This oral history collection brings together extended interviews with fifteen women, illuminating the part that gender roles play in ensnaring women in cycles of domestic abuse and homelessness and highlighting the physical stresses. It also challenges liberal myths about homeless people, and homeless women in particular.

Immigrants from Pakistan, Egypt, India, and Palestine who were racially profiled and detained following the September 11 attacks tell their personal stories in a collection which explores themes of transnationalism, racialization, and the global war on terror, and explains the human cost of suspending civil liberties after a wartime emergency.

"This groundbreaking book collects black women's personal recollections of their public and private lives during the period of legal segregation in the American South. Using first-person narratives, collected through oral history interviews, the book emphasizes women's role in their families and communities, treating women as important actors in the economic, social, cultural, and political life of the segregated South. By focusing on the commonalities of women's experiences, as well as the ways that women's lives differed from the experiences of southern black men, Living with Jim Crow analyzes the interlocking forces of racism and sexism"--Provided by publisher.

In 1948, shortly after settling with his family in the village of Blaxhall, Suffolk, George Ewart Evans started recording the conversations he had with neighbours, many of whom were born in the nineteenth century and had worked on farms before the arrival of mechanisation. He soon realised that below the surface of their stories were the remnants of an ancient, rural culture previously ignored by historians. In the detail of village architecture, the of superstitions of tree-planting and rituals house-building, in the esoteric practices of horse cults or the pagan habit of 'telling the bees', The Pattern Under the Plough unearths the rich seam of customs and beliefs that this old culture has brought to our communities. Even in modern societies, governed by science and technology, there are still traces of a civilisation whose beliefs were bound to the soil and whose reliance on the seasons was a matter of life or death.

"In this volume, the powerful voices of Gulag survivors will become accessible to English-speaking audiences for the first time through oral histories, rather than written memoirs. It brings together interviews with men and women, members of the working class and intelligentsia, people who live in the major cities and those from the "provinces," and from an array of corrective hard labor camps and prisons across the former Soviet Union. Its aims are threefold: 1) to give a sense of the range of the Gulag experience and its consequences for Russian society; 2) to make the Gulag relevant to English-speaking readers by offering comparisons to historical catastrophes they are likely to know more about, such as the Holocaust; and 3) to discuss issues of oral history and memory in the cultural context of Soviet and post-Soviet society"--Provided by publisher.

In this final part to his bestselling A Force Like No Other series, Colin Breen brings together more compelling insider stories from RUC officers who served during the Troubles. 'A most powerful and unique insight into the world's most dangerous job in policing in the 1970s and '80s.' Henry McDonald, Observer and Guardian 'This book of real RUC insider anecdotes ... has, of course, the best possible sources - the cops themselves.' Hugh Jordan, Sunday World 'A Force Like No Other recalls the horrors of the Troubles but also some of the funnier stories of everyday life as a cop.' Stephen Gordon, Sunday Life

This volume of selected oral histories features the voices of Americans who lived through some of the most critical events shaping the nation's history since the Civil War. This first-of-a-kind compilation allows students, scholars, and other readers to explore the connections and disconnections between individual stories and broader historical themes by understanding how history plays out in individual lives. Comprised of oral history interviews drawn from some of the country's major collections, "Speaking History "presents a remarkable array of diverse American voices. Included here are fascinating, often moving accounts of everything from slavery to protest movements, world wars to work and leisure, forming a detailed mosaic of American life in the late nineteenth and twentieth centuries. Supplemented with valuable historical context, this book demonstrates how oral history interviews can bring the past to life by linking individual experiences to larger historical narratives.

""

Women were at the forefront of the Egyptian Revolution in 2011, with the Arab Spring protests providing an unprecedented opportunity to make their voices heard. But these women also faced an intense backlash from Egypt's patriarchal authorities, with female activists subjected to sexual violence and intimidation by the regime and even fellow protestors. Centered on the testimonies of four women who each played a significant role in the protests, this book provides unique insight into women's experiences during the Egyptian Revolution, and into the methods of resistance these women developed in response to sexual violence. In the process, Hamzeh casts new light on the relationship between gendered and state violence, and argues that women's resistance to this violence is reshaping gender relations in Egypt and the wider Arab world.

More than five years after the United States military and coalition forces invaded Iraq, the Iraq War remains a controversial and divisive subject throughout the world. This wide-ranging book, the first truly comprehensive oral history of the war, captures the diverse viewpoints of the soldiers, policymakers, family members, and others whose lives it changed. Recorded here are gripping battlefield accounts from veterans, the passionate testimonies of conscientious objectors and war supporters, reflections from nuclear inspectors and diplomats, and the varied perspectives of public figures from all across the political spectrum. This illuminating and moving book is an essential document of one of the defining conflicts of the twenty-first century.

