In the bitter conflict over the Holy Land, two generations of families-one Israeli and one Palestinian-fight for their survival and their own piece of the Promised Land.
Hardened by life in a Nazi concentration camp, cynical Ellie finds himself in a battle on behalf of the Jewish people, vowing to ensure their suffering will not be in vain. Overseas, Yasif, a Palestinian who left his home country at a young age to study in America, is mysteriously drawn into the struggle by an entity known only as the voice.
Underneath the bloody encounters of Ellie, Yasif, and their respective families runs a current of hope and belief in the possibility of a peaceful resolution to the conflict. But the unending cycle of violence and heartbreak threatens to prevent such a resolution-while the possibility of peace exists, so does its explosive alternative.

There are 13 ancient history books that are mentioned and recommended by the Bible. The Ancient Book of Jasher is the only one of the 13 that still exists. It is referenced in Joshua 10:13; 2 Samuel 1:18; and 2 Timothy 3:8. This volume contains the entire 91 chapters plus a detailed analysis of the supposed discrepancies, cross-referenced historical accounts, and detailed charts for ease of use. As with any history book there are typographical errors in the text but with three consecutive timelines running though the histories it is very easy to arrive at the exact dates of recorded events. It is not surprising that this ancient document confirms the Scripture and the chronology given in the Hebrew version of the Old Testament, once and for all settling the chronology differences between the Hebrew Old Testament and the Greek Septuagint. The Ancient book of Jasher is brought to you by Biblefacts Ministries, Biblefacts.org

Southwestern Journal of Theology 2022 Book of the Year Award (Honorable Mention, Biblical Studies) This survey textbook is grounded in the view that the prophetic books of the Old Testament should be read as Christian Scripture. Although it covers critical issues such as authorship, background, and history, its primary focus is on the message and theology of the prophetic books and the contribution they make to the Christian canon. Particular attention is given to literary issues, such as the structure of each prophetic book. Full-color illustrations, diagrams, and artwork bring the text to life. Additional resources for instructors and students are available through Textbook eSources.

This new commentary on Zechariah is a part of the 46-volume New American Commentary series--an acclaimed resource for ministers and Bible students who want to understand and delve more deeply into the Scriptures. Based on the New International Version, the volume exhibits sound methodology reflecting research done in the Scripture's original languages. NIV text printed in the body of the commentary aids in cross-reference and study. Featured at academic conferences, the book is also a publicity focus on top theological blogs and publications. The author is an associate dean for the Research Doctoral Program and an associate professor Southwestern Baptist Theological Seminary in Texas. He also serves on the Old Testament editorial board for the Bulletin for Biblical Research.

The inspiration of the Bible is central to Christian faith, yet there is no general agreement on the nature of this inspiration. In this provocative book, Kern Robert Trembath reviews seven major evangelical explanations of inspiration and demonstrates that all either view the Bible itself as the actual recipient of inspiration or explain biblical authority on grounds more appropriate to the doctrine of God--in effect investing the Bible with characteristics that properly belong only to God. Building on the work of William Abraham, Trembath constructs his own theory of inspiration--one that regards inspiration as a tripartite concept involving the elements of initiator, means, and receiver. He insists that only a human being can be the recipient of inspiration and that the Bible must therefore be understood as the means, rather than the end, of the process. He goes on to articulate a new definition of biblical inspiration--as "a mediated enhancement of human experience by God, through the Bible"--and argues that this new understanding of inspiration is most compatible with a Thomistic doctrine of God, which insists that God's acts are mediated through the world, rather than immediately occurring in it.

The Psalms is a beautiful presentation of this beloved section of Scripture. Featuring the ESV text, each psalm is presented in large, readable type on high quality paper. The layout gives ample space for the text and adds to the aesthetic value of the biblical poetry. This is a wonderful edition for devotions, for liturgical use, and as a gift. Black letter text Single-column format

Four biblical scholars offer passage-by-passage commentary through the narratives of Isaiah, Jeremiah, Lamentations, and Ezekiel, explaining difficult doctrines, shedding light on overlooked sections, and making applications to life and ministry today. Part of the ESV Expository Commentary.

This book anchors its account of the beauty of Jesus Christ to a scheme found in St Augustine of Hippo's Expositions of the Psalms. There Augustine recognized the beauty of Christ at every stage-from his pre-existence ('beautiful in heaven'), through his incarnation, the public ministry ('beautiful in his miracles, beautiful in calling to life'), passion, crucifixion, burial, resurrection ('beautiful in taking up his life again'), and glorious life 'in heaven'. Augustine never filled out this laconic summary by writing a work on Christ and his beauty. The Beauty of Jesus Christ seems to be the first attempt in Christian history to write a comprehensive account of the beauty of Christ in the light of Augustine's list. The work begins by offering a working description of what it understands by beauty as being perfect, harmonious, and radiant. Beauty, above all the divine beauty, enjoys inexhaustible meaning and overlaps with 'the holy' or the awesome and fascinating mystery of God. Loving beauty opens the way to truth and helps us grasp and practise virtue. The books needs to add some items to Augustine's list by recognizing Christ's beauty in his baptism, transfiguration, and post-resurrection sending of the Holy Spirit. It also goes beyond Augustine by showing how the imagery and language Jesus prepared in his hidden life and then used in his ministry witness to the beautiful sensibility that developed during his years at home in Nazareth. Throughout, this book draws on the Scriptures to illustrate and justify Augustine's brief claims about the beauty revealed in the whole story of Christ, from his pre-existence to his risen 'post-existence'. Where appropriate, it also cites the witness to Christ's beauty that has come from artists, composers of sacred music, the creators of icons, and writers.

