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Books > Humanities > History > History of specific subjects > Oral history
After a decade away from her ancestral family village, during which she became a writer and literary scholar in Beijing, Liang Hong started visiting her rural hometown in landlocked Hebei province. What she found was an extended family torn apart by the seismic changes in Chinese society, and a village hollowed-out by emigration, neglect, and environmental despoliation. Combining family memoir, literary observation, and social commentary, Liang's by turns moving and shocking account became a bestselling book in China and brought her fame. Across China, many saw in Liang's remarkable and vivid interviews with family members and childhood acquaintances a mirror of their own families, and her observations about the way the greatest rural-to-urban migration of modern times has twisted the country resonated deeply. China in One Village tells the story of contemporary China through one clear-eyed observer, one family, and one village.
" Pearl Harbor, December 7, 1941: High on the bridge of the USS West Virginia Sfc. Lee Ebner was looking forward to the end of his watch and a relaxed Sunday morning breakfast. But the two low-flying planes painted with rising sun insignia and bearing down on the ship had other plans for him and his fellow seamen. Ten hours later, at Clark Field in the Philippines, Pfc. Jack Reed felt the brunt of another Japanese air attack and within weeks found himself a part of the gruesome Bataan Death March that was to claim the lives of hundred of his comrades. On another continent, four years into the war, Capt. Benjamin Butler led his exhausted company up a steep, fog-shrouded Italian mountain toward a well entrenched German defensive position. The odds against their survival were appalling, though worse was to come in the months ahead. Such were the experiences of many young men-plucked from their local communities all across America, trained for war, and hurled into the strange reality of combat thousands of miles form home. In this stunning collection of World War II oral histories, Arthur Kelly recreates the experiences of twelve young men from Kentucky who survived the seemingly unsurvivable, whether in combat or as prisoners of war.
Singing the Law is about the legal lives and afterlives of oral cultures in East Africa, particularly as they appear within the pages of written literatures during the colonial and postcolonial periods. In examining these cultures, this book begins with an analysis of the cultural narratives of time and modernity that formed the foundations of British colonial law. Recognizing the contradictory nature of these narratives (i.e., both promoting and retreating from the Euro-centric ideal of temporal progress) enables us to make sense of the many representations of and experiments with non-linear, open-ended, and otherwise experimental temporalities that we find in works of East African literature that take colonial law as a subject or point of critique. Many of these works, furthermore, consciously appropriate orature as an expressive form with legal authority. This affords them the capacity to challenge the narrative foundations of colonial law and its postcolonial residues and offer alternative models of temporality and modernity that give rise, in turn, to alternative forms of legality. East Africa's "oral jurisprudence" ultimately has implications not only for our understanding of law and literature in colonial and postcolonial contexts, but more broadly for our understanding of how the global south has shaped modern law as we know and experience it today.
The growth of Las Vegas that began in the 1940s brought an influx
of both women and men looking to work in the expanding hotel and
casino industries. In fact, for the next fifty years the proportion
of women in the labor force was greater in Las Vegas than the
United States as a whole. Joanne L. Goodwin's study captures the
shifting boundaries of women's employment in the postwar decades
with narratives drawn from the Las Vegas Women Oral History
Project. It counters cliched pictures of women at work in the famed
resort city as it explores women's real strategies for economic
survival and success.
In the 1980s, as China transitioned to the post-Mao era, a state-sponsored oral history project led to the publication of local, regional, and national histories. They took the form of written and transcribed personal testimonies of events that preceded the turmoil of both the Cultural Revolution and, in many cases, the Communist victory in 1949. Known as wenshi ziliao, these publications represent an intense process of historical memory production that has received little scholarly attention. Hitherto unexamined archival materials and oral histories reveal unresolved tensions in post-Cultural Revolution reconciliation and mobilization, informing negotiations between local elites and the state, and between Party and non-Party organizations. Taking the northeast Russia-Manchuria borderlands as a case study, Martin T. Fromm examines the creation of post-Mao identities, political mobilization, and knowledge production in China.
This book sheds new light on the life and times of Theodore Roosevelt, drawing on a remarkable set of oral histories gathered in the 1950s from those who knew him. Remembering Theodore Roosevelt presents fourteen intimate interviews with Roosevelt's friends, family, and contemporaries. Never before published, the transcripts reveal colorful details about the infamous Rough Riders, the political scene in New York City, the lives of his extended family, including the Hyde Park Roosevelts Franklin and Eleanor, and how the former president inspired successive generations. The book benefits from the author's discerning annotations and commentary that provide the reader with lesser-known facts and a full appreciation of the oral history project.
