Presents a work of personal histories from the villages all around the Pontcysyllte Aqueduct. This book is a work of a collection of memories, and includes stories and photographs from the villages: Acrefair, Cefn Mawr, Froncysyllte, Garth, Newbridge, Pentre, Rhosymedre and Trevor.

This book documents the history of two celebrated mines in Sussex County, New Jersey, through the eyes of those who lived it. The two mines, consolidated in 1897 under the New Jersey Zinc Company, were recognised world-wide for their diverse and magnificent mineral deposits and are acknowledged as the birthplace of the US zinc industry. At its peak of operations in Sussex County in the first half of the 20th century, the Zinc Company employed over 2000 hourly workers. The Company developed the towns of Franklin and Ogdensburg for the miners, and one of them, Franklin, became known as the 'model mining town of America'. The book is divided into three parts: The Mines and the Miners; The Model Mining Town of America; and The Legacy and the Future. In the first two parts, the narratives explore the positive and negative aspects of life in the mines and in the company towns. In these sections, the author compares the lives of Zinc Company miners to those of other hard-rock miners in the US. The third part looks at the continuing educational impact of the mines, including the influence on the development of local museums and on the Smithsonian Institution's mine exhibit that opened in 1997.

Oral epic poetry is still performed by Turkic singers in Central Asia. On trips to the region, Karl Reichl collected heroic poems from the Uzbek, Kazakh, and Karakalpak oral traditions. Through a close analysis of these Turkic works, he shows that they are typologically similar to heroic poetry in Old English, Old High German, and Old French and that they can offer scholars new insights into the oral background of these medieval texts.

Reichl draws on his research in Central Asia to discuss questions regarding performance as well as the singers' training, role in society, and repertoire. He asserts that heroic poetry and epic are primarily concerned with the interpretation of the past in song: the courageous deeds of ancestors, the search for tribal and societal roots, and the definition and transmission of cultural values. Reichl finds that in these traditions the heroic epic is part of a generic system that includes historical and eulogistic poetry as well as heroic lays, a view that has diachronic implications for medieval poetry.

Singing the Past reminds readers that because much medieval poetry was composed for oral recitation, both the Turkic and the medieval heroic poems must always be appreciated as poetry in performance, as sound listened to, as words spoken or sung.

In this provocative study, Stephen Howe traces the sources and ancestries of the Afrocentric movement, and closely analyses the writings of its leading proponents. Hard-hitting yet subtle and scholarly in its appraisal of Afrocentric ideas, and based on wide-ranging research in the histories both of Afro-America and of Africa itself, Afrocentrism not only demolishes the mythical "history" taught by black ultra-nationalists but suggests paths towards a true historical consciousness of Africa and its diaspora.

This book consists of essays on methodological issues by Africana (African and African American) women scholars who have successfully employed oral narrative methods in their research. Some themes covered in these essays are the strengths of oral narrative research for expanding and transforming knowledge about black women and how these scholars learned to conduct oral narrative research; descriptions of the types of narratives they have gathered, the difficulties they have encountered and how these were overcome; and the ethical dilemmas faced while undertaking their research endeavors. What makes this book a valuable teaching tool are the pedagogical suggestions and research artifacts contained within. Contributors have described one or two activities that may assist instructorÆs efforts to teach oral narrative methodologies. Methodological essays about the phenomenological and empirical aspects of carrying out oral narrative research from an Afrafeminist/womanist standpoint are rare and book-length works are almost nonexistent. Oral Narrative Research with black women participates in the growing movement of Afrafeminist/womanist scholarship that fills this void. This is an insightful, thought-provoking resource for researchers, students, and scholars interested in conducting qualitative research or who want to include black women in their research.

In August 1965 the predominantly black neighborhood of Watts in Los Angeles erupted in flames and violence following an incident of police brutality. The official death toll was thirty-four; property losses reached hundreds of millions of dollars; but the political results were even more profound. The civil rights movement was placed on the defensive as the image of rioting blacks in the West replaced the image of meek and angelic protestors in the South. A white backlash ensued that led directly to Ronald Reagan's election as governor of California in 1966.This is the first comprehensive treatment of the uprising, its causes, and its aftermath, and is based on hundreds of oral histories and unprecedented archival research. With a cast that includes Ronald Reagan, Tom Bradley, Martin Luther King, Jr., Edmund G. Brown, the NAACP, the Black Panthers, the Nation of Islam, and thousands of blacks and whites, "Fire This Time" is a compelling account of an event that changed the face of racial justice in America.