How could Nazi killers shoot Jewish women and children at close range? Why did Japanese soldiers rape and murder on such a horrendous scale? How was it possible to endure the torment of a Nazi death camp? Award-winning documentary maker and historian Laurence Rees has spent decades wrestling with such questions in the course of filming hundreds of interviews with people tested to the extreme during World War II. He has come face-to-face with rapists, mass murderers, even cannibals, but he has also met courageous individuals who are an inspiration to us all. In Their Darkest Hour he presents 35 of his most electrifying encounters. 'A remarkably powerful collection' Antony Beevor, Daily Telegraph 'An incredible, well-written, must-read book' Glasgow Evening Times 'A lasting contribution to our understanding of the Second World War and a powerful insight into the behaviour of human beings in crisis' Independent

Drawing on the work of scholars and practitioners such as Augusto Boal, Gloria Anzaldua, and Trinh Minh-ha, these essays advocate oral history and oral history-based performance as means to challenge and expand upon traditional ways of transmitting historical knowledge. The contributors' central concerns are performative aspects of oral history itself and the theatrical or classroom "re-performance" of oral history. The essays detail classroom and public pedagogies, community-based interventions, processes of developing interview-based performances, and the ethical and political implications of oral history as an embodied form of representation. The essays collected in this volume present the most current scholarship straddling the rich intersection between oral history and performance, and together suggest ways for scholars and performers to use oral history to challenge more traditional modes of knowledge.

Engaging and interrogating the idea of a 'Global Africa', this book examines how African literary and cultural productions have changed over the years due to the social and political influences brought about by increased globalisation. Tanure Ojaide takes a variety of European theoretical concepts and applies these to African literature, oral traditions, culture, sexuality, political leadership, environmentalism, and advocacy, demonstrating the universality of the African experience. Challenging African literary artists and scholars to think creatively about the future of the culture and literature, this new collection of literary and cultural criticism from scholar-writer Tanure Ojaide is an essential read for students and scholars of African literature and culture.

Like many European Jews, Sam Iwry began his life in Poland, but at the age of ten fled with his family to Russia before World War I. At age 29, Iwry was forced to flee again - this time from the Soviets - and ended up in Shanghai, China, joining 20,000 Jewish refugees who were there. The story of the Diaspora caused by the Holocaust is well-known, but the Far Eastern dimension has come to light only very recently. Iwry is a magnificent storyteller who not only brings the harrowing details of flight and survival into vivid detail, but he is also an historian who deliberately places his own experiences into much wider context. This oral history sheds light on Jewish life in Eastern Europe during the inter-war period, the search for a safe haven from Nazis and Soviets, daily life in the Shanghai ghetto, and emigration to America. Iwry's story is both representative of the Jewish experience and also completely unique.

An original and profound portrait of contemporary Britain told through the testimonies of its inhabitants. 'A spectacularly enjoyable and compelling reading experience . . . funny, moving, surprising and thought-provoking. It humanises literature in this toxic moment.' MAX PORTER, author of Lanny 'Seemingly simple yet so deeply profound, The Passengers is an absorbing insight into the lives and minds of so-called ordinary people: their hopes and fears and idiosyncrasies at a specific moment in time.' CLIO BARNARD, director of Ali & Ava and The Essex Serpent 'A nation's psyche comes to the surface. The Passengers is not just an oral history of the contemporary moment but, drenched in mood and texture, renders the country itself as a sonic collage.' SUKHDEV SANDHU, GUARDIAN Between October 2018 and March 2021, Will Ashon collected voices - people talking about their lives, needs, dreams, loves, hopes and fears - all of them with some connection to the British Isles. He used a range of methods including letters sent to random addresses, hitchhiking, referrals from strangers and so on. He conducted the interviews in person, on the phone, over the internet or asked people to record themselves. Interview techniques ranged from asking people to tell him a secret to choosing an arbitrary question from a list. The resulting testimonies tell the collective story of what it feels like to be alive in a particular time and place - here and now. The Passengers is a book about how we give shape to our lives, find meaning in the chaos, acknowledge the fragility of our existence while alleviating this anxiety with moments of beauty, love, humour and solidarity. 'A magical mystery tour of Britain . . . extraordinary.' DAILY TELEGRAPH 'Ashon's gloriously polyphonic book scales the heights. A deeply felt and humane portrait of where we are.' NIVEN GOVINDEN, author of Diary of a Film 'This book couldn't have come into my life at a better time. It's a guiding mate. It enters like a cat through a window, ready to take your attention and show you what it needs to.' TICE CIN, author of Keeping the House

This field guide to oral history in Latin America addresses methodological, ethical, and interpretive issues arising from the region's unique milieu. With careful consideration of the challenges of working in Latin America - including those of language, culture, performance, translation, and political instability - David Carey Jr. provides guidance for those conducting oral history research in the postcolonial world. In regions such as Latin America, where nations that have been subjected to violent colonial and neocolonial forces continue to strive for just and peaceful societies, decolonizing research and analysis is imperative. Carey deploys case studies and examples in ways that will resonate with anyone who is interested in oral history.

