Crowley interviews long-time residents of the Central Area, a historically redlined neighborhood that was one of the few places nonwhites could buy homes. Residents tell stories of working with the Black Panthers, becoming activists in the 1960s, and of building a thriving culture around church, music, and food. The neighborhood is going through rapid gentrification today, and many of these residents have been or will be displaced.

A Forest of Time is the first introduction for undergraduates and graduates, Western and Indian history buffs, and general readers to the notion that American Indian societies had vital interests in interpreting and transmitting their own ways for themselves. Through separate discussions of legends and oral histories, creation stories and folktales, it illustrates how various Indian peoples related and commented upon their changing times. Drawing upon his own varied research as well as sampling the latest in scholarship from ethnohistory, anthropology, folklore and Indian Studies, Dr. Nabokov offers dramatic examples of how native peoples put rituals and material culture, landscape, prophecies, and even the English language to the urgent task of keeping the past alive and relevant. Throughout these lively chapters, we also witness the American Indian historical imagination deployed as a coping skill and survival strategy. This book surveys the latest integrating ideas while offering a useful bibliography that opens up, and demands that we engage with, alternative chronicles for America's multi-cultural past. Peter Navokov is Professor in the Department of World Arts and Cultures and American Indian Studies Program at UCLA. He is the author of several books, including Native American Architecture, (Oxford, 1991, co-author Robert Easton) which won the American Institue of Architects honor award and the Bay Area Book Reviewer Association Award. His book Native American Testimony (Thomas Y. Crowell, 1978) was named the American Library Association's Best Book for Young Adults and Library School Journal Best Book 1978 in addition to receiving the Carter G. Woodson Award. His work as a journalist in 1967 earned him prizes from the Albuquerque Press Association and the New Mexico Press Association.

Oral histories of Mexican farm workers in the Philadelphia region.

The Life of Ten Bears is a remarkable collection of nineteenth-century Comanche oral histories given by Francis Joseph "Joe A" Attocknie. Although various elements of Ten Bears's life (ca. 1790-1872) are widely known, including several versions of how the toddler Ten Bears survived the massacre of his family, other parts have not been as widely publicized, remaining instead in the collective memory of his descendants. Other narratives in this collection reference lesser-known family members. These narratives are about the historical episodes that Attocknie's family thought were worth remembering and add a unique perspective on Comanche society and tradition as experienced through several generations of his family. Kavanagh's introduction adds context to the personal narratives by discussing the process of transmission. These narratives serve multiple purposes for Comanche families and communities. Some autobiographical accounts, "recounting" brave deeds and war honors, function as validation of status claims, while others illustrate the giving of names; still others recall humorous situations, song-ridicules, slapstick, and tragedies. Such family oral histories quickly transcend specific people and events by restoring key voices to the larger historical narrative of the American West.

A sweeping new account of ancient Greek culture and its remarkable diversity.

Covering the whole of the ancient Greek experience from its beginnings late in the third millennium BCE to the Roman conquest in 30 BCE, Out of One, Many is an accessible and lively introduction to the Greeks and their ways of living and thinking. In this fresh and witty exploration of the thought, culture, society, and history of the Greeks, Jennifer Roberts traces not only the common values that united them across the seas and the centuries, but also the enormous diversity in their ideas and beliefs.

Examining the huge importance to the Greeks of religion, mythology, the Homeric epics, tragic and comic drama, philosophy, and the city-state, the book offers shifting perspectives on an extraordinary and astonishingly creative people. Century after century, in one medium after another, the Greeks addressed big questions, many of which are still very much with us, from whether gods exist and what happens after we die to what political system is best and how we can know what is real. Yet for all their virtues, Greek men set themselves apart from women and foreigners and profited from the unpaid labor of enslaved workers, and the book also looks at the mixed legacy of the ancient Greeks today.

The result is a rich, wide-ranging, and compelling history of a fascinating and profoundly influential culture in all its complexity—and the myriad ways, good and bad, it continues to shape us today.

