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Arts & Crafts > Fine Art Supplies > Pastels
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Despite manufacturing over half a million individual sticks a year the pastels are still completely hand made and retain all the qualities of the originals. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.
Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Bistre.
Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Burnt Umber.
Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Burnt Black : Medium.
Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Light Raw Sanguine : Medium.
Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing. |
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