In this insightful and provocative volume, Ramey reveals spirituals and slave songs to be a crucial element in American literature. This book shows slave songs' intrinsic value as lyric poetry, sheds light on their roots and originality, and draws new conclusions on an art form long considered a touchstone of cultural imagination.

This contemporary oral history, based on interviews and recorded observations made over an eighteen-year period, tells the compelling story of the small Jewish community of Dijon, France, and how it has evolved over time in response to both internal and external challenges.The twenty-four interviews included in the book provide first-hand narratives on compelling issues such as the lingering impact of the Holocaust, anti-Israeli sentiments, and intermarriage within and outside the community. Interviewees include the community's rabbi, the president of the community's synagogue, the Jewish deputy mayor, Holocaust survivors and their children, as well as representative members from the Lubavitcher (ultra-Orthodox) community.The authors provide introductions to the interviews as well as a detailed history of the Jewish community in Dijon. The book includes a chronology, a glossary, a detailed map of Dijon, and photos of many of the interviewees.

Looking over the great prairie in the early 1880s, Nellie Buchanan said, "I knew I would never be contented until I had a home of our own in the wonderful West." Some were not so sanguine. Mary Cox described the prairie as "the most barren, forsaken country that we had ever seen." Like the others whose stories appear in this book, these women were describing their own thoughts and experiences traveling to and settling in what became Colorado. Sixty-seven of their original, first-person narratives, recounted to Civil Works Administration workers in 1933 and 1934, are gathered for the first time in this book.
"The First We Can Remember" presents richly detailed, vivid, and widely varied accounts by women pioneers during the late nineteenth century. Narratives of white American-born, European, and Native American women contending with very different circumstances and geographical challenges tell what it was like to settle during the rise of the smelting and mining industries or the gold rush era; to farm or ranch for the first time; to struggle with unfamiliar neighbors, food and water shortages, crop failure, or simply the intransigent land and unpredictable weather. Together, these narratives--historically and geographically framed by Lee Schweninger's detailed introduction--create a vibrant picture of women's experiences in the pioneering of the American West.

A small neighborhood in northern Frankfort, Kentucky, Crawfish Bottom was located on fifty acres of swampy land along the Kentucky River. "Craw's" reputation for vice, violence, moral corruption, and unsanitary conditions made it a target for urban renewal projects that replaced the neighborhood with the city's Capital Plaza in the mid-1960s. Douglas A. Boyd's Crawfish Bottom: Recovering a Lost Kentucky Community traces the evolution of the controversial community that ultimately saw four-hundred families displaced. Using oral histories and firsthand memories, Boyd not only provides a record of a vanished neighborhood and its culture but also demonstrates how this type of study enhances the historical record. A former Frankfort police officer describes Craw's residents as a "rough class of people, who didn't mind killing or being killed." In Crawfish Bottom, the former residents of Craw acknowledge the popular misconceptions about their community but offer a richer and more balanced view of the past.

When written sources are scarce, historians often turn to oral histories for evidence. Bodies of Evidence: The Practice of Queer Oral History is the first book to provide serious scholarly insight into the methodological practices that shape lesbian, gay, bisexual, transgender, and queer oral histories. The volume opens up a critical dialogue on the challenges of creating an archive of queer lives. Highlighting the work of fourteen authors who focus their research on queer community history, culture, and politics, each chapter pairs an oral history excerpt with an original essay in which the oral historian addresses his or her methods and practices. With an afterword by the preeminent scholar in the field, John D'Emilio, this collection enables readers to examine both a series of oral histories and analysis of the role memory, desire, sexuality, and gender play in documenting LGBTQ communities and cultures. The historical themes addressed within include lesbian bar history in San Francisco (c. 1940s, 1950s); early homophile organizing and social activism in Los Angeles (c. 1950s and 1960s); Third World Liberation and feminist antiwar activism in the U.S. and Canada (c. 1960s, 1970s); electoral politics and the career of Harvey Milk, the first openly gay elected official in San Francisco (1970s); Latino AIDS memory and activism in San Francisco (1980s, 1990s); and the war in Iraq (2000s). The methodological themes addressed in this book that are relevant to the practice of oral history include questions of sexual self-disclosure and voyeurism in the uses of oral history methods by queer studies scholars; the intimacy between researcher and narrator negotiated through multiple oral history interviews and on-going casual conversations; the production of comparative racial and sexual identities within the context of oral history interviews; the production of in-group mythology by same-sexuality interviewing-and the possible benefits of cross-sexuality and cross-ideology interviewing; what heterosexually-identified narrators can tell us about LGBTQ life and death; the silences imposed by repressive U.S. government policy about sexual self-disclosure and the limits of permissible speech in highly politicized discourses such as "gays in the military." These themes provide new and insightful structures for thinking about oral history methods-both in general and in relation to the production of LGBTQ history.