Drawing on rich oral histories from over two hundred in-depth interviews in West Africa, Europe, and North America, Robtel Neajai Pailey examines socio-economic change in Liberia, Africa's first black republic, through the prism of citizenship. Marking how historical policy changes on citizenship and contemporary public discourse on dual citizenship have impacted development policy and practice, she reveals that as Liberia transformed from a country of immigration to one of emigration, so too did the nature of citizenship, thus influencing claims for and against dual citizenship. In this engaging contribution to scholarly and policy debates about citizenship as a continuum of inclusion and exclusion, and development as a process of both amelioration and degeneration, Pailey develops a new model for conceptualising citizenship within the context of crisis-affected states. In doing so, she offers a postcolonial critique of the neoliberal framing of diasporas and donors as the panacea to post-war reconstruction.
Based on interviews with former police officers, this book addresses two main issues. Firstly, the question of how the police themselves viewed the priorities of the job and what they considered their role to be. This is the first study to consider this question and its implications for the style and content of police work. Secondly, it challenges the view of the prewar period as a "Golden Age", and shows that policing from the 1930s to the 1960s was not as unproblematic as has often been assumed. Police violence and the fabrication of evidence were more prevalent than the cosy image of the British TV series Dixon of Dock Green would have us believe. The fact that this image often went unchallenged has much to do with prevailing concepts of masculinity and with the greater moral certitude of the police within a more stable and stratified society.
An epic journey through sea shanties, high tides and seven seas From the international bestselling singer comes The Book of Sea Shanties. The world sang in harmony with Nathan Evans, the Glaswegian postie turned singer of sea shanties. Join him as he takes you through time and seafaring history to discover the true meaning of Wellerman, and who and what exactly was the Drunken Sailor? Featuring over 35 best loved shanties, Nathan will share the meaning behind each of his favourite shanties and show how they have shaped and inspired him. Beautifully illustrated throughout, it will also include original shanties and bonus content written exclusively for this book. Whether you're young or old, gather around and discover the riotous world of sea shanties. Praise for Nathan Evans: A 'Sea Shanty sensation' Rolling Stone 'An artist who really lifts the mood when he performs' Daily Telegraph 'Too good to miss' Brian May, Daily Express
Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.
In neighborhoods, schools, community centers, and workplaces,
people are using oral history to capture and collect the kinds of
stories that the history books and the media tend to overlook:
stories of personal struggle and hope, of war and peace, of family
and friends, of beliefs, traditions, and values--the stories of our
lives. "Catching Stories: A Practical Guide to Oral History" is a
clear and comprehensive introduction for those with little or no
experience in planning or implementing oral history projects.
Opening with the key question, "Why do oral history?" the guide
outlines the stages of a project from idea to final product--the
interviewing process, basic technical principles, and audio and
video recording techniques. The guide covers interview
transcription, legal issues, archiving, funding sources, and
sharing oral history with audiences. Intended for teachers,
students, librarians, local historians, and volunteers as well as
individuals, "Catching Stories "is the place to start for
A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.
A major new look at how Africa's geological history, climate, geography and biology resulted in the wonderful diversity of life found there. It is also the story of how it was the crucible for the evolution most extraordinary species on Earth - Homo sapiens. Africa has properties that ensure that most of human evolution could have occurred nowhere else. A greater diversity of mammal, bird and many other forms of life has forced more and more species to squeeze into narrower and narrower niches. Human complexity has evolved directly in response to this, the most complex of continents. On offer here is an intensely personal portrait of a continent bolstered by Jonathan Kingdon's own animal senses, the same excited set of senses he was born in Africa with. Senses that look, listen, scent and grasp at the mother-continent. Not just his personal motherland but the birthplace of all humanity.
The early Middle Ages is not a period traditionally associated with free speech. It is still widely held that free speech declined towards the end of Antiquity, disappearing completely at the beginning of the Middle Ages, and only re-emerging in the Renaissance, when people finally learned to think and speak for themselves again. Challenging this tenacious image, Irene van Renswoude reveals that there was room for political criticism and dissent in this period, as long as critics employed the right rhetoric and adhered to scripted roles. This study of the rhetoric of free speech from c.200 to c.900 AD explores the cultural rules and rhetorical performances that shaped practices of delivering criticism from Antiquity to the Middle Ages, examining the rhetorical strategies of letters and narratives in the late antique and early medieval men, and a few women, who ventured to speak the truth to the powerful.
