Human cultures, especially religious groups but also secular artists and performers, often ritualize bodies as sacred books and books as divine beings. An international team of scholars addresses this theme of books as sacred beings in this volume through an impressively diverse range of primary material and perspectives. These studies show the wide variety of ways in which books, bodies, and beings intermingle in material sacred texts manipulated by human bodies, and also in literary and artistic depictions of transcendent textual bodies. The boundary between material immanence and spiritual transcendence turns out to be very thin indeed when people use books. The chapters on specific book practices in different cultures are bracketed by an introduction to the collection and by a concluding essay that extrapolates on the widespread theme of books as sacred beings.

Metaphors are a vital linguistic component of religious speech and serve as a cultural indicator of how groups understand themselves and the world. The essays compiled in this volume analyze the use, function, and structure of metaphors in Jewish writings from the Hellenistic-Roman period (including the works of Philo and the texts of Qumran), as well as in apocryphal early Christian texts and inscriptions.

Small enough to take with you everywhere you go, this pocket Bible will ensure you have the Word of God at hand at all times. With a pastel mint soft imitation leather cover and matching zip, the Bible pages will be kept tidy and clean. This lovely gift Bible has a removable presentation sleeve, a pastel mint ribbon marker, and features a black and white hand-drawn pattern on the endpapers. First published in British English in 1979, the New International Version is the world's most popular modern English Bible. It is renowned for its combination of reliability and readability and is ideal for personal reading, public teaching and group study. This Bible also features: - clear, readable 6.75pt text - easy-to-read layout - shortcuts to key stories, events and people of the Bible - reading plan - book-by-book overview - quick links to find inspiration and help from the Bible in different life situations. This edition uses British spelling, punctuation and grammar to allow the Bible to be read more naturally. Royalties from all sales of the NIV Bible help Biblica in their work of translating and distributing Bibles around the world.

For this volume, sequel to The Bible in Three Dimensions, the seven full-time members of the research and teaching faculty in Biblical Studies at Sheffield-Loveday Alexander, David Clines, Meg Davies, Philip Davies, Cheryl Exum, Barry Matlock and Stephen Moore-set themselves a common task: to reflect on what they hope or imagine, as century gives way to century, will be the key areas of research in biblical studies, and to paint themselves, however modestly, into the picture. The volume contains, as well as those seven principal essays, a 75-page 'intellectual biography' of the Department and a revealing sketch of the 'material conditions' of its research and teaching, together with a list of its graduates and the titles of their theses.

Designed to be read in 15-20 minutes a day, this liturgical devotional guide will give readers focus and purpose in their daily quiet time while teaching them historical prayers, creeds, and catechisms that point them to Christ.

This book offers new translations of the Tiruppavai and Nacciyar Tirumoli, composed by the ninth-century Tamil mystic and poetess Kotai. Two of the most significant compositions by a female mystic, the Tiruppavai and Nacciyar Tirumoli give expression to her powerful experiences through the use of a vibrant and bold sensuality, in which Visnu is her awesome, mesmerizing, and sometimes cruel lover. Kotai's poetry is characterized by a richness of language in which words are imbued with polyvalence and even the most mundane experiences are infused with the spirit of the divine. Her Tiruppavai and Nacciyar Tirumoli are garlands of words, redolent with meanings waiting to be discovered. Today Kotai is revered as a goddess, and as a testament to the enduring relevance of her poetry, her Tiruppavai and Nacciyar Tirumoli continue to be celebrated in South Indian ritual, music, dance, and the visual arts.
This book aims to capture the lyricism, beauty, and power of Kotai's original works. In addition, detailed notes based on traditional commentaries, and discussions of the ritual and performative lives of the Tiruppavai and Nacciyar Tirumoli highlight the importance of this ninth-century poet and her two poems over the past one thousand years.

In 1946 the first of the Dead Sea Scroll discoveries was made near the site of Qumran, at the northern end of the Dead Sea. Despite the much publicized delays in the publication and editing of the Scrolls, practically all of them had been made public by the time of the fiftieth anniversary of the first discovery. That occasion was marked by a spate of major publications that attempted to sum up the state of scholarship at the end of the twentieth century, including The Encyclopedia of the Dead Sea Scrolls (OUP 2000). These publications produced an authoritative synthesis to which the majority of scholars in the field subscribed, granted disagreements in detail.
A decade or so later, The Oxford Handbook of the Dead Sea Scrolls has a different objective and character. It seeks to probe the main disputed issues in the study of the Scrolls. Lively debate continues over the archaeology and history of the site, the nature and identity of the sect, and its relation to the broader world of Second Temple Judaism and to later Jewish and Christian tradition. It is the Handbook's intention here to reflect on diverse opinions and viewpoints, highlight the points of disagreement, and point to promising directions for future research.

