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Books > Humanities > History > History of specific subjects > Oral history
This ground-breaking history of the UK Women's Liberation Movement shows why and how feminism's 'second wave' mobilized to demand not just equality but social and gender transformation. Oral history testimonies power the work, tracing the arc of a feminist life from 1950s girlhoods to late life activism today. Peppered with personal stories, the book casts new light on feminist critiques of society and on the lives of prominent and grassroots activists. Margaretta Jolly uses oral history as creative method, making significant use of Sisterhood and After: The Women's Liberation Oral History Project to animate still-unresolved controversies of race, class, sexuality, disability, and feminist identity. Women activists vividly recall a divisive education system, the unevenness of sexual liberation and the challenges of Thatcherism, Northern Ireland's Troubles and the policing of minority ethnic communities. They illuminate key campaigns in these wider contexts, and talk of the organizational and collaborative skills they struggled to acquire as they moved into local government, NGOs and even the business sector. Jolly provides fresh insight into iconic actions including the Miss World Protest, the fight to protect abortion rights, and the peace protest at Greenham Common. Her accounts of workplace struggles, from Ford and Grunwick to Women Against Pit Closures and Women and Manual Trades, show how socialist ideals permeated feminism. She explores men's violence and today's demands for trans-liberation as areas of continuing feminist concern. Jolly offers a refreshingly jargon-free exploration of key debates and theoretical trends, alongside an appreciation of the joyfully personal aspects of feminism, from families, homes, shopping and music to relationships, health, aging, death and faith. She concludes by urging readers to enter the archives of feminist memory to help map their own political futures. Her work will appeal to general readers, scholars and practitioners alike.
Ebenezer Howard, an Englishman, and Jane Jacobs, a naturalized Canadian, personify the twentieth century's opposing outlooks on cities. Howard envisaged small towns, newly built from scratch and comprised of single-family homes with small gardens, while Jacobs embraced existing inner-city neighbourhoods that emphasized the verve of the living street. Both figures have had their share of supporters as well as detractors: Howard's conceptualization received criticism for its uniformity and alienation from the city core, while Jacobs's urban vision came to be recognized as the result of invasive gentrification. Presenting Howard and Jacobs within a psychocultural context, The Urban Archetypes of Jane Jacobs and Ebenezer Howard addresses our urban crisis in its recognition that "city form is a gendered, allegorical medium expressing femininity and masculinity within two founding features of the built environment: void and volume." These founding contrasts represent both tension as well as the opportunity for fusion between pairs of urban polarities: human scale against superscale, gait against speed, and spontaneity against surveillance. In their respective attitudes, Howard and Jacobs have come to embrace the two ancient archetypes of the Garden and the Citadel, leaving it to future generations to blend their two contrarian stances.
In the early twelfth century a Burgundian monk set out to tell the 500-year history of his monastery, embedded within a broader history of early medieval France. The Cartulary-Chronicle of St-Pierre of Beze is both a history of the monastery and a collection of its 331 charters, from its seventh-century foundation until the middle of the twelfth century. Beze was a Benedictine house whose history included at least six incidents of sacking and destruction - and according to its twelfth-century chronicler it always recovered and emerged stronger than ever. Combining the history of Burgundy and Francia with the history of his house, John, the chronicler, created a past for Beze as he wanted it to be remembered. Based on John's autograph manuscript, The Cartulary-Chronicle of St-Pierre of Beze is published here in full for the first time. While the monks of Beze have often been overshadowed by their more famous neighbours, the monks of Dijon, this edition recounts the history of one of the oldest houses in Burgundy and gives it its proper due.
The mass protests that shook France in May 1968 were exciting, dangerous, creative and influential, changing European politics to this day. Students demonstrated, workers went on general strike, factories and universities were occupied. At the height of its fervour, it brought the entire national economy to a halt. The protests reached such a point that political leaders feared civil war or revolution. Fifty years later, here are the eye-opening oral testimonies of those young rebels. By listening to the voices of students and workers, as opposed to those of their leaders, May '68 appears not just as a mass event, but rather as an event driven by millions of individuals, achieving a mosaic human portrait of France at the time. This book reveals the legacy of the uprising: how those explosive experiences changed both those who took part, and the course of history. May Made Me will record these moments before history moves on yet again.
