Starting from its original conception and design by the owners and naval architects at the White Star Line through construction at Harland and Wolff's shipyards in Belfast, Nick Barratt explores the pre-history of the Titanic. He examines the aspirations of the owners, the realities of construction and the anticipation of the first sea-tests, revealing that the seeds of disaster were sown by the failure to implement sealed bulkheads - for which the original plans are now available. Barratt then looks at what it was like to embark on the Titanic's maiden voyage in April 1912. The lives of various passengers are examined in more detail, from the first class aristocrats enjoying all the trappings of privilege, to the families in third-class and steerage who simply sought to leave Britain for a better life in America. Similarly, the stories of representatives from the White Star Line who were present, as well as members of the crew, are told in their own words to give a very different perspective of the voyage. Finally, the book examines the disaster itself, when Titanic struck the iceberg on 14 April and sunk hours later. Survivors from passengers and crew explain what happened, taking you back in time to the full horror of that freezing Atlantic night when up to 1,520 people perished. The tragedy is also examined from the official boards of enquiry, and its aftermath placed in a historic context - the damage to British prestige and pride, and the changes to maritime law to ensure such an event never took place again. The book concludes by looking at the impact on those who escaped, and what became of them in the ensuing years; and includes the words of the last living survivor, Millvina Dean.

In this important new book, Paul T. Phillips argues that most professional historians - aside from a relatively small number devoted to theory and methodology - have concerned themselves with particular, specialized areas of research, thereby ignoring the fundamental questions of truth, morality, and meaning. This is less so in the thriving general community of history enthusiasts beyond academia, and may explain, in part at least, history's sharp decline as a subject of choice by students in recent years. Phillips sees great dangers resulting from the thinking of extreme relativists and postmodernists on the futility of attaining historical truth, especially in the age of "post-truth." He also believes that moral judgment and the search for meaning in history should be considered part of the discipline's mandate. In each section of this study, Phillips outlines the nature of individual issues and past efforts to address them, including approaches derived from other disciplines. This book is a call to action for all those engaged in the study of history to direct more attention to the fundamental questions of truth, morality, and meaning.

In the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life's work. The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan's own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan's work will find their understanding of his philosophy profoundly affected by the essays in this volume.

'An extraordinary book . . . vivid and heart-breaking' The Jewish Chronicle Through the discovery of a precious friendship album which belonged to 12-year-old Alie, a Jewish schoolgirl in Amsterdam, Claudia Carli has traced and preserved the lives of an entire class of girls, most of whom did not survive the War. Alie and her friends are brought touchingly and vividly to life, along with their writings, in this extraordinary book. Their everyday hopes, pleasures and longings are offset by the constant fear of a knock on the door, a missing friend from class, a family member taken away. Alie and her mother were to die in Sobibor in 1943. Alie's sister Gretha survived Auschwitz and kept her promise to her sister to preserve the friendship album so long as she hoped to live. This book will sit alongside Anne Frank's diary and The Cutout Girl as a unique window into occupied Amsterdam and the girls who will now never be forgotten.

Discover a powerful collection of the hardships, hairbreadth escapes, and mortal struggles of enslaved people seeking freedom: These are the true stories of the Underground Railroad.

A secret network of safe houses, committees and guides that stretched well below the Mason-Dixon Line into the brutal slave states of the American South, the Underground Railroad remains one of the most impressive and well-organised resistance movements in modern history. It facilitated the escape of over 30,000 slave 'passengers' through America and into Canada during its peak years of 1850-60, and, in total, an estimated 100,000 slaves found their freedom through the network.

Abridged from William Still's The Underground Railroad Records - an epic historical document that chronicles the first-hand stories of American slaves who escaped to freedom via the Underground Railroad - Passengers tells of the secret methods, risks and covert sacrifices that were made to liberate so many from slavery. From tales of men murdered in cold blood for their part in helping assist runaways and terrifyingly tense descriptions of stowaways and dramatic escape plans, to stories of families reunited and the moments of absurdity that the Underground Railroad forced its 'passengers' to sometimes endure, Still's narratives testify to the humanity of this vast enterprise.

