Britain and the world were shocked in October 1966 by live television pictures coming from a small mining village in Wales. They showed a human tragedy unfolding after thousands of tons of coal waste fell from a mountainside onto its primary school and surrounding houses. The majority of the 144 people killed were children under 12. After more than 50 years the survivors of that disaster -- among the worst in Britain's peacetime history -- still live with painful memories and all-too-real after effects. In this first ever oral history of the tragedy, people who were there tell their stories, some speaking publicly for the first time. Built around 27 extensive interviews, Surviving Aberfan is a story of official neglect and betrayal, horror and great sadness. But it also demonstrates how courage, hope and effort can rebuild a devastated community and move forward.

"An Unauthorized Biography of the World" explores the practice of engaged oral history: the difficult, sometimes dangerous work of recovering fragments of human story that have gone missing from the official versions.
Michael Riordon has thirty years' experience as a writer and broadcaster in the field. Readers will encounter a gallery of brave, passionate people who gather silenced voices and lost life stories. The canvas is broad, the stakes are high: the battles for First Nations lands in Canada; environmental justice in Chicago; genocide in Peru; homeless people organizing in Cleveland; September 11/01, and after, in New York City; gay survivors of electroshock in Britain; the struggle to preserve a people's identity in Newfoundland; peasant resistance to a huge transnational gold mine in Turkey.

As a child, Stacey Zembrzycki listened to her baba's stories about Sudbury's small but polarized Ukrainian community and about what it was like growing up ethnic during the Depression. According to Baba discloses with honesty and respect what happened when Stacey tried to capture the community's experiences through oral history research. Baba looms large in the narrative, wrestling authority in the interview process away from her granddaughter and then eventually coming to share it. Together, the two women lay the groundwork not only for an insightful and deeply personal social history of Sudbury's Ukrainian community but also for truly collaborative oral history research and writing.

Selected from a conference on Aboriginal oral traditions, these essays cover three broad subject areas: oral traditions and knowledge of the environment, economy, education, and/or health of communities; oral traditions and the continuance of language and culture; and the effects of intellectual property rights, electronic media, and public discourse on oral traditions.

A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.

"Highly recommended read." - SharedTroubles "What Ken is creating is something historians will be using centuries from now."- The Pathfinder Magazine This is the second oral history of the Northern Ireland troubles, following on from A Long, Long War (Helion, 2008), again told from the perspective of the ordinary British soldier. This book looks deeper into the conflict, with new contributors providing revealing stories of the troubles from the back streets of the Ardoyne to the bandit country of South Armagh. In researching this subject Ken Wharton, a former soldier, is now known and trusted by those who served and they are keen for their part in Britain's forgotten war to now be made public. For the first time, he tells the stories of the 'unseen victims'; the loved ones who sat and dreaded a knock at the door from the Army telling them that their loved one had been killed on the streets of Northern Ireland. There are more first hand accounts from the Rifleman, the Private, the Guardsman, the Driver, the Sapper and the Fusilier on the street as they recall the violence, the insults and the shock of seeing a comrade dying in front of them. There is an explosive interview with a soldier who killed an IRA gunman fresh from the murder of two Royal Artillerymen. Building on the huge success of Ken's first book, this second volume will provide plenty of new material for the reader to reconsider afresh the role of Britain's soldiers in Northern Ireland and the fate that so many suffered.

In the 1980s, as China transitioned to the post-Mao era, a state-sponsored oral history project led to the publication of local, regional, and national histories. They took the form of written and transcribed personal testimonies of events that preceded the turmoil of both the Cultural Revolution and, in many cases, the Communist victory in 1949. Known as wenshi ziliao, these publications represent an intense process of historical memory production that has received little scholarly attention. Hitherto unexamined archival materials and oral histories reveal unresolved tensions in post-Cultural Revolution reconciliation and mobilization, informing negotiations between local elites and the state, and between Party and non-Party organizations. Taking the northeast Russia-Manchuria borderlands as a case study, Martin T. Fromm examines the creation of post-Mao identities, political mobilization, and knowledge production in China.

Immigrants from Pakistan, Egypt, India, and Palestine who were racially profiled and detained following the September 11 attacks tell their personal stories in a collection which explores themes of transnationalism, racialization, and the global war on terror, and explains the human cost of suspending civil liberties after a wartime emergency.

This book explores the discourse by and about refugees and asylum seekers in relation to memory with a particular focus on the United Kingdom. A series of studies using different analytical approaches is undertaken, and together the studies shed light on this overlooked area of research. The studies or 'facets' presented in the monograph cover a range of contexts and discursive genres: a joint BBC/refugee-authored television documentary, refugees' oral histories, creative life writing by asylum seekers, parliamentarians' debates, a reworking of canonical texts and sites in a protest campaign, and non-fiction testimonies and fictional works by later generations of refugee background. The monograph introduces 'facet methodology' to memory studies, arguing that this approach could encourage interdisciplinary research in the field.

