praised
Ebeneezer Scrooge in A Christmas Carol. Stephen also voiced the
title role in Postman Pat: The Movie. He has been a member of the
judging panels for the Costa Book of the Year prize and The
Laugh-Out-Loud Awards (The Lollies). His first children's book was
the bestselling Escape the Rooms. Anita Mangan is a celebrated
graphic designer and illustrator who has designed over 60 books
including for Leon Restaurants, Gizzi Erskine and Fearne Cotton.
She illustrated the best-selling Be a Unicorn series. Her first
children's book was the bestselling Escape the Rooms.
Today's choral directors are faced with the dilemma of how to teach
music literacy within the demands of a school system increasingly
focused on testing outcomes and high-level performances. Many
teachers feel they simply do not have the classroom time for
adequate sight singing and ear training instruction, and those who
do set aside the time for it face a dearth of engaging teaching
materials. Solfege and Sonority is a guide for teaching music
literacy in a choral rehearsal, with a focus on the needs of
teachers who work with young singers. The book lays out teaching
sequences for melodic and rhythmic concepts, lesson plans, and
concise strategies for introducing key techniques. The graduated
progression of topics starts from teaching basic concepts, such as
"do-re-mi," and ends with more complex subjects, such as minor
modes and the sight reading of more advanced music. The individual
lessons themselves are short (no more than 4-6 minutes) and
comprehensive, encouraging singers to develop a literacy of rhythm
and melody together. By developing 18 easy-to-use lessons for
teachers and conductors and tying the lessons to the teacher's
current repertoire, longtime choral director and teacher David
Xiques has created a practical and viable solution to the
challenges of many conductors. The book features a comprehensive
companion website that includes videos of exercises, worksheets,
and teaching materials.
This is the no.1 fan guide to celebrate the global music phenomenon
that is Billie Eilish. Packed with inspirational quotes, cool facts
and amazing photography, We Love Billie Eilish follows her meteoric
rise from bedroom singer to global megastar. How well do you know
Billie? Discover her song inspiration, her unique style and more.
Whether you consider yourself a Pirate or an Eyelash, there's
something for every fan!
Today's music teachers are caught in a conundrum about technology -
while all are interested in it and told to utilize it in music
instruction, a lack of equipment and funding act as enormous
barriers to technology access. In fact, studies indicate that the
mere perception of these obstacles may be partly responsible for
the gap between these teachers' interest in technology and the lack
of technology integration in the classroom. As a result, students
potentially miss out on active, hands-on music technology
instruction at school. In Practical Music Education Technology,
veteran music educators Rick Dammers and Marjorie LoPresti help
music teachers introduce technology into the classroom by providing
accessible strategies to support and enrich students' musical
learning. The authors highlight a plethora of free online tools at
teachers' disposal, and provide options that can be flexible for
all school environments and types of teachers - from those with
large budgets to those operating on a shoestring, from those
well-versed in technology to non-experts. Each chapter outlines
pedagogically appropriate resources and strategies that facilitate,
support, and enhance music learning, performance, and creation.
Additionally, model lesson plans featuring classroom-tested uses of
technology aim to empower student engagement while also keeping
music learning goals at the forefront. All teaching ideas presented
can be tailored to individual teachers' needs and preferences,
making Practical Music Education Technology an essential guide to
music technology for the everyday music teacher.
A piece a week Piano Grade 4 is ideal to be used alongside the
Improve your sight-reading! graded piano books to support and
improve the reading skills so fundamental to successful
sight-reading. These fun, short pieces are specifically written to
be learnt one per week. By continually reading accessible new
repertoire, the crucial processing of information and hand-eye
coordination are established and improved, developing confident
sight-reading. The ability to sight-read fluently is a vital skill,
enabling students to learn new pieces more quickly and play with
other musicians. The best-selling Improve your sight-reading!
series, by renowned educationalist Paul Harris, is designed to
develop sight-reading skills, especially in the context of graded
exams.