The charivari is a loud, late-night surprise house-visiting custom from members of a community, usually to a newlywed couple, accompanied by a qu?te (a request for a treat or money in exchange for the noisy performance) and/or pranks. Up to the first decades of the twentieth century, charivaris were for the most part enacted to express disapproval of the relationship that was their focus, such as those between individuals of different ages, races, or religions. While later charivaris maintained the same rituals, their meaning changed to a welcoming of the marriage.

Make the Night Hideous explores this mysterious transformation using four detailed case studies from different time periods and locations across English Canada, as well as first-person accounts of more recent charivari participants. Pauline Greenhill's unique and fascinating work explores the malleability of a tradition, its continuing value, and its contestation in a variety of discourses.

Historian David La Vere has culled from the Indian-Pioneer Histories housed in the Indian Archives of the Oklahoma Historical Society in Oklahoma City a wealth of vivid detail about life among the former Texas Indian peoples. The oral histories that make up this collection were gathered during the Great Depression by the Works Progress Administration. From the 112 bound volumes that resulted, Dr. La Vere has gathered all the material pertinent to the Indians who came from Texas into an exceptional picture of the details of daily life-war and raiding, hunting and planting, foodways dress, parties and spiritual practices, education, health, and housing. La Vere has edited the narratives to group excerpts topically. Under farming, for example, he gives this report from a Wichita man: "We raise corn, pumpkin, sweet potato. I don't know where we got corn, probably given to my people four hundred years ago. Other Indians didn't know how to work, to raise corn and pumpkins. They would have to get this from Wichitas." A Caddo woman describes in great detail the three general styles of dress for Caddo women, and a Caddo-Delaware woman tells about the different woods and dyes used in making baskets. A white man living in Comanche Territory details how the Comanches tanned hides by "working the animal's] brains over them." Children's games and adults' dance rituals all are described in the words of those who played, danced, and watched them. La Vere sets the stage for this ethnographic detail with a lively, readable history of the succession of peoples who lived in Texas from the Paleo-Indians until the present. It is a clear overview of the basic social structures of the tribes and the relations among tribes and, later, of the Indians with the Europeans who came to the region. Accompanied by dramatic and poignant photographs from Oklahoma archives, the gift that comes through these pages is an immediacy of observation and impression that re-inspires the historical imagination about life among the first Texans. DAVID LA VERE is an assistant professor of history at the University of North Carolina at Wilmington. He has published a previous book on the Caddo Indians. His Ph.D. is from Texas A&M University.

Travelling showfolk have been entertaining Scots for centuries and a visit to 'the shows' was a highlight of the year until recent memory. The Codonas are one of the longest and most established show families, having arrived from the continent in the late eighteenth century. The book is based almost entirely on original research and draws on interviews with three generations to give a vivid and richly anecdotal account of this ever-changing world. Illustrations, mostly previously unpublished, enhance the text. The interviews have been kept intact as much as possible, to keep the flow of overlapping individual life stories but are organised chronologically from the 1890s, when it enters living memory, up to the present. The hundred years from 1790 are described in a lively introduction including many first-hand accounts and following the family fortunes in the United Kingdom, the United States where members reached the top of the circus profession and as far afield as Hawaii.