Exploring the developments that have occurred in the practice of oral history since digital audio and video became viable, this book explores various groundbreaking projects in the history of digital oral history, distilling the insights of pioneers in the field and applying them to the constantly changing electronic landscape of today.

Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tones of voice especially-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. Indeed, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.

"The Dust of Life" is a collection of vivid and devastating oral histories of Vietnamese Amerasians. Abandoned during the war by their American fathers, discriminated against by the victorious Communists, and ignored for many years by the American government, they endured life in impoverished Vietnam. Their stories are sad, sometimes tragic, but they are also testimonials to the strength of human resiliency.

Robert S. McKelvey is a former marine who served in Vietnam in the late 1960s. Now a child psychiatrist, he returned to Vietnam in 1990 to begin the long series of interviews that resulted in this book. While allowing his subjects to speak for themselves, McKelvey has organized their narratives around themes common to their lives: early maternal loss, the experience of prejudice and discrimination, coping with adversity, dealing with shattered hopes for the future, and, for some, adapting to the alien environment of the United States.

While unique in many respects, the Vietnamese Amerasian story also illustrates themes that are tragically universal: neglect of the human by-products of war, the destructiveness of prejudice and racism, the pain of abandonment, and the horrors of life amidst extreme poverty, hostility, and neglect.

Combining archival research with ethnographic fieldwork, The Boundary of Laughter explores how spaces of popular performance have changed with the emergence of national borders in modern South Asia. The author traces the making of the popular theater form called Gambhira by Hindu and Muslim peasants and laborers in colonial Bengal, and explores the fate of the tradition after the Partition of the region in 1947. Drawing on a rich and hitherto unexplored archive of Gambhira songs and plays, this book provides a new approach for studying popular performances as shared spaces-that can accommodate peoples across national and religious boundaries.

Through a lyrical narrative of her journey to Tibet in 2007, activist Canyon Sam contemplates modern history from the perspective of Tibetan women. Traveling on China's new "Sky Train," she celebrates Tibetan New Year with the Lhasa family whom she'd befriended decades earlier and concludes an oral-history project with women elders.

As she uncovers stories of Tibetan women's courage, resourcefulness, and spiritual strength in the face of loss and hardship since the Chinese occupation of Tibet in 1950, and observes the changes wrought by the controversial new rail line in the futuristic "new Lhasa," Sam comes to embrace her own capacity for letting go, for faith, and for acceptance. Her glimpse of Tibet's past through the lens of the women - a visionary educator, a freedom fighter, a gulag survivor, and a child bride - affords her a unique perspective on the state of Tibetan culture today - in Tibet, in exile, and in the widening Tibetan diaspora.

Gracefully connecting the women's poignant histories to larger cultural, political, and spiritual themes, the author comes full circle, finding wisdom and wholeness even as she acknowledges Tibet's irreversible changes.

Canyon Sam is a San Francisco writer, performance artist, and Tibet activist. Her one-woman show "The Dissident" was critically acclaimed in the "Village Voice" and the "Boston Globe." This is her first book.

"Canyon Sam's "Sky Train" powerfully moves the heart, as it brings to life deep truths about our world today, about Tibet, the land and people and especially its outstanding women. Just as important is the author's own revelatory discovery of 'Tibet' as a compassionate, wise, and down to earth state-of-mind essential to the survival of the whole world. Words cannot express how wonderful is this honest, generous, and perceptive book." - Robert Thurman, Jey Tsong Khapa Professor of Buddhist Studies at Columbia University

"Years ago following her ancestral roots to China, but finding instead Tibet as a spiritual home, Canyon Sam made a miracle of a journey. Now in "Sky Train" she guides the reader on a life-changing adventure back to Tibet after more than twenty years and an epoch of cataclysmic change to produce a miracle of a book." - Maxine Hong Kingston, author of "The Woman Warrior"

"A book that is sure to illuminate a Tibet so many of us have been longing to know." - Alice Walker, author of "The Color Purple"