The culmination of a century-long dream to link the Great Lakes interior industrial hubs to the Atlantic Ocean, the St. Lawrence Seaway and Power Project stands as one of the largest and most important public works' initiatives of the twentieth century. Seen as vital to North American commerce and strategic in advancing America's position on the world stage, the billion dollar seaway and power dam were also a phenomenal feat of engineering involving an unprecedented level of cooperation between Canadian and American agencies and the unrelenting efforts of workers on both sides of the border. Dubbed the greatest construction show on earth, the largest waterway and hydro dam project ever jointly built by two nations consisted of seven locks, the widening of various canals, the taming of rapids, and the erection of the 3216-foot long, 195.5-foot high Robert Moses - Robert H. Saunders Power Dam. In this book, Claire Puccia Parham reveals the human side of the project in the words of its engineers, laborers, and carpenters. Drawing on firsthand accounts, she provides a vivid portrait of the lives of the men who built the seaway and the women who accompanied them. On the fiftieth anniversary of the dedication of the power dam and waterway, this book is a fitting tribute to the hard work and dedication of the project's 22,000 workers.

Jo-ann Archibald worked closely with Coast Salish Elders and storytellers, who shared both traditional and personal life-experience stories, in order to develop ways of bringing storytelling into educational contexts. Indigenous Storywork is the result of this research and it demonstrates how stories have the power to educate and heal the heart, mind, body, and spirit. It builds on the seven principles of respect, responsibility, reciprocity, reverence, holism, interrelatedness, and synergy that form a framework for understanding the characteristics of stories, appreciating the process of storytelling, establishing a receptive learning context, and engaging in holistic meaning-making.

What Britain refined, America defined. Assembled by two key figures at the heart of the movement and told through the voices o musicians, artists, iconoclastic reporters and entrepreneurial groupies, PLEASE KILL ME is the full decadent story of the American punk scene, through the early years of Andy Warhol's Factory to the New York underground of Max's Kansas City and later, its heyday at CBGB's, spiritual home to the Ramones, Talking Heads, Television and Blondie. PLEASE KILL ME goes backstage and behind apartment doors to chronicle the sex, drugs and power struggles that were the very fabric of the American punk community, to the time before piercing and tattoos became commonplace and when every concert, new band and fashion statement marked an absolute first. From Iggy Pop and Lou Reed to the Clash and the Sex Pistols (the first time around), McNeil and McCain document a time of glorious self-destruction and perverse innocence - possibly the last time so many will so much fun in the pursuit of excess.

Spoken word is the Western world's oldest form of literary expression. Spoken word is where poetry begins. Spoken word has changed the world. In 2009, at only twenty years old, Joshua Bennett was invited by President Barack Obama to recite a poem at the White House. With Spike Lee and Saul Williams among the audience, this event turned out to be the very same one where Lin-Manuel Miranda first performed the opening lines of a work-in-progress that revolutionised theatre - Hamilton. With passion, wit and erudition, in Spoken Word Bennett takes us on his own electrifying coming-of-age journey as a writer, alongside the rise of spoken-word poetry and its origins in America. Blending memories of his personal encounters with influential figures, his path to becoming an award-winning poet and his academic insight into the history that shaped the scene, he tells the story of how a handful of visionaries created spaces for underrepresented artists to experiment with new forms of art. Taking us back to the early days of spoken-word poetry through to Amanda Gorman, Common, Jill Scott, Dave Chappelle, DMX and Kanye West reciting their original poems on television, Bennett shows how a few passionate artists sparked a movement that forever changed the world.

The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa. Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.

Few cultural activities speak more powerfully to international histories of the modern world than football. In the late nineteenth century, this cheap and simple sport emerged as a major legacy of Britain's formal and informal empires and spread quickly across Europe, South America, and Africa. Today, football (known to many as soccer) is arguably the world's most popular pastime, an activity played and watched by millions of people around the globe. Contested Fields introduces readers to key aspects of the global game, synthesizing research on football's transnational role in reflecting and shaping political, socio-economic, and cultural developments over the past 150 years. Each chapter uses case studies and cutting-edge scholarship to analyze an important element of football's international story: migration, money, competition, gender, race, space, spectatorship, and confrontation.

