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Books > Humanities > History > History of specific subjects > Oral history
This oral history of London's East End spans the period after World War I to the upsurge of prosperity at the beginning of the 1960s--a time period which saw fresh waves of immigrants in the area, the Fascist marches of the 1930s, and its spirited recovery after virtual obliteration during the Blitz. Piers Dudgeon has listened to dozens of people who remember this fiercely proud quarter to record their real-life experiences of what it was like before it was fashionable to buy a home in the Docklands. They talk of childhood and education, of work and entertainment, of family, community values, health, politics, religion, and music. Their stories will make you laugh and cry. It is people's own memories that make history real and this engrossing book captures them vividly.
This essay collection explores the "photographic turn" in oral history. Contributors ask how oral historians can best use photographs in their interviewing practice and how they can best understand photographs in their interpretation of oral histories. The authors present a dozen case studies from Australia, Brazil, Canada, Germany, the United Kingdom, and the United States. In exploring the intersection of oral history and photography, they complicate and move beyond the use of photographs as social documents and memory triggers and demonstrate how photographs frame oral narratives and how stories unsettle the seeming fixity of photographs' meanings.
In 1946, after a series of stormy strikes and a mass occupation at Ford Motor Company's plant in Dagenham, Essex, thousands of workers came together in a new branch of the Transport and General Workers Union. Later, in the early 1980s, a band of dedicated workplace activists brought branch 1/1107 to explosive life with support for a number working-class causes, from equal opportunities to the stunningly effective boycott of parts for South Africa. "Notoriously Militant," which takes as its title a tabloid journalist's verdict on the branch, covers the history of Ford's Dagenham plant--and its roots in Henry Ford's early U.S. activities--from 20th-century shop-floor struggles to the 21st-century fight against plant closure. Based on original research and oral history, this study offers a primer for activists and analysts on the confrontation between worker militancy and the rigors of "Fordism." This book is a lively look at working-class history as made daily by so-called "ordinary" workers, the links between basic workplace struggles and revolutionary conflict, the pressures towards "cooperation" between union and management, and the interweaving of gender and ethnicity issues with the class-based structures of a major industrial workplace.
This book demonstrates how oral history can provide a valuable way of understanding locality, which is important in light of major issues facing the world today, including global environmental concerns.
This book uses oral history methodology to record stories of people who experienced the brunt of racist forced removals in the city of Cape Town, South Africa. Through life stories and community case studies, it traces the human impact of this disruptive, often violent feature of apartheid's social engineering.
This book brings together fascinating testimonies from thirty inhabitants of the 'Kommunalka,' the communal apartments that were the norm in housing in the cities of Russia during the whole history of the Soviet Union.
From the fall of the Bastille in 1789 to the coming of Napoleon ten years later, the commemoration of the dead was a recurring theme during the French Revolution. Based on extensive research across a wide range of sources, this 2007 book was the first comprehensive study of the cultural politics of commemoration in Revolutionary France. It examines what remembrance meant to the people who staged and attended ceremonies, raised monuments, listened to speeches and purchased souvenirs in memory of the Revolution's dead. It explores the political purposes these commemorations served and the conflicts they gave rise to while also examining the cultural traditions they drew upon. Above all, it asks what private ends did the Revolution's rites of memory serve? What consolation did commemoration bring to those the dead left behind, and what conflicts did this relationship between the public and the private dimensions of remembrance give rise to?
Few cultural activities speak more powerfully to international histories of the modern world than football. In the late nineteenth century, this cheap and simple sport emerged as a major legacy of Britain's formal and informal empires and spread quickly across Europe, South America, and Africa. Today, football (known to many as soccer) is arguably the world's most popular pastime, an activity played and watched by millions of people around the globe. Contested Fields introduces readers to key aspects of the global game, synthesizing research on football's transnational role in reflecting and shaping political, socio-economic, and cultural developments over the past 150 years. Each chapter uses case studies and cutting-edge scholarship to analyze an important element of football's international story: migration, money, competition, gender, race, space, spectatorship, and confrontation.
In Myth, Ritual and the Oral Jack Goody, one of the world's most distinguished anthropologists, returns to the related themes of myth, orality and literacy, subjects that have long been a touchstone in anthropological thinking. Combining classic papers with recent unpublished work, this volume brings together some of the most important essays written on these themes in the past half century, representative of a lifetime of critical engagement and research. In characteristically clear and accessible style, Jack Goody addresses fundamental conceptual schemes underpinning modern anthropology, providing potent critiques of current theoretical trends. Drawing upon his highly influential work on the LoDagaa myth of the Bagre, Goody challenges structuralist and functionalist interpretations of oral 'literature', stressing the issues of variation, imagination and creativity, and the problems of methodology and analysis. These insightful, and at times provocative, essays will stimulate fresh debate and prove invaluable to students and teachers of social anthropology.
