In 1946, after a series of stormy strikes and a mass occupation at Ford Motor Company's plant in Dagenham, Essex, thousands of workers came together in a new branch of the Transport and General Workers Union. Later, in the early 1980s, a band of dedicated workplace activists brought branch 1/1107 to explosive life with support for a number working-class causes, from equal opportunities to the stunningly effective boycott of parts for South Africa. "Notoriously Militant," which takes as its title a tabloid journalist's verdict on the branch, covers the history of Ford's Dagenham plant--and its roots in Henry Ford's early U.S. activities--from 20th-century shop-floor struggles to the 21st-century fight against plant closure. Based on original research and oral history, this study offers a primer for activists and analysts on the confrontation between worker militancy and the rigors of "Fordism." This book is a lively look at working-class history as made daily by so-called "ordinary" workers, the links between basic workplace struggles and revolutionary conflict, the pressures towards "cooperation" between union and management, and the interweaving of gender and ethnicity issues with the class-based structures of a major industrial workplace.

Through a lyrical narrative of her journey to Tibet in 2007, activist Canyon Sam contemplates modern history from the perspective of Tibetan women. Traveling on China's new "Sky Train," she celebrates Tibetan New Year with the Lhasa family whom she'd befriended decades earlier and concludes an oral-history project with women elders.

As she uncovers stories of Tibetan women's courage, resourcefulness, and spiritual strength in the face of loss and hardship since the Chinese occupation of Tibet in 1950, and observes the changes wrought by the controversial new rail line in the futuristic "new Lhasa," Sam comes to embrace her own capacity for letting go, for faith, and for acceptance. Her glimpse of Tibet's past through the lens of the women - a visionary educator, a freedom fighter, a gulag survivor, and a child bride - affords her a unique perspective on the state of Tibetan culture today - in Tibet, in exile, and in the widening Tibetan diaspora.

Gracefully connecting the women's poignant histories to larger cultural, political, and spiritual themes, the author comes full circle, finding wisdom and wholeness even as she acknowledges Tibet's irreversible changes.

Canyon Sam is a San Francisco writer, performance artist, and Tibet activist. Her one-woman show "The Dissident" was critically acclaimed in the "Village Voice" and the "Boston Globe." This is her first book.

"Canyon Sam's "Sky Train" powerfully moves the heart, as it brings to life deep truths about our world today, about Tibet, the land and people and especially its outstanding women. Just as important is the author's own revelatory discovery of 'Tibet' as a compassionate, wise, and down to earth state-of-mind essential to the survival of the whole world. Words cannot express how wonderful is this honest, generous, and perceptive book." - Robert Thurman, Jey Tsong Khapa Professor of Buddhist Studies at Columbia University

"Years ago following her ancestral roots to China, but finding instead Tibet as a spiritual home, Canyon Sam made a miracle of a journey. Now in "Sky Train" she guides the reader on a life-changing adventure back to Tibet after more than twenty years and an epoch of cataclysmic change to produce a miracle of a book." - Maxine Hong Kingston, author of "The Woman Warrior"

"A book that is sure to illuminate a Tibet so many of us have been longing to know." - Alice Walker, author of "The Color Purple"

"Through the experiences of older Tibetan women, the author offers a captivating journey spanning half a century and several countries. "Sky Train" conveys women's lessons of community-building, generosity, faith, and determination. A beautiful, moving, riveting book." - Valerie Matsumoto, UCLA

"This book about the Dharma of connection, of companioning, of compassion, has strengthened my own devotion." - Sylvia Boorstein, author of "Happiness Is an Inside Job: Practicing for a Joyful Life"

"It is Canyon Sam's love for Tibet - its culture and its people - that makes this book so special. An important work . . . poignant and inspiring." - Sharon Salzberg, author of "Lovingkindness: The Revolutionary Art of Happiness"