Ultimately, World War II was the first war won by technology, but within only a few weeks after the war began, the U.S. Navy realized its torpedo program was a dismal failure. Submarine skippers reported that most of their torpedoes were either missing the targets or failing to explode if they did hit. The United States had to work fast if it expected to compete with the Japanese Long Lance, the biggest and fastest torpedo in the world, and Germany's electric and sonar models. Hellions of the Deep tells the dramatic story of how Navy planners threw aside the careful procedures of peacetime science and initiated "radical research" gathering together the nation's best scientists and engineers in huge research centers and giving them freedom of experimentation to create sophisticated weaponry with a single goal--winning the war.

The largest center for torpedo work was a requisitioned gymnasium at Harvard University, where the most famous names in science worked with the best graduate students from all around the country at the business of war. They had to produce tangible weapons, to consider production and supply tactics, to take orders from the military, and, in many cases, also to teach the military how to use the weapons they developed. World War II grew into a chess match played by scientists and physicists, and it became the only war in history to be won by weapons invented during the conflict.

For this book, Robert Gannon conducted numerous interviews over a twenty-year period with scientists, engineers, physicists, submarine skippers, and Navy bureaucrats, all involved in the development of the advanced weapons technology that won the war. While the search for new weapons was deadly serious, stretching imagination and resourcefulness to the limit each day, the need was obvious: American ships were being blown up daily just outside the Boston harbor. These oral histories reveal that, in retrospect, surprising even to those who went through it, the search for the "hellions of the deep" was, for many, the most exciting period of their lives.

1. Valuing the Subjective Experience: Oral History as Qualitative Research / 2. Using Theoretical Perspectives for Oral History Research in Social Work and Social Work Education / 3. Making a Bridge: Moving from Social Work Practice Knowledge and Skill to Oral History Research Skill / 4. Generating and Recording Oral Histories: Process and Method / 5. Analyzing and Interpreting Data and Writing Up the Project / 6. Black Family Adaption, Survival, and Growth Strategies: An Oral History Project / 7. The Realities of Soviet Jewish Migration: Illustrated Through Slava's Narratives / 8. Recapturing the Purpose of Settlements Through Oral History / 9. Oral History Methodology to Examine Issues of Adolescent Mothers / 10. Understanding Communities: The Pliny Street Block Association / 11. Concluding Remarks: Incorporating Oral History in Social Work Research / References

How does context shape biography? How do language and relationships affect the development of people's work lives? An international group of scholars from diverse disciplines addresses these and other issues in this volume of The Narrative Study of Lives. They explore what it means to take narrative seriously and how an empathic stance in narrative research opens out on the dialogic self. The contributors also consider questions of how participants make meaning out of their experience in the framework of available interpretive horizons. In addition, there are sections that use narrative approaches to develop a deeper understanding of loneliness and the "coming out" process in homosexuality. This volume examines the many ways in which people interpret their experience and explores conceptual avenues to make use of these understandings in the analysis of human life. Those interested in qualitative methods, evaluation, and education research will find Interpreting Experience to be an invaluable contribution.

In the spring of 1935, at Snaketown, Arizona, two Pima Indians recounted and translated their entire traditional creation narrative. Juan Smith, reputedly the last tribesman with extensive knowledge of the Pima version of this story, spoke and sang while William Smith Allison translated into English and Julian Hayden, an archaeologist, recorded Allison's words verbatim. The resulting document, the "Hohokam Chronicles", is the most complete natively articulated Pima creation narrative ever written and a rare example of a single-narrator myth. Now this extraordinary work, composed of thirty-six separate stories, is presented in its entirety for the first time. Beautifully expressed, the narrative constitutes a kind of scripture for a native church, beginning with the creation of the universe out of the void and ending with the establishment in the sixteenth century of present-day villages. Central to the story is the murder/resurrection of a god-man, Siuuhu, who summoned the Pimas and Papagos (Tohono O'odham) as his army of vengeance and brought about the conquest of his murderers, the ancient Hohokam. Donald Bahr extensively annotates the text and supplements it with other Pima-Papago versions of similar stories. Important as a social and historic document, this book adds immeasurably to the growing body of Native American literature and to our knowledge of the development of Pima-Papago culture.