The culmination of a century-long dream to link the Great Lakes interior industrial hubs to the Atlantic Ocean, the St. Lawrence Seaway and Power Project stands as one of the largest and most important public works' initiatives of the twentieth century. Seen as vital to North American commerce and strategic in advancing America's position on the world stage, the billion dollar seaway and power dam were also a phenomenal feat of engineering involving an unprecedented level of cooperation between Canadian and American agencies and the unrelenting efforts of workers on both sides of the border. Dubbed the greatest construction show on earth, the largest waterway and hydro dam project ever jointly built by two nations consisted of seven locks, the widening of various canals, the taming of rapids, and the erection of the 3216-foot long, 195.5-foot high Robert Moses - Robert H. Saunders Power Dam. In this book, Claire Puccia Parham reveals the human side of the project in the words of its engineers, laborers, and carpenters. Drawing on firsthand accounts, she provides a vivid portrait of the lives of the men who built the seaway and the women who accompanied them. On the fiftieth anniversary of the dedication of the power dam and waterway, this book is a fitting tribute to the hard work and dedication of the project's 22,000 workers.

The term "Holocaust survivors" is often associated with Jewish communities in New York City or along Florida's Gold Coast. Traditionally, tales of America's Holocaust survivors, in both individual and cultural histories, have focused on places where people fleeing from Nazi atrocities congregated in large numbers for comfort and community following World War II. Yet not all Jewish refugees chose to settle in heavily populated areas of the United States. In This Is Home Now: Kentucky's Holocaust Survivors Speak, oral historian Arwen Donahue and photographer Rebecca Gayle Howell focus on overlooked stories that unfold in the aftermath of the Holocaust. They present the accounts of Jewish survivors who resettled not in major metropolitan areas but in southern, often rural, communities. Many of the survivors in these smaller communities did not even seek out the few fellow Jewish residents already there. Donahue transcribes the accounts as she heard them, keeping true to the voices of those she interviewed. One of the survivors who shares her tale, Sylvia Green, describes the pain and desolation of her experiences in the Nazi death camps with a voice that reveals both her German-Polish heritage and her subsequent small-town life in Winchester, Kentucky. The Hungarian-born Paul Schlisser has an equally complex voice, a mix of phrases learned in the U.S. Army in Vietnam and regional speech patterns acquired in his adopted home near Fort Knox. Donahue's collection of voices, accompanied by Howell's poignant photographs, identifies each storyteller as an American -- and as a Kentuckian. Like many others of diverse backgrounds before them, Holocaust survivors joined the "melting pot" as a haven from the suffering in their native lands, but they eventually came to regard America as home. Although they speak of atrocities, most often experienced when they were children and unable to fully comprehend the situation, they also emphasize the comfort of acceptance -- not just by Jewish communities but also by a state that has long equated "religion" with Christianity alone. Kentucky is not known for its cultural and religious diversity, yet these stories reveal one of the many ways that the state has become home to a wide spectrum of immigrants -- people who once were strangers but now are its own.

" "Tell me about the war" -- these words launched a ten-year project in oral history by a husband-and-wife team. Howard Hoffman fought in World War II from Cassino to the Elbe as a mortar crewman and a forward observer. His war experiences are of intrinsic interest to readers who seek a foot soldier's view of those historic events. But the principal purpose of this study was to explore the bounds of memory, to gauge its accuracy and its stability over time, and to determine the effects of various efforts to enhance it. Alice Hoffman, a historian, initiated the study because she recognized the critical role of memory in gathering oral history; Howard Hoffman, the subject, is an experimental psychologist. Alice's tape-recorded interviews with her husband over a period of ten years are the basic material of the study, which compares the events as recounted in the first phase of the interviews with later accounts of the same experiences and with the written records of his company as well as the memories of fellow soldiers and the evidence of photographs and other documents. This engrossing story of World War II breaks new ground for practitioners of oral history. The Hoffmans' findings indicate that a subset of human memory exists that is so permanent and resistant to change that it can properly be labeled "archival." In addition to describing some of the circumstances under which archival memories are formed, the Hoffmans describe the conditions that were found to influence their storage and retrieval.