This book explores the experiences of 'Indo-Mozambicans,' citizens and residents of Mozambique who can trace their origins to the Indian subcontinent, a region affected by competing colonialisms during the twentieth century. Drawing from ethnographic interviews, the author illustrates why migration developed as both an identity marker and a survival tool for Indo-Mozambicans living in Maputo, in response to the series of independence movements and prolonged period of geo-political uncertainty that extended from 1947 to 1992. A unique examination of post-colonialism, the book argues that four pivotal moments in history forced migratory patterns and ethnic identity formations to emerge among Indo-Mozambicans, namely, the end of the British empire in India and the subsequent partition of India and Pakistan in 1947; the end of the Portuguese empire in India, with the annexation of Goa, Daman and Diu in 1961; the independence of Mozambique from Portugal in 1975; and the civil war of Mozambique from 1977 to 1992. Framing these historical markers as trigger points for shifts in migration and identity formation, this book demonstrates the layered experiences of people subject to Portuguese colonialism and highlights the important perspective of those 'left behind' in migration studies.
It has been half a century since the last book that addressed how historical societies can utilize oral history. In this brief, practical guide, internationally known oral historian Barbara W. Sommer applies the best practices of contemporary oral historians to the projects that historical organizations of all sizes and sorts might develop. The book -covers project personnel options, funding options, legal and ethical issues, interviewing techniques, and cataloging guidelines;-identifies helpful steps for historical societies when developing and doing oral history projects;-includes a dozen model case studies;-provides additional resources, templates, forms, and bibliography for the reader.
Lady Bird Johnson, an early champion of the environment and Project Head Start, has been widely acknowledged as one of America's greatest First Ladies. In a 1982 poll, historians ranked her the third most influential, behind Abigail Adams and Eleanor Roosevelt. This oral history encompass three important stories. The first is that of a young woman's transformation from a shy, rural East Texan into one of America's most admired First Ladies. The second reveals the remarkable emergence of Lyndon Johnson, one of the twentieth century's most powerful political and legislative leaders, as told by his most trusted confidante. Finally, this volume presents a keen observer's day-by-day view of a turbulent world, as "the greatest generation" confronted momentous challenges at home and abroad. Lady Bird Johnson's oral history provides an intimate, first-person narrative of her own development and activities as well as the life she shared with LBJ. It includes her vivid descriptions of the moments and events that shaped their destiny and influenced their attitudes on such issues as civil rights, education, health care, and national defense. Her rich verbal portraits brings to life scores of prominent political personalities, including Sam Rayburn, Eleanor Roosevelt, Harry Truman, and John F. Kennedy. The core narrative consists of thirty-seven oral history interviews that Michael L. Gillette conducted with her during the late 1970s and 1980s; the transcripts were opened only in May 2011 and have never previously been available for research. The lengthy seal under which they have been held is a measure of Lady Bird's expansiveness and candor. In recording the interviews, Mrs. Johnson marshaled the same elegant prose and attention to detail that characterized her memoir, A White House Diary. Selected excerpts from interviews with some of those who knew Lady Bird Johnson best, as well as transcripts of White House tapes, appear in sidebars to amplify and supplement her own narrative. Oxford will publish the book to coincide with the centennial of Lady Bird Johnson's birth in December 2012.
This book uncovers the history of a group of Jewish workers and merchants in the Amsterdam diamond industry during the Holocaust. They and their families were exempt from deportation for a long time, but were eventually deported to Bergen-Belsen. In the end, almost all of the men perished, and the women barely survived slave-labour. Their children were left to die in the camp, but were miraculously saved by the intervention of a Jewish Polish woman, 'nurse Luba'. The main sources on which this book is based are video testimonies of the surviving members of this group, personal interviews, minutes of interviews taken down in shorthand shortly after the war, and personal documents such as letters, archival documents, and autobiographical books.