For more about the author, go to http: //www.canyonsam.com/skytrain.html

Over the last several decades, video testimony with aging Holocaust survivors has brought these witnesses into the limelight. Yet the success of these projects has made it seem that little survivor testimony took place in earlier years. In truth, thousands of survivors began to recount their experience at the earliest opportunity. This book provides the first full-length case study of early postwar Holocaust testimony, focusing on David Boder's 1946 displaced persons interview project. In July 1946, Boder, a psychologist, traveled to Europe to interview victims of the Holocaust who were in the Displaced Persons (DP) camps and what he called "shelter houses." During his nine weeks in Europe, Boder carried out approximately 130 interviews in nine languages and recorded them on a wire recorder. Likely the earliest audio recorded testimony of Holocaust survivors, the interviews are valuable today for the spoken word (that of the DP narrators and of Boder himself) and also for the song sessions and religious services that Boder recorded. Eighty sessions were eventually transcribed into English, most of which were included in a self-published manuscript. Alan Rosen sets Boder's project in the context of the postwar response to displaced persons, sketches the dramatic background of his previous life and work, chronicles in detail the evolving process of interviewing both Jewish and non-Jewish DPs, and examines from several angles the implications for the history of Holocaust testimony. Such early postwar testimony, Rosen avers, deserves to be taken on its own terms rather than to be enfolded into earlier or later schemas of testimony. Moreover, Boder's efforts and the support he was given for them demonstrate that American postwar response to the Holocaust was not universally indifferent but rather often engaged, concerned, and resourceful.

Despite acute labour shortages during the Second World War, Canadian employers--with the complicity of state officials--discriminated against workers of African, Asian, and Eastern and Southern European origin, excluding them from both white collar and skilled jobs. Jobs and Justice argues that, while the war intensified hostility and suspicion toward minority workers, the urgent need for their contributions and the egalitarian rhetoric used to mobilize the war effort also created an opportunity for minority activists and their English Canadian allies to challenge discrimination.Juxtaposing a discussion of state policy with ideas of race and citizenship in Canadian civil society, Carmela K. Patrias shows how minority activists were able to bring national attention to racist employment discrimination and obtain official condemnation of such discrimination. Extensively researched and engagingly written, Jobs and Justice offers a new perspective on the Second World War, the racist dimensions of state policy, and the origins of human rights campaigns in Canada.

Combining archival research with ethnographic fieldwork, The Boundary of Laughter explores how spaces of popular performance have changed with the emergence of national borders in modern South Asia. The author traces the making of the popular theater form called Gambhira by Hindu and Muslim peasants and laborers in colonial Bengal, and explores the fate of the tradition after the Partition of the region in 1947. Drawing on a rich and hitherto unexplored archive of Gambhira songs and plays, this book provides a new approach for studying popular performances as shared spaces-that can accommodate peoples across national and religious boundaries.

A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.

More than 10,000 New Zealand servicemen were on active duty with the RAF and the Royal Navy at the time of the D-Day landings, in June 1944. Until now, the role played by these men has been largely untold. The Big Show provides the first eye witness account of their experience at the heart of the European War. Many of the men retain vivid memories of the historic turning point in WWII. They not only witnessed fear, mayhem and exhilaration of D-Day itself, but they were present as the Allies fought back France, Belgium and Holland from the Axis forces. Some took part in the occupation of Germany that ended the war in Europe; a few saw Belsen Concentration Camp in its final months. There were airmen who were shot down over France and whose escapes to safety were engineered by the French Resistance, and others taken prisoners by the Germans. The men also discuss daily life in the forces, the glamour of serving with the RAF, and wartime London. The Big Show reveals these experiences for a new generation through 13 oral histories recorded by servicemen. Presented for the general market, the book will be lavishly illustrated with over 100 photographs. It will include an introduction, suggested further readings, a foreword from the New Zealand Prime Minster and possibly one from the French PM. The Big Show will be one of the first projects completed under a Shared Memory Arrangement that the New Zealand and French governments signed in 2004 to promote the heritage the countries share with respect to the world wars. It will be in stores for the anniversary of D-Day in June .