The Horrific Tragedies of Central Africa in the 1990s riveted the attention of the world. But these crises did not occur in a historical vacuum. By peering through the mists of the past, David Newbury presents case studies illustrating the significant advances in our understanding of the precolonial histories of Rwanda, Burundi, and eastern Congo that have taken place since decolonization. Based on both oral and written sources, the essays compiled in ""The Land beyond the Mists"" are important both for their methods - viewing history from the perspective of local actors - and for their conclusions, which seriously challenge colonial myths about the area.

More than twelve million immigrants, many of them children, passed through Ellis Island's gates between 1892 and 1954. Children also came through the "Guardian of the Western Gate," the detention center on Angel Island in California that was designed to keep Chinese immigrants out of the United States. Based on the oral histories of fifty children who came to the United States before 1950, this book chronicles their American odyssey against the backdrop of World Wars I and II, the rise and fall of Hitler's Third Reich, and the hardships of the Great Depression. Ranging in age from four to sixteen years old, the children hailed from Northern, Central, Eastern, and Southern Europe; the Middle East; and China. Across ethnic lines, the child immigrants'life stories tell a remarkable tale of human resilience. The sources of family and community support that they relied on, their educational aims and accomplishments, their hard work, and their optimism about the future are just as crucial today for the new immigrants of the twenty-first century. These personal narratives offer unique perspectives on the psychological experience of being an immigrant child and its impact on later development and well-being. They chronicle the joys and sorrows, the aspirations and achievements, and the challenges that these small strangers faced while becoming grown citizens.

"The Welsh in Iowa" is the history of the little known Welsh immigrant communities in the American Midwestern state of Iowa. Dr. Walley's book identifies what made the Welsh unique as immigrants to North America, and as migrants and settlers in a land built on such groups. With research rooted in documentary evidence and supplemented with community and oral histories, "The Welsh in Iowa" preserves and examines Welsh culture as it was expressed in middle America by the farmers and coal miners who settled or passed through the prairie state as it grew to maturity in the late nineteenth and early twentieth centuries. This work seeks to not only document the Welsh immigrants who lived in Iowa, but to study the Welsh as a distinct ethnic group in a state known for its ethnic heritage.

Since the 1980s Chicana writers including Gloria Anzaldua, Cherrie Moraga, Sandra Cisneros, Ana Castillo, and Alma Luz Villanueva have reworked iconic Mexican cultural symbols such as mother earth goddesses and La Llorona (the Wailing Woman of Mexican folklore), re-imagining them as powerful female figures. After reading the works of Chicana writers who created bold, powerful, and openly sexual female characters, Debra J. Blake wondered how everyday Mexican American women would characterize their own lives in relation to the writers' radical reconfigurations of female sexuality and gender roles. To find out, Blake gathered oral histories from working-class and semiprofessional U.S. Mexicanas. In "Chicana Sexuality and Gender," she compares the self-representations of these women with fictional and artistic representations by academic-affiliated, professional intellectual Chicana writers and visual artists, including Alma M. Lopez and Yolanda Lopez.

Blake looks at how the Chicana professional intellectuals and the U.S. Mexicana women refigure confining and demeaning constructions of female gender roles and racial, ethnic, and sexual identities. She organizes her analysis around re-imaginings of La Virgen de Guadalupe, La Llorona, indigenous Mexica goddesses, and La Malinche, the indigenous interpreter for Hernan Cortes during the Spanish conquest. In doing so, Blake reveals how the professional intellectuals and the working-class and semiprofessional women rework or invoke the female icons to confront the repression of female sexuality, limiting gender roles, inequality in male and female relationships, and violence against women. While the representational strategies of the two groups of women are significantly different and the U.S. Mexicanas would not necessarily call themselves feminists, Blake nonetheless illuminates a continuum of Chicana feminist thinking, showing how both groups of women expand lifestyle choices and promote the health and well-being of women of Mexican origin or descent.

