Among sources on the Holocaust, survivor testimonies are the least replaceable and most complex, reflecting both the personality of the narrator and the conditions and perceptions prevailing at the time of narration. Scholarship aims to challenge memory and fill its gaps. At the same time, scholars often use testimonies uncritically or selectively-mining them to support generalizations. This book is a departure, bringing several scholars together to analyze the testimony of one Holocaust survivor. Helen "Zippi" Spitzer Tichauer was sent to Auschwitz in 1942. One of the few early arrivals to survive the camp and the death marches, she met her future husband in a DP camp. They moved to New York in the 1960s. Since the end of the war, Zippi devoted many hours to talking with a small group of scholars about her life. Zippi's testimony covers a wide range of human experiences in extremis and spans fifty-odd years. It is thus uniquely suited to raise questions on the meaning and use of survivor testimony. What do we know, sixty years after the Nazi era, about the workings of a death camp? How willing are we to learn from the experiences of a survivor, and how much is our perception preconditioned by standardized images? What are the mechanisms, aims and pitfalls of story-telling? Can survivor testimonies be understood properly without guidance from those who experienced the events? This book, written by established Holocaust scholars who have known Helen Tichauer for years, attempts to approximate survivor testimony and probe the limits of its representation and understanding. Contributors include Atina Grossmann (author, Jews, Germans, and Allies: Close Encounters in Occupied Germany, Princeton, 2007), Konrad Kwiet (co-ed., Contemporary Responses to the Holocaust, 2005), Wendy Lower (author, Shoah in Ukraine: History, Testimony, Memory, Indiana UP, 2007), Nehama Tec (author, Resilience and Courage: Women, Men, and the Holocaust, Yale, 2003, and Defiance: The Bielski Partisans, OUP, 1993). The book will be of interest to both Holocaust scholars and oral historians.

The Nazi regime and local collaborators killed 800,000 Belorussian Jews, many of them parents or relatives of young Jews who survived the war. Thousands of young girls and boys were thus orphaned and struggled for survival on their own. This book is the first systematic account of young Soviet Jews' lives under conditions of Nazi occupation and genocide. These orphans' experiences and memories are rooted in the 1930s, when Soviet policies promoted and sometimes actually created interethnic solidarity and social equality. This experience of interethnic solidarity provided a powerful framework for the ways in which young Jews survived and, several decades after the war, represented their experience of violence and displacement. Through oral histories with several survivors, video testimonies, and memoirs, Anika Walke reveals the crucial roles of age and gender in the ways young Jews survived and remembered the Nazi genocide, and shows how shared experiences of trauma facilitated community building within and beyond national groups. Pioneers and Partisans uncovers the repeated transformations of identity that Soviet Jewish children and adolescents experienced, from Soviet citizens in the prewar years, to a target of genocidal violence during the war, to a barely accepted national minority in the postwar Soviet Union.

Made famous in the 1976 documentary Harlan County USA, this pocket of Appalachian coal country has been home to generations of miners-and to some of the most bitter labor battles of the 20th century. It has also produced a rich tradition of protest songs and a wealth of fascinating culture and custom that has remained largely undiscovered by outsiders, until now. They Say in Harlan County is not a book about coal miners so much as a dialogue in which more than 150 Harlan County women and men tell the story of their region, from pioneer times through the dramatic strikes of the 1930s and '70s, up to the present. Alessandro Portelli draws on 25 years of original interviews to take readers into the mines and inside the lives of those who work, suffer, and often die in them-from black lung, falling rock, suffocation, or simply from work that can be literally backbreaking. The book is structured as a vivid montage of all these voices-stoic, outraged, grief-stricken, defiant-skillfully interwoven with documents from archives, newspapers, literary works, and the author's own participating and critical voice. Portelli uncovers the whole history and memory of the United States in this one symbolic place, through settlement, civil war, slavery, industrialization, immigration, labor conflict, technological change, migration, strip mining, environmental and social crises, and resistance. And as hot-button issues like mountain-top removal and the use of "clean coal" continue to hit the news, the history of Harlan County-especially as seen through the eyes of those who lived it-is becoming increasingly important. With rare emotional immediacy, gripping narratives, and unforgettable characters, They Say in Harlan County tells the real story of a culture, the resilience of its people, and the human costs of coal mining.

This book offers an oral history of musical genres from the Palmetto state musicians who helped define the sounds.From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of well-known jazz and blues musicians. Through richly detailed interviews with 19 South Carolina musicians, Franklin presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State.Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of jazz and blues performers from South Carolina.In their own colorful words, the performers recall their love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical word, early gigs, life on the tour bus, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Herman Lubinsky, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians.

The interviews in this book were conducted for the Nordic Africa Institute's studies on the Nordic countries and the struggles for national liberation in Southern Africa. Around 80 representatives of the Southern African liberation movements, as well as Swedish and other opinion-makers, administrators, and politicians, reflect on the Swedish and Nordic support to these struggles. Prominent contemporary leaders -- among them Joaquim Chissano from Mozambique, Kenneth Kaunda from Zambia and Thabo Mbeki from South Africa -- give their views on a relationship that largely developed outside the public arena and of which there is scant evidence in open sources. Published as a companion to NAI's studies, the book is in its own right a reference source to a unique North-South relationship in the Cold War period.