***Winner of an English PEN Award 2021*** During the 1948 war more than 750,000 Palestinian Arabs fled or were violently expelled from their homes by Zionist militias. The legacy of the Nakba - which translates to 'disaster' or 'catastrophe' - lays bare the violence of the ongoing Palestinian plight. Voices of the Nakba collects the stories of first-generation Palestinian refugees in Lebanon, documenting a watershed moment in the history of the modern Middle East through the voices of the people who lived through it. The interviews, with commentary from leading scholars of Palestine and the Middle East, offer a vivid journey into the history, politics and culture of Palestine, defining Palestinian popular memory on its own terms in all its plurality and complexity.
Russian-speaking Jews from the former Soviet Union are a peculiarity in the Jewish world. After decades living in a repressive, nominally atheistic state, these Jews did manage to retain a strong sense of Jewish identity-but one that was almost completely divorced from Judaism. Today, more than ten percent of Jews speak or understand Russian, signaling the importance of an ever-vexing question: why are Russian Jews the way they are? In pursuit of an answer, Anna Shternshis's groundbreaking When Sonia Met Boris: An Oral History of Jewish Life under Stalin draws on nearly 500 oral history interviews on the Soviet Jewish experience with Soviet citizens who were adults by the 1940s. Soviet Jews lived through tumultuous times: the Great Terror, World War II, the anti-Semitic policies of the postwar period, and the collapse of the Soviet Union. But, like millions of other Soviet citizens, they married, raised children, and built careers, pursuing life as best they could in a profoundly hostile environment. One of the first scholars to record and analyze oral testimonies of Soviet Jews, Shternshis unearths heartbreaking, deeply poignant, and often funny stories of the everyday choices Jews were forced to navigate as a repressed minority living in a totalitarian regime. Shternshis reveals how ethnicity rapidly transformed into a disability, as well as a negative characteristic, for Soviet Jews in the postwar period, and shows how it was something they needed desperately to overcome in order to succeed. That sense of self has persisted well into the twenty-first century, and has impacted the Jewish identities of the children and grandchildren of Shternshis's subjects, the foundational generation of contemporary Russian Jewish culture. An illuminating work of social and cultural history, When Sonia Met Boris traces the fascinating contours of contemporary Russian Jewish identity back to their very roots.
Prohibition. Al Capone. The President Harding scandals. The revolution of manners and morals, Black Teusday. These are only an inkling of the events and figures characterizing the wild, tumultuous era that was the Roaring Twentys. Origionaly published in 1931, Only Yesterday traces the rise if post-World War I prospecritly up tothe Wall Street crash of 1929 aganst the colorful backdropof flappers, speakeasies, the first radio, and the scandalous rise of skirt hemlines. Hailed as an instant classic, this is Frederick Lewis Allen's vivid and definitive account of one of the twentieth century's most fascinating decades, chronicling a time of both joy and terror--when dizzing highs were quickly succeeded by heartbreaking lows.
Drawing on rich oral histories from over two hundred in-depth interviews in West Africa, Europe, and North America, Robtel Neajai Pailey examines socio-economic change in Liberia, Africa's first black republic, through the prism of citizenship. Marking how historical policy changes on citizenship and contemporary public discourse on dual citizenship have impacted development policy and practice, she reveals that as Liberia transformed from a country of immigration to one of emigration, so too did the nature of citizenship, thus influencing claims for and against dual citizenship. In this engaging contribution to scholarly and policy debates about citizenship as a continuum of inclusion and exclusion, and development as a process of both amelioration and degeneration, Pailey develops a new model for conceptualising citizenship within the context of crisis-affected states. In doing so, she offers a postcolonial critique of the neoliberal framing of diasporas and donors as the panacea to post-war reconstruction.