This title includes a Book, 1 DVD & 1 CD. Learning to play the
keyboard is fun with this carefully designed method for the young
beginner. The key features include: easy to follow lesson-by-lesson
format for the absolute beginner; incorporates a repertoire of
well-known children's songs; introduces 5 notes with the right hand
& 3 one-fingered chords with the left hand; teaches music
theory in an interesting and practical way; full colour
illustrations throughout the whole book; the student can continue
on to "Keyboard Method for Young Beginners" Book 2 and Book 3; and
a must-have for any child with an interest in playing a musical
instrument. This method for Young Beginners also comes with a CD
and DVD with recordings of all examples and exercises contained in
the book.
It has never been easier or more fun for students to compose,
improvise, arrange, and produce music and music-related projects
than with today's technology. Written in a practical, accessible
manner, Using Technology to Unlock Musical Creativity offers both a
framework for and practical tips on the technology tools best
suited for encouraging students' authentic musical creativity.
Author Scott Watson makes a compelling case for creativity-based
music learning through eight teacher-tested principles that access,
nurture, and develop students' potential for musical expression.
Example after example illustrates each principle in a variety of
music teaching and technology scenarios. Watson also includes
practical ideas for technology-based creative music activities,
locating lesson plans and other resources, and assessing creative
work. The book provides detailed plans for dozens of attractive
projects, each linked to MENC National Standards, and also offers
suggestions for making adaptations according to grade level and
technology proficiency. Additionally, it includes a valuable
section of resources with tips for setting up a computer music
workstation, a plain-language description of how digital audio
works, and a music education technology glossary. Most of the
activities described can be carried out by novice users with free
or low-cost music applications.
The book also features a comprehensive companion website with
dozens of audio and video examples as well as many downloadable
worksheets, rubrics, and activity files. Visit the companion
website at www.oup.com/us/musicalcreativity.
A practical guide & reference manual, Teaching Music to
Students with Special Needs addresses special needs in the broadest
possible sense to equip teachers with proven, research-based
curricular strategies that are grounded in both best practice and
current special education law. Chapters address the full range of
topics and issues music educators face including parental
involvement, student anxiety, field trips and performances, and
assessment strategies. The book concludes with an up-to-date
section of resources and technology information.
This book looks at two years in the life of the UK's first
Specialist Music College - the Northampton School for Girls - and
sets the development of this school against what we know about
other schools often described as 'musical'. The author also sets
out a wider context of local and national developments in
education, and challenges myths about musical children and the idea
that some children never succeed in music. This book does not
provide easy answers but, in an entertaining and thought-provoking
way, challenges the reader to think hard about the issues
surrounding music provision in schools and to reflect on and help
develop their practice. Foreword by Howard Goodall.
Following on from the success of the award-winning A History of
Pictures for Children comes this introduction to the history of
music that takes children on a musical journey around the world.
Readers will meet along the way a diverse cast of composers,
musicians and performers who all make music in different ways in a
variety of different genres, from Bach to Billie Eilish, Mozart to
Miriam Makeba. Why do we make music? Which instruments make up a
classical orchestra? How does music affect our brains and emotions?
These are just some of the fascinating questions addressed in this
book, which looks at music's transnational and boundary-breaking
qualities. All over the world and throughout time, music has been
recorded and passed down through different oral traditions and
forms of notation. It has always been a powerful catalyst for
influencing change and connecting people. And what might the future
of music hold? Exploring the technology we use to listen to and
create music, the authors imagine new possibilities such as
computer-generated compositions and robot musicians. Includes an
online playlist organized by chapter that children can listen to as
they read.
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Cricket's Quartet
(Hardcover)
David O'boyle; Illustrated by Gene Ellerby
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R579
R533
Discovery Miles 5 330
Save R46 (8%)
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The Classical Music Sound Book series introduces the youngest music
lovers to famous composers with whimsical illustrations and 6
magical sound buttons to experience the joy of their music! Babies
and toddlers will love discovering the wonderful world of classical
music with this series that features a sound button on every
spread! An octopus plays Beethoven's Symphony No. 5 with three
violins, while two peacocks dance to Fur Elise, and four squirrels
perform on trapeze to Piano Sonata No 8 while a band of bears
performs The Ruins of Athens. And don't forget the giraffe
ballerinas and the cheerleader kangaroos. Children will love the
silly animal illustrations while falling in love with some of the
world's most universally beloved music of all time. (on / off
switch on back of book) A perfect gift for baby showers!
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