Women were at the forefront of the Egyptian Revolution in 2011, with the Arab Spring protests providing an unprecedented opportunity to make their voices heard. But these women also faced an intense backlash from Egypt's patriarchal authorities, with female activists subjected to sexual violence and intimidation by the regime and even fellow protestors. Centered on the testimonies of four women who each played a significant role in the protests, this book provides unique insight into women's experiences during the Egyptian Revolution, and into the methods of resistance these women developed in response to sexual violence. In the process, Hamzeh casts new light on the relationship between gendered and state violence, and argues that women's resistance to this violence is reshaping gender relations in Egypt and the wider Arab world.

Illuminating the experiences of immigrants to Australia in the late twentieth century, this book uses oral history to explore how identity and belonging are shaped through migration. Between the 1950s and the 1970s, many inhabitants from the small Greek island of Limnos travelled to Australia to flee post-war devastation and economic disaster. With an emphasis on the lived experiences and memories of Limnians, the book sheds light on the emotional pain and trauma they felt as they were separated from their families and homeland. Moving away from more traditional outlooks on migration studies, this book emphasises the significance of ethno-regional identity, and analyses how it can bring strength and longevity to a constructed community. Both the roles of men and women within the Greek diaspora are examined, in the way that they made the difficult decision to leave their homeland, and subsequently how they came to nurture and build families within a new, evolving community. Looking beyond first-generation migration, the author analyses the pattern of return visits to Limnos by the descendants of migrants. Acting as a form of identity consolidation for second-generation migrants, this journey to the ancestral homeland highlights the fluidity of what it means to belong somewhere, and redefines the notion of 'home'. The author provides an alternative perspective to traditional migration studies and reaffirms the importance of transnational identity. A unique and important addition to research, this book combines memory studies and oral narrative to analyse how identity and belonging can be shaped across borders, rather than within them.

How is an oral historian to react when the unexpected emerges, whether in field research or interview analysis? Answers tend to be scattered throughout the scholarly literature or confined to backstage conversations. This book brings the unexpected to the center of the scene and promotes a collective reflection about ways of dealing with uneasy encounters, surprises, and interviews that seem to have gone off the rails. The contributors come from a dozen countries, especially Brazil, where a classic piece about a "great liar" paved the way for this discussion. Rather than eccentric descriptions of unusual situations, these chapters evoke a dense web of reflections about dialogue, the production of oral sources, and the complexities of personal narratives. Theoretically informed but written in an engaging language, the book presents readers with fascinating case studies of the eruptions of the unexpected that occur in oral history research.

Drawing from first-hand interviews, diaries and memoirs of those involved in the VE Day celebrations in 1945, VE DAY: The People's Story paints an enthralling picture of a day that marked the end of the war in Europe and the beginning of a new era. VE Day affected millions of people in countless ways, and the voices in this book - from both Britain and abroad, from civilians and service men and women, from the famous and the not-so-famous - provide a valuable social picture of the times. Mixed with humour as well as tragedy, rejoicing as well as sadness, regrets of the past and hopes for the future, VE Day is an inspiring record of one of the great turning points in history.

This book traces Dadakuada's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dadakuada in Ilorin, and of Ilorin in Dadakuada the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dadakuada's relationship with Islam and discusses how the Dadakuada singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.

An exploration of five hundred years of British history—from King Henry VIII to Queen Elizabeth II—as seen through the doorways of the exquisite Hampton Court Palace.

Architecturally breathtaking and rich in splendid art and décor, Hampton Court Palace has been the stage of some of the most important events in British history, such as the commissioning of King James’s version of the Bible, the staging of many of Shakespeare’s plays, and Queen Elizabeth II’s coronation ball.

The Palace takes us on “an entertaining journey into the past” (Kirkus Reviews) as it reveals the ups and downs of royal history and illustrates what was at play politically, socially, and economically at the time.

An engaging and charming history book that is perfect for fans of Alison Weir, Philippa Gregory, and Andrew Lownie, The Palace makes you feel as if you were in the room as history was made.