After a decade away from her ancestral family village, during which she became a writer and literary scholar in Beijing, Liang Hong started visiting her rural hometown in landlocked Hebei province. What she found was an extended family torn apart by the seismic changes in Chinese society, and a village hollowed-out by emigration, neglect, and environmental despoliation. Combining family memoir, literary observation, and social commentary, Liang's by turns moving and shocking account became a bestselling book in China and brought her fame. Across China, many saw in Liang's remarkable and vivid interviews with family members and childhood acquaintances a mirror of their own families, and her observations about the way the greatest rural-to-urban migration of modern times has twisted the country resonated deeply. China in One Village tells the story of contemporary China through one clear-eyed observer, one family, and one village.

Oral and Literate Culture in England, 1500-1700 explores the rich oral culture of early modern England. It focuses upon dialect speech and proverbial wisdom, "old wives' tales" and children's lore, historical legends and local customs, scurrilous versifying and scandalous rumour-mongering. Adam Fox demonstrates the extent to which this vernacular world was fundamentally structured by written and printed sources over the course of the period.

Even the Women Must Fight

"Karen Turner and Phan Thanh Hao have brought scholarship and compassion to a long-neglected aspect of the Vietnam War—the contributions of Vietnamese women to the independence struggle of their nation and the terrible price they paid for their courage and patriotism."—Neil Sheehan, author of A Bright Shining Lie: John Paul Vann and America in Vietnam.

A searing chronicle of wartime experiences, Even the Women Must Fight probes the cultural legacy of North Vietnam's American War. Unflinching in its portrayal of hardship, valor, and personal sacrifice, this wrenching account is nothing short of a revelation, banishing in one bold stroke the familiar image of Vietnamese women as passive onlookers, war brides, prostitutes, or helpless refugees.

"Karen Turner has given us a book that will change our understanding of the Vietnam War—and of Vietnam today. I found it enthralling." —Cynthia Enloe, author of The Morning After:

• Sexual Politics at the End of the Cold War.

  "A first-rate book that will add substantially to our understanding of the human tragedy associated with one of the most bloody conflicts in recent history."—Robert Brigham, Professor of History, Vassar College.

"When war strikes close to home, even the women must fight."—A proverb

Praise for Even the Women Must Fight

"This book is a genuine eye-opener. Through graphic interviews and groundbreaking archival research, Karen Turner has given us a book that will change our understanding of the Vietnam War—and of Vietnam today. I found it enthralling."—Cynthia Enloe, author of The Morning After: Sexual Politics at the End of the Cold War

"A first-rate book that will add substantially to our understanding of the human tragedy associated with one of the most bloody conflicts in recent history."—Robert Brigham, Professor of History, Vassar College

A searing chronicle of wartime experiences, Even the Women Must Fight probes the cultural legacy of North Vietnam's American War, its influence and its aftermath. Unflinching in its portrayal of hardship, valor, and personal sacrifice, this wrenching account is nothing short of a revelation, banishing in one bold stroke the familiar image of Vietnamese women as passive onlookers, war brides, prostitutes, or helpless refugees. The fighting women of Vietnam embodied the meaning of the term warrior.

The active participation of Vietnamese women after 1965 tipped the balance between victory and defeat. It is estimated that the total number of women in the regular army of North Vietnam, the militia and local forces, and professional volunteer teams was somewhere near two hundred thousand. Women with training and education operated underground communications networks, staffed and directed jungle clinics, and recorded the war as journalists. Others ran jungle liaison stations and ammunition depots, led and served in combat platoons, made coffins and burial cloths, and collected and buried the dead. Local militiawomen learned to shoot at American planes from factory rooftops and village fields, carried supplies, and treated the wounded—all the while maintaining agricultural and industrial production at prewar levels.

Karen Gottschang Turner, an East Asian scholar, traveled to Vietnam over a period of three years, researching, recording, and, above all, listening as the women warriors she encountered poured out extraordinary oral histories:

• "We had to disguise the hospital. Living in the jungle for ten years, I ran the hospital almost alone because my nurses had to go out and forage for supplies. Some of them left and never returned.
• . . . .I had to take any duty that came up. I was the chief of the hospital and there were fifty women and seven men who worked for me."
• "When we worked in the tunnels, we could go out only at night, and after a month of this, we were blinded by the daylight when we emerged, like moles, from our underground home to work on the road. It would take two days for our eyes to adjust to the light. . . .
• "One time when a bridge had been bombed and there was no time to rebuild it, we used our bodies to hold the planks so the trucks could keep moving. Sometimes people drowned in the mountain rivers and streams."