"Through the experiences of older Tibetan women, the author offers a captivating journey spanning half a century and several countries. "Sky Train" conveys women's lessons of community-building, generosity, faith, and determination. A beautiful, moving, riveting book." - Valerie Matsumoto, UCLA

"This book about the Dharma of connection, of companioning, of compassion, has strengthened my own devotion." - Sylvia Boorstein, author of "Happiness Is an Inside Job: Practicing for a Joyful Life"

"It is Canyon Sam's love for Tibet - its culture and its people - that makes this book so special. An important work . . . poignant and inspiring." - Sharon Salzberg, author of "Lovingkindness: The Revolutionary Art of Happiness"

For more about the author, go to http: //www.canyonsam.com/skytrain.html

Despite acute labour shortages during the Second World War, Canadian employers--with the complicity of state officials--discriminated against workers of African, Asian, and Eastern and Southern European origin, excluding them from both white collar and skilled jobs. Jobs and Justice argues that, while the war intensified hostility and suspicion toward minority workers, the urgent need for their contributions and the egalitarian rhetoric used to mobilize the war effort also created an opportunity for minority activists and their English Canadian allies to challenge discrimination.Juxtaposing a discussion of state policy with ideas of race and citizenship in Canadian civil society, Carmela K. Patrias shows how minority activists were able to bring national attention to racist employment discrimination and obtain official condemnation of such discrimination. Extensively researched and engagingly written, Jobs and Justice offers a new perspective on the Second World War, the racist dimensions of state policy, and the origins of human rights campaigns in Canada.

More than 10,000 New Zealand servicemen were on active duty with the RAF and the Royal Navy at the time of the D-Day landings, in June 1944. Until now, the role played by these men has been largely untold. The Big Show provides the first eye witness account of their experience at the heart of the European War. Many of the men retain vivid memories of the historic turning point in WWII. They not only witnessed fear, mayhem and exhilaration of D-Day itself, but they were present as the Allies fought back France, Belgium and Holland from the Axis forces. Some took part in the occupation of Germany that ended the war in Europe; a few saw Belsen Concentration Camp in its final months. There were airmen who were shot down over France and whose escapes to safety were engineered by the French Resistance, and others taken prisoners by the Germans. The men also discuss daily life in the forces, the glamour of serving with the RAF, and wartime London. The Big Show reveals these experiences for a new generation through 13 oral histories recorded by servicemen. Presented for the general market, the book will be lavishly illustrated with over 100 photographs. It will include an introduction, suggested further readings, a foreword from the New Zealand Prime Minster and possibly one from the French PM. The Big Show will be one of the first projects completed under a Shared Memory Arrangement that the New Zealand and French governments signed in 2004 to promote the heritage the countries share with respect to the world wars. It will be in stores for the anniversary of D-Day in June .

The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa. Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.

"Our Liverpool" is an oral history about the real Liverpool--about the city before its slick transformation to European City of Culture and about the spirit that remains at its heart. Here, at last, is Liverpool's grievous and glorious past. And here, through the people's voices, we find old Liverpool, without the gift-wrap. Its stories pulsate with the rhythms of an alternately funny, flippant, belligerent, stubborn, and warm heart, and they broadcast the values of a community, which are the city's true legacy to the modern world. Piers Dudgeon has listened to dozens of people who remember the city as it was, and who have lived through its many changes. They talk of childhood and education, of work and entertainment, of family, community values, health, politics, religion, and music. Their stories will make you laugh and cry. It is people's own memories that make history real and this engrossing book captures them vividly.

