Flares of Memory is a collection of ninety-two stories written by over forty Jewish survivors and several U.A. Army liberators about their experiences during the Holocaust. The stories collected in this volume were developed in a writing workshop led by Brostoff and Chamovitz for survivors of the Holocaust in the hope of preserving their memories for posterity. The contributors to this collection related their recollections of being children, teenagers, and young adults during the Holocaust. Their individual experiences testify to the horror of the period as well as the moments of courage and luck that allowed them to survive while offering a tribute to the lives and cultures that were destroyed. The volume organizes the stories thematically into chapters, and includes a detailed timeline of the Holocaust, a map of concentration camps, and photographs of their contributors.

Interweaving photographs, concert programs, scores, and drawings with the texts of more than fifty interviews with family, friends, neighbors, and colleagues, Charles Ives Remembered is a vivid memory portrait of an enigmatic American composer, told in the voices of the people who knew him best.

Charles Ives (1874-1954) was publicly an insurance executive but privately a composer whose eccentric works and paradoxical life would intrigue, perplex, and inspire generations to come after him. Moving from Ives's childhood and years at Yale to his business and musical careers, the memories and reflections assembled in this Kinkeldey Award-winning volume provide a multifaceted and humanizing view of an American musical icon.

This book is part of the Tempus Oral History series, which combines the reminiscences of local people with old photographs and archived images to show the history of various local areas in Great Britain, through their streets, shops, pubs, and people.

This book is part of the Tempus Oral History series, which combines the reminiscences of local people with old photographs and archived images to show the history of various local areas in Great Britain, through their streets, shops, pubs, and people.

In August 1965 the predominantly black neighborhood of Watts in Los Angeles erupted in flames and violence following an incident of police brutality. The official death toll was thirty-four; property losses reached hundreds of millions of dollars; but the political results were even more profound. The civil rights movement was placed on the defensive as the image of rioting blacks in the West replaced the image of meek and angelic protestors in the South. A white backlash ensued that led directly to Ronald Reagan's election as governor of California in 1966.This is the first comprehensive treatment of the uprising, its causes, and its aftermath, and is based on hundreds of oral histories and unprecedented archival research. With a cast that includes Ronald Reagan, Tom Bradley, Martin Luther King, Jr., Edmund G. Brown, the NAACP, the Black Panthers, the Nation of Islam, and thousands of blacks and whites, "Fire This Time" is a compelling account of an event that changed the face of racial justice in America.

Gender and Memory is the fourth volume of the International Yearbook of Oral History and Life Stories . Once again, its theme is a fundamental issue, the shaping of memory by gender. Are the different ways in which men and women are recalled in public and private memory, and also the differences in men's and women's own memories of similar experiences, simply reflections of unequal lives in gendered societies, or are they more deeply rooted? How early in childhood do girls and boys reveal differences in memory? How far does the character of memory change as gender roles evolve? The Special Editors of Gender and Memory , Selma Leydesdorff, Luisa Passerini, and Paul Thompson, draw on original contributions reflecting on the relationships between gender and memory in western and eastern Europe, China, Africa, Australia, the United States and Brazil. The aim of the International Yearbook is to increase our understanding of the recent past and the changing present. It sets out to present and interpret autobiographical testimony, whether in the firm of written autobiography, oral history, or life story interviews. Each issue forms a coherent volume focusing on a single theme. This book i

Migration and Identity concerns the shaping of identity using the theme of migration, revealing how migration acts as a crucible for individual social development and for wider social change. The International Yearbook of Oral History and Life Stories aims to increase our understanding of the recent past and the changing present through autobiographical testimony, in the form of written biography, oral history, and life story interviews.

This text tells the story of the lives of migrant black African men who work in the South African gold mines, recounted from their own point of view and, as much as possible, in their own words. Dunbar Moodie examines the operation of local power structures and resistances, changes in production techniques, the limits and successes of unionization, and the nature of ethnic conflicts at different periods and on different terrains of struggle. He treats his subject thematically and historically, examining how notions of integrity, manhood, sexuality, work, power, solidarity, and violence have all changed over time, especially with the shift to a proletarianized work-force on the mines in the 1970s. Moodie integrates analyses of individual life-strategies with theories of social change, illuminating the ways in which these play off each other in historically significant ways. He shows how human beings (in this case, African men) build integrity and construct their own social order, even in situations of apparent total repression.