This volume is a systematic and comprehensive introduction to one of the most read texts in South Asia, the Bhagavad-gita. The Bhagavad-gita is at its core a religious text, a philosophical treatise and a literary work, which has occupied an authoritative position within Hinduism for the past millennium. This book brings together themes central to the study of the Gita, as it is popularly known - such as the Bhagavad-gita's structure, the history of its exegesis, its acceptance by different traditions within Hinduism and its national and global relevance. It highlights the richness of the Gita's interpretations, examines its great interpretive flexibility and at the same time offers a conceptual structure based on a traditional commentarial tradition. With contributions from major scholars across the world, this book will be indispensable for scholars and researchers of religious studies, especially Hinduism, Indian philosophy, Asian philosophy, Indian history, literature and South Asian studies.

The goal of this book is to suggest that Jesus as a creative artist was heavily influenced by the Hebrew Bible's Book of Proverbs. It posits that he created some of his short parables from specific verses found in Proverbs, suggests that he expanded some basic sapient themes present in this book when composing his parables, and shows him reacting negatively to the commonly held belief that this Book's overall concept of wisdom is that the wise are rewarded and the fools are punished by God through their own self-destructive choices and subsequent actions. Thus this text points to Jesus as an inventive artist, a concept not usually associated with him, and it complicates simplistic ways of defining biblical wisdom. Part I demonstrates how Jesus might have created his tales from specific proverbs found in the Book of Proverbs. The overarching theme for these parables is wisdom: Jesus as wisdom (I Cor. 1:24) speaking wisdom in new ways. Part II discusses Jesus as a self-actualized artist who creatively designed these tales. It examines what shaped Jesus' artistry, what might have been the sources of his literacy, why he might have chosen to expand individual proverbs imaginatively in order to create his moral tales, and how his wisdom enhanced conventional attitudes toward wisdom as the former included and clarified his new "kingdom of God" concepts. This book could be used in courses treating Literature and the Bible, Biblical Art, The Humanity of Jesus, and Wisdom Literature Common to Christians and Jews.

The second part of a 2-volume work, this study combines recent approaches that treat the formation and early interpretation of the final form of the book of Isaiah with the more conventional historical-critical methods that treat the use of traditions by Isaiah's authors and editors. Studies investigate Isaiah's use of early sacred tradition, the editing and contextualization of oracles within the Isaianic tradition itself, and the interpretation of the book of Isaiah in later traditions (as seen in the various versions of the text and various communities).
Contributors of this volume include virtually all of the major scholars of Isaiah and the leading scholars of biblical interpretation in the intertestamental, New Testament, and early Jewish periods.

Most scholars believe that the numerous similarities between the Covenant Code (Exodus 20:23-23:19) and Mesopotamian law collections, especially the Laws of Hammurabi, which date to around 1750 BCE, are due to oral tradition that extended from the second to the first millennium. This book offers a fundamentally new understanding of the Covenant Code, arguing that it depends directly and primarily upon the Laws of Hammurabi and that the use of this source text occurred during the Neo-Assyrian period, sometime between 740-640 BCE, when Mesopotamia exerted strong and continuous political and cultural influence over the kingdoms of Israel and Judah and a time when the Laws of Hammurabi were actively copied in Mesopotamia as a literary-canonical text. The study offers significant new evidence demonstrating that a model of literary dependence is the only viable explanation for the work. It further examines the compositional logic used in transforming the source text to produce the Covenant Code, thus providing a commentary to the biblical composition from the new theoretical perspective. This analysis shows that the Covenant Code is primarily a creative academic work rather than a repository of laws practiced by Israelites or Judeans over the course of their history. The Covenant Code, too, is an ideological work, which transformed a paradigmatic and prestigious legal text of Israel's and Judah's imperial overlords into a statement symbolically countering foreign hegemony. The study goes further to study the relationship of the Covenant Code to the narrative of the book of Exodus and explores how this may relate to the development of the Pentateuch as a whole.

The question of how the Bible received its unusual form has been a question addressed by scholars since critical study of the text began. Early attention focused on the Pentateuch and the Primary History. Archival Historiography in Jewish Antiquity argues that Ezra and Nehemiah, late texts sometimes overlooked in such discussions, reveal another piece of this longstanding puzzle. Laura Carlson Hasler suggests that the concept of archival historiography makes sense of Ezra and Nehemiah's unusual format and place in the Bible. Adapting the symbolic quality of ancient Near Eastern archives to their own purposes, the writers of these books found archiving an expression of religious and social power in a colonized context. Using the book of Esther as a comparative example, Carlson Hasler addresses literary disruption, a form unpalatable to modern readers, as an expected element of archival historiography. This book argues that archiving within the experience of trauma is more than sophisticated history writing, and in fact served to facilitate Judean recovery after the losses of exile.

