The world cries out for a prophetic word to the chaos, unrest, and destructiveness of our times. Can the biblical prophets speak into our world today? Old Testament ethicist M. Daniel Carroll R. shows that learning from the prophets can make us better prepared for Christian witness. In this guide to the ethical material of Old Testament prophetic literature, Carroll highlights key ethical concerns of the three prophets most associated with social critique--Amos, Isaiah, and Micah--showing their relevance for those who wish to speak with a prophetic voice today. The book focuses on the pride that generates injustice and the religious life that legitimates an unacceptable status quo--both of which bring judgment--as well as the ethical importance of the visions of restoration after divine judgment. Each of these components in the biblical text makes its own particular call to readers to respond in an appropriate manner. The book also links biblical teaching with prophetic voices of the modern era.

The longest chapter in the Bible, Psalm 119, is about the Bible itself. In his commentary on Psalm 119 Pastor Mott shows how the Bible is relevant for every need of life. No matter what situation or emotion you may be experiencing in your life, there is a verse in Psalm 119 that speaks to it. In this psalm you will find information relating to things historical, political, social, psychological, soteriological, and eschatological. The comprehensiveness of Psalm 119 is itself a wonder. Only God could inspire such a psalm.

Notions of women as found in the Bible have had an incalculable impact on western cultures, influencing perspectives on marriage, kinship, legal practice, political status, and general attitudes. Women and Exilic Identity in the Hebrew Bible is drawn from three separate strands to address and analyse this phenomenon. The first examines how women were conceptualized and represented during the exilic period. The second focuses on methodological possibilities and drawbacks connected to investigating women and exile. The third reviews current prominent literature on the topic, with responses from authors. With chapters from a range of contributors, topics move from an analysis of Ruth as a woman returning to her homeland, and issues concerning the foreign presence who brings foreign family members into the midst of a community, and how this is dealt with, through the intermarriage crisis portrayed in Ezra 9-10, to an analysis of Judean constructions of gender in the exilic and early post-exilic periods. The contributions show an exciting range of the best scholarship on women and foreign identities, with important consequences for how the foreign/known is perceived, and what that has meant for women through the centuries.

The Scriptures of Ancient Judaism: A Secular Introduction provides students with a scholarly exploration of the literature and themes of the Old Testament/Hebrew Bible and cognate Near Eastern materials. The text features diverse interdisciplinary and methodological points of view from secular biblical scholars, offering readers a comprehensive, thoughtful, and accessible point of entry to the study of the ancient world and the religious heritage of Judaism. The text approaches the scriptures of ancient Judaism without religious bias or dogmatic intent. Rather, the book is designed to ignite interest in the history and literature of the ancient world and to present the latest scholarship related to the Old Testament/Hebrew Bible. Students are introduced to Israelite religious traditions, their unique worldviews, and offered a primer on how to read ancient texts. Later chapters examine the histories and cultures of the ancient Near East and Jewish historiography. Legal texts, prophetic texts, biblical poetry and wisdom literature, and apocalyptic writings found within the Hebrew Bible and other related texts are analyzed. Providing students a rich and complete introduction, The Scriptures of Ancient Judaism is an ideal text for courses in biblical studies.

The Psalms' insights are remarkable, unexpected, eye-opening. They have vital things to say to us if we listen intently to the ancient wisdom, much of which has been lost to modern ears. Using the insights of the "shape and shaping of the Psalms" work done by Psalms scholars over the past twenty-five years, James Chatham presents an inviting study for nonexperts to explore the interactions that various psalms have with one another. The book invites us to listen in on several psalm conversations, to realize how contemporary they are, and to join them. Chatham encourages us to immerse ourselves in the mind, heart, and world of the Psalms editor, to get to know those editors well, and to realize that their world was, in important ways, very much like ours. Through this process, the messages spoken by the Psalms editors emerge with words of faith about everyday issues in human living, both then and now.