Doing Oral History: A Practical Guide is considered the premier guidebook to oral history, used by professional oral historians, public historians, archivists, and genealogists as a core text in college courses and throughout the public history community. Over the past decades, the development of digital audio and video recording technology has continued to alter the practice of oral history, making it even easier to produce quality recordings and to disseminate them on the Internet. This basic manual offers detailed advice on setting up an oral history project, conducting interviews, making video recordings, preserving oral history collections in archives and libraries, and teaching and presenting oral history. Using the existing Q&A format, the third edition asks new questions and augments previous answers with new material, particularly in these areas: 1. Technology: As before, the book avoids recommending specific equipment, but weighs the merits of the types of technology available for audio and video recording, transcription, preservation, and dissemination. Information about web sites is expanded, and more discussion is provided about how other oral history projects have posted their interviews online. 2. Teaching: The new edition addresses the use of oral history in online teaching. It also expands the discussion of Institutional Review Boards (IRBs) with the latest information about compliance issues. 3. Presentation: Once interviews have been conducted, there are many opportunities for creative presentation. There is much new material available on innovative forms of presentation developed over the last decade, including interpretive dance and other public performances. 4. Legal considerations: The recent Boston College case, in which the courts have ruled that Irish police should have access to sealed oral history transcripts, has re-focused attention on the problems of protecting donor restrictions. The new edition offers case studies from the past decade. 5. Theory and Memory: As a beginner's manual, Doing Oral History has not dealt extensively with theoretical issues, on the grounds that these emerge best from practice. But the third edition includes the latest thinking about memory and provides a sample of some of the theoretical issues surrounding oral sources. It will include examples of increased studies into catastrophe and trauma, and the special considerations these have generated for interviewers. 6. Internationalism: Perhaps the biggest development in the past decade has been the spreading of oral history around the world, facilitated in part by the International Oral History Association. New oral history projects have developed in areas that have undergone social and political upheavals, where the traditional archives reflect the old regimes, particularly in Eastern Europe, the Middle East, Asia, Africa, and Latin America. The third edition includes many more references to non-U.S. projects that will still be relevant to an American audience. These changes make the third edition of Doing Oral History an even more useful tool for beginners, teachers, archivists, and all those oral history managers who have inherited older collections that must be converted to the latest technology.

The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa. Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.

Like an old-fashioned hymn sung in rounds, Something's Rising gives a stirring voice to the lives, culture, and determination of the people fighting the destructive practice of mountaintop removal in the coalfields of central Appalachia. Each person's story, unique and unfiltered, articulates the hardship of living in these majestic mountains amid the daily desecration of the land by the coal industry because of America's insistence on cheap energy. Developed as an alternative to strip mining, mountaintop removal mining consists of blasting away the tops of mountains, dumping waste into the valleys, and retrieving the exposed coal. This process buries streams, pollutes wells and waterways, and alters fragile ecologies in the region. The people who live, work, and raise families in central Appalachia face not only the physical destruction of their land but also the loss of their culture and health in a society dominated by the consequences of mountaintop removal. Included here are oral histories from Jean Ritchie, "the mother of folk," who doesn't let her eighty-six years slow down her fighting spirit; Judy Bonds, a tough-talking coal-miner's daughter; Kathy Mattea, the beloved country singer who believes cooperation is the key to winning the battle; Jack Spadaro, the heroic whistle-blower who has risked everything to share his insider knowledge of federal mining agencies; Larry Bush, who doesn't back down even when speeding coal trucks are used to intimidate him; Denise Giardina, a celebrated writer who ran for governor to bring attention to the issue; and many more. The book features both well-known activists and people rarely in the media. Each oral history is prefaced with a biographical essay that vividly establishes the interview settings and the subjects' connections to their region. Written and edited by native sons of the mountains, this compelling book captures a fever-pitch moment in the movement against mountaintop removal. Silas House and Jason Howard are experts on the history of resistance in Appalachia, the legacy of exploitation of the region's natural resources, and area's unique culture and landscape. This lyrical and informative text provides a critical perspective on a powerful industry. The cumulative effect of these stories is stunning and powerful. Something's Rising will long stand as a testament to the social and ecological consequences of energy at any cost and will be especially welcomed by readers of Appalachian studies, environmental science, and by all who value the mountain's majesty -- our national heritage.