Like an old-fashioned hymn sung in rounds, Something's Rising gives a stirring voice to the lives, culture, and determination of the people fighting the destructive practice of mountaintop removal in the coalfields of central Appalachia. Each person's story, unique and unfiltered, articulates the hardship of living in these majestic mountains amid the daily desecration of the land by the coal industry because of America's insistence on cheap energy. Developed as an alternative to strip mining, mountaintop removal mining consists of blasting away the tops of mountains, dumping waste into the valleys, and retrieving the exposed coal. This process buries streams, pollutes wells and waterways, and alters fragile ecologies in the region. The people who live, work, and raise families in central Appalachia face not only the physical destruction of their land but also the loss of their culture and health in a society dominated by the consequences of mountaintop removal. Included here are oral histories from Jean Ritchie, "the mother of folk," who doesn't let her eighty-six years slow down her fighting spirit; Judy Bonds, a tough-talking coal-miner's daughter; Kathy Mattea, the beloved country singer who believes cooperation is the key to winning the battle; Jack Spadaro, the heroic whistle-blower who has risked everything to share his insider knowledge of federal mining agencies; Larry Bush, who doesn't back down even when speeding coal trucks are used to intimidate him; Denise Giardina, a celebrated writer who ran for governor to bring attention to the issue; and many more. The book features both well-known activists and people rarely in the media. Each oral history is prefaced with a biographical essay that vividly establishes the interview settings and the subjects' connections to their region. Written and edited by native sons of the mountains, this compelling book captures a fever-pitch moment in the movement against mountaintop removal. Silas House and Jason Howard are experts on the history of resistance in Appalachia, the legacy of exploitation of the region's natural resources, and area's unique culture and landscape. This lyrical and informative text provides a critical perspective on a powerful industry. The cumulative effect of these stories is stunning and powerful. Something's Rising will long stand as a testament to the social and ecological consequences of energy at any cost and will be especially welcomed by readers of Appalachian studies, environmental science, and by all who value the mountain's majesty -- our national heritage.

Sarah Elliott Novacich explores how medieval thinkers pondered the ethics and pleasures of the archive. She traces three episodes of sacred history - the loss of Eden, the loading of Noah's ark, and the Harrowing of Hell - across works of poetry, performance records, and iconography in order to demonstrate how medieval artists turned to sacred history to think through aspects of cultural transmission. Performances of the loss of Eden blur the relationship between original and record; stories of Noah's ark foreground the difficulty of compiling inventories; and engagements with the Harrowing of Hell suggest the impossibility of separating the past from the present. Reading Middle English plays alongside chronicles, poetry, and works of visual art, Shaping the Archive in Late Medieval England considers how poetic form, staging logistics, and the status of performance all contribute to our understanding of the ways in which medieval thinkers imagined the archive.

Although historians today turn increasingly to oral tradition as a source of data on the history of non-literate peoples, Paul Irwin cautions them against uncritical use of such evidence. In an attempt to determine how much historians can learn about the past from oral traditions, he studies those of Liptako, now a part of Upper Volta hut in the nineteenth century an emirate in one of West Africa's great imperial systems.

Originally published in 1981.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.

A SUNDAY TELEGRAPH AND GUARDIAN BOOK OF THE YEAR WINNER OF SWEDEN'S AUGUST PRIZE WINNER OF THE WARWICK PRIZE FOR WOMEN IN TRANSLATION SHORTLISTED FOR THE BRITISH ACADEMY BOOK PRIZE 'Osebol is a magnificent success; it is hard to imagine it better ... Kapla is a magician ... mesmerizing' Sara Wheeler, TLS 'A simple, pared-back and down-to-earth masterpiece' James Rebanks 'We listen to them like something caught on the wind ... so moving and so strangely beckoning' Nicci Gerrard, Observer '[Among] the year's most pleasing books' Rishi Dastidar, Guardian, Books of the Year 'Engrossing and humbling and quietly revelatory' Max Porter 'Fascinating ... I was riveted' Lydia Davis 'Like standing outside an open window on a warm summer evening and listening to a piece of contemporary history' Lanstidningen 'What a wonderful book . . . You want to move into it' Expressen Near the river Klaralven, snug in the dense forest landscape of northern Varmland, lies the secluded village of Osebol. It is a quiet place: one where relationships take root over decades, and where the bustle of city life is replaced by the sound of wind in the trees. In this extraordinary and engrossing book, an unexpected cultural phenomenon in its native Sweden, the stories of Osebol's residents are brought to life in their own words. Over the last half-century, the automation of the lumber industry and the steady relocations to the cities have seen the village's adult population fall to roughly forty. But still, life goes on; heirlooms are passed from hand to hand, and memories from mouth to mouth, while new arrivals come from near and far. Marit Kapla has interviewed nearly every villager between the ages of 18 and 92, recording their stories verbatim. What emerges is at once a familiar chronicle of great social metamorphosis, told from the inside, and a beautifully microcosmic portrait of a place and its people. To read Osebol is to lose oneself in its gentle rhythms of simple language and open space, and to emerge feeling like one has really grown to know the inhabitants of this varied community, nestled among the trees in a changing world.

