Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in this volume examine old and new kinds of media and their meanings; new modes of transmission in fields such as Jewish music; and the struggle to continue transmitting texts under difficult political circumstances. Two essays analyze textual transmission in the works of giants of modern Jewish literature: S.Y. Agnon, in Hebrew, and Isaac Bashevis Singer, in Yiddish. Other essays discuss paratexts in the East, print cultures in the West, and the organization of knowledge in libraries and encyclopedias.

How did the New Testament writers and the earliest Christians come to adopt the Jewish scriptures as their first Old Testament? And why are our modern Bibles related more to the Rabbinic Hebrew Bible than to the Greek Bible of the early Church? The Septuagint, the name given to the translation of the Hebrew scriptures between the third century BC and the second century AD, played a central role in the Bible's history. Many of the Hebrew scriptures were still evolving when they were translated into Greek, and these Greek translations, along with several new Greek writings, became Holy Scripture in the early Church. Yet, gradually the Septuagint lost its place at the heart of Western Christianity. At the end of the fourth century, one of antiquity's brightest minds rejected the Septuagint in favor of the Bible of the rabbis. After Jerome, the Septuagint never regained the position it once had. Timothy Michael Law recounts the story of the Septuagint's origins, its relationship to the Hebrew Bible, and the adoption and abandonment of the first Christian Old Testament.

This book addresses intertextual connections between Lamentations and texts in each division of the Hebrew Bible, along with texts throughout history. Sources examined range from the Dead Sea Scrolls to modern Shoah literature, allowing the volume's impact to reach beyond Lamentations to each of the 'intertexts' the chapters address. By bringing together scholars with expertise on this diverse array of texts, the volume offers a wide range of exegetical insight. It also enables the reader to appreciate the varying intertextual approaches currently employed in Biblical Studies, ranging from abstract theory to rigid method. By applying these to a focused analysis of Lamentations, this book will facilitate greater insight on both Lamentations and current methodological research.

HACIA UNA TEOLOGIA DEL ANTIGUO TESTAMENTO En los estudios del Antiguo Testamento, ningun aspecto tiene tantas demandas como la teologia. Al reconocer la mayor crisis en teologia biblica, la incapacidad de reafirmar y aplicar la autoridad de la Biblia, Walter Kaiser ofrece la solucion a los asuntos sin resolver referentes a la importancia de su definicion y metodologia. Una buena comprension de la teologia biblica, explica el autor, >. En la primera parte de su libro, el Dr. Kaiser discute la dificultad inherente al determinar la verdadera naturaleza, metodo, alcance y motivacion para la teologia del Antiguo Testamento. En la segunda, aplica su solucion en forma clara y metodica al discutir en forma cronologica los periodos del Antiguo Testamento, desde el Prepatriarcal (Prolegomenos a la Promesa) hasta el Postexilico (Triunfo de la Promesa)."

Through these fascinating Old Testament books, Ezra and Nehemiah you will discover a God who is in control of history and the hearts of his people. It is a real encouragement to be reminded how Yahweh can even work through the lives of secular leaders, just as he did with the Persian Kings, Cyrus and Artaxerxes.

From the simple and beautiful language of the prose tale, to the verbal fireworks of the dialogue between Job and his friends, to the haunting beauty of the poem on wisdom and the sublime poetics of the divine speeches, this book provides an intense encounter with the aesthetic resources of Hebrew verbal art. In this brilliant new study, Carol Newsom illuminates the relation between the aesthetic forms of the book and the claims made by its various characters. Her innovative approach makes possible a new understanding of the unity of the book of Job; she rejects the dismantling of the book by historical criticism and the flattening of the text that characterizes certain final form readings.