A major historical document, this book contains interviews with more than 150 Germans who witnessed, participated in, or resisted the rise of Adolph Hitler. The testimony comes from well-known figures like Manfred Rommel and Helmut Kohl former soldiers and ordinary civilians and victims of the criminal policies of the Nazi regime. Haunting and extraordinary tales of horror, courage, grim determination, and moral confusion fill these pages. Voices from the Third Reich takes the material of epic history and presents it in the form of the individual human experiences of men, women, and children subjected to the pressures of total war in a fascist state.

Am 25. Juli 1936 beschloss Hitler an der Seite General Francos im Spanischen Burgerkrieg zu intervenieren. Die geschichtstrachtige "Bayreuther Entscheidung" legte die Weichen fur eine faschistische Diktatur in Spanien, die das Land uber vierzig Jahre vom Rest Europas isolieren sollte. Der deutsche Geschaftsmann Johannes Bernhardt wurde als Protagonist des geheimen Treffens in Bayreuth von Hitler mit dem Aufbau eines oekonomischen Schattenimperiums in Spanien beauftragt. Eine Analyse historischer Schlusseltexte und anderer medialer Inszenierungen von Bernhardt und der deutschen Intervention in Spanien zeigt, welcher sprachlichen Strategien sich Historiker, Journalisten und Autoren bedienen, um die Erinnerungsgeschichte der deutsch-spanischen Beziehungen seit acht Jahrzehnten zu konstruieren, manipulieren und revidieren.

President Bill Clinton led one of the most influential and consequential White House tenures in recent memory. However, because of the office's traditional climate of confidentiality, many details of his behind-the-scenes activities have remained absent from the written record. How did the administration manage the horrific conflicts in Haiti, Somalia, and the Balkans that came to a head shortly after the President took the oath? What motivated the President to place First Lady Hillary Clinton at the helm of the ill-fated Health Security Act of 1993? And how did the President's closest confidantes and aides respond to the outbreak of the devastating scandal that nearly ended his presidency? Inside the Clinton White House offers an intimate perspective on these questions and many more, granting readers unprecedented access to the sensitive Oval Office banter that changed the course of history. Bringing together material from 400 hours of candid conversations with over sixty individuals, respected oral historian Russell L. Riley weaves this illuminating testimony with important contextual information to form an irresistible narrative, taking the reader from Clinton's first potential White House bid in 1988 to the final days of his remarkable and controversial career. Extended sections of the book are devoted to important domestic and foreign policy campaigns, the complicated politics of the President's two terms and impeachment, and portraits of important personalities in the administration, including Vice President Al Gore and First Lady Hillary Rodham Clinton. These forthright and often surprising accounts add a layer of nuance to an iconic figure in America's recent history, as told in the words of the people who knew him best.

In the last 20 years or so, the 1994 genocide in Rwanda has inspired a number of creative writers who were eager to represent that genocide itself, its aftermath and, in some cases, the situation that they perceived as paving the way for it decades before it occurred. Unlike other parts of Africa, where the novel already had a deeply rooted tradition, the Rwandan novel is a recent phenomenon that dates back to the late 1990s. In this book, the author focuses on 10 Rwandan-authored novels of genocide, which he considers to be excellent memory texts that reveal a lot about memory processes in post-genocide Rwanda. The author argues that the freedom the novelists enjoy to create their own Rwanda enable them to explore the most controversial aspects of the relationships amongst the Hutu and the Tutsi, the main ethnic groups in Rwanda. Unlike non-fiction writers who are restricted by their discipline-specific constraints and ethical considerations, novelists use their invented Rwanda to expose ethnicity-related issues in a less formal, and often provocative, way. In so doing, however, they seem to exacerbate tensions, by for instance stereotyping the ethnic Other, by providing the ethnic Other with certain attributes and memory-loaded names, and by embracing certain ideological truths. As a follow up to Complexities and Dangers of Remembering and Forgetting in Rwanda [Volume 1 of the Memory Traps series, 2013], Novels of Genocide invites scholars, researchers, students and all those interested in collective memory, genocide studies, fiction, and propaganda studies, to go beyond the traditional fiction-versus-reality dichotomy, and to look at post-genocide Rwanda through the lenses of fiction. The author engages six Tutsi-authored novels and four Hutu-authored counterparts and contends that what happens in fictional Rwanda is so close to, and highly instructive about, what happens in real Rwanda.