The Horrific Tragedies of Central Africa in the 1990s riveted the attention of the world. But these crises did not occur in a historical vacuum. By peering through the mists of the past, David Newbury presents case studies illustrating the significant advances in our understanding of the precolonial histories of Rwanda, Burundi, and eastern Congo that have taken place since decolonization. Based on both oral and written sources, the essays compiled in ""The Land beyond the Mists"" are important both for their methods - viewing history from the perspective of local actors - and for their conclusions, which seriously challenge colonial myths about the area.

A SUNDAY TELEGRAPH AND GUARDIAN BOOK OF THE YEAR WINNER OF SWEDEN'S AUGUST PRIZE WINNER OF THE WARWICK PRIZE FOR WOMEN IN TRANSLATION SHORTLISTED FOR THE BRITISH ACADEMY BOOK PRIZE 'Osebol is a magnificent success; it is hard to imagine it better ... Kapla is a magician ... mesmerizing' Sara Wheeler, TLS 'A simple, pared-back and down-to-earth masterpiece' James Rebanks 'We listen to them like something caught on the wind ... so moving and so strangely beckoning' Nicci Gerrard, Observer '[Among] the year's most pleasing books' Rishi Dastidar, Guardian, Books of the Year 'Engrossing and humbling and quietly revelatory' Max Porter 'Fascinating ... I was riveted' Lydia Davis 'Like standing outside an open window on a warm summer evening and listening to a piece of contemporary history' Lanstidningen 'What a wonderful book . . . You want to move into it' Expressen Near the river Klaralven, snug in the dense forest landscape of northern Varmland, lies the secluded village of Osebol. It is a quiet place: one where relationships take root over decades, and where the bustle of city life is replaced by the sound of wind in the trees. In this extraordinary and engrossing book, an unexpected cultural phenomenon in its native Sweden, the stories of Osebol's residents are brought to life in their own words. Over the last half-century, the automation of the lumber industry and the steady relocations to the cities have seen the village's adult population fall to roughly forty. But still, life goes on; heirlooms are passed from hand to hand, and memories from mouth to mouth, while new arrivals come from near and far. Marit Kapla has interviewed nearly every villager between the ages of 18 and 92, recording their stories verbatim. What emerges is at once a familiar chronicle of great social metamorphosis, told from the inside, and a beautifully microcosmic portrait of a place and its people. To read Osebol is to lose oneself in its gentle rhythms of simple language and open space, and to emerge feeling like one has really grown to know the inhabitants of this varied community, nestled among the trees in a changing world.

Winner of the Nobel Prize in Literature 'Absolutely essential and heartbreaking reading. There's a reason Ms. Alexievich won a Nobel Prize' - Craig Mazin, creator of the HBO / Sky TV series Chernobyl - A new translation of Voices from Chernobyl based on the revised text - In April 1986 a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget. 'Beautifully written. . . heart-breaking' - Arundhati Roy, Elle 'One of the most humane and terrifying books I've ever read' - Helen Simpson, Observer

Over a decade in the making, Medieval Folklore is your A-to-Z guide to the mundane and supernatural lore of the Middle Ages. Definitive and lively articles focus on the great myths and legends of the age-daily and nightly customs and activities; religious beliefs of pagan, Christian, Muslim, and Jew; key works of oral and written literature; traditional music and art; holidays and feasts; food and drink; and plants and animals, both real and fantastic.

Especially remarkable are the surveys of the major medieval traditions, included among them Arab-Islamic (Ulrich Marzolph), Baltic (Thomas A. DuBois), English (John McNamara and Carl Lindahl), Finno-Ugric (Thomas A. DuBois), French (Francesca Canade Sautman), Hispanic (Samuel G. Armistead), Hungarian (Eva Pocs), Irish (Joseph Falaky Nagy), Italian (Giuseppe C. Di Scipio), Jewish (Eli Yassif), Scandinavian (Stephen A. Mitchell), Scottish (John McNamara), Slavic (Eve Levin), and Welsh (Elissa R. Henken and Brynley F. Roberts).