This volume is an edited collection of critical essays on British Asian theatre. It includes contributions from a number of researchers who have been active in the field for a substantial period of time. This title is complemented by British South Asian Theatres: A Documented History by the same authors, also available from University of Exeter Press.

The year 1968 witnessed one of the great upheavals of the twentieth century, as social movements shook every continent. Across the Global North, people rebelled against post-war conformity and patriarchy, authoritarian education and factory work, imperialism and the Cold War. They took over workplaces and universities, created their own media, art and humour, and imagined another world. The legacy of 1968 lives on in many of today's struggles, yet it is often misunderstood and caricatured. Voices of 1968 is a vivid collection of original texts from the movements of the long 1968. We hear these struggles in their own words, showing their creativity and diversity. We see feminism, black power, anti-war activism, armed struggle, indigenous movements, ecology, dissidence, counter-culture, trade unionism, radical education, lesbian and gay struggles, and more take the stage. Chapters cover France, Czechoslovakia, Northern Ireland, Britain, the USA, Canada, Italy, West Germany, Denmark, Mexico, Yugoslavia and Japan. Introductory essays frame the rich material - posters, speeches, manifestos, flyers, underground documents, images and more - to help readers explore the era's revolutionary voices and ideas and understand their enduring impact on society, culture and politics today.

For over fifty years, Kevin C. Kearns trekked the rough-and-tumble streets of the heart of Dublin, hoping to record and preserve the city's vanishing oral history. Armed only with a Sony tape recorder, the ordinary people he encountered - street traders, dockers, factory workers, tram drivers, housewives and midwives, children and grandparents - shared private stories of hardship, joy, sorrow, suffering, survival and triumph. In Our Day is the culmination of a life's work - a treasure trove bursting with whispers from the past - 450 vignettes, memories and recollections gathered to present an evocative, poignant portrait of a forgotten Dublin. 'Without Kevin, the lives of ordinary decent Dubliners would be forgotten. This book is a celebration of them.' Joe Duffy

The violent election of 1872 that serves as a warning for today's divided politics.

From CNN’s Chief Political Correspondent Dana Bash, the fast-paced story of the extraordinary election that led to hundreds of murders, warfare in the streets of New Orleans, two governors of Louisiana—and changed the course of politics in our country.

The Election of 1872 was the most contentious in American history. After both parties complained of corruption, neither candidate would concede, two governors claimed office and chaos erupted. Rival newspapers engaged in a bitter war of words, politicians plotted to overthrow the government, and their supporters fought in the streets and attempted assassinations. The entire country watched in grim fascination as the wounds of the Civil War were ripped open and the promise of President Grant’s Reconstruction faltered in the face of violent resistance and the birth of the Ku Klux Klan.

In this riveting book, Dana Bash and David Fisher tell the incredible, little-known story of the election that pushed democracy to the breaking point, and sparked historic events including:

• The Colfax Massacre, in which at least 150 Black men were killed by white supremacists
• The extraordinary train race from New York to New Orleans for control of the state government
• The election of the first black Congressman from Louisiana in the face of violent resistance
• The Supreme Court ruling that ended Reconstruction and became the foundation of Southern segregation, changing the American legal system for the next century

Readers will find eerie parallels to today's divided political landscape and leaders willing to seize power no matter the cost. An eye-opening warning of what's at stake and what it takes to protect our democracy, this is a must-read tale of America's deadliest election.

Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for "medieval times" behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil's Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.