This is a work of 11 self-contained chapters, one for each day of September before the attack on the World Trade Center in New York, each containing one woman's story. The chapters reflect the broadest spectrum of women in order to reflect, by their differences, the worlds they inhabited and how the attack on 11 September affected their lives. Despite national and international policies aimed at securing equality for women, the sad fact is that throughout the world women have achieved at best an uneven and insecure equality, and in the case of Afghanistan no equality at all. With a new political and social order promised in Afghanistan, dare we hope that the situation will improve? Christopher Hilton has interviewed 11 very different women, some from the West, some from Afghanistan, to find out what the lives of women involved in the dramatic events of 11 September 2001 were like and how the attack changed their lives. In the stories that emerge we hear the voices of women whose ordinary loves were suddenly changed and who became actors in some of the most far-reaching events of the modern world.
An oral-history-based biography of a seminal Asian-American activist. The book traces Embrey's life from her youth in the Little Tokyo section of Los Angeles, to her harrowing experiences in the Japanese internment camps, to her many decades of passionate advocacy on behalf of her fellow internees.
This book is based on the oral life histories of about 70 men and women workers, born between the end of the last century and 1920, which are combined with sources such as police reports, documentary films and judicial documents. The interviewees recount their visions of life, of history, and of themselves; they call to memory the fascist period, and the ambivalent relationship between the Duce and the masses. A picture of resistance emerges, through such minor episodes as jokes and graffiti, wearing a red tie or whistling an old socialist tune, and through major issues such as abortions carried out in direct opposition to state propaganda. Acquiescence is also recalled, however, in the enrolment of children in fascist youth organisations or in the use of new state-controlled social services. The final chapter reconstructs an event that acquired great symbolic meaning: the eloquent and unexpected silence of the Fiat workers before Mussolini in 1939 at the inauguration of the Miraflori factory.
This great Central Asian epic, passed down through generations and now brought to life in a new translation, carries the reader into a world of nomads, warriors and horselords 'I am a steel-fanged lion, a dragon ready to pounce, a mighty poplar with golden branches rising up to the sky' The bard Saghimbay Orozbaq uulu composed his oral telling of the great Central Asian Manas epic in the early twentieth century, although it draws on far older sources. This vivid episode from his narrative tells the bravura story of an uncertain new khan, Boqmurun, who holds a great feast to commemorate his predecessor, Koekoetoey. From east and west, warriors and their turbulent retinues come to compete in horse races, jousting and wrestling, and soon insults are hurled and scores settled violently. Yet none can beat the supreme hero, the mighty, truculent Manas. By turns earthy, stirring, bombastic and funny, Saghimbay's work stands as a monument to the oral culture of a nomadic people. Daniel Prior's landmark translation includes a 'How to Read the Epic' section, commentary, maps and illustrations. Composed in oral performance by Saghimbay Orozbaq uulu Translated by Daniel Prior
Celebrating Israel--past, present, and future "A singular achievement that captures Israel's past, present,
and future with compelling words and vivid photographs....More than
a handsome volume, the Strobers have made an extraordinary
contribution to understanding today's Middle East." "Deborah and Gerald Strober have done it once again. Israel at
Sixty is a fine oral history about a brilliant and noble moment in
Jewish history--and human history." Based on the authors' extensive interviews with Israelis and others throughout the world who have participated in the many events encompassing the Jewish state's sixty years of nationhood and who represent a broad spectrum of views, Israel at Sixty offers a balanced, comprehensive understanding of this constantly changing nation. Through the medium of oral history, combined with extensive background and factual data, this exquisite commemorative volume re-creates the most important moments of Israel's past through the eyes of those who lived it, and looks forward to new challenges that await this vibrant and dynamic nation in the future.
"An Unauthorized Biography of the World" explores the practice of
engaged oral history: the difficult, sometimes dangerous work of
recovering fragments of human story that have gone missing from the
official versions.
Crowley interviews long-time residents of the Central Area, a historically redlined neighborhood that was one of the few places nonwhites could buy homes. Residents tell stories of working with the Black Panthers, becoming activists in the 1960s, and of building a thriving culture around church, music, and food. The neighborhood is going through rapid gentrification today, and many of these residents have been or will be displaced.
As a child, Stacey Zembrzycki listened to her baba's stories about Sudbury's small but polarized Ukrainian community and about what it was like growing up ethnic during the Depression. According to Baba discloses with honesty and respect what happened when Stacey tried to capture the community's experiences through oral history research. Baba looms large in the narrative, wrestling authority in the interview process away from her granddaughter and then eventually coming to share it. Together, the two women lay the groundwork not only for an insightful and deeply personal social history of Sudbury's Ukrainian community but also for truly collaborative oral history research and writing.