Binding Fragments of Tractate Temurah and the Problem of Lishana 'Aharina offers a critical edition of an important Talmud manuscript of tractate Temurah discovered in the library of New York University. Addressing the unique Lishana 'Aharina ("alternative version") phenomenon present in this tractate, the present volume suggests a new approach for understanding the editing and transmission of tractate Temurah. This volume also includes a thorough discussion of the conservation and treatment of the manuscript fragments, a codicological and paleographical analysis of the fragments, and a synopsis of the entire first chapter of this tractate. The present work is relevant for study of the redaction and transmission of tractate Temurah and the Babylonian Talmud, as well as for the study of Hebrew binding fragments.

The devotion to the Passion of Our Lord Jesus Christ and particularly to His Holy Face is one of the oldest in the Christian tradition. This venerable devotion was practiced by such great saints as St. Augustine of Hippo, St. Bernard of Clairvaux, St. Gertrude the Great, St. Mechtilde, St. Edmund, St. Bonaventure and St. Therese of Lisieux.
Beginning in 1844, Our Lord appeared to Sr. Mary of St. Peter and expressed His desire that whole world should know and practice this devotion in reparation for man s blasphemy. Through the efforts of Sr. Mary St. Peter, Ven. Leo DuPont and countless others, this devotion has become one of the most loved, and remains one of the most needed in our time.
Eternal Father, we offer Thee the Adorable Face of Thy Well Beloved Son for the honor and glory of Thy Holy Name and for the salvation of all men. Prayer of Pope Blsd. Pius IX

The author applies the fields of gender studies, psychoanalysis, and literature to Talmudic texts. In opposition to the perception of Judaism as a legal system, he argues that the Talmud demands inner spiritual effort, to which the trait of humility and the refinement of the ego are central. This leads to the question of the attitude to the Other, in general, and especially to women. The author shows that the Talmud places the woman (who represents humility and good-heartedness in the Talmudic narratives) above the character of the male depicted in these narratives as a scholar with an inflated sense of self-importance. In the last chapter (that in terms of its scope and content could be a freestanding monograph) the author employs the insights that emerged from the preceding chapters to present a new reading of the Creation narrative in the Bible and the Rabbinic commentaries. The divine act of creation is presented as a primal sexual act, a sort of dialogic model of the consummate sanctity that takes its place in man's spiritual life when the option of opening one's heart to the other in a male-female dialogue is realized.

This book seeks to understand the major mythological role models that mark the moral landscape navigated by young Hindu women. Traditionally, the goddess Sita, faithful consort of the god Rama, is regarded as the most important positive role model for women. The case of Radha, who is mostly portrayed as a clandestine lover of the god Krishna, seems to challenge some of the norms the example of Sita has set. That these role models are just as relevant today as they have been in the past is witnessed by the popularity of the televised versions of their stories, and the many allusions to them in popular culture. Taking the case of Sita as main point of reference, but comparing throughout with Radha, Pauwels studies the messages sent to Hindu women at different points in time. She compares how these role models are portrayed in the most authoritative versions of the story. She traces the ancient, Sanskrit sources, the medieval vernacular retellings of the stories and the contemporary TV versions as well. This comparative analysis identifies some surprising conclusions about the messages sent to Indian women today, which belie the expectations one might have of the portrayals in the latest, more liberal versions. The newer messages turn out to be more conservative in many subtle ways. Significantly, it does not remain limited to the religious domain. By analyzing several popular recent and classical hit movies that use Sita and Radha tropes, Pauwels shows how these moral messages spill into the domain of popular culture for commercial consumption.

Joshua Berman engages the text of the Hebrew Bible from a novel perspective -- as a document of social and political thought. He proposes that the Pentateuch can be read as the earliest prescription on record for the establishment of an egalitarian polity. The blueprint that emerges is that of a society that would stand in stark contrast to the social orders found in the surrounding cultures of the ancient Near East -- Egypt, Mesopotamia, Ugarit, and the Hittite Empire -- where the hierarchical structure of the polity was centered on the figure of the king and his retinue. Berman shows that the Pentateuch's egalitarian ideal is articulated in comprehensive fashion and is expressed in its theology, politics, economics, use of technologies of communication, and in its narrative literature. Throughout, he invokes parallels from the modern period as heuristic devices to illuminate the ancient developments under study. Thus, for example, the constitutional principles in the Book of Deuteronomy are examined in the light of principles espoused by Montesquieu, and the rise of the novel in 18th-century England serves to illuminate the advent of new modes of storytelling in biblical narrative.

The tenets of Islam cannot be grasped without a proper understanding of the Qur'an. In this important new introduction, Muhammad Haleem examines its recurrent themes -- life and eternity, marriage and divorce, peace and war, water and nourishment -- and for the first time sets these in the context of the Qur'an's linguistic style. Professor Haleem examines the background to the development of the surahs (chapters) and the ayahs (verses) and the construction of the Qur'an itself. He shows that popular conceptions of Islamic attitudes to women, marriage and divorce, war and society, differ radically from the true teachings of the Qur'an.