"The bombs hit a village, and the village was on fire. I was in the team that carried water to put the fire out. We got water from fishponds or anywhere else we could. . . . I will never forget, seeing through the smoke, a child stuck head down in the debris, his legs making a V-shape above the rubble."

By including military accounts, private writings, and the literature of Vietnam's American War, Turner provides a rich context for the words of those who lived it. Today, they still carry the emotional and physical scars of their shared responsibility and purpose amid the exigencies of war. Now, for the first time in Even the Women Must Fight, Karen Gottschang Turner enables Vietnam's women warriors to speak eloquently and unforgettably for themselves.

In this important new book, Paul T. Phillips argues that most professional historians - aside from a relatively small number devoted to theory and methodology - have concerned themselves with particular, specialized areas of research, thereby ignoring the fundamental questions of truth, morality, and meaning. This is less so in the thriving general community of history enthusiasts beyond academia, and may explain, in part at least, history's sharp decline as a subject of choice by students in recent years. Phillips sees great dangers resulting from the thinking of extreme relativists and postmodernists on the futility of attaining historical truth, especially in the age of "post-truth." He also believes that moral judgment and the search for meaning in history should be considered part of the discipline's mandate. In each section of this study, Phillips outlines the nature of individual issues and past efforts to address them, including approaches derived from other disciplines. This book is a call to action for all those engaged in the study of history to direct more attention to the fundamental questions of truth, morality, and meaning.

Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.

Winner of the Nobel Prize in Literature 'Absolutely essential and heartbreaking reading. There's a reason Ms. Alexievich won a Nobel Prize' - Craig Mazin, creator of the HBO / Sky TV series Chernobyl - A new translation of Voices from Chernobyl based on the revised text - In April 1986 a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget. 'Beautifully written. . . heart-breaking' - Arundhati Roy, Elle 'One of the most humane and terrifying books I've ever read' - Helen Simpson, Observer

In this remarkable collection of 52 oral histories, first published in 1971, members of Dakota, Lakota, Winnebago, Crow, and other communities tell of their personal experiences: reservation life, the Great Depression of the 1930s, self-government, traditions, and life in the 1960s. Together these voices present a rich and complicated view of what it is to be an American Indian. """" ""To Be an Indian"'s""power flows from the actual recorded voices. The book is an outstanding adjunct to classes taught about oral history." -- Leonard Bruguier, director, Institute of American Indian Studies, University of South Dakota "What is striking about the interviews is the clear and crisp point of view that each presents, underscoring the obvious fact that to be an Indian is to be an individual. . . . Highly recommended." -- "South Dakota History" "The reader will discover a wealth of information that will show the diversity of thought, the values and many of the problems and changes present in the Indian communities." -- "Nebraska History" "An interesting and very readable historical document of Native American cultural pluralism." -- "European Review of Native American Studies " "A fine contribution to any collection of oral narratives of the Native peoples of North America." -- "Journal of the West"

Practicing Oral History among Refugees and Host Communities provides a comprehensive and practical guide to applied oral history with refugees, teaching the reader how to use applied, contemporary oral history to help provide solutions to the 'mega-problem' that is the worldwide refugee crisis. The book surveys the history of the practice and explains its successful applications in fields from journalism, law and psychiatry to technology, the prevention of terrorism and the design of public services. It defines applied oral history with refugees as a field, teaching rigorous, accessible methodologies for doing it, as well as outlining the importance of doing the same work with host communities. The book examines important legal and ethical parameters around this complex, sensitive field, and highlights the cost-effective, sustainable benefits that are being drawn from this work at all levels. It outlines the sociopolitical and theoretical frameworks around such oral histories, and the benefits for practitioners' future careers. Both in scope and approach, it thoroughly equips readers for doing their own oral history projects with refugees or host communities, wherever they are. Using innovative case studies from seven continents and from the author's own work, this manual is the ideal guide for oral historians and those working with refugees or host communities.

The first anthropology book to be sold with a Compact Disc Interactive (CDi)
This original and radical book challenges dominant parameters of literacy by comparing the oral tradition of the Tamils in South India with the Western culture of printed text. In India, traditional texts are always performed; as a result, form and meaning can change depending on the occasion. This is the opposite of Western communication through publication which is a static representation of knowledge.
The author examines the reasons for the differences between the Indian and Western textual traditions, and describes how text lives through the performing arts of words, sound and imagery. She argues that interactive multimedia is the first Western communication form to represent oral traditions effectively. A Compact Disc Interactive (CD-i) - packaged with the book - allows readers to see for themselves how multimedia can add meaning and complement traditional text-based studies.
The CDi: The CDi offers a new learning experience that builds on the two-way creative process in an efficient and enjoyable way. A TV set and CDi player is all that is required to run the Philips CDi.