This book provides perspectives on relationships between Asian popular culture and a number of major socio-political issues and movements, including war responsibility, democratization, globalization, urbanization, modernization, and gender reconstruction. It consists of studies of film, music, television, anime, architecture, and computer-mediated communication in China, Japan, South Korea, Taiwan, the Philippines, Malaysia, and Singapore. Themes include the relationships between popular culture and nationalism, Western social forces and cultural forms, regionalism, political change, modernity, traditionalism, and gender identity. The three sections of the book--memory, city, celebrity--are interlinked in their shared concern with the socio-political functions of popular culture.

This book launches a proposal: to fill some empirical and theoretical gaps that presently exists in populism studies by looking at the potential nexus between populist phenomena and popular culture. It provides a detailed account of the multiple mechanisms linking the production of pop music (as a form of popular culture) to the rise and reproduction of populism. The authors use a case study of Italy to interrogate these mechanisms because of its long-lasting populist phenomena and the contextual importance of pop music. The book's mixed-methods strategy assesses three different aspects of the potential relationship between pop music and populist politics: the cultural opportunity structure generated and reproduced by the production of music, the strategies political actors use to exploit music for political purposes, and, crucially, the ways fans and ordinary citizens understand the relationship between pop music and politics, and subsequent debates and identities. Moving from the case study, the book in its last chapter offers a more general understanding of the associations between pop music and populism.

Comics and human mobility have a long history of connections. This volume explores these entanglements with a focus on both how comics represent migration and what applied uses comics have in relation to migration. The volume examines both individual works of comic art and examples of practical applications of comics from across the world. Comics are well-suited to create understanding, highlight truthful information and engender empathy in its audiences, but it is also an art form that is preconditioned or even limited by its representational and practical conventions. Through analyses of various practices and representations, this book questions the uncritical belief in the capacity of comics and assesses their potential to represent stories of exile and immigration with compassion and discusses how xenophobia and nationalism are both reinforced and questioned in comics. The book includes essays by both researchers and practitioners like activists and journalists whose work has combined a focus on comics and migration. It predominantly scrutinizes comics and activities from more peripheral areas such as the Nordic region, the German-language countries, Latin America and southern Asia to analyse the treatment and visual representation of migration in these regions. This topical and engaging volume in the Global Perspectives in Comics Studies series will be of interest to researchers and students of comics studies, literary studies, visual art studies, cultural studies, migration, and sociology. It will also be useful reading to a wider academic audience interested in discourses around global migration and comics traditions.

Indispensable for students of film studies, in this book Reena Dube explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labour in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory. Her book treats film as part of the larger cultural production of India and provides a historical sense of the cross genre borrowings, traditions and debates that have deeply influenced Indian cinema and its viewers.

Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame Winner of the American Book Award, Before Columbus Foundation Winner of the PEN Oakland-Josephine Miles Award Winner of the MAAH Stone Book Award A Pitchfork Best Music Book of the Year A Rolling Stone Best Music Book of the Year A Boston Globe Summer Read "Brooks traces all kinds of lines...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening." -New York Times "A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae...Connecting the sonic worlds of Black female mythmakers and truth-tellers." -Rolling Stone "A gloriously polyphonic book." -Margo Jefferson, author of Negroland How is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.

Are you looking for A Scandinavian name for your baby? The names of Norse gods and heroes? The history and meaning of Scandinavian first names? Variations and alternate spellings for common Scandinavian names? Naming traditions and customs in Norway, Sweden, and Denmark? A Handbook of Scandinavian Names includes a dictionary of more than fifteen hundred given names from Norway, Sweden, and Denmark, plus some from Iceland and Finland. Each entry provides a guide to pronunciation and the origin and meaning of the name. Many entries also include variations and usage in the Scandinavian countries and famous bearers of the name. Adding engaging context to the dictionary section is an extensive comparative guide to naming practices. The authors discuss immigration to North America from Scandinavia and the ways given names and surnames were adapted in the New World. Also included in the book is a history of Scandinavian names, information on Name Days, and discussion of significant names from mythology and history, including naming traditions in royal families. Winner, Reference Book of the Year, Midwest Book Awards Finalist, USA Best Books Award for Parenting/Family Reference "

"It Came From the 1950s" is an eclectic, witty and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. The essays explore the emergence of "Hammer Horror" and the company's groundbreaking 1958 adaptation of "Dracula"; the work of popular authors such as Shirley Jackson and Robert Bloch, and the effect that 50s food advertisements had upon the poetry of Sylvia Plath; the place of special effects in the decade's science fiction films; and 1950s Anglo-American relations as refracted through the prism of the 1957 film "Night of the Demon."