In the pre-reserve era, Aboriginal bands in the northern plains were relatively small multicultural communities that actively maintained fluid and inclusive membership through traditional kinship practices. These practices were governed by the Law of the People as described in the traditional stories of Wisashkecahk, or Elder Brother, that outlined social interaction, marriage, adoption, and kinship roles and responsibilities. In Elder Brother and the Law of the People, Robert Innes offers a detailed analysis of the role of Elder Brother stories in historical and contemporary kinship practices in Cowessess First Nation, located in southeastern Saskatchewan. He reveals how these tradition-inspired practices act to undermine legal and scholarly definitions of ""Indian"" and counter the perception that First Nations people have internalized such classifications. He presents Cowessess's successful negotiation of the 1996 Treaty Land Agreement and their high inclusion rate of new ""Bill-C31s"" as evidence of the persistence of historical kinship values and their continuing role as the central unifying factor for band membership. Elder Brother and the Law of the People presents an entirely new way of viewing Aboriginal cultural identity on the northern plains.

The Liberian civil wars of the 1990s and 2000s became notorious for their atrocities, and for the widespread use of child soldiers. Girls and young women accounted for up to 40 per cent of these soldiers, but their unique perspective and experiences have largely been excluded from accounts of the conflict. In Liberia's Women Veterans, Leena Vastapuu uses an innovative auto-photographic methodology to tell the story of two of Africa's most brutal civil wars through the eyes of 133 female former soldiers. Incorporating their testimonies alongside a series of vivid illustrations by Emmi Nieminen, the book provides an in-depth account of these women's experiences of trauma, stigma, and the challenges of reintegration into post-war society, as well as their hopes and aspirations for the future. Vastapuu argues that these women, too often been perceived merely as passive victims of the conflict, can in fact play an important role in post-war reconciliation and peace-building. Overturning gendered perceptions of warfare and militarism, the book provides a unique take on humanitarian practices and post-conflict societies, making essential reading for policymakers as well as students and scholars across the humanities and social sciences.

Interviews are becoming an increasingly dominant research method in art, craft, design, fashion and textile history. This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as 'history', and as a means to insights into the micro-practices of arts production and identity that contribute to questions of 'voice', authenticity, and authorship. Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. " Oral History in the Visual Arts" is essential reading for students, researchers and practitioners across the visual arts.

The first twenty-five years of life in post-socialist Europe have seen vast political, economic, and cultural changes, as societies that lived under communist rule struggle with the traumas of the past and the challenges of the future. In this context, oral history has acquired a unique role in understanding the politics of memory and the practice of history. Drawing on research conducted in Belarus, Germany, Poland, Russia, and Ukraine, Reclaiming the Personal introduces theory and practice in this vital and distinctive area to a global audience. Focusing on issues such as repressed memories of the Second World War, the economic challenges of late socialism, and the experience of the early post-socialist transition, the essays underscore the political implications of oral history research in post-socialist Europe and highlight how oral history research in the region differs from that being conducted elsewhere.

This contemporary oral history, based on interviews conducted over an 18-year period, is the first of its kind in English. The interviews, some repeated with the same subjects over years, demonstrate how the Jewish community of Dijon has evolved over time in response to challenges both internal and external.

The authors provide an introduction to the series of interviews as well as a detailed history of the community. A chronology, a map of Dijon, and photos of many interviewees are included. The book also provides an update on recent events in the community, a suggested reading list, and a bibliography.

