How are spiritual power and self-transformation cultivated in street ministries? In Addicted to Christ, Helena Hansen provides an in-depth analysis of Pentecostal ministries in Puerto Rico that were founded and run by self-identified "ex-addicts," ministries that are also widespread in poor Black and Latino neighborhoods in the U.S. mainland. Richly ethnographic, the book harmoniously melds Hansen's dual expertise in cultural anthropology and psychiatry. Through the stories of ministry converts, she examines key elements of Pentecostalism: mysticism, ascetic practice, and the idea of other-worldliness. She then reconstructs the ministries' strategies of spiritual victory over addiction: transformation techniques to build spiritual strength and authority through pain and discipline; cultivation of alternative masculinities based on male converts' reclamation of domestic space; and radical rupture from a post-industrial "culture of disposability." By contrasting the ministries' logic of addiction with that of biomedicine, Hansen rethinks roads to recovery, discovering unexpected convergences with biomedicine while revealing the allure of street corner ministries.

I make no apology for the Bible I make no apology for the way people shout and praise God in these meetings. I make no apology for the loud noise of hundreds of people clapping their hands in praise People shout, sing, and dance in the Spirit in these meetings. I will not apologize for the way children of God who attend our meetings talk in tongues and prophesy I have no apology for God's Word I cannot apologize for what God declared we ought to be receiving and enjoying today Asa A. Allen was a controversial evangelist with a Pentecostal healing and deliverance ministry. He was associated with the "Voice of Healing" movement founded by Gordon Lindsay. Allen became one of the first to develop a national television ministry. His television programs frequently included excerpts from his "healing line" ministry.

In 1878, Elder Joseph Standing traveled into the Appalachian mountains of North Georgia, seeking converts for the Church of Jesus Christ of Latter-day Saints. Sixteen months later, he was dead, murdered by a group of twelve men. The church refused to bury the missionary in Georgia soil; instead, he was laid to rest in Salt Lake City beneath a monument that declared, "There is no law in Georgia for the Mormons." Most accounts of this event have linked Standing's murder to the virulent nineteenth-century anti-Mormonism that also took the life of prophet Joseph Smith and to an enduring southern tradition of extralegal violence. In these writings, the stories of the men who took Standing's life are largely ignored, and they are treated as significant only as vigilantes who escaped justice. Historian Mary Ella Engel adopts a different approach, arguing that the mob violence against Standing was a local event, best understood at the local level. Her examination of Standing's murder carefully situates it in the disquiet created by missionaries' successes in the North Georgia community. As Georgia converts typically abandoned the state for Mormon colonies in the West, a disquiet situated within a wider narrative of post-Reconstruction Mormon outmigration to colonies in the West. In this rich context, the murder reveals the complex social relationships that linked North Georgians-families, kin, neighbors, and coreligionists-and illuminates how mob violence attempted to resolve the psychological dissonance and gender anxieties created by Mormon missionaries. In laying bare the bonds linking Georgia converts to the mob, Engel reveals Standing's murder as more than simply mountain lawlessness or religious persecution. Rather, the murder responds to the challenges posed by the separation of converts from their loved ones, especially the separation of women and their dependents from heads of households.

The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

Called "a pioneer contribution" by Church History when it was first published in 1971 as The Holiness-Pentecostal Movement in the United States, this volume has now been revised and enlarged by Vinson Synan to account for the incredible changes that have occurred in the church world during the last quarter of the twentieth century.

Synan brings together the stories of the many movements usually listed as "holiness," "pentecostal," or "charismatic," and shows that there is an identifiable "second blessing" tradition in Christianity that began with the Catholic and Anglican mystics, that was crystallized in the teaching of John Wesley, and that was further perpetuated through the holiness and Keswick movements of the nineteenth and twentieth centuries to the appearance of modern Pentecostalism. Synan then chronicles the story of the spread of Pentecostalism around the world after the heady days of the Azusa Street awakening, with special attention given to the beginnings of the movement in those nations where Pentecostalism has become a major religious force. He also examines the rise of various mainline-church charismatic movements that have their roots in Pentecostalism.

Because of the explosive growth of the Pentecostal movement in the last half of the century, Pentecostals and Charismatics now constitute the second largest family of Christians in the world after the Roman Catholic Church. "This could well be the major story of Christianity in the twentieth century," writes Synan. "Pentecostalism has grown beyond a mere passing 'movement' . . . and can now be seen as a major Christian 'tradition' alongside the Roman Catholic, Orthodox, and Reformation Protestant traditions."

The Holiness-Pentecostal Tradition will continue to be an important handbook for shaping our understanding of this phenomenon.

This panoramic vision was given to the author over a period of one year. It includes an unfolding of the last battle between light and darkness. A condensed version was printed in "The Morning Star Journal" as "The Hordes of Hell Are Marching--" it quickly became the most popular work we have ever printed, and has been circulated around the world. This is the complete vision, including Parts IV & V, which have not been previously published.

What is the true nature and mission of the church? Is its proper Christian purpose to save souls, or to transform the social order? This question is especially fraught when the church is one built by an enslaved people and formed, from its beginning, at the center of an oppressed community's fight for personhood and freedom. Such is the central tension in the identity and mission of the black church in the United States. For decades the black church and black theology have held each other at arm's length. Black theology has emphasized the role of Christian faith in addressing racism and other forms of oppression, arguing that Jesus urged his disciples to seek the freedom of all peoples. Meanwhile, the black church, even when focused on social concerns, has often emphasized personal piety rather than social protest. With the rising influence of white evangelicalism, biblical fundamentalism, and the prosperity gospel, the divide has become even more pronounced. In Piety or Protest, Raphael G. Warnock, Senior Pastor of the historic Ebenezer Baptist Church, the spiritual home of the Rev. Dr. Martin Luther King, Jr., traces the historical significance of the rise and development of black theology as an important conversation partner for the black church. Calling for honest dialogue between black and womanist theologians and black pastors, this fresh theological treatment demands a new look at the church's essential mission. The Reverend Dr. Raphael G. Warnock serves as Senior Pastor of the Ebenezer Baptist Church (Atlanta, Georgia). In the Religion, Race, and Ethnicity series