Living in the shadow of state is not a dark, static and silent world. It was the world in full radiance, involving multiple process of reenactment to life, lifeways and relationship. If state and history demonized the hill people as the 'pest' and 'nuisance' to civilization, and the hill practices as the 'relics' of the 'primitive', the hillmen's narratives celebrated them as their core cultural collective. Against State, Against History is a radical reevaluation of the dominant civilizational narratives on the 'tribe' and attempts to recast their history in the light of recent historiography that presents the hillmen as state evading population. Bringing together both conventional and oral narratives, and from the counter-perspectives of the margin, the book explores the conditions in which section of valley population escaped to the hills, their migration history, how they reenact their space, society, culture and economy in the hills. Their physical dispersion in the highland terrain, choosing an independent village polity, defended by trained warriors, fortressed at the top of hills, connected by repulsive pathways, following jhum economy, and adopting a pliable social, cultural, ethnic and gender formations, are their counter cultural collective at the margins of state. They were reenacted to prevent state control and the emergence of domination relations in the hills. This process is understood as unstate involving the process of disowning state and becoming an egalitarian society where freedom of individuals was located at the core of their cultural collective.

This book explores the transition from oral to written history now taking place in tribal Jordan, a transition that reveals the many ways in which modernity, literate historicity, and national identity are developing in the contemporary Middle East. As traditional Bedouin storytellers and literate historians lead him through a world of hidden documents, contested photographs, and meticulously reconstructed pedigrees, Andrew Shryock describes how he becomes enmeshed in historical debates, ranging from the local to the national level. The world the Bedouin inhabit is rich in oral tradition and historical argument, in subtle reflections on the nature of truth and its relationship to poetics, textuality, and power. Skillfully blending anthropology and history, Shryock discusses the substance of tribal history through the eyes of its creators - those who sustain an older tradition of authoritative oral history and those who have experimented with the first written accounts. His focus throughout is on the development of a 'genealogical nationalism' as well as on the tensions that arise between tribe and state. Rich in both personal revelation and cultural implications, this book poses a provocative challenge to traditional assumptions about the way history is written.

Gender and Memory is the fourth volume of the International Yearbook of Oral History and Life Stories . Once again, its theme is a fundamental issue, the shaping of memory by gender. Are the different ways in which men and women are recalled in public and private memory, and also the differences in men's and women's own memories of similar experiences, simply reflections of unequal lives in gendered societies, or are they more deeply rooted? How early in childhood do girls and boys reveal differences in memory? How far does the character of memory change as gender roles evolve? The Special Editors of Gender and Memory , Selma Leydesdorff, Luisa Passerini, and Paul Thompson, draw on original contributions reflecting on the relationships between gender and memory in western and eastern Europe, China, Africa, Australia, the United States and Brazil. The aim of the International Yearbook is to increase our understanding of the recent past and the changing present. It sets out to present and interpret autobiographical testimony, whether in the firm of written autobiography, oral history, or life story interviews. Each issue forms a coherent volume focusing on a single theme. This book i

Migration and Identity concerns the shaping of identity using the theme of migration, revealing how migration acts as a crucible for individual social development and for wider social change. The International Yearbook of Oral History and Life Stories aims to increase our understanding of the recent past and the changing present through autobiographical testimony, in the form of written biography, oral history, and life story interviews.

Women were at the forefront of the Egyptian Revolution in 2011, with the Arab Spring protests providing an unprecedented opportunity to make their voices heard. But these women also faced an intense backlash from Egypt's patriarchal authorities, with female activists subjected to sexual violence and intimidation by the regime and even fellow protestors. Centered on the testimonies of four women who each played a significant role in the protests, this book provides unique insight into women's experiences during the Egyptian Revolution, and into the methods of resistance these women developed in response to sexual violence. In the process, Hamzeh casts new light on the relationship between gendered and state violence, and argues that women's resistance to this violence is reshaping gender relations in Egypt and the wider Arab world.

