Donald Raleigh's Soviet Baby Boomers traces the collapse of the Soviet Union and the transformation of Russia into a modern, highly literate, urban society through the fascinating life stories of the country's first post-World War II, Cold War generation. For this book, Raleigh has interviewed sixty 1967 graduates of two "magnet" secondary schools that offered intensive instruction in English, one in Moscow and one in provincial Saratov. Part of the generation that began school the year the country launched Sputnik into space, they grew up during the Cold War, but in a Soviet Union increasingly distanced from the excesses of Stalinism. In this post-Stalin era, the Soviet leadership dismantled the Gulag, ruled without terror, promoted consumerism, and began to open itself to an outside world still fearful of Communism. Raleigh is one of the first scholars of post-1945 Soviet history to draw extensively on oral history, a particularly useful approach in studying a country where the boundaries between public and private life remained porous and the state sought to peer into every corner of people's lives. During and after the dissolution of the USSR, Russian citizens began openly talking about their past, trying to make sense of it, and Raleigh has made the most of this new forthrightness. He has created an extraordinarily rich composite narrative and embedded it in larger historical narratives of Cold War, de-Stalinization, "overtaking" America, opening up to the outside world, economic stagnation, dissent, emigration, the transition to a market economy, the transformation of class, ethnic, and gender relations, and globalization. Including rare photographs of daily life in Cold War Russia, Soviet Baby Boomers offers an intimate portrait of a generation that has remained largely faceless until now.

Interviews are becoming an increasingly dominant research method in art, craft, design, fashion and textile history. This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as 'history', and as a means to insights into the micro-practices of arts production and identity that contribute to questions of 'voice', authenticity, and authorship. Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. " Oral History in the Visual Arts" is essential reading for students, researchers and practitioners across the visual arts.

The International Longshore and Warehouse Union, born out of the 1934 West Coast maritime and San Francisco general strikes under the charismatic leadership of Harry Bridges, has been known from the start for its strong commitment to democracy, solidarity, and social justice. In this collection of firsthand narratives, union leaders and rank-and-file workers - from the docks of Pacific Coast ports to the fields of Hawaii to bookstores in Portland, Oregon - talk about their lives at work, on the picket line, and in the union. Workers recall the back-breaking, humiliating conditions on the waterfront before they organized, the tense days of the 1934 strike, the challenges posed by mechanization, the struggle against racism and sexism on the job, and their activism in other social and political causes. Their stories testify to the union's impact on the lives of its members and also to its role in larger events, ranging from civil rights battles at home to the fights against fascism and apartheid abroad. Solidarity Stories is a unique contribution to the literature on unions. There is a power and immediacy in the voices of workers that is brilliantly expressed here. Taken together, these voices provide a portrait of a militant, corruption-free, democratic union that can be a model and an inspiration for what a resurgent American labor movement might look like. The book will appeal to students and scholars of labor history, social and economic history, and social change, as well as trade unionists and anyone interested in labor politics and history.

Collected in this book are the personal life histories of four female St'at'imc elders: Beverley Frank, Gertrude Ned, Laura Thevarge, and Rose Agnes Whitley. These elders are among the last remaining fluent speakers of St'at'imcets, a severely imperilled Northern Interior Salish language, also known as Lillooet, spoken in the southwest interior of British Columbia. Their stories are presented in the original St'at'imcets as well as in English translation. A morpheme-by-morpheme gloss is provided for the purposes of linguistic analysis. These texts are among the longest oral narratives of the Salish language to be grammatically analyzed. They are also of a rare type, in that they consist of personal memories rather than of myths or legends. They provide first-hand accounts of what it was like to be a female child growing up in the 1930s and '40s both within St'at'imc communities and in residential schools. Important historical information is woven into the stories - about events in the Lillooet area, the traditional St'at'imc way of life, and the consequences of contact with Western culture. When I Was Small - I Wan Kwikws will be of interest to members of St'at'imc communities, including teachers and curriculum developers, and to linguists, anthropologists, and others studying the St'at'imc, their culture, and their language.

Flares of Memory is a collection of ninety-two stories written by over forty Jewish survivors and several U.A. Army liberators about their experiences during the Holocaust. The stories collected in this volume were developed in a writing workshop led by Brostoff and Chamovitz for survivors of the Holocaust in the hope of preserving their memories for posterity. The contributors to this collection related their recollections of being children, teenagers, and young adults during the Holocaust. Their individual experiences testify to the horror of the period as well as the moments of courage and luck that allowed them to survive while offering a tribute to the lives and cultures that were destroyed. The volume organizes the stories thematically into chapters, and includes a detailed timeline of the Holocaust, a map of concentration camps, and photographs of their contributors.

Interweaving photographs, concert programs, scores, and drawings with the texts of more than fifty interviews with family, friends, neighbors, and colleagues, Charles Ives Remembered is a vivid memory portrait of an enigmatic American composer, told in the voices of the people who knew him best.

