Engaging and interrogating the idea of a 'Global Africa', this book examines how African literary and cultural productions have changed over the years due to the social and political influences brought about by increased globalisation. Tanure Ojaide takes a variety of European theoretical concepts and applies these to African literature, oral traditions, culture, sexuality, political leadership, environmentalism, and advocacy, demonstrating the universality of the African experience. Challenging African literary artists and scholars to think creatively about the future of the culture and literature, this new collection of literary and cultural criticism from scholar-writer Tanure Ojaide is an essential read for students and scholars of African literature and culture.

"Winner of the 2005 Oral History Association Book Award" On March 24, 1944, Nazi occupation forces in Rome killed 335 unarmed civilians in retaliation for a partisan attack the day before. Alessandro Portelli has crafted an eloquent, multi-voiced oral history of the massacre, of its background and its aftermath. The moving stories of the victims, the women and children who survived and carried on, the partisans who fought the Nazis, and the common people who lived through the tragedies of the war together paint a many-hued portrait of one of the world's most richly historical cities. "The Order Has Been Carried Out" powerfully relates the struggles for freedom under Fascism and Nazism, the battles for memory in post-war democracy, and the meanings of death and grief in modern society.

Through sources ranging from ancient forsundun (praise songs) and the hero kings to newspaper accounts, public decrees, and even graffiti, this book offers vivid portraits of major events and everyday life in Ireland through the centuries--beginning with Golamh, the legendary leader of the band of Iberian Celts who settled the island more than three thousand years ago, and concluding with gripping accounts by those on both sides of the bloody civil conflict in Northern Ireland.

Drawing on the work of scholars and practitioners such as Augusto Boal, Gloria Anzaldua, and Trinh Minh-ha, these essays advocate oral history and oral history-based performance as means to challenge and expand upon traditional ways of transmitting historical knowledge. The contributors' central concerns are performative aspects of oral history itself and the theatrical or classroom "re-performance" of oral history. The essays detail classroom and public pedagogies, community-based interventions, processes of developing interview-based performances, and the ethical and political implications of oral history as an embodied form of representation. The essays collected in this volume present the most current scholarship straddling the rich intersection between oral history and performance, and together suggest ways for scholars and performers to use oral history to challenge more traditional modes of knowledge.

Winner of the Nobel Prize in Literature 'Absolutely essential and heartbreaking reading. There's a reason Ms. Alexievich won a Nobel Prize' - Craig Mazin, creator of the HBO / Sky TV series Chernobyl - A new translation of Voices from Chernobyl based on the revised text - In April 1986 a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget. 'Beautifully written. . . heart-breaking' - Arundhati Roy, Elle 'One of the most humane and terrifying books I've ever read' - Helen Simpson, Observer

Like many European Jews, Sam Iwry began his life in Poland, but at the age of ten fled with his family to Russia before World War I. At age 29, Iwry was forced to flee again - this time from the Soviets - and ended up in Shanghai, China, joining 20,000 Jewish refugees who were there. The story of the Diaspora caused by the Holocaust is well-known, but the Far Eastern dimension has come to light only very recently. Iwry is a magnificent storyteller who not only brings the harrowing details of flight and survival into vivid detail, but he is also an historian who deliberately places his own experiences into much wider context. This oral history sheds light on Jewish life in Eastern Europe during the inter-war period, the search for a safe haven from Nazis and Soviets, daily life in the Shanghai ghetto, and emigration to America. Iwry's story is both representative of the Jewish experience and also completely unique.

After a decade away from her ancestral family village, during which she became a writer and literary scholar in Beijing, Liang Hong started visiting her rural hometown in landlocked Hebei province. What she found was an extended family torn apart by the seismic changes in Chinese society, and a village hollowed-out by emigration, neglect, and environmental despoliation. Combining family memoir, literary observation, and social commentary, Liang's by turns moving and shocking account became a bestselling book in China and brought her fame. Across China, many saw in Liang's remarkable and vivid interviews with family members and childhood acquaintances a mirror of their own families, and her observations about the way the greatest rural-to-urban migration of modern times has twisted the country resonated deeply. China in One Village tells the story of contemporary China through one clear-eyed observer, one family, and one village.