For Kennedy devotees, as well as readers unfamiliar with the "lion of the Senate", this book presents the compelling story of Edward Kennedy's unexpected rise to become one of the most consequential legislators in American history and a passionate defender of progressive values, achieving legislative compromises across the partisan divide. What distinguishes Edward Kennedy: An Oral History is the nuanced detail that emerges from the senator's never-before published, complete descriptions of his life and work, placed alongside the observations of his friends, family, and associates. The senator's twenty released interviews reveal, in his own voice, the stories of Kennedy triumph and tragedy-from the Oval Office to the waters of Chappaquiddick. Spanning the presidencies of JFK to Barack Obama, Edward Kennedy was an iconic player in American political life, the youngest sibling of America's most powerful dynasty; he candidly addresses this role: his legislative accomplishments and failures, his unsuccessful run for the White House, his impact on the Supreme Court, his observations on Washington gridlock, and his personal faults. The interviews and introductions to them create an unsurpassed and illuminating volume. Gathered as part of the massive Edward Kennedy Oral History Project, conducted by the University of Virginia's Miller Center, the senator's interviews allow readers to see how oral history can evolve over a three-year period, drawing out additional details as the interviewee becomes increasingly comfortable with the process and the interviewer. Yet, given the Kennedys' well-known penchant for image creation, what the senator doesn't say or how he says what he chooses to include, is often more revealing than a simple declarative statement.
This ten-volume work contains interviews with 66 women of African descent who made significant contributions to American society in the early and mid-20th century. They were asked questions about family background, childhood, education and influences affecting their choice of career or activity.
Lady Bird Johnson, an early champion of the environment and Project Head Start, has been widely acknowledged as one of America's greatest First Ladies. In a 1982 poll, historians ranked her the third most influential, behind Abigail Adams and Eleanor Roosevelt. This oral history encompass three important stories. The first is that of a young woman's transformation from a shy, rural East Texan into one of America's most admired First Ladies. The second reveals the remarkable emergence of Lyndon Johnson, one of the twentieth century's most powerful political and legislative leaders, as told by his most trusted confidante. Finally, this volume presents a keen observer's day-by-day view of a turbulent world, as "the greatest generation" confronted momentous challenges at home and abroad. Lady Bird Johnson's oral history provides an intimate, first-person narrative of her own development and activities as well as the life she shared with LBJ. It includes her vivid descriptions of the moments and events that shaped their destiny and influenced their attitudes on such issues as civil rights, education, health care, and national defense. Her rich verbal portraits brings to life scores of prominent political personalities, including Sam Rayburn, Eleanor Roosevelt, Harry Truman, and John F. Kennedy. The core narrative consists of thirty-seven oral history interviews that Michael L. Gillette conducted with her during the late 1970s and 1980s; the transcripts were opened only in May 2011 and have never previously been available for research. The lengthy seal under which they have been held is a measure of Lady Bird's expansiveness and candor. In recording the interviews, Mrs. Johnson marshaled the same elegant prose and attention to detail that characterized her memoir, A White House Diary. Selected excerpts from interviews with some of those who knew Lady Bird Johnson best, as well as transcripts of White House tapes, appear in sidebars to amplify and supplement her own narrative. Oxford will publish the book to coincide with the centennial of Lady Bird Johnson's birth in December 2012.
Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tones of voice especially-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. However, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.
'An extraordinary book . . . vivid and heart-breaking' The Jewish Chronicle Through the discovery of a precious friendship album which belonged to 12-year-old Alie, a Jewish schoolgirl in Amsterdam, Claudia Carli has traced and preserved the lives of an entire class of girls, most of whom did not survive the War. Alie and her friends are brought touchingly and vividly to life, along with their writings, in this extraordinary book. Their everyday hopes, pleasures and longings are offset by the constant fear of a knock on the door, a missing friend from class, a family member taken away. Alie and her mother were to die in Sobibor in 1943. Alie's sister Gretha survived Auschwitz and kept her promise to her sister to preserve the friendship album so long as she hoped to live. This book will sit alongside Anne Frank's diary and The Cutout Girl as a unique window into occupied Amsterdam and the girls who will now never be forgotten.
Decree-making is a defining aspect of ancient Greek political activity: it was the means by which city-state communities went about deciding to get things done. This two-volume work provides a new view of the decree as an institution within the framework of fourth-century Athenian democratic political activity. Volume 1 consists of a comprehensive account of the literary evidence for decrees of the fourth-century Athenian assembly. Volume 2 analyses how decrees and decree-making, by offering both an authoritative source for the narrative of the history of the Athenian demos and a legitimate route for political self-promotion, came to play an important role in shaping Athenian democratic politics. Peter Liddel assesses ideas about, and the reality of, the dissemination of knowledge of decrees among both Athenians and non-Athenians and explains how they became significant to the wider image and legacy of the Athenians. |
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