Charles Ives (1874-1954) was publicly an insurance executive but privately a composer whose eccentric works and paradoxical life would intrigue, perplex, and inspire generations to come after him. Moving from Ives's childhood and years at Yale to his business and musical careers, the memories and reflections assembled in this Kinkeldey Award-winning volume provide a multifaceted and humanizing view of an American musical icon.

In August 1965 the predominantly black neighborhood of Watts in Los Angeles erupted in flames and violence following an incident of police brutality. The official death toll was thirty-four; property losses reached hundreds of millions of dollars; but the political results were even more profound. The civil rights movement was placed on the defensive as the image of rioting blacks in the West replaced the image of meek and angelic protestors in the South. A white backlash ensued that led directly to Ronald Reagan's election as governor of California in 1966.This is the first comprehensive treatment of the uprising, its causes, and its aftermath, and is based on hundreds of oral histories and unprecedented archival research. With a cast that includes Ronald Reagan, Tom Bradley, Martin Luther King, Jr., Edmund G. Brown, the NAACP, the Black Panthers, the Nation of Islam, and thousands of blacks and whites, "Fire This Time" is a compelling account of an event that changed the face of racial justice in America.

This text tells the story of the lives of migrant black African men who work in the South African gold mines, recounted from their own point of view and, as much as possible, in their own words. Dunbar Moodie examines the operation of local power structures and resistances, changes in production techniques, the limits and successes of unionization, and the nature of ethnic conflicts at different periods and on different terrains of struggle. He treats his subject thematically and historically, examining how notions of integrity, manhood, sexuality, work, power, solidarity, and violence have all changed over time, especially with the shift to a proletarianized work-force on the mines in the 1970s. Moodie integrates analyses of individual life-strategies with theories of social change, illuminating the ways in which these play off each other in historically significant ways. He shows how human beings (in this case, African men) build integrity and construct their own social order, even in situations of apparent total repression.

A major historical document, this book contains interviews with more than 150 Germans who witnessed, participated in, or resisted the rise of Adolph Hitler. The testimony comes from well-known figures like Manfred Rommel and Helmut Kohl former soldiers and ordinary civilians and victims of the criminal policies of the Nazi regime. Haunting and extraordinary tales of horror, courage, grim determination, and moral confusion fill these pages. Voices from the Third Reich takes the material of epic history and presents it in the form of the individual human experiences of men, women, and children subjected to the pressures of total war in a fascist state.

The Nazi regime and local collaborators killed 800,000 Belorussian Jews, many of them parents or relatives of young Jews who survived the war. Thousands of young girls and boys were thus orphaned and struggled for survival on their own. This book is the first systematic account of young Soviet Jews' lives under conditions of Nazi occupation and genocide. These orphans' experiences and memories are rooted in the 1930s, when Soviet policies promoted and sometimes actually created interethnic solidarity and social equality. This experience of interethnic solidarity provided a powerful framework for the ways in which young Jews survived and, several decades after the war, represented their experience of violence and displacement. Through oral histories with several survivors, video testimonies, and memoirs, Anika Walke reveals the crucial roles of age and gender in the ways young Jews survived and remembered the Nazi genocide, and shows how shared experiences of trauma facilitated community building within and beyond national groups. Pioneers and Partisans uncovers the repeated transformations of identity that Soviet Jewish children and adolescents experienced, from Soviet citizens in the prewar years, to a target of genocidal violence during the war, to a barely accepted national minority in the postwar Soviet Union.

This book offers an oral history of musical genres from the Palmetto state musicians who helped define the sounds.From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of well-known jazz and blues musicians. Through richly detailed interviews with 19 South Carolina musicians, Franklin presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State.Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of jazz and blues performers from South Carolina.In their own colorful words, the performers recall their love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical word, early gigs, life on the tour bus, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Herman Lubinsky, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians.

World War II could not have been fought and won without the crucial role played by the U.S. Merchant Marine. Crewed by civilian seamen in peacetime, and carrying much of the nation's ocean-borne commerce, the Merchant Marine is often considered the "fourth arm of defense" in wartime. And, as such, it provided the vital logistical support for beachheads in all theaters of operation around the world during the war. The 20 Merchant Marine veterans of World War II featured in this oral history served in all theaters of war, and most had at least one ship - some two - torpedoed, bombed, shelled or mined out from under them. Some became prisoners of the Japanese for the duration, working on the infamous River Kwai Bridge. Many spend time in lifeboats or on flimsy rafts under extremely harsh conditions after the loss of a ship. And one - Donald Zubrod - endured 42 days in a lifeboat with several others before their eventual rescue very close to death's door. Credited during the war for often paying for their service "with some of their own blood" as they brought bombs, bullets, and butter to others, American merchant mariners actually suffered a loss rate that was a close second to only the Marine Corps during the conflict. Yet, their role still remains little known and understood. The collection of eye-witness accounts will go a long way to helping set the record straight at long last.