An unusual and innovative way to increase our Bible knowledge - by stepping into a metaphorical time machine.

Basics of Ancient Ugaritic is a teaching grammar of this ancient language, one of vital importance for understanding the wider world and culture surrounding the Old Testament text. It begins with the alphabet, and each new lesson builds on the ones before it. It is not, therefore, a synthetic Ugaritic grammar-these types of texts often prove to be overwhelming for students. Instead, Basics of Ancient Ugaritic can be used for learning the language by individuals on their own or in a classroom setting. Each chapter concludes with a set of exercises allowing students to know whether they are grasping the fundamentals of the language. In short, Basics of Ancient Ugaritic represents an ideal first text for entering the larger world of Semitic languages.

The book of Chronicles has had a chequered past. Neglected for many years under the fortunate name of Paraleipomen or 'Things omitted', meant that they occupied a subordinate position in the Scriptures until the 4th century AD when the title 'A Chronicle of the whole Sacred History' was suggested instead. This has since been shortened to Chronicles and the rest is, literally history. Probably penned by Ezra, Chronicles is a selective history of the Jews encouraging them to trust that God is intimately involved in their story. Written at a time when the Jews were newly out of captivity and with their capital city in ruins, Chronicles assures them of God's faithfulness. If they would obey and serve him then his people would still enjoy his blessing. Cyril Barber has also written Focus on the Bible's commentary on 1 Chronicles.

This is the first of a two-volume bible commentary covering the Psalms and examining the role of these biblical poems throughout Jewish and Christian history. * Provides a fascinating introduction to the literary, historical, and theological background of psalmody * Examines the psalms through liturgy and prayer, study and preaching, translation and imitation, and musical composition and artistic illustration * Includes illustrations of significant psalms, helpful maps, and an extensive bibliography; an expanded bibliography to accompany the book is also available at www.wiley.com/go/gillingham * A forthcoming second volume is planned, which will take an alternative psalm-by-psalm approach * Now available in paperback, and published in the innovative reception-history series, Blackwell Bible Commentaries

Books in the John Phillips Commentary Series are designed to provide pastors, Sunday school teachers, and students of the Scripture with doctrinally sound interpretation that emphasizes the practical application of Bible truth. Working from the familiar King James Version, Dr. Phillips not only provides helpful commentary on the text, but also includes detailed outlines and numerous illustrations and quotations. Anyone wanting to explore the meaning of God's Word in greater depth--for personal spiritual growth or as a resource for preaching and teaching--will welcome the guidance and insights of this respected series.

Exploring the lively polemics among Jews, Christians, and Muslims during the Middle Ages, Hava Lazarus-Yafeh analyzes Muslim critical attitudes toward the Bible, some of which share common features with both pre-Islamic and early modern European Bible criticism. Unlike Jews and Christians, Muslims did not accept the text of the Bible as divine word, believing that it had been tampered with or falsified. This belief, she maintains, led to a critical approach to the Bible, which scrutinized its text as well as its ways of transmission. In their approach Muslim authors drew on pre-Islamic pagan, Gnostic, and other sectarian writings as well as on Rabbinic and Christian sources. Elements of this criticism may have later influenced Western thinkers and helped shape early modern Bible scholarship. Nevertheless, Muslims also took the Bible to predict the coming of Muhammad and the rise of Islam. They seem to have used mainly oral Arabic translations of the Hebrew Bible and recorded some lost Jewish interpretations. In tracing the connections between pagan, Islamic, and modern Bible criticism, Lazarus-Yafeh demonstrates the importance of Muslim mediation between the ancient world and Europe in a hitherto unknown field.