Through sources ranging from ancient forsundun (praise songs) and the hero kings to newspaper accounts, public decrees, and even graffiti, this book offers vivid portraits of major events and everyday life in Ireland through the centuries--beginning with Golamh, the legendary leader of the band of Iberian Celts who settled the island more than three thousand years ago, and concluding with gripping accounts by those on both sides of the bloody civil conflict in Northern Ireland.

The history of the 1947 Indian/Pakistani partition is one of separation: a country and people newly divided. However, in telling this story, Anindya Raychaudhuri, the son of a partition participant, looks to unity, joining for the first time the public and private memory narratives of this pivotal moment in time. Narrating Partition features in-depth interviews with more than 120 individuals across India, Pakistan, Bangladesh, and the United Kingdom, each reflecting on a direct or inherited experience of the 1947 Indian/Pakistani partition. Through the collection of these oral history narratives, Raychaudhuri is able to place them into comparison with the literary, cinematic, and artistic representations of partition, and in doing so, examine the ways this event is remembered, re-interpreted, and reconstructed-and the narrator's role in this process. These stories also reflect on the themes of home, family, violence, childhood, trains, and rivers within these public and private narratives. Crucially, Raychaudhuri is the first writer to use oral history in addressing the Bengal/Punjab partition as part of this same event, examining the memorial legacy in both the Bengali and Punjabi communities.

This field guide to oral history in Latin America addresses methodological, ethical, and interpretive issues arising from the region's unique milieu. With careful consideration of the challenges of working in Latin America - including those of language, culture, performance, translation, and political instability - David Carey Jr. provides guidance for those conducting oral history research in the postcolonial world. In regions such as Latin America, where nations that have been subjected to violent colonial and neocolonial forces continue to strive for just and peaceful societies, decolonizing research and analysis is imperative. Carey deploys case studies and examples in ways that will resonate with anyone who is interested in oral history.

Even the Women Must Fight

"Karen Turner and Phan Thanh Hao have brought scholarship and compassion to a long-neglected aspect of the Vietnam War—the contributions of Vietnamese women to the independence struggle of their nation and the terrible price they paid for their courage and patriotism."—Neil Sheehan, author of A Bright Shining Lie: John Paul Vann and America in Vietnam.

A searing chronicle of wartime experiences, Even the Women Must Fight probes the cultural legacy of North Vietnam's American War. Unflinching in its portrayal of hardship, valor, and personal sacrifice, this wrenching account is nothing short of a revelation, banishing in one bold stroke the familiar image of Vietnamese women as passive onlookers, war brides, prostitutes, or helpless refugees.

"Karen Turner has given us a book that will change our understanding of the Vietnam War—and of Vietnam today. I found it enthralling." —Cynthia Enloe, author of The Morning After:

• Sexual Politics at the End of the Cold War.

  "A first-rate book that will add substantially to our understanding of the human tragedy associated with one of the most bloody conflicts in recent history."—Robert Brigham, Professor of History, Vassar College.

In this important new book, Paul T. Phillips argues that most professional historians - aside from a relatively small number devoted to theory and methodology - have concerned themselves with particular, specialized areas of research, thereby ignoring the fundamental questions of truth, morality, and meaning. This is less so in the thriving general community of history enthusiasts beyond academia, and may explain, in part at least, history's sharp decline as a subject of choice by students in recent years. Phillips sees great dangers resulting from the thinking of extreme relativists and postmodernists on the futility of attaining historical truth, especially in the age of "post-truth." He also believes that moral judgment and the search for meaning in history should be considered part of the discipline's mandate. In each section of this study, Phillips outlines the nature of individual issues and past efforts to address them, including approaches derived from other disciplines. This book is a call to action for all those engaged in the study of history to direct more attention to the fundamental questions of truth, morality, and meaning.