The spoken word is an invaluable asset which strengthens human experience of the past and adds vigor to the documentation of historical accounts. This series presents major events in American history through the rich personal testimonies of those who were there.

Each volume includes:

-- A preface illuminating historical background and research details

-- A collection of oral testimonies selected from a range of rare and hard-to-find sources

-- A concluding analytical chapter

-- Notes, bibliography and an index

-- Illustrations

The Battle of Britain was a critical period in the history of WWII when, thanks to the heroics of the RAF and their Spitfire and Hurricane aircraft, Britain managed to withstand the Luftwaffe onslaught and avoid the invasion that would have followed. This new account tells the story through the memories of surviving pilots and other military staff involved in every aspect of the effort. The story emerges through the authentic voices of the 'ordinary' participants and reveals their experiences and attitudes as well as their personal memories of the heroes who have traditionally been the protagonists in the story - pilots Douglas Bader, Johnnie Johnson, Adolf Galland, and war leaders Hugh Dowding and Winston Churchill. This title is compiled from new interviews with the surviving veterans with special access through The Battle of Britain Fighter Association. The summer of 2010 marks the 70th anniversary of the conflict.

British South Asian theatre has been one of the most significant features of diasporic artistic activity throughout the world in the last thirty years, but despite its remarkable achievements it has remained largely uncharted. This book, together with the complementary volume, "British South Asian Theatres: A Documented History" (UEP 2012) aims to reverse that neglect. This second volume is an edited collection of essays on British Asian theatre, with contributions from researchers active in the field for over thirty years. The essays provide detailed critical analysis of aspects of British Asian theatre practice and performance over that period of time.

"These accounts are not interviews' in the sense of structured sets of questions and answers. Rather, time and time again, as I introduced myself and my subject by explaining something about the theme of leaving home in Maritime history, some kind of chord was struck in the self-understanding of those I spoke with, and we then spent an hour, an afternoon, or a day recording a conversation about the place of leaving home in their lives and in their thinking." from the Preface In Away, Gary Burrill presents the voices of Maritimers in exile as they talk about their decisions to leave home, their experiences moving to and establishing themselves in new areas, and the way their exile from the Maritime provinces of Canada has shaped their views of themselves, their adopted communities, and their native homes. Each of the book's three sections deals largely with the experiences of a generation. From the turn of the century to the 1920s and 1930s, Maritimers looked primarily to Boston for work when they made their decision to leave home; during the economic expansion that followed the Second World War, southern Ontario was the destination of choice; when western Canada experienced an "oil boom" in the 1970s and early 1980s, a younger generation of Maritimers was drawn to Alberta. Taken together, the reflections and autobiographical reminiscences of these Maritimers provide a broad geographical and generational picture of the experience at the centre of post-Confederation life in the Maritimes -- exile, out-migration, going away.

This book is part of the Tempus Oral History series, which combines the reminiscences of local people with old photographs and archived images to show the history of various local areas in Great Britain, through their streets, shops, pubs, and people.

This book is part of the Tempus Oral History series, which combines the reminiscences of local people with old photographs and archived images to show the history of various local areas in Great Britain, through their streets, shops, pubs, and people.

This text tells the story of the lives of migrant black African men who work in the South African gold mines, recounted from their own point of view and, as much as possible, in their own words. Dunbar Moodie examines the operation of local power structures and resistances, changes in production techniques, the limits and successes of unionization, and the nature of ethnic conflicts at different periods and on different terrains of struggle. He treats his subject thematically and historically, examining how notions of integrity, manhood, sexuality, work, power, solidarity, and violence have all changed over time, especially with the shift to a proletarianized work-force on the mines in the 1970s.;Moodie integrates analyses of individual life-strategies with theories of social change, illuminating the ways in which these play off each other in historically significant ways. He shows how human beings (in this case, African men) build integrity and construct their own social order, even in situations of apparent total repression.

As the forward base and staging area for all U.S. military operations in the Pacific during World War II, Hawaii was the "first strange place" for close to a million soldiers, sailors, and marines on their way to the horrors of war. But Hawaii was also the first strange place on another kind of journey, toward the new American society that would begin to emerge in the postwar era. Unlike the rigid and static social order of prewar America, this was to be a highly mobile and volatile society of mixed racial and cultural influences, one above all in which women and minorities would increasingly demand and receive equal status. Drawing on documents, diaries, memoirs, and interviews, Beth Bailey and David Farber show how these unprecedented changes were tested and explored in the highly charged environment of wartime Hawaii.

Although historians today turn increasingly to oral tradition as a source of data on the history of non-literate peoples, Paul Irwin cautions them against uncritical use of such evidence. In an attempt to determine how much historians can learn about the past from oral traditions, he studies those of Liptako, now a part of Upper Volta hut in the nineteenth century an emirate in one of West Africa's great imperial systems. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This unique book of photographs and text takes place in the 2000-year-old village of Vichya in the desert of Gujarati, India. There, photographer and teacher Wendy Ewald lived and taught twenty of the village's children, ages ten to fourteen years, the art and craft of photography. Whether they attend school or work the fields, whether they are untouchables or of another caste, the children speak chillingly of their concern over their impending marriages and stories of bride-burning, of their hopes and dreams, and of their almost unanimous desire to photograph the gods. The children's pictures and oral histories are joined with Ewald's evocative observations and images of the town and its people.