Our Portion of Hell: Fayette County, Tennessee: An Oral History of the Struggle for Civil Rights offers an unrivalled account of how a rural Black community drew together to combat the immense forces aligned against them. Author Robert Hamburger first visited Fayette County as part of a student civil rights project in 1965 and, in 1971, set out to document the history of the grassroots movement there. Beginning in 1959, Black residents in Fayette County attempting to register to vote were met with brutal resistance from the white community. Sharecropping families whose names appeared on voter registration rolls were evicted from their homes and their possessions tossed by the roadside. These dispossessed families lived for months in tents on muddy fields, as Fayette County became a "tent city" that attracted national attention. The white community created a blacklist culled from voter registration rolls, and those whose names appeared on the list were denied food, gas, and every imaginable service at shops, businesses, and gas stations throughout the county. Hamburger conducted months of interviews with residents of the county, inviting speakers to recall childhood experiences in the "Old South" and to explain what inspired them to take a stand against the oppressive system that dominated life in Fayette County. Their stories, told in their own words, make up the narrative of Our Portion of Hell. This reprint edition includes twenty-nine documentary photographs and an insightful new afterword by the author. There, he discusses the making of the book and reflects upon the difficult truth that although the civil rights struggle, once so immediate, has become history, many of the core issues that inspired the struggle remain as urgent as ever.

Drawn from the rich archives of the Birmingham Civil Rights Institute, this collection brings together twenty-nine oral histories from people of varying ages and occupations who participated in civil rights activism at the grassroots level. These highly personal narratives convey the real sense of fear and the risk of bodily danger people had to overcome in order to become the movement's foot soldiers. The stories offer testimony as to how policing was carried out when there were no cameras, how economic terrorism was used against activists, how experiences of the movement differed depending on gender, and how youth participation was fundamental to the cause. Participants in the struggle ranged from teachers, students of all ages, and domestic workers to elderly women and men, war veterans, and a Black Panther leader. This volume demonstrates the complexity and diversity of the spirit of resistance at a formative moment in American history.

Oral history gives history back to the people in their own words. And in giving a past, it also helps them towards a future of their own making. Oral history and life stories help to create a truer picture of the past and the changing present, documenting the lives and feelings of all kinds of people, many otherwise hidden from history. It explores personal and family relationships and uncovers the secret cultures of work. It connects public and private experience, and it highlights the experiences of migrating between cultures. At the same time it can bring courage to the old, meaning to communities, and contact between generations. Sometimes it can offer a path for healing divided communities and those with traumatic memories. Without it the history and sociology of our time would be poor and narrow. In this fourth edition of his pioneering work, fully revised with Joanna Bornat, Paul Thompson challenges the accepted myths of historical scholarship. He discusses the reliability of oral evidence in comparison with other sources and considers the social context of its development. He looks at the relationship between memory, the self and identity. He traces oral history through its own past and weighs up the recent achievements of a movement which has become international, with notably strong developments in North America, Europe, Australia, Latin America, South Africa and the Far East, despite resistance from more conservative academics. This new edition combines the classic text of The Voice of the Past with many new sections, including especially the worldwide development of different forms of oral history and the parallel memory boom, as well as discussions of theory in oral history and of memory, trauma and reconciliation. It offers a deep social and historical interpretation along with succinct practical advice on designing and carrying out a project, The Voice of the Past remains an invaluable tool for anyone setting out to use oral history and life stories to construct a more authentic and balanced record of the past and the present.

A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.

In war, there is no easy victory. When troops invaded Iraq in 2003 to topple Saddam Hussein's regime, most people expected an easy victory. Instead, the gamble we took was a grave mistake, and its ramifications continue to reverberate through the lives of millions, in Iraq and the West. As we gain more distance from those events, it can be argued that many of the issues facing us today - the rise of the Islamic State, increased Islamic terrorism, intensified violence in the Middle East, mass migration, and more - can be traced back to the decision to invade Iraq. In The Iraq War, award-winning documentary maker James Bluemel collects first-hand testimony from those who lived through the horrors of the invasion and whose actions were dictated by such extreme circumstances. It takes in all sides of the conflict - working class Iraqi families watching their country erupt into civil war; soldiers and journalists on the ground; American families dealing with the grief of losing their son or daughter; parents of a suicide bomber coming to terms with unfathomable events - to create the most in-depth and multi-faceted portrait of the Iraq War to date. Accompanying a major BBC series, James Bluemel's book is an essential account of a conflict that continues to shape our world, and a startling reminder of the consequences of our past decisions.