In the last 20 years or so, the 1994 genocide in Rwanda has inspired a number of creative writers who were eager to represent that genocide itself, its aftermath and, in some cases, the situation that they perceived as paving the way for it decades before it occurred. Unlike other parts of Africa, where the novel already had a deeply rooted tradition, the Rwandan novel is a recent phenomenon that dates back to the late 1990s. In this book, the author focuses on 10 Rwandan-authored novels of genocide, which he considers to be excellent memory texts that reveal a lot about memory processes in post-genocide Rwanda. The author argues that the freedom the novelists enjoy to create their own Rwanda enable them to explore the most controversial aspects of the relationships amongst the Hutu and the Tutsi, the main ethnic groups in Rwanda. Unlike non-fiction writers who are restricted by their discipline-specific constraints and ethical considerations, novelists use their invented Rwanda to expose ethnicity-related issues in a less formal, and often provocative, way. In so doing, however, they seem to exacerbate tensions, by for instance stereotyping the ethnic Other, by providing the ethnic Other with certain attributes and memory-loaded names, and by embracing certain ideological truths. As a follow up to Complexities and Dangers of Remembering and Forgetting in Rwanda [Volume 1 of the Memory Traps series, 2013], Novels of Genocide invites scholars, researchers, students and all those interested in collective memory, genocide studies, fiction, and propaganda studies, to go beyond the traditional fiction-versus-reality dichotomy, and to look at post-genocide Rwanda through the lenses of fiction. The author engages six Tutsi-authored novels and four Hutu-authored counterparts and contends that what happens in fictional Rwanda is so close to, and highly instructive about, what happens in real Rwanda.

In 1871, newly freed slaves established the community ofTamina-then called "Tammany"-north of Houston, near therich timber lands of Montgomery County. Located in proximityto the just-completed railroad from Conroe to Houston, thecommunity benefited from the burgeoning local lumber industryand available transportation. The residents built homes, churches,a one-room school, and a general store. Over time, urban growth and change has overtaken Tamina.The sprawling communities of The Woodlands, Shenandoah,Chateau Woods, and Oak Ridge have encroached, introducingboth opportunity and complication, as the residents of this ruralcommunity enjoy both the benefits and the challenges of urban life.On the one hand, the children of Tamina have the opportunity toattend some of the best public schools in the nation; on the otherhand, residents whose education and job skills have not kept pacewith modern society are struggling for survival. Through striking and intimate photography and sensitivelygleaned oral histories, Marti Corn has chronicled the lives,dreams, and spirit of the people of Tamina. The result is a multifaceted portrait of community, kinship, values, and shared history.

Black Theater Is Black Life fills a critical gap in the history of African American culture in Chicago. Through interviews with prominent producers, directors, choreographers, designers, dancers, and actors, Young and Zabriskie create a portrait of a diverse, dynamic artistic community between 1970 and 2010. They frame this history with helpful guides, including a chronology of key events, a glossary of names, and an appendix of leading performing arts institutions in Chicago.

Donald Raleigh's Soviet Baby Boomers traces the collapse of the Soviet Union and the transformation of Russia into a modern, highly literate, urban society through the fascinating life stories of the country's first post-World War II, Cold War generation. For this book, Raleigh has interviewed sixty 1967 graduates of two "magnet" secondary schools that offered intensive instruction in English, one in Moscow and one in provincial Saratov. Part of the generation that began school the year the country launched Sputnik into space, they grew up during the Cold War, but in a Soviet Union increasingly distanced from the excesses of Stalinism. In this post-Stalin era, the Soviet leadership dismantled the Gulag, ruled without terror, promoted consumerism, and began to open itself to an outside world still fearful of Communism. Raleigh is one of the first scholars of post-1945 Soviet history to draw extensively on oral history, a particularly useful approach in studying a country where the boundaries between public and private life remained porous and the state sought to peer into every corner of people's lives. During and after the dissolution of the USSR, Russian citizens began openly talking about their past, trying to make sense of it, and Raleigh has made the most of this new forthrightness. He has created an extraordinarily rich composite narrative and embedded it in larger historical narratives of Cold War, de-Stalinization, "overtaking" America, opening up to the outside world, economic stagnation, dissent, emigration, the transition to a market economy, the transformation of class, ethnic, and gender relations, and globalization. Including rare photographs of daily life in Cold War Russia, Soviet Baby Boomers offers an intimate portrait of a generation that has remained largely faceless until now.