As uncontrolled development forces crises in the natural world, deeply ingrained human connections with the earth are changing. Oral history's proven ability to explore issues of race, ethnicity, class, gender, and sexuality make it a uniquely effective methodology for bringing in new perspectives to our understanding of environments. This book brings together interviews with a global range of activists, farmers, water system managers, victims of catastrophe, tribal trustees, wilderness rangers, reindeer herders, and foresters, among others whose life experience gives them special insights into human-environmental interaction and adaption. Commentary by oral historians examines how these stories can be used to better understand our relationship with the natural world. Oral History and the Environment takes what could seem broad and impersonal forces such as climate change and environmentalismLand crystalizes their meaning through personal stories. It overturns narrow historical frameworks bounded artificially by national borders and instead portrays the issues facing our common ecosystems.

Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.

Churchill's War in Words transports the reader back to the storm-struck days of the Second World War. Focussing only on words used at the time, it reveals the way that Winston Churchill talked about the conflict in public and in private - and the way that he himself was viewed at the time by family, friends, politicians, military leaders, staff , voters, allies and enemies.Presented in chronological order and accompanied by short year-by-year introductions, the quotations convey afresh the full force of Churchill's oratory, the wit he displayed in the face of often appalling odds, and the hopes and fears that he inspired in those around him. Together they reveal to the modern reader what it was truly like to be locked in a struggle in which victory - or total defeat - was yet to be decided. Together they tell the extraordinary story of Churchill's War in Words.

"When war strikes close to home, even the women must fight."—A proverb

Praise for Even the Women Must Fight

"This book is a genuine eye-opener. Through graphic interviews and groundbreaking archival research, Karen Turner has given us a book that will change our understanding of the Vietnam War—and of Vietnam today. I found it enthralling."—Cynthia Enloe, author of The Morning After: Sexual Politics at the End of the Cold War

"A first-rate book that will add substantially to our understanding of the human tragedy associated with one of the most bloody conflicts in recent history."—Robert Brigham, Professor of History, Vassar College

A searing chronicle of wartime experiences, Even the Women Must Fight probes the cultural legacy of North Vietnam's American War, its influence and its aftermath. Unflinching in its portrayal of hardship, valor, and personal sacrifice, this wrenching account is nothing short of a revelation, banishing in one bold stroke the familiar image of Vietnamese women as passive onlookers, war brides, prostitutes, or helpless refugees. The fighting women of Vietnam embodied the meaning of the term warrior.

The active participation of Vietnamese women after 1965 tipped the balance between victory and defeat. It is estimated that the total number of women in the regular army of North Vietnam, the militia and local forces, and professional volunteer teams was somewhere near two hundred thousand. Women with training and education operated underground communications networks, staffed and directed jungle clinics, and recorded the war as journalists. Others ran jungle liaison stations and ammunition depots, led and served in combat platoons, made coffins and burial cloths, and collected and buried the dead. Local militiawomen learned to shoot at American planes from factory rooftops and village fields, carried supplies, and treated the wounded—all the while maintaining agricultural and industrial production at prewar levels.

Karen Gottschang Turner, an East Asian scholar, traveled to Vietnam over a period of three years, researching, recording, and, above all, listening as the women warriors she encountered poured out extraordinary oral histories:

• "We had to disguise the hospital. Living in the jungle for ten years, I ran the hospital almost alone because my nurses had to go out and forage for supplies. Some of them left and never returned.
• . . . .I had to take any duty that came up. I was the chief of the hospital and there were fifty women and seven men who worked for me."
• "When we worked in the tunnels, we could go out only at night, and after a month of this, we were blinded by the daylight when we emerged, like moles, from our underground home to work on the road. It would take two days for our eyes to adjust to the light. . . .
• "One time when a bridge had been bombed and there was no time to rebuild it, we used our bodies to hold the planks so the trucks could keep moving. Sometimes people drowned in the mountain rivers and streams."