A major historical document, this book contains interviews with more than 150 Germans who witnessed, participated in, or resisted the rise of Adolph Hitler. The testimony comes from well-known figures like Manfred Rommel and Helmut Kohl former soldiers and ordinary civilians and victims of the criminal policies of the Nazi regime. Haunting and extraordinary tales of horror, courage, grim determination, and moral confusion fill these pages. Voices from the Third Reich takes the material of epic history and presents it in the form of the individual human experiences of men, women, and children subjected to the pressures of total war in a fascist state.

"This volume is especially appealing in that it celebrates diversity and embraces disagreement. . . . The narrative scholar, regardless of her/his research tradition or field, will most certainly benefit from the diversity and depth provided in The Narrative Study of Lives. Editors Ruthellen Josselson and Amia Lieblich have admirably fulfilled their criteria of breadth, coherence, and aesthetic appeal for works included in this volume. Moreover, they have provided the necessary forum for the study of lives and life histories. We can only hope to continue the conversation in future volumes." --Journal of Contemporary Ethnography "Few questions have a longer, deeper, and livelier intellectual history than how we 'construct' our lives--and, indeed, how we create ourselves in the process. But it is a question newly alive today, for modern scholarship has brought challenging new perspectives to the study of life writing. Literary theorists, linguists, legal scholars, and even political activists are bringing new and powerful insights to bear. The Narrative Study of Lives provides a needed forum for the debates now in progress and should attract a loyal and numerous band of readers." --Jerome Bruner, New York University "For those psychologists searching for new approaches to the study of lives, this volume takes an important step toward the editors' promise of filling this gaping hole in psychology." --The Journal of Nervous and Mental Disease How do we derive concepts from stories and then use these concepts to understand people? What would have to be added to transform story material from the journalistic or literary to the academic and theoretically-enriching? Addressing these and other such issues as the interface between life as lived and the social times, this group of distinguished contributors from six different countries and four different disciplines explores this emerging new field. Beginning with the philosophical framework that underlies the study of narrative, the book covers such questions as: What makes people want to preserve the stories of their past? What methods can be used to deconstruct a narrative text? Can what we learn from people's narratives of their past be used to account for their current psychological functioning? What happens if people lose their ability to narrate their story? Can people's narrative accounts tell us something about identity and its development? Useful to researchers and students of human development and behavior, The Narrative Study of Lives provides rich stories and analysis of narrative approaches to life history.

As Reviewed by Eugene N. Anderson, University of California, Riverside in The Journal of California Anthropology, Vol. 2, No. 2 (WINTER 1975), pp. 241-244:A child born in December is "like a baby in an ecstatic condition, but he leaves this condition" (p. 102). The Chumash, reduced by the 20th century from one of the richest and most populous groups in California to a pitiful remnant, had almost lost their strage and ecstatic mental world by the time John Peabody Harrington set out to collect what was still remembered of their language and oral literature. Working with a handful of ancient informants, Harrington recorded all he could--then, in bitter rejection of the world, kept it hidden and unpublished. After his death there began a great quest for his scattered notes, and these notes are now being published at last. Thomas Blackburn, among the first and most assiduous of the seekers through Harrington's materials, has published her the main body of oral literature that Harrington collected from the Chumash of Santa Barbara and Ventura Counties. Blackburn has done much more: he has added to the 111 stories a commentary and analysis, almost book-length in its own right, and a glossary of the Chumash and Californian-Spanish terms that Harrington was prone to leave untranslated in the texts.

In 2018, Palestinians mark the 70th anniversary of the Nakba, when over 750,000 people were uprooted and forced to flee their homes in the early days of the Israeli-Palestinian conflict. Even today, the bitterness and trauma of the Nakba remains raw, and it has become the pivotal event both in the shaping of Palestinian identity and in galvanising the resistance to occupation. Unearthing an unparalleled body of rich oral testimony, An Oral History of the Palestinian Nakba tells the story of this epochal event through the voices of the Palestinians who lived it, uncovering remarkable new insights both into Palestinian experiences of the Nakba and into the wider dynamics of the ongoing conflict. Drawing together Palestinian accounts from 1948 with those of the present day, the book confronts the idea of the Nakba as an event consigned to the past, instead revealing it to be an ongoing process aimed at the erasure of Palestinian memory and history. In the process, each unique and wide-ranging contribution leads the way for new directions in Palestinian scholarship.