Cool Britannia and Multi-Ethnic Britain: Uncorking the Champagne Supernova attempts to move away from the melancholia of Cool Britannia and the discourse which often encases the period by repositioning this phenomenon through an ethnic minority perspective. In March 1997, the front page of the magazine Vanity Fair announced 'London Swings! Again!' This headline was a direct reference to the swinging London of the 1960s - the English capital which became the era-defining epicentre of the world for its burgeoning rock and pop music scene, with its daring new youth culture, and the boutique fashion houses of Carnaby Street captured most indelibly by the Mods, Rockers, and psychedelic hippies of the time. In the 1990s this renewed interest in the swinging 60s seemed to reinvigorate popular culture, after a global period in the 1980s which would see the collapse of traditional communism and the ending of Cold War, while ushering in the beginnings of a new technological age spearheaded by Apple, Microsoft, and IBM. The dawn of the 1990s meant that peace and love would once again reign supreme, with Britannia being at the forefront of 'cool' again. Godfathers of the Mancunian Rock scene New Order would declare 'Love had the world in motion' and, for a fleeting period, Britain was about to encounter its second coming as the cultural epicentre of the world. Although history proffers a period of utopia, inclusion, and cultural integration, the narrative alters considerably when exploring this euphoric period through a discriminatory and racialised lens. This book repositions the ethnic minority-lived experience during the 1990s from the societal and political margins to the centre. The lexicon explored here attempts to provide an altogether different discourse that allows us to reflect on seminal and racially discriminatory episodes during the 1990s that subsequently illuminated the systemic racism sustained by the state. The Cool Britannia years become a metaphoric reference point for presenting a Britain that was culturally splintered in many ways. This book utilises storytelling and auto-ethnography as an instrument to unpack the historical amnesia that ensues when unpacking the racialised plights of the time.

Learn the value of football to American society No sport reflects the American value system like football. Visitors to the United States need only watch a game or two to learn all they need to know about the American way of life and the beliefs, attitudes, and concerns of American society. Football and American Identity examines the social conditions and cultural implications found in the football subculture, represented by core values such as competition, conflict, diversity, power, economic success, fair play, liberty, and patriotism. This unique book goes beyond the standard fare on football strategy and history, or the biographies of famous players and coaches, to analyze the reasons why the game is the essence of the American spirit. Author Gerhard Falk, Professor of Sociology at the State University College of New York at Buffalo, examines football as a game, as a business, and as a reflection of the diversity in American life. Football and American Identity also addresses the relationship between football and the media, with much of the game's income generated by advertising and endorsements, and examines the presence of crime in football culture. The book discusses the development of the gameand those involved in itat the Pop Warner, college, and professional levels, examining the social origin of players, coaches, cheerleaders, and owners. In addition, Football and American Identity analyzes the game's fans and their devotion to their teams, examines why Pennsylvania is considered the mother of American football, and looks at the National Football League and its commissioners. Football and American Identity examines: how individualism and achievement can lead to mythological status why a person's occupation is the most important indicator of prestige in the United States what the consequences are of earning more in a year than most Americans make in a lifetime why equality is vital to the ethnic make-up of American football teams why teamwork is important-in football and in industry how freedom is essential for taking the risks necessary for success and much more! Football and American Identity is an inside look at football as an American cultural phenomenon. Devoted and casual fans of the game, as well as academics working in sociology, will find this unique book interesting, entertaining, and thought-provoking.

Learn the value of football to American society No sport reflects the American value system like football. Visitors to the United States need only watch a game or two to learn all they need to know about the American way of life and the beliefs, attitudes, and concerns of American society. Football and American Identity examines the social conditions and cultural implications found in the football subculture, represented by core values such as competition, conflict, diversity, power, economic success, fair play, liberty, and patriotism. This unique book goes beyond the standard fare on football strategy and history, or the biographies of famous players and coaches, to analyze the reasons why the game is the essence of the American spirit. Author Gerhard Falk, Professor of Sociology at the State University College of New York at Buffalo, examines football as a game, as a business, and as a reflection of the diversity in American life. Football and American Identity also addresses the relationship between football and the media, with much of the game's income generated by advertising and endorsements, and examines the presence of crime in football culture. The book discusses the development of the gameand those involved in itat the Pop Warner, college, and professional levels, examining the social origin of players, coaches, cheerleaders, and owners. In addition, Football and American Identity analyzes the game's fans and their devotion to their teams, examines why Pennsylvania is considered the mother of American football, and looks at the National Football League and its commissioners. Football and American Identity examines: how individualism and achievement can lead to mythological status why a person's occupation is the most important indicator of prestige in the United States what the consequences are of earning more in a year than most Americans make in a lifetime why equality is vital to the ethnic make-up of American football teams why teamwork is important-in football and in industry how freedom is essential for taking the risks necessary for success and much more! Football and American Identity is an inside look at football as an American cultural phenomenon. Devoted and casual fans of the game, as well as academics working in sociology, will find this unique book interesting, entertaining, and thought-provoking.