In the Hebrew Bible, Judges 4-5 tells the lurid story of the heroic figure of Jael, a woman who seduces the Canaanite general Sisera and then nails his head to the ground with a tent-peg, thus saving Israel from the troops of King Sabin. This gruesome tale has long intrigued scholars and artists alike. The many versions of the story that have appeared in art and literature have repeatedly and creatively built on the gendered themes of the tradition, often seeing in the encounter between Jael and Sisera some fundamental truth about the relationship between women and men. In Sex and Slaughter in the Tent of Jael, Colleen Conway offers the first sustained look at how this biblical tradition has been used artistically to articulate and inform cultural debates about gender. She traces the cultural retellings of this story in poems, prints, paintings, plays, and narratives across many centuries, beginning with its appearance in Judges 4-5 and continuing up to the present day. Once separated from its original theological context, the Jael/Sisera tradition becomes largely about gender identity, particularly the conflict between the sexes. Conway examines the ways in which Jael has been reimagined by turns as a wily seductress, passionate lover, frustrated and bored mother, peace-bringing earth goddess, and deadly cyborg assassin. Meanwhile, Sisera variously plays the enemy general, the seduced lover, the noble but tragically duped victim, and the violent male chauvinist. Ultimately, Conway demonstrates that the ways in which Jael's actions are explained and assessed all depend on when, by whom, and for whom the Jael and Sisera story is being told. In examining the varying artistic renditions of the story, this book also provides a case study of the Bible's role as a common cultural resource in secular western culture.

Recognizing that human experience is very much influenced by inhabiting bodies, the past decade has seen a surge in studies about representation of bodies in religious experience and human imaginations regarding the Divine. The understanding of embodiment as central to human experience has made a big impact within religious studies particularly in contemporary Christian theology, feminist, cultural and ideological criticism and anthropological approaches to the Hebrew Bible. Within the sub-field of theology of the Hebrew Bible, the conversation is still dominated by assumptions that the God of the Hebrew Bible does not have a body and that embodiment of the divine is a new concept introduced outside of the Hebrew Bible. To a great extent, the insights regarding how body discourse can communicate information have not yet been incorporated into theological studies.

The relationship of the biblical tradition to golden calf worship seems to be entirely negative. In the Torah and the Book of Kings, harsh criticism is wielded against the golden calf the Israelites made in the wilderness (Exod 32; Deut 9:7-10:11) and the calves erected by Jeroboam ben Nebat (1 Kgs 12:26-33) at Dan and Bethel during his reign over the Northern Kingdom of Israel. Hence, the question arises as to whether Jeroboam in truth set up the golden calves in order to buck the postulates of the Israelite religion of his time; that is, was Jeroboam's golden calf really meant to lure Israel into worship of other gods or idolatry? The research into the background and factors which motivated negative attitudes towards the Golden Calf will provide an insight as to when prohibition of images in the Israelite religion became crystallized and how it was indispensable in proclamation of the monotheism of YHWH.

This monograph on biblical linguistics is a highly specialized, pragmatic investigation of the controversial question of "foregrounding"-the deviation from some norm or convention-in Old Testament narratives. The author presents and examines the two main sources of pragmatic foregrounding: events or states deviating from well-established schemata, structures of reader expectation that can be manipulated by the narrator to highlight specific "chunks" of discourse; and evaluative devices, which are used by the narrator to indicate to the reader the point of the story and direct its interpretation. Cotrozzi critiques the particular evaluative device known as the "historic present", a narrative strategy that employs the present tense to describe past event. He tests two main theories that support this device by using a cross-linguistic model of the historical present drawing upon a variety of languages. Cotrozzi ultimately refutes these theories with a thorough examination and detailed refutation. He concludes with a study of a particular Hebraic verb as a particular marker of represented perception, a technique whereby the character's perceptions are expressed directly from its point of view.

In the Song of Songs the son of David, King in Jerusalem, overcomes hostility and alienation to renew intimacy between himself and his Bride. This most sublime Song sings of a love sure as the seal of Yahweh, a flashing flame of fire many waters could never quench. James M. Hamilton Jr, in this latest addition to the popular Focus on the Bible series, pours fresh light on this inspiring and uplifting book.