In 2018, Palestinians mark the 70th anniversary of the Nakba, when over 750,000 people were uprooted and forced to flee their homes in the early days of the Israeli-Palestinian conflict. Even today, the bitterness and trauma of the Nakba remains raw, and it has become the pivotal event both in the shaping of Palestinian identity and in galvanising the resistance to occupation. Unearthing an unparalleled body of rich oral testimony, An Oral History of the Palestinian Nakba tells the story of this epochal event through the voices of the Palestinians who lived it, uncovering remarkable new insights both into Palestinian experiences of the Nakba and into the wider dynamics of the ongoing conflict. Drawing together Palestinian accounts from 1948 with those of the present day, the book confronts the idea of the Nakba as an event consigned to the past, instead revealing it to be an ongoing process aimed at the erasure of Palestinian memory and history. In the process, each unique and wide-ranging contribution leads the way for new directions in Palestinian scholarship.

A city of over one million people caught between volcanic eruptions and armed conflict, Goma has come to embody the 'tragedy' that is the Democratic Republic of Congo. Often portrayed by outsiders as a living hell, Goma is nevertheless a city of opportunity for others. Drawing on a rich tapestry of personal narratives, from taxi driver to market trader, doctor to local humanitarian worker, Goma: Stories of Strength and Sorrow from Eastern Congo provides an engaging and unconventional portrait of an African city. In contrast to the bleak pessimism which dominates much of the writing on Congo, Trefon and Kabuyaya instead emphasise the resilience, pragmatism and ingenuity which characterises so much of daily life in Goma. Resigned and hardened by struggle, the protagonists of the book give the impression that life is neither beautiful nor ugly, but an unending skirmish with destiny. In doing so, they offer startling insights into the social, cultural and political landscape of this unique city.

*Highly Commended by the British Records Association for the 2019 Janette Harley Prize* In September 1943, at the height of World War II, the Aegean island of Leros became the site of the most pivotal battle of the Dodecanese campaign as the British tried, in vain, to retain control of the island. Over the course of two short months - from 15 September 1943 to 17 November 1943 - almost 1500 men lost their lives and hundreds more ended up in Prisoner-of-War camps. In this book, Julie Peakman, a modern-day resident of Leros, brings to life the story of the men caught up in the battle based on first-hand interviews and written accounts including diaries, letters and journals. She tells of the preparations of the soldiers leading up to the battle, the desperate hand-to-hand fighting, and the suffering endured from continual bombings. She also shows the extent of the men's despair at the allied surrender, the many subsequent daring escapes as well as the terrible years of incarceration for those who were captured and imprisoned. Many of the heart-rending accounts of the battle are told here for the first time, providing a unique eyewitness take on this forgotten corner of World War II.

On 6 June 1944 Britain woke up to a profound silence. Overnight, 160,000 Allied troops had vanished and an eerie emptiness settled over the country. The majority of those men would never return. This is the story of that extraordinary 24 hours. Using a wealth of first person testimonies, renowned historian Max Arthur recounts a remarkable new oral history of D-Day, beginning with the two years leading up to the silent day which saw the UK transformed by the arrival of thousands of American and Canadian troops. We also hear the views of the American troops, who quickly formed strong views of both the British military and civilian populations. Then, on that June morning, many Britain people woke up to discover that vast areas of the country, which had throbbed with life only the day before, were now empty and silent. Civilian workers found coffee pots still warm on the stove but not a soul to greet them. Many women - and children - felt bewildered and betrayed. Then, throughout that day and the days that followed, the whole population gathered around wireless sets, waiting for news. There are powerful testimonies from families of who lost loved ones on the beaches of Normandy, and dramatic personal accounts from young widows who had never had the chance to say goodbye. THE SILENT DAY is an original and evocative portrait of a key event in world history, and a poignant reminder of the human cost of D-Day.