This oral history of London's East End spans the period after World War I to the upsurge of prosperity at the beginning of the 1960s--a time period which saw fresh waves of immigrants in the area, the Fascist marches of the 1930s, and its spirited recovery after virtual obliteration during the Blitz. Piers Dudgeon has listened to dozens of people who remember this fiercely proud quarter to record their real-life experiences of what it was like before it was fashionable to buy a home in the Docklands. They talk of childhood and education, of work and entertainment, of family, community values, health, politics, religion, and music. Their stories will make you laugh and cry. It is people's own memories that make history real and this engrossing book captures them vividly.

Jo-ann Archibald worked closely with Coast Salish Elders and storytellers, who shared both traditional and personal life-experience stories, in order to develop ways of bringing storytelling into educational contexts. Indigenous Storywork is the result of this research and it demonstrates how stories have the power to educate and heal the heart, mind, body, and spirit. It builds on the seven principles of respect, responsibility, reciprocity, reverence, holism, interrelatedness, and synergy that form a framework for understanding the characteristics of stories, appreciating the process of storytelling, establishing a receptive learning context, and engaging in holistic meaning-making.

In the late 1960s and early 1970s, Soviet philologist, literary dissident, and university professor Viktor Duvakin made it his mission to interview the members of the artistic avant-garde who had survived the Russian Revolution, Stalin's purges, and the Second World War. Based on archival materials held at the Moscow State University Library, Russian Modernism in the Memories of the Survivors catalogues six interviews conducted by Duvakin. The interviewees talk about their most intimate life experiences and give personal accounts of their interactions with famous writers and artists such as Vsevolod Meyerhold, Sergei Eisenstein, and Marina Tsvetaeva. They offer insights into the world of Russian emigrants in Prague and Paris, the uprising against the Communist government, what it was like to work at the United Nations after the Second World War, and other important aspects of life in the Soviet Union and Europe during the first half of the twentieth century. Archival photographs, as well as hundreds of annotations to the text, are included to help readers understand the historical and cultural context of the interviews. The unique and previously unpublished materials in Russian Modernism in the Memories of the Survivors will be of great interest to anyone who wants to learn more about this fascinating period in Soviet history.

This book is part of the Tempus Oral History series, which combines the reminiscences of local people with old photographs and archived images to show the history of various local areas in Great Britain, through their streets, shops, pubs, and people.

If you wish to retain your image of an 'Angel' as depicted on our Christmas cards, then to read this work may be ill-advised. However, if you would like to learn of their Real Activities, and astounding interactions with the Patriarchs, taken straight from the Old Testament, then this is the book for you. But be prepared for a shock. Gone are the heroes, the innocence and certainty the Wings (which were never there in the first place). You will learn of their ruthless activities, deciding who will live or die, the slaughter of humans in great numbers by flood, in the days of Noah and what sound like nuclear bombs when destroying the cities of the plain, i.e., Sodom and Gomorrah. Before Exodus, a 'destroying Angel' moved over the houses, murdering new born Egyptian children. After Exodus and before a battle, they instructed the army of Moses Let not a creature that breathes to live. They inseminated even barren women to produce a wonder child to do their bidding. They treated humankind as if their property. Their forebears came to earth from elsewhere, descended from our skies and decided, Let us make men in our image. They were extra-terrestrial by any definition. To the patriarchs, any creature that could descend from and ascend to the sky could only be coming from and returning to heaven in a Biblical interpretation. Today, they keep their distance in the knowledge that modern humans would not fall on their faces in awe, yet they remain in earth space because they have inherited a responsibility for humankind. An explanation for their continual abductions exists herein, which may not bode well for humankind. We are their 'Property.'