A groundbreaking book that puts early and medieval West Africa on the map of global history Pick up almost any book on early and medieval world history and empire, and where do you find West Africa? On the periphery. This pioneering book tells a different story. Interweaving political and social history and drawing on a rich array of sources, Michael Gomez unveils a new vision of how categories of ethnicity, race, gender, and caste emerged in Africa and in global history. Focusing on the Savannah and Sahel region, Gomez traces how Islam's growth in West Africa, along with intensifying commerce that included slaves, resulted in a series of political experiments unique to the region, culminating in the rise of empire. A radically new account of the importance of early Africa in global history, African Dominion will be the standard work on the subject for years to come.

This book traces the life of Maria Mia Truskier, who fled the Nazis as a young Polish Jew in early 1940 and once safely resettled in the United States, became an activist for other refugees, earning renown in the Bay Area as "the oldest refugee" of the East Bay Sanctuary Covenant. Mia worked for decades assisting those fleeing from war, violence and hardship, mainly from Central America and Haiti. Based on extensive interviews with Truskier before she passed away, as well as memorabilia from her own lifetime, including coded letters, newspaper clippings, and old photographs, this book results in a complex and multi-layered oral history. As Mia drew on memories of her life in Europe and World War II, she was situating and constructing those memories while re-reading and discovering these artifacts alongside the author of this book, and ultimately relating the ways that she and her family years later sought to make a difference for other refugees, drawing a connection between two major eras of human displacement: the end of World War II and today.

In the 1980s, as China transitioned to the post-Mao era, a state-sponsored oral history project led to the publication of local, regional, and national histories. They took the form of written and transcribed personal testimonies of events that preceded the turmoil of both the Cultural Revolution and, in many cases, the Communist victory in 1949. Known as wenshi ziliao, these publications represent an intense process of historical memory production that has received little scholarly attention. Hitherto unexamined archival materials and oral histories reveal unresolved tensions in post-Cultural Revolution reconciliation and mobilization, informing negotiations between local elites and the state, and between Party and non-Party organizations. Taking the northeast Russia-Manchuria borderlands as a case study, Martin T. Fromm examines the creation of post-Mao identities, political mobilization, and knowledge production in China.

What role does memory play in migrants' adaption to the emotional challenges of migration? How are migrant selfhoods remade in relation to changing cultural myths? This book, the first to apply Popular Memory Theory to the Irish Diaspora, opens new lines of critical enquiry within scholarship on the Irish in modern Britain. Combining innovative use of migrant life histories with cultural representations of the post-war Irish experience, it interrogates the interaction between lived experience, personal memory and cultural myth to further understanding of the work of memory in the production of migrant subjectivities. Based on richly contextualised case studies addressing experiences of emigration, urban life, work, religion, and the Troubles in England, chapters shed new light on the collective fantasies of post-war migrants and the circumstances that formed them, as well as the cultural and personal dynamics of subjective change over the life course. At the core of the book lie the processes by which migrants 'recompose' the self as part of ongoing efforts to adapt to the transition between cultures and places. Life history and the Irish migrant experience offers a fresh perspective on the significance of England's largest post-war migrant group for current debates on identity and difference in contemporary Britain. Integrating historical, cultural and psychological perspectives in an innovative way, it will be essential reading for academics and students researching modern British and Irish social and cultural history, ethnic and migration studies, oral history and memory studies, cultural studies and human geography. -- .

Through sources ranging from ancient forsundun (praise songs) and the hero kings to newspaper accounts, public decrees, and even graffiti, this book offers vivid portraits of major events and everyday life in Ireland through the centuries--beginning with Golamh, the legendary leader of the band of Iberian Celts who settled the island more than three thousand years ago, and concluding with gripping accounts by those on both sides of the bloody civil conflict in Northern Ireland.

Practicing Oral History to Connect University to Community illustrates best practices for using oral histories to foster a closer relationship between institutions of higher learning and the communities in which they are located. Using case studies, the book describes how to plan and execute an oral history project that can help break down walls and bring together universities and their surrounding communities. It offers advice on how to locate funding sources, disseminate information about the results of a project, ensure the long-term preservation of the oral histories collected, and incorporate oral history into the classroom. Bringing together "town and gown," the book demonstrates how different communities can work together to discover new research opportunities and methods for preserving history. Supported by examples, sample forms, and online resources, the book is an important resource both for oral historians and those working to improve relationships between university institutions and their neighboring communities.