Company towns are often portrayed as powerless communities, fundamentally dependent on the outside influence of global capital. Neil White challenges this interpretation by exploring how these communities were altered at the local level through human agency, missteps, and chance. Far from being homogeneous, these company towns are shown to be unique communities with equally unique histories.Company Towns provides a multi-layered, international comparison between the development of two settlements--the mining community of Mount Isa, Queensland, Australia, and the mill town of Corner Brook, Newfoundland, Canada. White pinpoints crucial differences between the towns' experiences by contrasting each region's histories from various perspectives--business, urban, labour, civic, and socio-cultural. Company Towns also makes use of a sizable collection of previously neglected oral history sources and town records, providing an illuminating portrait of divergence that defies efforts to impose structure on the company town phenomenon.
The first book of the five-volume Community Oral History Toolkit sets the stage for an oral history project by placing community projects into a larger context of related fields and laying a sound theoretical foundation. It introduces the field of oral history to newcomers, with discussions of the historical process, the evolution of oral history as a research methodology, the nature of community, and the nature of memory. It also elaborates on best practices for community history projects and presents a detailed overview of the remaining volumes of the Toolkit, which cover Planning, Management, Interviewing, and After-the-Interview processing and curation. Introduction to Community Oral History features a comprehensive glossary, index, bibliography, and references, as well as numerous sample forms that are needed throughout the process of conducting community oral history projects.
The interview is the anchor of an oral history project. The fourth book in the five-volume Community Oral History Toolkit guides the interviewer through all the steps from interview preparation through follow-up. It includes guidance on selecting interviewees, training interviewers, using recording equipment, and ethical issues concerning the interviewer-interviewee relationship. Packed with instructive case studies, Volume 4 offers concrete practical examples and advice for issues such as pre-interview research, developing interview questions and points for guiding discussion, ideal interview settings and conditions, strategies for stimulating interviewees' memories, acceptable communication techniques and behavior throughout the interview process, and rounding out interview documentation with supplementary materials and contextual information.
An exploration of five hundred years of British history—from King Henry VIII to Queen Elizabeth II—as seen through the doorways of the exquisite Hampton Court Palace. Architecturally breathtaking and rich in splendid art and décor, Hampton Court Palace has been the stage of some of the most important events in British history, such as the commissioning of King James’s version of the Bible, the staging of many of Shakespeare’s plays, and Queen Elizabeth II’s coronation ball. The Palace takes us on “an entertaining journey into the past” (Kirkus Reviews) as it reveals the ups and downs of royal history and illustrates what was at play politically, socially, and economically at the time. An engaging and charming history book that is perfect for fans of Alison Weir, Philippa Gregory, and Andrew Lownie, The Palace makes you feel as if you were in the room as history was made.
How is an oral historian to react when the unexpected emerges, whether in field research or interview analysis? Answers tend to be scattered throughout the scholarly literature or confined to backstage conversations. This book brings the unexpected to the center of the scene and promotes a collective reflection about ways of dealing with uneasy encounters, surprises, and interviews that seem to have gone off the rails. The contributors come from a dozen countries, especially Brazil, where a classic piece about a "great liar" paved the way for this discussion. Rather than eccentric descriptions of unusual situations, these chapters evoke a dense web of reflections about dialogue, the production of oral sources, and the complexities of personal narratives. Theoretically informed but written in an engaging language, the book presents readers with fascinating case studies of the eruptions of the unexpected that occur in oral history research.
Made famous in the 1976 documentary Harlan County USA, this pocket of Appalachian coal country has been home to generations of miners-and to some of the most bitter labor battles of the 20th century. It has also produced a rich tradition of protest songs and a wealth of fascinating culture and custom that has remained largely undiscovered by outsiders, until now. They Say in Harlan County is not a book about coal miners so much as a dialogue in which more than 150 Harlan County women and men tell the story of their region, from pioneer times through the dramatic strikes of the 1930s and '70s, up to the present. Alessandro Portelli, one of the giants of the oral history movement, draws on 25 years of original interviews to take readers into the mines and inside the lives of those who work, suffer, and often die in them-from black lung, falling rock, suffocation, or simply from work that can be literally backbreaking. The book is structured as a vivid montage of all these voices-stoic, outraged, grief-stricken, defiant-skillfully interwoven with documents from archives, newspapers, literary works, and the author's own participating and critical voice. Portelli uncovers the whole history and memory of the United States in this one symbolic place, through settlement, civil war, slavery, industrialization, immigration, labor conflict, technological change, migration, strip mining, environmental and social crises, and resistance. And as hot-button issues like mountain-top removal and the use of "clean coal" continue to hit the news, the history of Harlan County-especially as seen through the eyes of those who lived it-is becoming increasingly important. With rare emotional immediacy, gripping narratives, and unforgettable characters, They Say in Harlan County tells the real story of a culture, the resilience of its people, and the human costs of coal mining.