Since the publication of Vansina's earlier book, oral traditions have now become widely accepted as a legitimate source of history. Although written by a leading historian of Africa, Vansina's work on oral traditions ranges far beyond Africa, so has a wider relevance. Vansina explains not only how oral traditions have been used in the past but also how they should be used by historians in their research. North America: University of Wisconsin Press; Kenya: EAEP

For over fifty years, Kevin C. Kearns trekked the rough-and-tumble streets of the heart of Dublin, hoping to record and preserve the city's vanishing oral history. Armed only with a Sony tape recorder, the ordinary people he encountered - street traders, dockers, factory workers, tram drivers, housewives and midwives, children and grandparents - shared private stories of hardship, joy, sorrow, suffering, survival and triumph. In Our Day is the culmination of a life's work - a treasure trove bursting with whispers from the past - 450 vignettes, memories and recollections gathered to present an evocative, poignant portrait of a forgotten Dublin. 'Without Kevin, the lives of ordinary decent Dubliners would be forgotten. This book is a celebration of them.' Joe Duffy

In this provocative study, Stephen Howe traces the sources and ancestries of the Afrocentric movement, and closely analyses the writings of its leading proponents. Hard-hitting yet subtle and scholarly in its appraisal of Afrocentric ideas, and based on wide-ranging research in the histories both of Afro-America and of Africa itself, Afrocentrism not only demolishes the mythical "history" taught by black ultra-nationalists but suggests paths towards a true historical consciousness of Africa and its diaspora.

Produced between 1850 and 1862, London Labour and the London Poor is one of the most significant examples of nineteenth century oral history. The collection teems with the minute particulars of the everyday-bits and pieces of London lives assembled into a precarious whole by the author, editor, and principal investigator, Henry Mayhew. Mayhew was interested in the social fabric of people's lives, their labour and earnings, but also their families, education, leisure time, and religious beliefs. What gives his "case studies" such immediacy is that they seem to flow unprompted and uninterrupted from the mouths of his subjects: street sellers, dock labourers, musicians, rat catchers, vagrants, chimney sweeps, thieves, and prostitutes. All are captured in this newly annotated and abridged edition of Mayhew's four-volume work. Historical appendices include a contemporary map of London, reviews of London Labour, and other slum journalism from the period. Key features The only edition with appendices

The year 1968 witnessed one of the great upheavals of the twentieth century, as social movements shook every continent. Across the Global North, people rebelled against post-war conformity and patriarchy, authoritarian education and factory work, imperialism and the Cold War. They took over workplaces and universities, created their own media, art and humour, and imagined another world. The legacy of 1968 lives on in many of today's struggles, yet it is often misunderstood and caricatured. Voices of 1968 is a vivid collection of original texts from the movements of the long 1968. We hear these struggles in their own words, showing their creativity and diversity. We see feminism, black power, anti-war activism, armed struggle, indigenous movements, ecology, dissidence, counter-culture, trade unionism, radical education, lesbian and gay struggles, and more take the stage. Chapters cover France, Czechoslovakia, Northern Ireland, Britain, the USA, Canada, Italy, West Germany, Denmark, Mexico, Yugoslavia and Japan. Introductory essays frame the rich material - posters, speeches, manifestos, flyers, underground documents, images and more - to help readers explore the era's revolutionary voices and ideas and understand their enduring impact on society, culture and politics today.

The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa. Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.

In 1948, shortly after settling with his family in the village of Blaxhall, Suffolk, George Ewart Evans started recording the conversations he had with neighbours, many of whom were born in the nineteenth century and had worked on farms before the arrival of mechanisation. He soon realised that below the surface of their stories were the remnants of an ancient, rural culture previously ignored by historians. In the detail of village architecture, the of superstitions of tree-planting and rituals house-building, in the esoteric practices of horse cults or the pagan habit of 'telling the bees', The Pattern Under the Plough unearths the rich seam of customs and beliefs that this old culture has brought to our communities. Even in modern societies, governed by science and technology, there are still traces of a civilisation whose beliefs were bound to the soil and whose reliance on the seasons was a matter of life or death.

Newell Lyon learned the oral tradition from his elders in Maine's Penobscot Nation and was widely considered to be a 'raconteur among the Indians.' The thirteen stories in this new volume were among those that Lyon recounted to anthropologist Frank Speck, who published them in 1918 as Penobscot Transformer Tales. Transcribed for the first time into current Penobscot orthography and with a new English translation, this instructive and entertaining story cycle focuses on the childhood and coming-of-age of Gluskabe, the tribe's culture hero. Learning from his grandmother Woodchuck, Gluskabe applies lessons that help shape the Wabanaki landscape and bring into balance all the forces affecting human life. These tales offer a window into the language and culture of the Penobscot people in the early twentieth century. In 'Still They Remember Me,' stories are presented in the Penobscot language and English side-by-side, coupled with illustrations from members of the tribal community. For the first time, these stories are accessible to a young generation of Penobscot language learners and scholars of Native American literatures at all levels, from grade school to graduate school.