Made famous in the 1976 documentary Harlan County USA, this pocket of Appalachian coal country has been home to generations of miners-and to some of the most bitter labor battles of the 20th century. It has also produced a rich tradition of protest songs and a wealth of fascinating culture and custom that has remained largely undiscovered by outsiders, until now. They Say in Harlan County is not a book about coal miners so much as a dialogue in which more than 150 Harlan County women and men tell the story of their region, from pioneer times through the dramatic strikes of the 1930s and '70s, up to the present. Alessandro Portelli draws on 25 years of original interviews to take readers into the mines and inside the lives of those who work, suffer, and often die in them-from black lung, falling rock, suffocation, or simply from work that can be literally backbreaking. The book is structured as a vivid montage of all these voices-stoic, outraged, grief-stricken, defiant-skillfully interwoven with documents from archives, newspapers, literary works, and the author's own participating and critical voice. Portelli uncovers the whole history and memory of the United States in this one symbolic place, through settlement, civil war, slavery, industrialization, immigration, labor conflict, technological change, migration, strip mining, environmental and social crises, and resistance. And as hot-button issues like mountain-top removal and the use of "clean coal" continue to hit the news, the history of Harlan County-especially as seen through the eyes of those who lived it-is becoming increasingly important. With rare emotional immediacy, gripping narratives, and unforgettable characters, They Say in Harlan County tells the real story of a culture, the resilience of its people, and the human costs of coal mining.

This text tells the story of the lives of migrant black African men who work in the South African gold mines, recounted from their own point of view and, as much as possible, in their own words. Dunbar Moodie examines the operation of local power structures and resistances, changes in production techniques, the limits and successes of unionization, and the nature of ethnic conflicts at different periods and on different terrains of struggle. He treats his subject thematically and historically, examining how notions of integrity, manhood, sexuality, work, power, solidarity, and violence have all changed over time, especially with the shift to a proletarianized work-force on the mines in the 1970s.;Moodie integrates analyses of individual life-strategies with theories of social change, illuminating the ways in which these play off each other in historically significant ways. He shows how human beings (in this case, African men) build integrity and construct their own social order, even in situations of apparent total repression.

The spoken word is an invaluable asset which strengthens human experience of the past and adds vigor to the documentation of historical accounts. This series presents major events in American history through the rich personal testimonies of those who were there.

Each volume includes:

-- A preface illuminating historical background and research details

-- A collection of oral testimonies selected from a range of rare and hard-to-find sources

-- A concluding analytical chapter

-- Notes, bibliography and an index

-- Illustrations

One ancient language transformed our world. This is its story.

As the planet emerged from the last ice age, a language was born between Europe and Asia. This ancient tongue, which we call Proto-Indo-European, soon exploded out of its cradle, changing and fragmenting as it went, until its offspring were spoken from Scotland to China. Today those descendants constitute the world’s largest language family, the thread that connects disparate cultures: Dante’s Inferno to the Rig Veda, The Lord of the Rings to the love poetry of Rumi. Indo-European languages are spoken by nearly half of humanity. How did this happen?

Laura Spinney set out to answer that question, retracing the Indo-European odyssey across continents and millennia. With her we travel the length of the steppe, navigating the Caucasus, the silk roads and the Hindu Kush. We follow in the footsteps of nomads and monks, Amazon warriors and lion kings – the ancient peoples who spread these languages far and wide. In the present, Spinney meets the scientists on a thrilling mission to retrieve those lost languages: the linguists, archaeologists and geneticists who have reconstructed this ancient diaspora. What they have learned has vital implications for our modern world, as people and their languages are on the move again.

Proto is a revelatory portrait of world history in its own words.

Discover the reigns of twelve African queens and warriors from across the continent, from pioneering historian and writer, Paula Akpan.

There are women who ruled vast swathes of the African continent. They led, loved and fought for their kingdoms and people and their impact can still be felt today. However, beyond the lands they called home, so few of us have heard their names.

From pre-colonial Nigeria to the rich plains of Rwanda, from Ancient Egypt to apartheid South Africa, historian Akpan writes the stories of these powerful queens and takes you on a spellbinding, enrapturing and immersive journey that is nothing short of revelatory.

This is Pompeii, as you've never seen it before.

In this revelatory history, Gabriel Zuchtriegel shares the new secrets of Pompeii. Over the last few years, a vast stretch of the city has been excavated for the first time. Now, drawing on these astonishing discoveries, The Buried City reveals the untold human stories that are at last emerging.

Pompeii is a world frozen in time. There are unmade beds, dishes left drying, tools abandoned by workmen, bodies embracing with love and fear. And alongside the remnants of everyday life, there are captivating works of art: lifelike portraits, exquisite frescos and mosaics, and the extraordinary sculpture of a sleeping boy, curled up under a blanket that's too small.

The Buried City reconstructs the catastrophe that destroyed Pompeii on 24 August 79 CE, but it also offers a behind-the-scenes tour of the city as it was before: who lived here, what mattered to them, and what happened in their final hours. It offers us a vivid sense of Pompeii's continuing relevance, and proves that ancient history is much closer to us than we think.