Among sources on the Holocaust, survivor testimonies are the least replaceable and most complex, reflecting both the personality of the narrator and the conditions and perceptions prevailing at the time of narration. Scholarship aims to challenge memory and fill its gaps. At the same time, scholars often use testimonies uncritically or selectively-mining them to support generalizations. This book is a departure, bringing several scholars together to analyze the testimony of one Holocaust survivor. Helen "Zippi" Spitzer Tichauer was sent to Auschwitz in 1942. One of the few early arrivals to survive the camp and the death marches, she met her future husband in a DP camp. They moved to New York in the 1960s. Since the end of the war, Zippi devoted many hours to talking with a small group of scholars about her life. Zippi's testimony covers a wide range of human experiences in extremis and spans fifty-odd years. It is thus uniquely suited to raise questions on the meaning and use of survivor testimony. What do we know, sixty years after the Nazi era, about the workings of a death camp? How willing are we to learn from the experiences of a survivor, and how much is our perception preconditioned by standardized images? What are the mechanisms, aims and pitfalls of story-telling? Can survivor testimonies be understood properly without guidance from those who experienced the events? This book, written by established Holocaust scholars who have known Helen Tichauer for years, attempts to approximate survivor testimony and probe the limits of its representation and understanding. Contributors include Atina Grossmann (author, Jews, Germans, and Allies: Close Encounters in Occupied Germany, Princeton, 2007), Konrad Kwiet (co-ed., Contemporary Responses to the Holocaust, 2005), Wendy Lower (author, Shoah in Ukraine: History, Testimony, Memory, Indiana UP, 2007), Nehama Tec (author, Resilience and Courage: Women, Men, and the Holocaust, Yale, 2003, and Defiance: The Bielski Partisans, OUP, 1993). The book will be of interest to both Holocaust scholars and oral historians.

In spring 2008, inspired by the Vietnam war veterans who spoke out against the war in public hearings, Iraq veterans gathered to expose the war crimes in Afghanistan and Iraq. In this book Aaron Glantz and the Iraq war veterans reveal the atrocities they have witnessed.

The acting profession is increasingly drawing more and more actors of Asian descent. Yet, even with the success of television programs (Martial Law), films (Mulan), and even Broadway plays (Miss Saigon) that include Asian characters, there are still limited roles for these actors. In the past, Asian characters like Charlie Chan and Fu Manchu were played by non-Asian actors in makeup. Many of the roles available for Asians today tend to be stereotypical: kung-fu sidekicks, emasculated or gang-member males, sexually accessible females, comic characters with a poor command of English. Seldom are Asian actors cast in race-neutral roles. Despite these obstacles, many excellent Asian actors continue to seek their places on screen and stage. This analysis of Asian American opportunities and experiences in the acting profession features the narratives of both aspiring and established Asian-American actors, providing a detailed examination of the opportunities, prejudices, and fears they face and the goals they set for themselves. The book covers the insights of both New York and Hollywood based actors, both the well known and the up-and-coming, and includes photographs, bibliography and index.