In 2018, Palestinians mark the 70th anniversary of the Nakba, when over 750,000 people were uprooted and forced to flee their homes in the early days of the Israeli-Palestinian conflict. Even today, the bitterness and trauma of the Nakba remains raw, and it has become the pivotal event both in the shaping of Palestinian identity and in galvanising the resistance to occupation. Unearthing an unparalleled body of rich oral testimony, An Oral History of the Palestinian Nakba tells the story of this epochal event through the voices of the Palestinians who lived it, uncovering remarkable new insights both into Palestinian experiences of the Nakba and into the wider dynamics of the ongoing conflict. Drawing together Palestinian accounts from 1948 with those of the present day, the book confronts the idea of the Nakba as an event consigned to the past, instead revealing it to be an ongoing process aimed at the erasure of Palestinian memory and history. In the process, each unique and wide-ranging contribution leads the way for new directions in Palestinian scholarship.

A city of over one million people caught between volcanic eruptions and armed conflict, Goma has come to embody the 'tragedy' that is the Democratic Republic of Congo. Often portrayed by outsiders as a living hell, Goma is nevertheless a city of opportunity for others. Drawing on a rich tapestry of personal narratives, from taxi driver to market trader, doctor to local humanitarian worker, Goma: Stories of Strength and Sorrow from Eastern Congo provides an engaging and unconventional portrait of an African city. In contrast to the bleak pessimism which dominates much of the writing on Congo, Trefon and Kabuyaya instead emphasise the resilience, pragmatism and ingenuity which characterises so much of daily life in Goma. Resigned and hardened by struggle, the protagonists of the book give the impression that life is neither beautiful nor ugly, but an unending skirmish with destiny. In doing so, they offer startling insights into the social, cultural and political landscape of this unique city.

The charivari is a loud, late-night surprise house-visiting custom from members of a community, usually to a newlywed couple, accompanied by a qu?te (a request for a treat or money in exchange for the noisy performance) and/or pranks. Up to the first decades of the twentieth century, charivaris were for the most part enacted to express disapproval of the relationship that was their focus, such as those between individuals of different ages, races, or religions. While later charivaris maintained the same rituals, their meaning changed to a welcoming of the marriage.

Make the Night Hideous explores this mysterious transformation using four detailed case studies from different time periods and locations across English Canada, as well as first-person accounts of more recent charivari participants. Pauline Greenhill's unique and fascinating work explores the malleability of a tradition, its continuing value, and its contestation in a variety of discourses.

The title of this book is taken from Primo Levi's words about survivors of the Holocaust: `The survivors are divided into two well-defined groups: those who repress their past en bloc, and those whose memory of the offence persists, as though carved in stone.' The memories of Manny Drukier are indelibly inscribed on his mind, and in Carved in Stone he recounts them with honesty and precision. In 1939, at the age of eleven, Drukier was forced by the Nazis to leave his native city of Lodz, in Poland. His narrative, prompted by his first visit back to Poland after fifty years, begins with his childhood, follows him in and out of various hiding places and to the labour camps, and describes his day of liberation and his later emigration to North America. But this is also the story of the day-to-day life of Jews both before and during the war, providing a detailed account of Drukier's friends and family, and their love, wit, and will to survive.

Despite a long and rich tradition of oral history research, few are aware of the innovative and groundbreaking work of oral historians in Canada. For this first primer on the practices within the discipline, the editors of The Canadian Oral History Reader have gathered some of the best contributions from a diverse field. Essays survey and explore fundamental and often thorny aspects in oral history methodology, interpretation, preservation and presentation, and advocacy. In plain language, they explain how to conduct research with indigenous communities, navigate difficult relationships with informants, and negotiate issues of copyright, slander, and libel. The authors ask how people's memories and stories can be used as historical evidence - and whether it is ethical to use them at all. Their detailed and compelling case studies draw readers into the thrills and predicaments of recording people's most intimate experiences, and refashioning them in transcripts and academic analyses. They also consider how to best present and preserve this invaluable archive of Canadian memories. The Canadian Oral History Reader provides a rich resource for community and university researchers, undergraduate and graduate students, and independent scholars and documentarians, and serves as a springboard and reference point for global discussions about Canadian contributions to the international practice of oral history. Contributors include Brian Calliou (independent scholar), Elise Chenier (Simon Fraser University), Julie Cruikshank (University of British Columbia), Alexander Freund (University of Winnipeg), Steven High (Concordia University), Nancy Janovicek (University of Calgary), Jill Jarvis-Tonus (independent scholar), Kristina R. Llewellyn (Renison University College, University of Waterloo), Bronwen Low (McGill University), Claudia Malacrida (University of Lethbridge), Joy Parr (Western University), Joan Sangster (Trent University), Emmanuelle Sonntag (Universite du Quebec a Montreal), Pamela Sugiman (Ryerson University), Winona Wheeler (University of Saskatchewan), and Stacey Zembrzycki (Concordia University).