Originally published in 1992.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The ancient poems we call Psalms are over 2000 years old. They were written in very different times from our own when humans could travel at the speed of a camel, not at the speed of sound. But these songs have stood the test of time for they address many of the problems we still face: violence, injustice, anger and bewilderment. Why do the wicked prosper? Where is God when we suffer? In this 5 session course, Bishop Stephen Cottrell, a prolific and popular author, reflects on the psalms in general, and five psalms in particular. He invites us to join him as he does so. This York Course is available in the following formats: Course Book (Paperback 9781909107106) Course Book (eBook 9781909107632 both ePub and Mobi files provided) Audio Book of Interview to support The Psalms York Course (CD 9781909107458) Audio Book of Interview (Digital Download 9781909107618) Transcript of interview to support The Psalms York Course (Paperback 9781909107113) Transcript of interview (eBook 9781909107649 both ePub and Mobi files provided) Book Pack (9781909107465 Featuring Paperback Course Book, Audio Book on CD and Paperback Transcript of Interview) Large print (9781909107625) The five sessions focus on: SESSION 1: Know that the Lord is God (Psalm 100) SESSION 2: Out of the depths have I cried (Psalm 130) SESSION 3: How long, O Lord? (Psalm 13) SESSION 4: You spread a table before me (Psalm 23) SESSION 5: Unless the Lord builds the house (Psalm 127) The participants on the course audio are the Dominican Friar Fr Timothy Radcliffe; the Revd John Bell of the Iona Community; the Bishop of Dover, Rose-Hudson Wilkin and Revd Dr Jane Leach, the Principal of Wesley House Cambridge.

In this volume, Douglas Yoder uses the tools of modern and postmodern philosophy and biblical criticism to elucidate the epistemology of the Tanakh, the collection of writings that comprise the Hebrew Bible. Despite the conceptual sophistication of the Tanakh, its epistemology has been overlooked in both religious and secular hermeneutics. The concept of revelation, the genre of apocalypse, and critiques of ideology and theory are all found within or derive from epistemic texts of the Tanakh. Yoder examines how philosophers such as Spinoza, Hume, and Kant interacted with such matters. He also explores how the motifs of writing, reading, interpretation, image, and animals, topics that figure prominently in the work of Derrida, Foucault, and Nietzsche, appear also in the Tanakh. An understanding of Tanakh epistemology, he concludes, can lead to new appraisals of religious and secular life throughout the modern world.

In "Out of Eden," Paul W. Kahn offers a philosophical meditation on the problem of evil. He uses the Genesis story of the Fall as the starting point for a profound articulation of the human condition. Kahn shows us that evil expresses the rage of a subject who knows both that he is an image of an infinite God and that he must die. Kahn's interpretation of Genesis leads him to inquiries into a variety of modern forms of evil, including slavery, torture, and genocide.

Kahn takes issue with Hannah Arendt's theory of the banality of evil, arguing that her view is an instance of the modern world's lost capacity to speak of evil. Psychological, social, and political accounts do not explain evil as much as explain it away. Focusing on the existential roots of evil rather than on the occasions for its appearance, Kahn argues that evil originates in man's flight from death. He urges us to see that the opposite of evil is not good, but love: while evil would master death, love would transcend it.

Offering a unique perspective that combines political and cultural theory, law, and philosophy, Kahn here continues his project of advancing a political theology of modernity.

Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in this volume examine old and new kinds of media and their meanings; new modes of transmission in fields such as Jewish music; and the struggle to continue transmitting texts under difficult political circumstances. Two essays analyze textual transmission in the works of giants of modern Jewish literature: S.Y. Agnon, in Hebrew, and Isaac Bashevis Singer, in Yiddish. Other essays discuss paratexts in the East, print cultures in the West, and the organization of knowledge in libraries and encyclopedias.

The present volume contains a collection of articles from an international conference in Zurich that brought together leading voices from North America, Europe, and Israel to evaluate the present state of research on the composition of the Pentateuch. The aim of the conference was to clarify differences in methodology and to identify points of convergence in the present state of pentateuchal research as a basis for further discussion. "The essays in this volume provide important insights about the way toward a better understanding of the Pentateuch's literary development." Angela Roskop Erisman in Journal of the American Oriental Society 133.3 (2013), p. 551-553

From the simple and beautiful language of the prose tale, to the verbal fireworks of the dialogue between Job and his friends, to the haunting beauty of the poem on wisdom and the sublime poetics of the divine speeches, this book provides an intense encounter with the aesthetic resources of Hebrew verbal art. In this brilliant new study, Carol Newsom illuminates the relation between the aesthetic forms of the book and the claims made by its various characters. Her innovative approach makes possible a new understanding of the unity of the book of Job; she rejects the dismantling of the book by historical criticism and the flattening of the text that characterizes certain final form readings.

In "Out of Eden," Paul W. Kahn offers a philosophical meditation on the problem of evil. He uses the Genesis story of the Fall as the starting point for a profound articulation of the human condition. Kahn shows us that evil expresses the rage of a subject who knows both that he is an image of an infinite God and that he must die. Kahn's interpretation of Genesis leads him to inquiries into a variety of modern forms of evil, including slavery, torture, and genocide.

Kahn takes issue with Hannah Arendt's theory of the banality of evil, arguing that her view is an instance of the modern world's lost capacity to speak of evil. Psychological, social, and political accounts do not explain evil as much as explain it away. Focusing on the existential roots of evil rather than on the occasions for its appearance, Kahn argues that evil originates in man's flight from death. He urges us to see that the opposite of evil is not good, but love: while evil would master death, love would transcend it.

Offering a unique perspective that combines political and cultural theory, law, and philosophy, Kahn here continues his project of advancing a political theology of modernity.