Beyond Women's Words unites feminist scholars, artists, and community activists working with the stories of women and other historically marginalized subjects to address the contributions and challenges of doing feminist oral history. Feminists who work with oral history methods want to tell stories that matter. They know, too, that the telling of those stories-the processes by which they are generated and recorded, and the different contexts in which they are shared and interpreted-also matters-a lot. Using Sherna Berger Gluck and Daphne Patai's classic text, Women's Words, as a platform to reflect on how feminisms, broadly defined, have influenced, and continue to influence, the wider field of oral history, this remarkable collection brings together an international, multi-generational, and multidisciplinary line-up of authors whose work highlights the great variety in understandings of, and approaches to, feminist oral histories. Through five thematic sections, the volume considers Indigenous modes of storytelling, feminism in diverse locales around the globe, different theoretical approaches, oral history as performance, digital oral history, and oral history as community-engagement. Beyond Women's Words is ideal for students of oral history, anthropology, public history, women's and gender history, and Women's and Gender Studies, as well as activists, artists, and community-engaged practitioners.

Drawing on rich oral histories from over two hundred in-depth interviews in West Africa, Europe, and North America, Robtel Neajai Pailey examines socio-economic change in Liberia, Africa's first black republic, through the prism of citizenship. Marking how historical policy changes on citizenship and contemporary public discourse on dual citizenship have impacted development policy and practice, she reveals that as Liberia transformed from a country of immigration to one of emigration, so too did the nature of citizenship, thus influencing claims for and against dual citizenship. In this engaging contribution to scholarly and policy debates about citizenship as a continuum of inclusion and exclusion, and development as a process of both amelioration and degeneration, Pailey develops a new model for conceptualising citizenship within the context of crisis-affected states. In doing so, she offers a postcolonial critique of the neoliberal framing of diasporas and donors as the panacea to post-war reconstruction.

THE NEW YORK TIMES BESTSELLER "Incredibly evocative and compelling." - The Washington Post "The most moving and chilling oral history you will read." - The Times "Astonishing book about an astonishing, terrifying atrocity, relived in real time by those who were there. I read it in one sitting & was utterly gripped from start to finish." - Piers Morgan "The most vivid portrait of 9/11 I've ever read."- Mike Morell, former deputy director of the CIA ** Updated 20th Anniversary edition with additional content ** The Only Plane in the Sky is the first comprehensive oral history of 9/11, deftly woven and told in the voices of ordinary people grappling with extraordinary events. It begins predawn, where we meet airport staff who unknowingly usher terrorists onto their flights. From a secret bunker beneath the White House, Dick Cheney and Condoleezza Rice watch for incoming planes on radar. At the Pentagon, officials feel a violent tremor as they come under attack. We hear the stories of the father and son working on separate floors in the North Tower; the firefighter who rushes there to search for his wife; the phone operator who keeps her promise to share a passenger's last words with his family; the chaplain who stays on the scene to perform last rites, losing his own life when the Twin Towers collapse. In New York, first responders confront a scene of unimaginable chaos. At the Pentagon generals break down and weep when they are barred from rushing into the burning building to try and rescue their colleagues. Drawing on never-before-published transcripts, declassified documents and interviews from nearly five hundred people, award-winning historian Garrett Graff skilfully tells the story of the day that changed all of our lives - as it was lived. The Only Plane in the Sky is a unique, profound, and searing exploration of humanity on a day that changed the course of history, and all of our lives, 20 years ago.

Despite acute labour shortages during the Second World War, Canadian employers--with the complicity of state officials--discriminated against workers of African, Asian, and Eastern and Southern European origin, excluding them from both white collar and skilled jobs. Jobs and Justice argues that, while the war intensified hostility and suspicion toward minority workers, the urgent need for their contributions and the egalitarian rhetoric used to mobilize the war effort also created an opportunity for minority activists and their English Canadian allies to challenge discrimination.Juxtaposing a discussion of state policy with ideas of race and citizenship in Canadian civil society, Carmela K. Patrias shows how minority activists were able to bring national attention to racist employment discrimination and obtain official condemnation of such discrimination. Extensively researched and engagingly written, Jobs and Justice offers a new perspective on the Second World War, the racist dimensions of state policy, and the origins of human rights campaigns in Canada.