In this unusual and important new work, Miroslav Vanek interviews twelve experts on oral history to discuss the medium's current status within the social sciences in light of recent technological breakthroughs. Around the Globe addresses many of the challenges of oral history, from its inherent subjectivity to whether it should be treated as a discipline or simply a method for research. The interviewees also include their own accounts of how they began to study oral history, giving each section of the book a personal element that makes it a unique handbook for anyone using oral history in their research.

Interviews are becoming an increasingly dominant research method in art, craft, design, fashion and textile history. This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as 'history', and as a means to insights into the micro-practices of arts production and identity that contribute to questions of 'voice', authenticity, and authorship. Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. " Oral History in the Visual Arts" is essential reading for students, researchers and practitioners across the visual arts.

Collected in this book are the personal life histories of four female St'at'imc elders: Beverley Frank, Gertrude Ned, Laura Thevarge, and Rose Agnes Whitley. These elders are among the last remaining fluent speakers of St'at'imcets, a severely imperilled Northern Interior Salish language, also known as Lillooet, spoken in the southwest interior of British Columbia. Their stories are presented in the original St'at'imcets as well as in English translation. A morpheme-by-morpheme gloss is provided for the purposes of linguistic analysis. These texts are among the longest oral narratives of the Salish language to be grammatically analyzed. They are also of a rare type, in that they consist of personal memories rather than of myths or legends. They provide first-hand accounts of what it was like to be a female child growing up in the 1930s and '40s both within St'at'imc communities and in residential schools. Important historical information is woven into the stories - about events in the Lillooet area, the traditional St'at'imc way of life, and the consequences of contact with Western culture. When I Was Small - I Wan Kwikws will be of interest to members of St'at'imc communities, including teachers and curriculum developers, and to linguists, anthropologists, and others studying the St'at'imc, their culture, and their language.

Interweaving photographs, concert programs, scores, and drawings with the texts of more than fifty interviews with family, friends, neighbors, and colleagues, Charles Ives Remembered is a vivid memory portrait of an enigmatic American composer, told in the voices of the people who knew him best.

Charles Ives (1874-1954) was publicly an insurance executive but privately a composer whose eccentric works and paradoxical life would intrigue, perplex, and inspire generations to come after him. Moving from Ives's childhood and years at Yale to his business and musical careers, the memories and reflections assembled in this Kinkeldey Award-winning volume provide a multifaceted and humanizing view of an American musical icon.

This text tells the story of the lives of migrant black African men who work in the South African gold mines, recounted from their own point of view and, as much as possible, in their own words. Dunbar Moodie examines the operation of local power structures and resistances, changes in production techniques, the limits and successes of unionization, and the nature of ethnic conflicts at different periods and on different terrains of struggle. He treats his subject thematically and historically, examining how notions of integrity, manhood, sexuality, work, power, solidarity, and violence have all changed over time, especially with the shift to a proletarianized work-force on the mines in the 1970s. Moodie integrates analyses of individual life-strategies with theories of social change, illuminating the ways in which these play off each other in historically significant ways. He shows how human beings (in this case, African men) build integrity and construct their own social order, even in situations of apparent total repression.

This book offers an oral history of musical genres from the Palmetto state musicians who helped define the sounds.From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of well-known jazz and blues musicians. Through richly detailed interviews with 19 South Carolina musicians, Franklin presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State.Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of jazz and blues performers from South Carolina.In their own colorful words, the performers recall their love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical word, early gigs, life on the tour bus, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Herman Lubinsky, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians.

When Namibia gained its independence in 1990 after 23 years of war, most of the eleven Namibians whose life histories make up this book were in their mid-thirties. To that point their whole adult lives had been lived in the struggle, more than half of them in exile. Few of them owned anything. None held prominent jobs. Most had endured hardship, hunger, sickness and fear, and witnessed terrible cruelty and suffering. All had lost family members or friends. Yet their outlook was triumphant and optimistic and their stories are full of enthusiasm, energy, determination and purpose. When you read their stories you are not surprised that they have since become well known in their chosen fields. Yet when they told these stories most of them were not well known. They just happened to be people we came to know and like in the course of our work (Brown as a journalist and development consultant, Leys as a social science researcher) and whom we asked if they would tell us their stories. They tell a story of a country as a whole during those years, a story of how a whole generation matured in the struggle, becoming skilled, disciplined, cosmopolitan and tough.