This is a compassionate and insightful study of Hungarian women who lived through the Holocaust, with an appendix containing their complete stories.""Sister in Sorrow"" offers a glimpse into the world of Hungarian Holocaust survivors through the stories of fifteen survivors, as told by thirteen women and two spouses presently living in Hungary and Israel. Analyzing the accounts as oral narratives, author Ilana Rosen uses contemporary folklore studies methodologies to explore the histories and the consciousness of the narrators as well as the difficulty for present-day audiences to fully grasp them. Rosen's research demonstrates not only the extreme personal horrors these women experienced but also the ways they cope with their memories.In four sections, Rosen interprets the life histories according to two major contemporary leading literary approaches: psychoanalysis and phenomenology. This reading encompasses both the life spans of the survivors and specific episodes or personal narratives relating to the women's identity and history. The psychoanalytic reading examines focal phases in the lives of the women, first in pre-war Europe, then in World War II and the Holocaust, and last as Holocaust survivors living in the shadow of loss and atrocity. The phenomenological examination traces the terms of perception and of the communication between the women and their different present-day non-survivor audiences. An appendix contains the complete life histories of the women, including their unique and affecting remembrances.Although Holocaust memory and narrative have figured at the center of academic, political, and moral debates in recent years, most works look at such stories from a social science perspective and attempt to extend the meaning of individual tales to larger communities. Although Rosen keeps the image of the general group - be it Jews, female Holocaust survivors, Israelis, or Hungarians - in mind throughout this volume, the focus of ""Sister in Sorrow"" is the ways the individual women experienced, told, and processed their harrowing experiences. Students of Holocaust studies and women's studies will be grateful for the specific and personal approach of ""Sister in Sorrow"".

In spring 2008, inspired by the Vietnam war veterans who spoke out against the war in public hearings, Iraq veterans gathered to expose the war crimes in Afghanistan and Iraq. In this book Aaron Glantz and the Iraq war veterans reveal the atrocities they have witnessed.

An enthralling, rollicking tour among the storytellers of the American Deep South. The story of the South is not finished. The southeastern states of America, the old Confederacy, bristle with storytellers who refuse to be silent. Many of the tales passed down from generation to generation to be told and re-told continue to change their shape to suit their time, stretching elastically to find new ways of retailing the People's Truth. Travelling back and forth, from the Carolinas to Louisiana, from the Appalachians to Atlantic islands, from Virginian valleys to Florida swamps, and sitting before bewitching storytellers who tell her tales that hold her hard, Pamela Petro gathers up a fistful of history, and sieves out of it the shiny truths that these stories have been polishing over the years. Here is another America altogether, lingering on behind the facade of the ubiquitous strip-mall of anodyne, branded commerce and communication, moving to other rhythms, reaching back into the past to clutch at the shattering events that shaped it and haunt it still.

Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. Deindustrializing Montreal challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Fundamentally, deindustrialization is a process of physical and social ruination as well as part of a wider political project that leaves working-class communities impoverished and demoralized. The structural violence of capitalism occurs gradually and out of sight, but it doesn't play out the same for everyone. Point Saint-Charles was left to rot until it was revalorized by gentrification, whereas Little Burgundy was torn apart by urban renewal and highway construction. This historical divergence had profound consequences in how urban change has been experienced, understood, and remembered. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings these communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. The urban neighbourhood has never been a settled concept, and its apparent innocence masks considerable contestation, divergence, and change over time. Deindustrializing Montreal thinks critically about locality, revealing how heritage becomes an agent of gentrification, investigating how places like Little Burgundy and the Point acquire race and class identities, and questioning what is preserved and for whom.

What really occurred in Spain's Forgotten War? Years of research were necessary to dig out long-concealed informat ion about that desperate anti-Franco guerrilla conflict. Though the events recounted in this book occurred more than half a century ago, they have never been more relevant than today as Spain struggles to come to terms with its recent history.

One of the main water resources for Florida, Alabama, and Georgia, the Apalachicola River begins where the Chattahoochee and Flint rivers meet at Lake Seminole and flow unimpedted for 106 miles, through the red hills and floodplains of the Florida panhandle into the Gulf of Mexico. "Voices of the Apalachicola "is a collection of oral histories from more than thirty individuals who have lived out their entire lives in this region, including the last steamboat pilot on the river system, sharecroppers who escaped servitude, turpentine workers in Tate's Hell, sawyers of "old-as-Christ" cypress, beekeepers working the last large tupelo stand, and a Creek chief descended from a 200-year unbroken line of chiefs.