Traditions at Odds explores the Pentateuch's literary influence on other biblical texts. There exist a number of content discrepancies between pentateuchal and non-pentateuchal texts that treat the same subject. Through a detailed analysis, the author argues that the discrepancies are not alterations of pentateuchal material, as is generally argued, but rather indications of independent traditions. Thus, much of biblical literature was written outside of the Pentateuch's purview. Corroborating evidence is found in literature from the Second Temple Period, which also exhibits a lack of conformity to the Pentateuch. After demonstrating this independence, this study explores its implications on the composition of biblical texts and the process of canonization. Marked by an interdisciplinary approach, the study incorporates recent theoretical developments in literary and ideological criticism, as well as ritual, historiography and textual citation. It not only provides a broader base of study, but serves to address a deficiency in biblical studies: most studies of intertextuality operate with little theoretical grounding, while studies in ritual or historiography are based on models from the late 19th/early 20th centuries.

This study focuses on the Chronicler's special interest in Levite singers. It takes into consideration the socio-ideological milieu of the Jerusalem temple community in the Persian period and the Mesopotamian elite professional norms and practices that nourished the singers and their music. It also explores the conception of the earthly temple as representative of its heavenly counterpart, and looks at the way in which this shaped the Chronicler's theological frame of reference. The work is divided into two parts. Part I examines the Mesopotamian scribal-musical background, to which Ko attributes the rise of music in Chronicles. Part II considers the Chronicler's ideological perspective, the language of the temple and the educational, scribal, and liturgical services of Levite singers. By focusing on the characterisation of the Levite singers in the light of their Mesopotamian counterparts, Ko shows how they sought to foster cosmic stability according to the terms of the Davidic covenant.

Kamrada's study analyses three narratives concerning the greatest heroic figures of the biblical tradition: Jephthah's daughter, Samson and Saul, and includes a consideration of texts about King David. All three characters are portrayed as the greatest and most typical and exemplary heroes of the heroic era. All three heroes have an exceptionally close relationship with the deity all die a traditionally heroic, tragic death. Kamrada argues that within the Book of Judges and the biblical heroic tradition, Jephthah's daughter and Samson represent the pinnacle of female and male heroism respectively, and that they achieve super-human status by offering their lives to the deity, thus entering the sphere of holiness. Saul's trajectory, by contrast, exemplifies downfall of a great hero in his final, irreversible separation from God, and it also signals the decline of the heroic era. David, however, is shown as an astute hero who founds a lasting dynasty, thus conclusively bringing the heroic era in the Deuteronomistic history to a close.

While recent Old Testament scholarship has seen a steady rise in the prominence of narrative approaches to the text, little such work has been done on the book of Joshua. This book offers a narrative treatment of the conquest accounts, with specific attention given to the characterization of Joshua. The method employed is eclectic, including poetic analysis, structural study, delimitation criticism, comparative literary analysis, and intertextual reading. Joshua's characterization has received inadequate scholarly attention to date, largely because he is seen as a pale character, a mere stereotype in the biblical history. This two-dimensional reading often leads to the conclusion that Joshua is meant to represent another character in the history. But this approach neglects the many aspects of Joshua's character that are unique, and does not address the text's presentation of his flaws. On the other hand, some scholars have recently suggested that Joshua's character is significantly flawed. This reading is similarly untenable, as those features of Joshua's leadership that it portrays as faulty are in fact condoned, not condemned, by the text itself. Close examination of the conquest narratives suggests that Joshua's character is both complex and reliable. To the degree that Joshua functions as a paradigm in the subsequent histories, this paradigm must be conceived more broadly than it has been in the past. He is not merely a royal, prophetic, or priestly figure, but exercises, and often exemplifies, the many different types of leadership that feature in the former prophets.

This study of the book of Daniel examines the ideology of divine and human rule in Daniel's historical resumes or reviews found in chaps 2, 7, 8, 9, 10-12. It seeks to uncover the concerns that motivate the resumes and the strategies the resumes use to resolve cognitive and experiential dissonance. Willis argues that the source of dissonance in Daniel stems not from failed prophecies (as has been commonly argued), nor do the visions function as symbolic theodicies to address a contradiction between divine power and divine goodness in the face evil. The study proposes, instead, that the historical resumes address profound contradictions concerning divine power and presence in the face of Hellenistic/Seleucid rule. These contradictions reach a crisis point in Daniel 8's depiction of the desecration of the temple (typically Daniel 8 is seen as a poor replica of the triumphant vision of divine power found in Daniel 7). This crisis of divine absence is addressed both within the vision of chap 8 itself and then in the following visions of chaps 9, and 10-12, through the use of narrative (both mythological narrative and historical narrative).