"The bombs hit a village, and the village was on fire. I was in the team that carried water to put the fire out. We got water from fishponds or anywhere else we could. . . . I will never forget, seeing through the smoke, a child stuck head down in the debris, his legs making a V-shape above the rubble."

By including military accounts, private writings, and the literature of Vietnam's American War, Turner provides a rich context for the words of those who lived it. Today, they still carry the emotional and physical scars of their shared responsibility and purpose amid the exigencies of war. Now, for the first time in Even the Women Must Fight, Karen Gottschang Turner enables Vietnam's women warriors to speak eloquently and unforgettably for themselves.

Practicing Oral History among Refugees and Host Communities provides a comprehensive and practical guide to applied oral history with refugees, teaching the reader how to use applied, contemporary oral history to help provide solutions to the 'mega-problem' that is the worldwide refugee crisis. The book surveys the history of the practice and explains its successful applications in fields from journalism, law and psychiatry to technology, the prevention of terrorism and the design of public services. It defines applied oral history with refugees as a field, teaching rigorous, accessible methodologies for doing it, as well as outlining the importance of doing the same work with host communities. The book examines important legal and ethical parameters around this complex, sensitive field, and highlights the cost-effective, sustainable benefits that are being drawn from this work at all levels. It outlines the sociopolitical and theoretical frameworks around such oral histories, and the benefits for practitioners' future careers. Both in scope and approach, it thoroughly equips readers for doing their own oral history projects with refugees or host communities, wherever they are. Using innovative case studies from seven continents and from the author's own work, this manual is the ideal guide for oral historians and those working with refugees or host communities.

Transcribing Oral History offers a comprehensive guide to the transcription of qualitative interviews, an often richly debated practice within oral history. Beginning with an introduction to the field and an overview of the many disciplines that conduct and transcribe interviews, the book goes on to offer practical advice to those looking to use transcription within their own projects. A helpful how-to section covers technology, style guides, ways to format transcripts and troubleshoot the many problems that can arise. In addition to the practicalities of transcription itself, the book encourages the reader to consider legal and ethical issues, and the effects of troubling audio on the transcriptionist. It explains how scholars can turn recorded interviews and transcripts into books, films and museum exhibits, enabling the reader to understand the wider concerns surrounding transcription as well as the practical uses to which it can be put. Based upon the author's personal experience as a freelance transcriptionist and interviews with more than 30 professionals working around the world in the oral history and qualitative research fields, this is an indispensable guide for those involved in interviews and transcription at any level of an oral history project, including historians, transcriptionists, interviewers, project administrators, archivists, researchers and students.

In this remarkable collection of 52 oral histories, first published in 1971, members of Dakota, Lakota, Winnebago, Crow, and other communities tell of their personal experiences: reservation life, the Great Depression of the 1930s, self-government, traditions, and life in the 1960s. Together these voices present a rich and complicated view of what it is to be an American Indian. """" ""To Be an Indian"'s""power flows from the actual recorded voices. The book is an outstanding adjunct to classes taught about oral history." -- Leonard Bruguier, director, Institute of American Indian Studies, University of South Dakota "What is striking about the interviews is the clear and crisp point of view that each presents, underscoring the obvious fact that to be an Indian is to be an individual. . . . Highly recommended." -- "South Dakota History" "The reader will discover a wealth of information that will show the diversity of thought, the values and many of the problems and changes present in the Indian communities." -- "Nebraska History" "An interesting and very readable historical document of Native American cultural pluralism." -- "European Review of Native American Studies " "A fine contribution to any collection of oral narratives of the Native peoples of North America." -- "Journal of the West"