This book is the first comprehensive attempt to identify the deeper causes that have shaped contemporary behaviour patterns and motivations among football fans in Poland. Fan culture in Poland has long been based on a distinctively grassroots, spontaneous movements that ruled out any cooperation with local authorities and sports organizations. The activity of supporter groups has regularly failed to meet the principles set by official bodies, intentionally breaching the moral and legal standards of the day. Based on data derived from ethnographic fieldwork, content analysis of fan journals, magazines, social media and online forums, as well as a wide range of qualitative interviews conducted over the years, the book analyses the ways in which fandom culture in Poland has evolved: from its moderate beginnings in the shadows of a communist regime in the 1970's, through the anomic, 'uncivilized' and pathological decade of the 1990's, to the peculiar culture based on strong cohesion, capabilities of social mobilization and emerging 'resistance identity' in the 21st century. It thus provides a detailed analysis of Polish fandom's multi-dimensional structure, and will be of interest to students and academics interested in the growing field of football research, as well as those researching the transformation of Central and Eastern Europe, or more generally in European Studies.

This book illuminates the aesthetically underrated meaningfulness of particular elements in works of art and aesthetic experiences generally. Beginning from the idea of "hooks" in popular song, the book identifies experiences of special liveliness that are of enduring interest, supporting contemplation and probing discussion. When hooks are placed in the foreground of aesthetic experience, so is an enthusiastic "grabbing back" by the experiencer who forms a quasi-personal bond with the beloved singular moment and is probably inclined to share this still-evolving realization of value with others. This book presents numerous models of enthusiastic "grabbing back" that are art-critically motivated to explain how hooks achieve their effects and philosophically motivated to discover how hooks and hook appreciation contribute to a more ideally desirable life. Framing hook appreciation with a defensible general model of aesthetic experience, this book gives an unprecedented demonstration of the substantial aesthetic and philosophical interest of hook-centered inquiry.

An analysis of African American televangelists as cultural icons Through their constant television broadcasts, mass video distributions, and printed publications, African American religious broadcasters have a seemingly ubiquitous presence in popular culture. They are on par with popular entertainers and athletes in the African American community as cultural icons even as they are criticized by others for taking advantage of the devout in order to subsidize their lavish lifestyles. For these reasons questions abound. Do televangelists proclaim the message of the gospel or a message of greed? Do they represent the "authentic" voice of the black church or the Christian Right in blackface? Does the phenomenon reflect orthodox "Christianity" or ethnocentric "Americaninity" wrapped in religious language? Watch This! seeks to move beyond such polarizing debates by critically delving into the dominant messages and aesthetic styles of African American televangelists and evaluating their ethical implications.

This book, first published in 1981, examines the issues inspiring working-class movements after 1848 in France, Germany and Britain, with some consideration also of Austria, Italy, Spain and Russia. It concentrates on the attitudes of the ordinary working men, rather than the ideologies and the leaders, and considers the many different forms and manifestations of their grievances and means of expression. What emerges is the complexity of the connection between economic circumstances and protest, and the existence of wide divergences of behaviour amongst the European working class.

Although rule breaking in Harry Potter is sometimes dismissed as a distraction from Harry's fight against Lord Voldemort, Harry Potter and Resistance makes the case that it is central to the battle against evil. Far beyond youthful hijinks or adolescent defiance, Harry's rebellion aims to overcome problems deeper and more widespread than a single malevolent wizard. Harry and his allies engage in a resistance movement against the corruption of the Ministry of Magic as well as against the racist social norms that gave rise to Voldemort in the first place. Dumbledore's Army and the Order of the Phoenix employ methods echoing those utilized by World War Two resistance fighters and by the U.S. Civil Rights movement. The aim of this book is to explore issues that speak to our era of heightened political awareness and resistance to intolerance. Its interdisciplinary approach draws on political science, psychology, philosophy, history, race studies, and women's studies, as well as newer interdisciplinary fields such as resistance studies, disgust studies, and creativity studies.

This volume addresses the relationship between irony and popular culture and the role of the consumer in determining and disseminating meaning. Arguing that in a cultural climate largely characterised by fractious communications and perilous linguistic exchanges, the very role of irony in popular culture needs to come under greater scrutiny, it focuses on the many uses, abuses, and misunderstandings of irony in contemporary popular culture, and explores the troubling political populism at the heart of many supposedly satirical and (apparently) non-satirical texts. In an environment in which irony is frequently claimed as a defence for material and behaviour judged controversial, how do we, as a society entrenched in forms of popular culture and media, interpret work that is intended as satire but which reads as unironic? How do we accurately decode works of popular film, literature, television, music, and other cultural forms which sell themselves as bitingly ironic commentaries on current society, but which are also problematic celebrations of the very issues they purport to critique? And what happens when texts intended and received in one manner are themselves ironically recontextualised in another? Bringing together studies across a range of cultural texts including popular music, film and television, Isn't it Ironic? will appeal to scholars of the social sciences and humanities with interests in cultural studies, media studies, popular culture, literary studies and sociology.