For anyone who has ever wanted a path through the tangle of Arthurian legends, or the real lowdown on St. Patrick, or the last word on wolf lore--this is the place.

Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.

Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for "medieval times" behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil's Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.

In the 1980s, as China transitioned to the post-Mao era, a state-sponsored oral history project led to the publication of local, regional, and national histories. They took the form of written and transcribed personal testimonies of events that preceded the turmoil of both the Cultural Revolution and, in many cases, the Communist victory in 1949. Known as wenshi ziliao, these publications represent an intense process of historical memory production that has received little scholarly attention. Hitherto unexamined archival materials and oral histories reveal unresolved tensions in post-Cultural Revolution reconciliation and mobilization, informing negotiations between local elites and the state, and between Party and non-Party organizations. Taking the northeast Russia-Manchuria borderlands as a case study, Martin T. Fromm examines the creation of post-Mao identities, political mobilization, and knowledge production in China.

The year 1968 witnessed one of the great upheavals of the twentieth century, as social movements shook every continent. Across the Global North, people rebelled against post-war conformity and patriarchy, authoritarian education and factory work, imperialism and the Cold War. They took over workplaces and universities, created their own media, art and humour, and imagined another world. The legacy of 1968 lives on in many of today's struggles, yet it is often misunderstood and caricatured. Voices of 1968 is a vivid collection of original texts from the movements of the long 1968. We hear these struggles in their own words, showing their creativity and diversity. We see feminism, black power, anti-war activism, armed struggle, indigenous movements, ecology, dissidence, counter-culture, trade unionism, radical education, lesbian and gay struggles, and more take the stage. Chapters cover France, Czechoslovakia, Northern Ireland, Britain, the USA, Canada, Italy, West Germany, Denmark, Mexico, Yugoslavia and Japan. Introductory essays frame the rich material - posters, speeches, manifestos, flyers, underground documents, images and more - to help readers explore the era's revolutionary voices and ideas and understand their enduring impact on society, culture and politics today.

Oral history gives history back to the people in their own words. And in giving a past, it also helps them towards a future of their own making. Oral history and life stories help to create a truer picture of the past and the changing present, documenting the lives and feelings of all kinds of people, many otherwise hidden from history. It explores personal and family relationships and uncovers the secret cultures of work. It connects public and private experience, and it highlights the experiences of migrating between cultures. At the same time it can bring courage to the old, meaning to communities, and contact between generations. Sometimes it can offer a path for healing divided communities and those with traumatic memories. Without it the history and sociology of our time would be poor and narrow. In this fourth edition of his pioneering work, fully revised with Joanna Bornat, Paul Thompson challenges the accepted myths of historical scholarship. He discusses the reliability of oral evidence in comparison with other sources and considers the social context of its development. He looks at the relationship between memory, the self and identity. He traces oral history through its own past and weighs up the recent achievements of a movement which has become international, with notably strong developments in North America, Europe, Australia, Latin America, South Africa and the Far East, despite resistance from more conservative academics. This new edition combines the classic text of The Voice of the Past with many new sections, including especially the worldwide development of different forms of oral history and the parallel memory boom, as well as discussions of theory in oral history and of memory, trauma and reconciliation. It offers a deep social and historical interpretation along with succinct practical advice on designing and carrying out a project, The Voice of the Past remains an invaluable tool for anyone setting out to use oral history and life stories to construct a more authentic and balanced record of the past and the present.

According to the Oral History Association, the term oral history refers to "a method of recording and preserving oral testimony" which results in a verbal document that is "made available in different forms to other users, researchers, and the public." Ordinarily such an academic process would seem to be far removed from legal challenges. Unfortunately this is not the case. While the field has not become a legal minefield, given its tremendous growth and increasing focus on contemporary topics, more legal troubles could well lie ahead if sound procedures are not put in place and periodically revisited. A Guide to Oral History and the Law is the definitive resource for all oral history practitioners. In clear, accessible language it thoroughly explains all of the major legal issues including legal release agreements, the protection of restricted interviews, the privacy torts (including defamation), copyright, the impact of the Internet, and the role of Institutional Review Boards (IRBs). The author accomplishes this by examining the most relevant court cases and citing examples of policies and procedures that oral history programs have used to avoid legal difficulties. Neuenschwander's central focus throughout the book is on prevention rather than litigation. He underscores this approach by strongly emphasizing how close adherence to the Oral History Association's Principles and Best Practices provides the best foundation for developing sound legal policies. The book also provides more than a dozen sample legal release agreements that are applicable to a wide variety of situations. This volume is an essential one for all oral historians regardless of their interviewing focus.