A Forest of Time is the first introduction for undergraduates and graduates, Western and Indian history buffs, and general readers to the notion that American Indian societies had vital interests in interpreting and transmitting their own ways for themselves. Through separate discussions of legends and oral histories, creation stories and folktales, it illustrates how various Indian peoples related and commented upon their changing times. Drawing upon his own varied research as well as sampling the latest in scholarship from ethnohistory, anthropology, folklore and Indian Studies, Dr. Nabokov offers dramatic examples of how native peoples put rituals and material culture, landscape, prophecies, and even the English language to the urgent task of keeping the past alive and relevant. Throughout these lively chapters, we also witness the American Indian historical imagination deployed as a coping skill and survival strategy. This book surveys the latest integrating ideas while offering a useful bibliography that opens up, and demands that we engage with, alternative chronicles for America's multi-cultural past. Peter Navokov is Professor in the Department of World Arts and Cultures and American Indian Studies Program at UCLA. He is the author of several books, including Native American Architecture, (Oxford, 1991, co-author Robert Easton) which won the American Institue of Architects honor award and the Bay Area Book Reviewer Association Award. His book Native American Testimony (Thomas Y. Crowell, 1978) was named the American Library Association's Best Book for Young Adults and Library School Journal Best Book 1978 in addition to receiving the Carter G. Woodson Award. His work as a journalist in 1967 earned him prizes from the Albuquerque Press Association and the New Mexico Press Association.
Oral histories of Mexican farm workers in the Philadelphia region.
A journalist pulls a random day in history from a hat to see if he can make a worthwhile news story from what happened. The result is One Day, a deeply illuminating and affecting exploration of the quiet dramas and human interaction that make a seemingly insignificant day - December 28th, 1986 - into an important, poignant part of American history. On New Year’s Day 2013, two-time Pulitzer Prize winner Gene Weingarten asked three strangers to, literally, pluck a day, month, and year from a hat. That day—chosen completely at random—turned out to be Sunday, December 28, 1986, by any conventional measure a most ordinary day. Weingarten spent the next six years proving that there is no such thing. That Sunday between Christmas and New Year’s turned out to be filled with comedy, tragedy, implausible irony, cosmic comeuppances, kindness, cruelty, heroism, cowardice, genius, idiocy, prejudice, selflessness, coincidence, and startling moments of human connection, along with evocative foreshadowing of momentous events yet to come. Lives were lost. Lives were saved. Lives were altered in overwhelming ways. Many of these events never made it into the news; they were private dramas in the lives of private people. They were utterly compelling. One Day asks and answers the question of whether there is even such a thing as “ordinary” when we are talking about how we all lurch and stumble our way through the daily, daunting challenge of being human.
The Life of Ten Bears is a remarkable collection of nineteenth-century Comanche oral histories given by Francis Joseph "Joe A" Attocknie. Although various elements of Ten Bears's life (ca. 1790-1872) are widely known, including several versions of how the toddler Ten Bears survived the massacre of his family, other parts have not been as widely publicized, remaining instead in the collective memory of his descendants. Other narratives in this collection reference lesser-known family members. These narratives are about the historical episodes that Attocknie's family thought were worth remembering and add a unique perspective on Comanche society and tradition as experienced through several generations of his family. Kavanagh's introduction adds context to the personal narratives by discussing the process of transmission. These narratives serve multiple purposes for Comanche families and communities. Some autobiographical accounts, "recounting" brave deeds and war honors, function as validation of status claims, while others illustrate the giving of names; still others recall humorous situations, song-ridicules, slapstick, and tragedies. Such family oral histories quickly transcend specific people and events by restoring key voices to the larger historical narrative of the American West.
"The Dust of Life" is a collection of vivid and devastating oral histories of Vietnamese Amerasians. Abandoned during the war by their American fathers, discriminated against by the victorious Communists, and ignored for many years by the American government, they endured life in impoverished Vietnam. Their stories are sad, sometimes tragic, but they are also testimonials to the strength of human resiliency. Robert S. McKelvey is a former marine who served in Vietnam in the late 1960s. Now a child psychiatrist, he returned to Vietnam in 1990 to begin the long series of interviews that resulted in this book. While allowing his subjects to speak for themselves, McKelvey has organized their narratives around themes common to their lives: early maternal loss, the experience of prejudice and discrimination, coping with adversity, dealing with shattered hopes for the future, and, for some, adapting to the alien environment of the United States. While unique in many respects, the Vietnamese Amerasian story also illustrates themes that are tragically universal: neglect of the human by-products of war, the destructiveness of prejudice and racism, the pain of abandonment, and the horrors of life amidst extreme poverty, hostility, and neglect.
Exploring the developments that have occurred in the practice of oral history since digital audio and video became viable, this book explores various groundbreaking projects in the history of digital oral history, distilling the insights of pioneers in the field and applying them to the constantly changing electronic landscape of today. |
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