Despite a long and rich tradition of oral history research, few are aware of the innovative and groundbreaking work of oral historians in Canada. For this first primer on the practices within the discipline, the editors of The Canadian Oral History Reader have gathered some of the best contributions from a diverse field. Essays survey and explore fundamental and often thorny aspects in oral history methodology, interpretation, preservation and presentation, and advocacy. In plain language, they explain how to conduct research with indigenous communities, navigate difficult relationships with informants, and negotiate issues of copyright, slander, and libel. The authors ask how people's memories and stories can be used as historical evidence - and whether it is ethical to use them at all. Their detailed and compelling case studies draw readers into the thrills and predicaments of recording people's most intimate experiences, and refashioning them in transcripts and academic analyses. They also consider how to best present and preserve this invaluable archive of Canadian memories. The Canadian Oral History Reader provides a rich resource for community and university researchers, undergraduate and graduate students, and independent scholars and documentarians, and serves as a springboard and reference point for global discussions about Canadian contributions to the international practice of oral history. Contributors include Brian Calliou (independent scholar), Elise Chenier (Simon Fraser University), Julie Cruikshank (University of British Columbia), Alexander Freund (University of Winnipeg), Steven High (Concordia University), Nancy Janovicek (University of Calgary), Jill Jarvis-Tonus (independent scholar), Kristina R. Llewellyn (Renison University College, University of Waterloo), Bronwen Low (McGill University), Claudia Malacrida (University of Lethbridge), Joy Parr (Western University), Joan Sangster (Trent University), Emmanuelle Sonntag (Universite du Quebec a Montreal), Pamela Sugiman (Ryerson University), Winona Wheeler (University of Saskatchewan), and Stacey Zembrzycki (Concordia University).

Prepared to coincide with the 250th anniversary of the establishment of Nova Scotia's Supreme Court, this important new volume provides a comprehensive history of the institution, Canada's oldest common law court. The thirteen essays include an account of the first meeting in 1754 of the court in Michaelmas Term, surveys of jurisprudence (the court's early federalism cases; its use of American law; attitudes to the administrative state), and chapters on the courts of Westminster Hall, on which the Supreme Court was modelled, and the various courthouses it has occupied. Anchoring the volume are two longer chapters, one on the pre-confederation period and one on the modern period.

Editors Philip Girard, Jim Phillips, and Barry Cahill have put together the first complete history of any Canadian provincial superior court. All of the essays are original, and many offer new interpretations of familiar themes in Canadian legal history. They take the reader through the establishment of the one-judge court to the present day ? a unique contribution to our understanding of superior courts.

Over the span of seven years, hundreds of people displaced by mass violence told their stories to the Montreal Life Stories project. From the outset, the project's organizers sought to develop an alternative model to traditional oral history practice, one where community members "shared authority" as equal partners. Together, they challenged long-held beliefs about how oral stories should be collected and shared. As a sustained reflection on this large-scale experiment in collaborative research, Oral History at the Crossroads has methodological and ethical implications for scholars. It also provides a contemporary model for curating public history, pushing the field in new directions.

In 2015, Ireland will hold a referendum on the subject of extending marriage rights to same-sex people in the State. This referendum is the culmination of one of the most rapid and transformative changes in Irish society over the last century. In this book, Una Mullally charts the development of the debate from its origins to the present day. Based on interviews with all the key figures involved, from politics and activism to journalism and the media, the book paints a vivid picture of where we have come from and how we have arrived at this defining moment for Ireland.