This book analyzes the spread of American female consumer culture to Italy and its influence on Italian women in the postwar and Cold War periods, eras marked by the political, economic, social, and cultural battle between the United States and Soviet Union. Focusing on various aspects of this culture-beauty and hygiene products, refrigerators, and department stores, as well as shopping and magazine models-the book examines the reasons for and the methods of American female consumer culture's arrival in Italy, the democratic, consumer capitalist messages its products sought to "sell" to Italian women, and how Italian women themselves reacted to this new cultural presence in their everyday lives. Did Italian women become the American Mrs. Consumer? As such, the book illustrates how the modern, consuming American woman became a significant figure not only in Italy's postwar recovery and transformation, but also in the international and domestic cultural and social contests for the hearts and minds of Italian women.

For the past ten years, Nancy MacKay's Curating Oral Histories (2006) has been the one-stop shop for librarians, curators, program administrators, and project managers who are involved in turning an oral history interview into a primary research document, available for use in a repository. In this new and greatly expanded edition, MacKay uses the life cycle model to map out an expanded concept of curation, beginning with planning an oral history project and ending with access and use. The book:-guides readers, step by step, on how to make the oral history "archive ready";-offers strategies for archiving, preserving, and presenting interviews in a digital environment;-includes comprehensive updates on technology, legal and ethical issues, oral history on the Internet, cataloging, copyright, and backlogs.

Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.

A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.

Many books have been written about Appalachia, but few have voiced its concerns with the warmth and directness of this one. From hundreds of interviews gathered by the Appalachian Oral History Project, editors Laurel Shackelford and Bill Weinberg have woven a rich verbal tapestry that portrays the people and the region in all their variety. The words on the page have the ring of truth, for these are the people of Appalachia speaking for themselves. Here they recollect an earlier time of isolation but of independence and neighborliness. For a nearer time they tell of the great changes that took place in Appalachia with the growth of coal mining and railroads and the disruption of old ways. Persisting through the years and sounding clearly in the interviews are the dignity of the Appalachian people and their close ties with the land, despite the exploitation and change they have endured. When first published, Our Appalachia was widely praised. This new edition again makes available an authentic source of social history for all those with an interest in the region.

Women make up the vast majority of Protestant Christians in China-a largely faceless majority, as their stories too often go untold in scholarly research as well as popular media. This book writes Protestant Chinese women into the history of twenty-first-century China. It features the oral histories of over a dozen women, highlighting themes of spiritual transformation, politicized culture, social mobility, urbanization, and family life. Each subject narrates not only her own story, but that of her mother, as well, revealing a deeply personal dimension to the dramatic social change that has occurred in a matter of decades. By uncovering the stories of Christian women in China, Li Ma offers a unique window onto the interactions between femininity and Christianity, and onto the socioeconomic upheavals that mark recent Chinese history.

Advocating nuclear war, attempting communication with dolphins and taking an interest in the paranormal and UFOs, there is perhaps no greater (or stranger) cautionary tale for the Left than that of Posadism. Named after the Argentine Trotskyist J. Posadas, the movement's journey through the fractious and sectarian world of mid-20th century revolutionary socialism was unique. Although at times significant, Posadas' movement was ultimately a failure. As it disintegrated, it increasingly grew to resemble a bizarre cult, detached from the working class it sought to liberate. The renewed interest in Posadism today - especially for its more outlandish fixations - speaks to both a cynicism towards the past and nostalgia for the earnest belief that a better world is possible. Drawing on considerable archival research, and numerous interviews with ex- and current Posadists, I Want to Believe tells the fascinating story of this most unusual socialist movement and considers why it continues to capture the imaginations of leftists today.

The early Middle Ages is not a period traditionally associated with free speech. It is still widely held that free speech declined towards the end of Antiquity, disappearing completely at the beginning of the Middle Ages, and only re-emerging in the Renaissance, when people finally learned to think and speak for themselves again. Challenging this tenacious image, Irene van Renswoude reveals that there was room for political criticism and dissent in this period, as long as critics employed the right rhetoric and adhered to scripted roles. This study of the rhetoric of free speech from c.200 to c.900 AD explores the cultural rules and rhetorical performances that shaped practices of delivering criticism from Antiquity to the Middle Ages, examining the rhetorical strategies of letters and narratives in the late antique and early medieval men, and a few women, who ventured to speak the truth to the powerful.