The first anthropology book to be sold with a Compact Disc Interactive (CDi)
This original and radical book challenges dominant parameters of literacy by comparing the oral tradition of the Tamils in South India with the Western culture of printed text. In India, traditional texts are always performed; as a result, form and meaning can change depending on the occasion. This is the opposite of Western communication through publication which is a static representation of knowledge.
The author examines the reasons for the differences between the Indian and Western textual traditions, and describes how text lives through the performing arts of words, sound and imagery. She argues that interactive multimedia is the first Western communication form to represent oral traditions effectively. A Compact Disc Interactive (CD-i) - packaged with the book - allows readers to see for themselves how multimedia can add meaning and complement traditional text-based studies.
The CDi: The CDi offers a new learning experience that builds on the two-way creative process in an efficient and enjoyable way. A TV set and CDi player is all that is required to run the Philips CDi.

The first anthropology book to be sold with a Compact Disc Interactive (CDi)
This original and radical book challenges dominant parameters of literacy by comparing the oral tradition of the Tamils in South India with the Western culture of printed text. In India, traditional texts are always performed; as a result, form and meaning can change depending on the occasion. This is the opposite of Western communication through publication which is a static representation of knowledge.
The author examines the reasons for the differences between the Indian and Western textual traditions, and describes how text lives through the performing arts of words, sound and imagery. She argues that interactive multimedia is the first Western communication form to represent oral traditions effectively. A Compact Disc Interactive (CD-i) - packaged with the book - allows readers to see for themselves how multimedia can add meaning and complement traditional text-based studies.
The CDi: The CDi offers a new learning experience that builds on the two-way creative process in an efficient and enjoyable way. A TV set and CDi player is all that is required to run the Philips CDi.

Practicing Oral History to Connect University to Community illustrates best practices for using oral histories to foster a closer relationship between institutions of higher learning and the communities in which they are located. Using case studies, the book describes how to plan and execute an oral history project that can help break down walls and bring together universities and their surrounding communities. It offers advice on how to locate funding sources, disseminate information about the results of a project, ensure the long-term preservation of the oral histories collected, and incorporate oral history into the classroom. Bringing together "town and gown," the book demonstrates how different communities can work together to discover new research opportunities and methods for preserving history. Supported by examples, sample forms, and online resources, the book is an important resource both for oral historians and those working to improve relationships between university institutions and their neighboring communities.

Modern languages like English, Spanish, Russian and Hindi as well as ancient languages like Greek, Latin and Sanskrit all belong to the Indo-European language family, which means that they all descend from a common ancestor. But how, more precisely, are the Indo-European languages related to each other? This book brings together pioneering research from a team of international scholars to address this fundamental question. It provides an introduction to linguistic subgrouping as well as offering comprehensive, systematic and up-to-date analyses of the ten main branches of the Indo-European language family: Anatolian, Tocharian, Italic, Celtic, Germanic, Greek, Armenian, Albanian, Indo-Iranian and Balto-Slavic. By highlighting that these branches are saliently different from each other, yet at the same time display striking similarities, the book demonstrates the early diversification of the Indo-European language family, spoken today by half the world's population. This title is also available as open access on Cambridge Core.

During the Vietnam War, the US Air Force secretly trained pilots from Laos, skirting Lao neutrality in order to bolster the Royal Lao Air Force and their own war efforts. Beginning in 1964, this covert project, "Water Pump," operated out of Udorn Airbase in Thailand with the support of the CIA. This Secret War required recruits from Vietnam-border region willing to take great risks-a demand that was met by the marginalized Hmong ethnic minority. Soon, dozens of Hmong men were training at Water Pump and providing air support to the US-sponsored clandestine army in Laos. Short and problematic training that resulted in varied skill levels, ground fire, dangerous topography, bad weather conditions, and poor aircraft quality, however, led to a nearly 50 percent casualty rate, and those pilots who survived mostly sought refuge in the United States after the war. Drawing from numerous oral history interviews, Fly Until You Die brings their stories to light for the first time-in the words of those who lived it.