In the past sixty years, oral history has moved from the periphery to the mainstream of academic studies and is now employed as a research tool by historians, anthropologists, sociologists, medical therapists, documentary film makers, and educators at all levels. The Oxford Handbook of Oral History brings together forty authors on five continents to address the evolution of oral history, the impact of digital technology, the most recent methodological and archival issues, and the application of oral history to both scholarly research and public presentations. The volume is addressed to seasoned practitioners as well as to newcomers, offering diverse perspectives on the current state of the field and its likely future developments. Some of its chapters survey large areas of oral history research and examine how they developed; others offer case studies that deal with specific projects, issues, and applications of oral history. From the Holocaust, the South African Truth and Reconciliation Commissions, the Falklands War in Argentina, the Velvet Revolution in Eastern Europe, to memories of September 11, 2001 and of Hurricane Katrina, the creative and essential efforts of oral historians worldwide are examined and explained in this multipurpose handbook.
Women were at the forefront of the Egyptian Revolution in 2011, with the Arab Spring protests providing an unprecedented opportunity to make their voices heard. But these women also faced an intense backlash from Egypt's patriarchal authorities, with female activists subjected to sexual violence and intimidation by the regime and even fellow protestors. Centered on the testimonies of four women who each played a significant role in the protests, this book provides unique insight into women's experiences during the Egyptian Revolution, and into the methods of resistance these women developed in response to sexual violence. In the process, Hamzeh casts new light on the relationship between gendered and state violence, and argues that women's resistance to this violence is reshaping gender relations in Egypt and the wider Arab world.
This book is the first of its kind to investigate the ongoing significance of industrial craft in deindustrialising places such as Australia. Providing an alternative to the nostalgic trope of the redundant factory 'craftsman', this book introduces the intriguing and little-known trade of engineering patternmaking, where objects are brought to life through the handmade 'originals' required for mass production. Drawing on oral histories collected by the author, this book highlights the experiences of industrial craftspeople in Australian manufacturing, as they navigate precarious employment, retraining, gendered career pathways, creative expression and technological change. The book argues that digital fabrication technologies may modify or transform industrial craft, but should not obliterate it. Industrial craft is about more than the rudimentary production of everyday objects: it is about human creativity, material knowledge and meaningful work, and it will be key to human survival in the troubled times ahead.
Work and Struggle: Voices from U.S. Labor Radicalism focuses on the history of U.S. labor with an emphasis on radical currents, which have been essential elements in the working-class movement from the mid nineteenth century to the late twentieth century. Showcasing some of labor's most important leaders, Work and Struggle offers students and instructors a variety of voices to learn from -- each telling their story through their own words -- through writings, memoirs and speeches, transcribed and introduced here by Paul Le Blanc. This collection of revolutionary voices will inspire anyone interested in the history of labor organizing.
This book traces the life of Maria Mia Truskier, who fled the Nazis as a young Polish Jew in early 1940 and once safely resettled in the United States, became an activist for other refugees, earning renown in the Bay Area as "the oldest refugee" of the East Bay Sanctuary Covenant. Mia worked for decades assisting those fleeing from war, violence and hardship, mainly from Central America and Haiti. Based on extensive interviews with Truskier before she passed away, as well as memorabilia from her own lifetime, including coded letters, newspaper clippings, and old photographs, this book results in a complex and multi-layered oral history. As Mia drew on memories of her life in Europe and World War II, she was situating and constructing those memories while re-reading and discovering these artifacts alongside the author of this book, and ultimately relating the ways that she and her family years later sought to make a difference for other refugees, drawing a connection between two major eras of human displacement: the end of World War II and today.