How objective are our history books? This addition to the Writing History series examines the critical role that memory plays in the writing of history. This book includes: - Essays from an international team of historians, bringing together analysis of forms of public history such as museums, exhibitions, memorials and speeches - Coverage of the ancient world to the present, on topics such as oral history and generational and collective memory - Two key case studies on Holocaust memorialisation and the memory of Communism

This contemporary oral history, based on interviews and recorded observations made over an eighteen-year period, tells the compelling story of the small Jewish community of Dijon, France, and how it has evolved over time in response to both internal and external challenges.The twenty-four interviews included in the book provide first-hand narratives on compelling issues such as the lingering impact of the Holocaust, anti-Israeli sentiments, and intermarriage within and outside the community. Interviewees include the community's rabbi, the president of the community's synagogue, the Jewish deputy mayor, Holocaust survivors and their children, as well as representative members from the Lubavitcher (ultra-Orthodox) community.The authors provide introductions to the interviews as well as a detailed history of the Jewish community in Dijon. The book includes a chronology, a glossary, a detailed map of Dijon, and photos of many of the interviewees.

Sellafield Stories is the largest Oral History Project conducted in the UK. It was started by Jenni Lister, of Cumbria Record Office & Local Studies Library, and was funded by the BNFL. Through the personal life stories of 30 people who lived, worked and built the complex SELLAFIELDS STORIES tells the true story of the Sellafields Nuclear Plant that has been at the heart of the Nation's story for the last 60 years. First set up in the aftermath of World War II to develop Britain's nuclear weapons, it was not until 1957 that it was given over to nuclear power, kick starting a revolution in post war energy. Since then it has been the site of protests, controversy and debate. Today it is still the country's biggest single industrial site employing 13,500 people.

This text tells the story of the lives of migrant black African men who work in the South African gold mines, recounted from their own point of view and, as much as possible, in their own words. Dunbar Moodie examines the operation of local power structures and resistances, changes in production techniques, the limits and successes of unionization, and the nature of ethnic conflicts at different periods and on different terrains of struggle. He treats his subject thematically and historically, examining how notions of integrity, manhood, sexuality, work, power, solidarity, and violence have all changed over time, especially with the shift to a proletarianized work-force on the mines in the 1970s. Moodie integrates analyses of individual life-strategies with theories of social change, illuminating the ways in which these play off each other in historically significant ways. He shows how human beings (in this case, African men) build integrity and construct their own social order, even in situations of apparent total repression.

Since the early 1960s, no other country has endured more acts of terrorism against civilian targets than Cuba, and the US has had its hand in much of it. This book gives a voice to the victims. Keith Bolender brings to bear the enormous impact that terrorism has had on Cuba's civilian population, with over 6,000 documented incidents resulting in more than 3,000 deaths and 2,000 injuries. It is Bolender's aim to articulate the atrocities the Cuban people have suffered -- which largely originate from Cuban counter-revolutionaries based in the US, often with the active help of the CIA." Voices From The Other Side" includes first-person interviews with more than 75 Cuban citizens who have been victims of these terrorist acts, or have had family members or close friends die from the attacks. It is a unique resource for activists, journalists and students interested in Cuba's torrid relationship with the US.

The charivari is a loud, late-night surprise house-visiting custom from members of a community, usually to a newlywed couple, accompanied by a qu?te (a request for a treat or money in exchange for the noisy performance) and/or pranks. Up to the first decades of the twentieth century, charivaris were for the most part enacted to express disapproval of the relationship that was their focus, such as those between individuals of different ages, races, or religions. While later charivaris maintained the same rituals, their meaning changed to a welcoming of the marriage.

Make the Night Hideous explores this mysterious transformation using four detailed case studies from different time periods and locations across English Canada, as well as first-person accounts of more recent charivari participants. Pauline Greenhill's unique and fascinating work explores the malleability of a tradition, its continuing value, and its contestation in a variety of discourses.