Do the Olympic Games really live up to their glowing reputation? As the biggest global sport mega-event, the Olympics command public attention, while Olympic mythology obscures their underlying function as a profit-making business. Unlike terms such as 'Olympic movement' and 'Olympic family', the concept of 'Olympic industry' focuses on sport as an economic and political enterprise, with its beneficiaries including sponsors, media rights holders, developers, and politicians. Negative impacts on host cities disproportionately threaten the lives and well-being of disadvantaged minorities. Citizens' Olympic resistance campaigns address a range of human rights abuses, while recent athlete activism also focuses on the doping problem and the sexual abuse of girls and women. Female athletes with 'differences of sexual development' face discriminatory gender policies that disqualify them from women's events. All of these issues are analysed through a feminist, anti-racist lens.

Seoul Glow tells the story of the Great Britain men's hockey team who won gold at the 1988 Seoul Olympics. Little to the team's knowledge, the final caught the British public's imagination as they beat rivals West Germany in the gold-medal match. After Sean Kerly's semi-final heroics and Imran Sherwani's double in the final, BBC commentator Barry Davies uttered the now infamous line: 'Where were the Germans? But, frankly, who cares?' Victory, for a team of amateurs, who had either quit their jobs or taken holiday to play in Seoul, propelled the team to celebratory heights on their return to British shores; it was GB's first hockey gold in the post-war era and followed an eight-year plan for a major title. The story also reveals how the team was inspirationally led by the late Roger Self, the manager who gelled his players into Olympic title holders.

In 1968, Mexico prepared to host the Olympic games amid growing civil unrest. The spectacular sports facilities and urban redevelopment projects built by the government in Mexico City mirrored the country's rapid but uneven modernization. In the same year, a street-savvy democratization movement led by students emerged in the city. Throughout the summer, the '68 Movement staged protests underscoring a widespread sense of political disenfranchisement. Just ten days before the Olympics began, nearly three hundred student protestors were massacred by the military in a plaza at the core of a new public housing complex. In spite of institutional denial and censorship, the 1968 massacre remains a touchstone in contemporary Mexican culture thanks to the public memory work of survivors and Mexico's leftist intelligentsia. In this highly original study of the afterlives of the '68 Movement, George F. Flaherty explores how urban spaces-material but also literary, photographic, and cinematic-became an archive of 1968, providing a framework for de facto modes of justice for years to come.

The Olympic Games produce an untold number of breathtaking images: athletes at work and rest, events from ski-jumping and bobsleighing, sporting facilities, venues from rugged mountains to indoor ice-rinks, and unique moments that allow the viewer to share the passion of the Olympic Games. This fourth volume in a series celebrating the Olympic Games presents stunning photographs from the Winter Games in PyeongChang 2018. Photographers John Huet, David Burnett, Jason Evans and Mine Kasapoglu Puhrer were granted access to the training zones and accompanied the athletes as they prepared for their events before the arrival of the crowds. These unconventional images show the intensity of training and the mental state of the Olympians. The photos are accompanied by detailed commentaries by the photographers, describing the thought and planning behind the images, and the exact moment when the images were captured. Bilingual edition (English and French).

For two weeks in August 1936, Nazi Germany achieved an astonishing propaganda coup when it staged the Olympic Games in Berlin. Hiding their anti-Semitism and plans for territorial expansion, the Nazis exploited the Olympic ideal, dazzling visiting spectators and journalists alike with an image of a tolerant country. Thousands of foreigners went away wondering why the Hitler regime had been vilified, unaware that not far from the stunning Olympic Stadium lay a concentration camp full of 'enemies of the state'. In Hitler's Olympics, Anton Rippon tells the story of those remarkable Games, the first to overtly use the Olympic festival for political purposes. His account looks at how the rise of the Nazis affected German sportsmen and women in the early 1930s. And it reveals how the rest of the world allowed the Berlin Olympics to go ahead despite the knowledge that Nazi Germany was a police state.The Nazis threw all their resources into staging the most remarkable Olympics seen so far. Hitler was closely involved in the grandiose planning of an event that was designed to glorify the new Nazi state, and this book describes the process in fascinating detail. The political drama of the event is matched by the intense competition of the athletes on the field and track. Here the two sides of the story come together, most famously in the person of Jessie Owens, the black quadruple gold medal winner.Hitler's Olympics is featured on the Sports Journalists' Association website:www.sportsjournalists.co.uk/olympics/should-we-send-a-jew-to-cover-the-berlin-olympics/

This book provides a unique perspective on the behind the scenes planning of London's Olympic legacy. The author had unprecedented access to the legacy organisations, institutions, and individuals involved with the 2012 Games. This has allowed her, in a highly accessible and engaging style, to capture a sense of the unfolding drama as attempts were made in London to harness the juggernaut of Olympic development, and its commercial imperative, to the broader cause of meaningful post-industrial regeneration in East London. The book argues that London will become the test-case city against which the legacies of all future Olympic Games, and other sporting mega-events, will be judged. The author provides the first in-depth case study of a mega-event legacy planning operation, and sets out a constructive conclusion, which details the lessons to be learnt from London's experience. Exploring the relationship between mega event planning, and post-industrial urban regeneration, this book will appeal to scholars across Sociology, Sport and Olympic studies, Anthropology, Urban Studies and Geography as well as policymakers and practitioners in urban and sport planning.

Once a showcase for amateur athletics, the Olympic Games have become a global entertainment colossus powered by corporate sponsorship and professional participation. Stephen R. Wenn and Robert K. Barney offer the inside story of this transformation by examining the far-sighted leadership and decision-making acumen of four International Olympic Committee (IOC) presidents: Avery Brundage, Lord Killanin, Juan Antonio Samaranch, and Jacques Rogge. Blending biography with historical storytelling, the authors explore the evolution of Olympic commercialism from Brundage's uneasy acceptance of television rights fees through the revenue generation strategies that followed the Salt Lake City bid scandal to the present day. Throughout, Wenn and Barney draw on their decades of studying Olympic history to dissect the personalities, conflicts, and controversies behind the Games' embrace of the business of spectacle. Entertaining and expert, The Gold in the Rings maps the Olympics' course from paragon of purity to billion-dollar profits.