Telling perhaps the most important forgotten story in American history, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, illuminating not only the invention of race but also the frequent praise of "whiteness" for economic, scientific, and political ends. A story filled with towering historical figures, The History of White People closes a huge gap in literature that has long focused on the non-white and forcefully reminds us that the concept of "race" is an all-too-human invention whose meaning, importance, and reality have changed as it has been driven by a long and rich history of events.
Illuminating the experiences of immigrants to Australia in the late twentieth century, this book uses oral history to explore how identity and belonging are shaped through migration. Between the 1950s and the 1970s, many inhabitants from the small Greek island of Limnos travelled to Australia to flee post-war devastation and economic disaster. With an emphasis on the lived experiences and memories of Limnians, the book sheds light on the emotional pain and trauma they felt as they were separated from their families and homeland. Moving away from more traditional outlooks on migration studies, this book emphasises the significance of ethno-regional identity, and analyses how it can bring strength and longevity to a constructed community. Both the roles of men and women within the Greek diaspora are examined, in the way that they made the difficult decision to leave their homeland, and subsequently how they came to nurture and build families within a new, evolving community. Looking beyond first-generation migration, the author analyses the pattern of return visits to Limnos by the descendants of migrants. Acting as a form of identity consolidation for second-generation migrants, this journey to the ancestral homeland highlights the fluidity of what it means to belong somewhere, and redefines the notion of 'home'. The author provides an alternative perspective to traditional migration studies and reaffirms the importance of transnational identity. A unique and important addition to research, this book combines memory studies and oral narrative to analyse how identity and belonging can be shaped across borders, rather than within them.
In the 1980s, as China transitioned to the post-Mao era, a state-sponsored oral history project led to the publication of local, regional, and national histories. They took the form of written and transcribed personal testimonies of events that preceded the turmoil of both the Cultural Revolution and, in many cases, the Communist victory in 1949. Known as wenshi ziliao, these publications represent an intense process of historical memory production that has received little scholarly attention. Hitherto unexamined archival materials and oral histories reveal unresolved tensions in post-Cultural Revolution reconciliation and mobilization, informing negotiations between local elites and the state, and between Party and non-Party organizations. Taking the northeast Russia-Manchuria borderlands as a case study, Martin T. Fromm examines the creation of post-Mao identities, political mobilization, and knowledge production in China.
This book traces Dadakuada's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dadakuada in Ilorin, and of Ilorin in Dadakuada the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dadakuada's relationship with Islam and discusses how the Dadakuada singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
In the 1980s, as China transitioned to the post-Mao era, a state-sponsored oral history project led to the publication of local, regional, and national histories. They took the form of written and transcribed personal testimonies of events that preceded the turmoil of both the Cultural Revolution and, in many cases, the Communist victory in 1949. Known as wenshi ziliao, these publications represent an intense process of historical memory production that has received little scholarly attention. Hitherto unexamined archival materials and oral histories reveal unresolved tensions in post-Cultural Revolution reconciliation and mobilization, informing negotiations between local elites and the state, and between Party and non-Party organizations. Taking the northeast Russia-Manchuria borderlands as a case study, Martin T. Fromm examines the creation of post-Mao identities, political mobilization, and knowledge production in China.
This collection presents diverse critical perspectives and discussion about the keeping or telling of children's originstories as a part of contemporary mothering labor. The first two sections outline perspectives from mother authors about how they strategically craft complex origin stories for their child(ren), as well as how the telling and retelling of origin stories may be passed on as generational knowledge. The third section discusses mothering and origin stories from multiple perspectives: that of a father by adoption, of single mothers positioning stories of absent fathers, and a multi-perspective chapter that includes a mother by adoption, her adult child, and her child's birthmother. Based within feminist scholarship with chapters written from the first person positionality of the authors, this anthology encourages dialogue about a mothering issue that is often unaddressed, in part due to remaining patriarchal expectations about what makes a family and/or a mother. This interdisciplinary work also embraces the complex and multi-actor worlds in which mothering takes place and includes both creative and scholarly works as well as illustrations that are included as a part of the mothers communicating origin stories. |
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