Not all original works invoke the encore impulse in their audiences. Those that do generally spawn replications - sequels, spin-offs, or re-makes. This book presents a theory of why some replications succeed and others fail. Pfefferman analyzes replication attempts across various genres and media using the theory's principles to reveal strategies for identifying and maintaining works with potential for an encore. The book ultimately shows how true strategic reinvention distinguishes itself from mere imitation or mimicry by encompassing its own type of originality by retaining the essence of the original, factoring in the new place and time, presenting itself as authentic, conveying relevant meaning, and tapping into universal themes. For anyone interested in what constitutes an innovative work, these are more than just replication techniques. They are tools for illuminating the core of the creative process itself.

The essays in this book examine various forms of popular culture and the ways in which they represent, shape, and are constrained by notions about and issues within higher education. From an exploration of rap music to an analysis of how the academy presents and markets itself on the World Wide Web, the essays focus attention on higher education issues that are bound up in the workings and effects of popular culture.

Since 2001, Charles M. Tatum's Chicano Popular Culture has offered a window into popular culture among Americans of Mexican descent. Chicano Popular Culture, Second Edition provides a fascinating, timely, and accessible introduction to Chicano cultural expression and representation. New sections discuss music, with an emphasis on hip-hop and rap; cinema and filmmakers; media, including the contributions of Jorge Ramos and Maria Hinojosa; and celebrations and other popular traditions, including quinceaneras, cincuentaneras, and Cesar Chavez Day. In addition, Tatum has updated and expanded each chapter, with significant revisions in the following areas: "Suggested Readings" for each chapter Chicanas in the Chicano Movement and Chicanos since the Chicano Movement Popular literature, including new material on Denise Chavez, Luis J. Rodriguez, Alfredo Vea, Luis Alberto Urrea, Richard Rodriguez, and Juan Felipe Herrera Theoretical approaches to popular culture, including the perspectives of Norma Cantu, Alicia Gaspar de Alba, Pancho McFarland, Michelle Habell-Pallan, and Victor Sorell Featuring clear examples, an engaging writing style, and helpful discussion questions, Chicano Popular Culture, Second Edition invites readers to discover and enjoy Mexican American popular culture.

* Presents Fanon's theories and insights in a manner that is easy to understand for students * Highlights the various ways that multi-disciplinary forms of psychological analysis can be applied to the critique of contemporary forms of racism * Seamlessly ties together critical and contemporary scholarship from and about Fanon that introduces his analyses of racism and racialized subjectivity in an accessible manner

A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment.

Are we tired of hearing that fall is a season, sick of being offered fries and told about the latest movie? Yeah. Have we noticed the sly interpolation of Americanisms into our everyday speech? You betcha. And are we outraged? Hell, yes. But do we do anything? Too much hassle. Until now. In That's The Way It Crumbles Matthew Engel presents a call to arms against the linguistic impoverishment that happens when one language dominates another. With dismay and wry amusement, he traces the American invasion of our language from the early days of the New World, via the influence of Edison, the dance hall and the talkies, right up to the Apple and Microsoft-dominated present day, and explores the fate of other languages trying to fend off linguistic takeover bids. It is not the Americans' fault, more the result of their talent for innovation and our own indifference. He explains how America's cultural supremacy affects British gestures, celebrations and way of life, and how every paragraph and conversation includes words the British no longer even think of as Americanisms. Part battle cry, part love song, part elegy, this book celebrates the strange, the banal, the precious and the endangered parts of our uncommon common language.

In Elizabeth Taylor: Icon of American Empire, Gloria Shin contends that the titular movie star is a model of postcolonial whiteness as her tenure as the most beautiful woman in the world coincides with the era of postcolonialism in the 1950s and 1960s. Taylor is examined through a series of overlapping readings: as the Mistress in a cycle of Hollywood plantation, via her extra-cinematic image as a jet-setting wanton seductress and oriental in whiteface in the early 1960, through her repatriation to the U.S. in the 1970s via her marriage to and the election of her pro-military husband John Warner to the U.S. Senate, and her evolution as a relentless AIDS activist in the 1980s. Across these interpretative frames, Taylor emerges as the figuration who performs the vast possibilities open to postcolonial whites for mobility, pleasure, and political agency while operating without the burdens of race that allows her stardom to be symbolic of American Empire at the apex of its power.