This volume is an edited collection of critical essays on British Asian theatre. It includes contributions from a number of researchers who have been active in the field for a substantial period of time. This title is complemented by British South Asian Theatres: A Documented History by the same authors, also available from University of Exeter Press.

American Survivors is a fresh and moving historical account of U.S. survivors of the Hiroshima and Nagasaki atomic bombings, breaking new ground not only in the study of World War II but also in the public understanding of nuclear weaponry. A truly trans-Pacific history, American Survivors challenges the dualistic distinction between Americans-as-victors and Japanese-as-victims often assumed by scholars of the nuclear war. Using more than 130 oral histories of Japanese American and Korean American survivors, their family members, community activists, and physicians - most of which appear here for the first time - Naoko Wake reveals a cross-national history of war, illness, immigration, gender, family, and community from intimately personal perspectives. American Survivors brings to light the history of Hiroshima and Nagasaki that connects, as much as separates, people across time and national boundaries.

President Bill Clinton led one of the most influential and consequential White House tenures in recent memory. However, because of the office's traditional climate of confidentiality, many details of his behind-the-scenes activities have remained absent from the written record. How did the administration manage the horrific conflicts in Haiti, Somalia, and the Balkans that came to a head shortly after the President took the oath? What motivated the President to place First Lady Hillary Clinton at the helm of the ill-fated Health Security Act of 1993? And how did the President's closest confidantes and aides respond to the outbreak of the devastating scandal that nearly ended his presidency? Inside the Clinton White House offers an intimate perspective on these questions and many more, granting readers unprecedented access to the sensitive Oval Office banter that changed the course of history. Bringing together material from 400 hours of candid conversations with over sixty individuals, respected oral historian Russell L. Riley weaves this illuminating testimony with important contextual information to form an irresistible narrative, taking the reader from Clinton's first potential White House bid in 1988 to the final days of his remarkable and controversial career. Extended sections of the book are devoted to important domestic and foreign policy campaigns, the complicated politics of the President's two terms and impeachment, and portraits of important personalities in the administration, including Vice President Al Gore and First Lady Hillary Rodham Clinton. These forthright and often surprising accounts add a layer of nuance to an iconic figure in America's recent history, as told in the words of the people who knew him best.

As Hitler's victorious armies approached Paris, panic gripped the city and the roads heading south filled with millions of French citizens, fleeing for their lives, with scant supplies and often no destination in mind. All hoped, as famed author Simone de Beauvoir wrote in her diary, "not to be taken like a rat in Occupied Paris."
In Fleeing Hitler, historian Hanna Diamond paints a gripping picture of the harrowing escape from Paris, highlighting the hardships people suffered in their desperate flight, and underscoring the impact this exodus had on life under Vichy rule. Using eyewitness accounts, memoirs, and diaries, Diamond shows how this ordeal became for civilians and soldiers alike the defining experience of the war. She tells how, in the Paris region alone, close to four million people left their homes and fled south, swelling the numbers of refugees until is was impossible to direct the flow of humanity. The result was total chaos with an enormous price to pay in terms of human misery and suffering. Many lost their lives as this vast caravan of predominantly women, children, and the elderly faced truly harsh conditions, and even starvation. Then, after the German offer of peace, as the traumatized population returned home, preoccupied by the desire for safety and bewildered by the unexpected turn of events, they put their faith in Marshall Petain who was able to establish his collaborative Vichy regime largely unopposed, while the Germans consolidated their occupation.
The first time this important story has been told in English, Fleeing Hitler captures in moving detail the devastating flight and early days of occupation after the fall of France.