In the 1970s and 1980s the Texas wildcatter was a recognizable figure in popular culture. Since then, the wildcatter's role is less celebrated but still important, as shown in the new introduction to this edition of a book originally published in 1984 by Texas Monthly Press. Drawing heavily on oral histories, this book tells the story of the West Texas independents as a group, looking at their business strategies in the context of their national, regional, and local conditions. The focus is on the Permian Basin and southeastern New Mexico over the sixty-year period in which the region rose to prominence on the American oil scene, producing about one-fifth of the nation's output. It is a story that covers vast technological change, governmental regulation, and economic fluctuation with profound implications for the oil and gas community. The new introduction brings the story up-to-date by addressing not only the subsequent careers of the wildcatters described in the book but also the role of independents in the current economy. ROGER M. OLIEN, who holds a Ph.D. from Brown University, lives in Austin and is a member of the TSHA Speakers Bureau.DIANA DAVIDS HINTON holds the J. Conrad Dunagan Chair in regional and business history at the University of Texas-Permian Basin. Her Ph.D. is from Yale University.

Do, Die, or Get Along weaves together voices of twenty-six people who have intimate connections to two neighboring towns in the southwestern Virginia coal country. Filled with evidence of a new kind of local outlook on the widespread challenge of small community survival, the book tells how a confrontational ""do-or-die"" past has given way to a ""get-along"" present built on coalition and guarded hope. St. Paul and Dante are six miles apart; measured in other ways, the distance can be greater. Dante, for decades a company town controlled at all levels by the mine owners, has only a recent history of civic initiative. In St. Paul, which arose at a railroad junction, public debate, entrepreneurship, and education found a more receptive home. The speakers are men and women, wealthy and poor, black and white, old-timers and newcomers. Their concerns and interests range widely, including the battle over strip mining, efforts to control flooding, the 1989-90 Pittston strike, the nationally acclaimed Wetlands Estonoa Project, and the grassroots revitalization of both towns led by the St. Paul Tomorrow and Dante Lives On organizations. Their talk of the past often invokes an ethos, rooted in the hand-to-mouth pioneer era, of short-term gain. Just as frequently, however, talk turns to more recent times, when community leaders, corporations, unions, the federal government, and environmental groups have begun to seek accord based on what will be best, in the long run, for the towns. The story of Dante and St. Paul, Crow writes, ""gives twenty-first-century meaning to the idea of the good fight."" This is an absorbing account of persistence, resourcefulness, and eclectic redefinition of success and community revival, with ramifications well beyond Appalachia.

The valuable interviews conducted by Nebraska judge Eli S. Ricker with Indian eyewitnesses to the Wounded Knee massacre, the Little Big Horn battle, the Grattan incident, and other events and personages of the Old West are finally made widely available in this long-awaited volume. In the first decade of the twentieth century, as the Old West became increasingly distant and romanticized in popular consciousness, Eli S. Ricker (1843-1926) began interviewing those who had experienced it firsthand, hoping to write a multi-volume series about its last days. Among the many individuals he interviewed were American Indians, mostly Sioux, who spoke extensively about a range of subjects, some with the help of an interpreter. For years Ricker traveled across the northern Plains, determinedly gathering information on and off reservations, in winter and in summer. Judge Ricker never wrote his book, but his interviews are priceless sources of information about the Old West that offer more balanced perspectives on events than were accepted at the time. Richard E. Jensen brings together all of Ricker's interviews with American Indians, annotating the conversations and offering an extensive introduction that sets forth important information about Ricker, his research, and the editorial methodology guiding the present volume. Richard E. Jensen retired as a senior research anthropologist at the Nebraska State Historical Society. He is the editor of Charles Allen's From Fort Laramie to Wounded Knee: In the West That Was and Rolf Johnson's Happy As a Big Sunflower: Adventures in the West, 1876-1880, both available in Bison Books editions. Also available from the University of Nebraska Press: Voices of the American West, Volume 2: The Settler and Soldier Interviews of Eli S. Ricker, 1903-1919.