The Nazi regime and local collaborators killed 800,000 Belorussian Jews, many of them parents or relatives of young Jews who survived the war. Thousands of young girls and boys were thus orphaned and struggled for survival on their own. This book is the first systematic account of young Soviet Jews' lives under conditions of Nazi occupation and genocide. These orphans' experiences and memories are rooted in the 1930s, when Soviet policies promoted and sometimes actually created interethnic solidarity and social equality. This experience of interethnic solidarity provided a powerful framework for the ways in which young Jews survived and, several decades after the war, represented their experience of violence and displacement. Through oral histories with several survivors, video testimonies, and memoirs, Anika Walke reveals the crucial roles of age and gender in the ways young Jews survived and remembered the Nazi genocide, and shows how shared experiences of trauma facilitated community building within and beyond national groups. Pioneers and Partisans uncovers the repeated transformations of identity that Soviet Jewish children and adolescents experienced, from Soviet citizens in the prewar years, to a target of genocidal violence during the war, to a barely accepted national minority in the postwar Soviet Union.

Made famous in the 1976 documentary Harlan County USA, this pocket of Appalachian coal country has been home to generations of miners-and to some of the most bitter labor battles of the 20th century. It has also produced a rich tradition of protest songs and a wealth of fascinating culture and custom that has remained largely undiscovered by outsiders, until now. They Say in Harlan County is not a book about coal miners so much as a dialogue in which more than 150 Harlan County women and men tell the story of their region, from pioneer times through the dramatic strikes of the 1930s and '70s, up to the present. Alessandro Portelli draws on 25 years of original interviews to take readers into the mines and inside the lives of those who work, suffer, and often die in them-from black lung, falling rock, suffocation, or simply from work that can be literally backbreaking. The book is structured as a vivid montage of all these voices-stoic, outraged, grief-stricken, defiant-skillfully interwoven with documents from archives, newspapers, literary works, and the author's own participating and critical voice. Portelli uncovers the whole history and memory of the United States in this one symbolic place, through settlement, civil war, slavery, industrialization, immigration, labor conflict, technological change, migration, strip mining, environmental and social crises, and resistance. And as hot-button issues like mountain-top removal and the use of "clean coal" continue to hit the news, the history of Harlan County-especially as seen through the eyes of those who lived it-is becoming increasingly important. With rare emotional immediacy, gripping narratives, and unforgettable characters, They Say in Harlan County tells the real story of a culture, the resilience of its people, and the human costs of coal mining.

This book offers an oral history of musical genres from the Palmetto state musicians who helped define the sounds.From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of well-known jazz and blues musicians. Through richly detailed interviews with 19 South Carolina musicians, Franklin presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State.Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of jazz and blues performers from South Carolina.In their own colorful words, the performers recall their love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical word, early gigs, life on the tour bus, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Herman Lubinsky, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians.

World War II could not have been fought and won without the crucial role played by the U.S. Merchant Marine. Crewed by civilian seamen in peacetime, and carrying much of the nation's ocean-borne commerce, the Merchant Marine is often considered the "fourth arm of defense" in wartime. And, as such, it provided the vital logistical support for beachheads in all theaters of operation around the world during the war. The 20 Merchant Marine veterans of World War II featured in this oral history served in all theaters of war, and most had at least one ship - some two - torpedoed, bombed, shelled or mined out from under them. Some became prisoners of the Japanese for the duration, working on the infamous River Kwai Bridge. Many spend time in lifeboats or on flimsy rafts under extremely harsh conditions after the loss of a ship. And one - Donald Zubrod - endured 42 days in a lifeboat with several others before their eventual rescue very close to death's door. Credited during the war for often paying for their service "with some of their own blood" as they brought bombs, bullets, and butter to others, American merchant mariners actually suffered a loss rate that was a close second to only the Marine Corps during the conflict. Yet, their role still remains little known and understood. The collection of eye-witness accounts will go a long way to helping set the record straight at long last.

The interviews in this book were conducted for the Nordic Africa Institute's studies on the Nordic countries and the struggles for national liberation in Southern Africa. Around 80 representatives of the Southern African liberation movements, as well as Swedish and other opinion-makers, administrators, and politicians, reflect on the Swedish and Nordic support to these struggles. Prominent contemporary leaders -- among them Joaquim Chissano from Mozambique, Kenneth Kaunda from Zambia and Thabo Mbeki from South Africa -- give their views on a relationship that largely developed outside the public arena and of which there is scant evidence in open sources. Published as a companion to NAI's studies, the book is in its own right a reference source to a unique North-South relationship in the Cold War period.